File

Last modified on: April 14, 2020, 1:54 a.m.

Rue1025a-Missa_Puer_natus_est_nobis-Kyrie.mid


Source
RenComp7
Musical Work
Missa Puer natus est nobis
Section
Kyrie
File Type
Symbolic Music
File Format
.mid
File Size
6.8 KB

Feature Value
Distance Between Two Most Common Vertical Intervals 7.0
Prevalence of Most Common Vertical Interval 0.2344
Prevalence of Second Most Common Vertical Interval 0.1635
Prevalence Ratio of Two Most Common Vertical Intervals 0.6974
Vertical Unisons 0.03404
Vertical Minor Seconds 0.004335
Vertical Thirds 0.2873
Vertical Tritones 0.01389
Vertical Perfect Fourths 0.1064
Vertical Perfect Fifths 0.1635
Vertical Sixths 0.1273
Vertical Sevenths 0.03606
Vertical Octaves 0.2003
Perfect Vertical Intervals 0.5042
Vertical Dissonance Ratio 0.08846
Vertical Minor Third Prevalence 0.4547
Vertical Major Third Prevalence 0.4002
Chord Duration 2.161
Partial Chords 0.3918
Standard Triads 0.3971
Diminished and Augmented Triads 0.02862
Dominant Seventh Chords 0.001789
Seventh Chords 0.02683
Non-Standard Chords 0.1843
Complex Chords 0.0
Minor Major Triad Ratio 0.9646
Average Number of Simultaneous Pitch Classes 2.567
Variability of Number of Simultaneous Pitch Classes 0.6979
Average Number of Simultaneous Pitches 3.295
Variability of Number of Simultaneous Pitches 0.7464
Most Common Vertical Interval 0.0
Second Most Common Vertical Interval 7.0
Dynamic Range 20.0
Variation of Dynamics 6.319
Variation of Dynamics In Each Voice 0.0
Average Note to Note Change in Dynamics 0.0
Unpitched Percussion Instrument Prevalence 0.0
String Keyboard Prevalence 0.0
Acoustic Guitar Prevalence 0.0
Electric Guitar Prevalence 0.0
Violin Prevalence 0.0
Saxophone Prevalence 0.0
Brass Prevalence 0.0
Woodwinds Prevalence 1.0
Orchestral Strings Prevalence 0.0
String Ensemble Prevalence 0.0
Electric Instrument Prevalence 0.0
Variability of Note Prevalence of Pitched Instruments 49.59
Variability of Note Prevalence of Unpitched Instruments 0.0
Number of Pitched Instruments 4.0
Number of Unpitched Instruments 0.0
Chromatic Motion 0.2281
Stepwise Motion 0.6871
Melodic Thirds 0.09942
Melodic Perfect Fourths 0.05702
Melodic Tritones 0.0
Melodic Perfect Fifths 0.04825
Melodic Sixths 0.002924
Melodic Sevenths 0.0
Melodic Octaves 0.004386
Melodic Large Intervals 0.0
Most Common Melodic Interval 2.0
Minor Major Melodic Third Ratio 3.533
Melodic Embellishments 0.03628
Direction of Melodic Motion 0.4732
Average Length of Melodic Arcs 1.959
Average Interval Spanned by Melodic Arcs 4.662
Melodic Pitch Variety 4.589
Mean Melodic Interval 2.165
Number of Common Melodic Intervals 3.0
Distance Between Most Prevalent Melodic Intervals 1.0
Prevalence of Most Common Melodic Interval 0.4591
Relative Prevalence of Most Common Melodic Intervals 0.4968
Amount of Arpeggiation 0.2529
Repeated Notes 0.1009
Importance of Middle Register 0.7692
Importance of High Register 0.02758
Dominant Spread 6.0
Strong Tonal Centres 1.0
Mean Pitch 60.37
Mean Pitch Class 4.971
Most Common Pitch 62.0
Most Common Pitch Class 7.0
Prevalence of Most Common Pitch 0.09869
Prevalence of Most Common Pitch Class 0.1713
Relative Prevalence of Top Pitches 0.8824
Relative Prevalence of Top Pitch Classes 0.9576
Interval Between Most Prevalent Pitches 7.0
Interval Between Most Prevalent Pitch Classes 5.0
Pitch Variability 7.146
Pitch Class Variability 3.383
Pitch Class Variability After Folding 4.054
Pitch Skewness -0.4271
Pitch Class Skewness -0.02574
Pitch Class Skewness After Folding 0.872
Pitch Kurtosis 5.107
Pitch Class Kurtosis 4.783
Pitch Class Kurtosis After Folding 4.947
Major or Minor 0.0
First Pitch 55.0
First Pitch Class 7.0
Last Pitch 43.0
Last Pitch Class 7.0
Glissando Prevalence 0.0
Average Range of Glissandos 0.0
Number of Pitches 28.0
Vibrato Prevalence 0.0
Microtone Prevalence 0.0
Number of Pitch Classes 11.0
Number of Common Pitches 1.0
Number of Common Pitch Classes 0.0
Range 34.0
Importance of Bass Register 0.2032
Note Density per Quarter Note 1.154
Note Density per Quarter Note per Voice 0.2885
Note Density per Quarter Note Variability 0.5347
Range of Rhythmic Values 9.0
Number of Different Rhythmic Values Present 9.0
Number of Common Rhythmic Values Present 3.0
Prevalence of Very Short Rhythmic Values 0.0
Prevalence of Short Rhythmic Values 0.001451
Prevalence of Medium Rhythmic Values 0.5849
Simple Initial Meter 1.0
Prevalence of Long Rhythmic Values 0.6996
Prevalence of Very Long Rhythmic Values 0.1016
Prevalence of Dotted Notes 0.1466
Shortest Rhythmic Value 0.5
Longest Rhythmic Value 12.0
Mean Rhythmic Value 2.926
Most Common Rhythmic Value 1.0
Prevalence of Most Common Rhythmic Value 0.2975
Relative Prevalence of Most Common Rhythmic Values 0.9561
Difference Between Most Common Rhythmic Values 2.0
Compound Initial Meter 0.0
Rhythmic Value Variability 2.388
Rhythmic Value Skewness 1.164
Rhythmic Value Kurtosis 10.59
Mean Rhythmic Value Run Length 1.472
Median Rhythmic Value Run Length 1.0
Variability in Rhythmic Value Run Lengths 1.048
Mean Rhythmic Value Offset 0.05225
Median Rhythmic Value Offset 0.0
Complex Initial Meter 0.0
Variability of Rhythmic Value Offsets 0.5883
Complete Rests Fraction 0.001496
Partial Rests Fraction 0.4801
Average Rest Fraction Across Voices 0.1429
Longest Complete Rest 0.8931
Longest Partial Rest 56.64
Mean Complete Rest Duration 0.8931
Mean Partial Rest Duration 7.419
Median Complete Rest Duration 0.8931
Median Partial Rest Duration 2.36
Duple Initial Meter 0.0
Variability of Complete Rest Durations 0.0
Variability of Partial Rest Durations 11.0
Variability Across Voices of Combined Rests 46.03
Number of Strong Rhythmic Pulses - Tempo Standardized 3.0
Number of Moderate Rhythmic Pulses - Tempo Standardized 3.0
Number of Relatively Strong Rhythmic Pulses - Tempo Standardized 3.0
Strongest Rhythmic Pulse - Tempo Standardized 60.0
Second Strongest Rhythmic Pulse - Tempo Standardized 40.0
Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized 1.5
Triple Initial Meter 1.0
Strength of Strongest Rhythmic Pulse - Tempo Standardized 0.4797
Strength of Second Strongest Rhythmic Pulse - Tempo Standardized 0.2591
Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized 1.851
Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized 0.7388
Rhythmic Variability - Tempo Standardized 0.04731
Rhythmic Looseness - Tempo Standardized 0.0
Polyrhythms - Tempo Standardized 0.6667
Quadruple Initial Meter 0.0
Metrical Diversity 2.0
Total Number of Notes 689.0
Initial Tempo 232.0
Average Variability of Time Between Attacks for Each Voice 0.9434
Minimum Note Duration 0.09868
Maximum Note Duration 5.0
Average Note Duration 0.6534
Variability of Note Durations 0.588
Amount of Staccato 0.001451
Number of Strong Rhythmic Pulses 6.0
Number of Moderate Rhythmic Pulses 6.0
Number of Relatively Strong Rhythmic Pulses 6.0
Mean Tempo 277.1
Strongest Rhythmic Pulse 46.0
Second Strongest Rhythmic Pulse 69.0
Harmonicity of Two Strongest Rhythmic Pulses 1.5
Strength of Strongest Rhythmic Pulse 0.2259
Strength of Second Strongest Rhythmic Pulse 0.221
Strength Ratio of Two Strongest Rhythmic Pulses 1.022
Combined Strength of Two Strongest Rhythmic Pulses 0.4469
Rhythmic Variability 0.03323
Rhythmic Looseness 0.0
Polyrhythms 0.5
Tempo Variability 29.0
Duration in Seconds 130.8
Note Density 5.266
Note Density Variability 2.198
Average Time Between Attacks 0.3721
Average Time Between Attacks for Each Voice 0.785
Variability of Time Between Attacks 0.2971
Maximum Number of Independent Voices 4.0
Relative Range of Loudest Voice 0.5
Relative Range Isolation of Loudest Voice 0.25
Relative Range of Highest Line 0.5
Relative Note Density of Highest Line 0.3948
Relative Note Durations of Lowest Line 0.9919
Relative Size of Melodic Intervals in Lowest Line 1.143
Voice Overlap 0.8229
Voice Separation 5.667
Variability of Voice Separation 4.163
Parallel Motion 0.05824
Average Number of Independent Voices 3.43
Similar Motion 0.1152
Contrary Motion 0.1735
Oblique Motion 0.653
Parallel Fifths 0.002478
Parallel Octaves 0.001239
Variability of Number of Independent Voices 0.6631
Voice Equality - Number of Notes 49.59
Voice Equality - Note Duration 10.09
Voice Equality - Dynamics 8.66
Voice Equality - Melodic Leaps 0.5
Voice Equality - Range 1.826
Importance of Loudest Voice 10.0