File

Last modified on: April 14, 2020, 1:54 a.m.

Rue1031d-Missa_Tous_les_regretz-Sanctus.mid


Source
RenComp7
Musical Work
Missa Tous les regretz
Section
Sanctus
File Type
Symbolic Music
File Format
.mid
File Size
18.4 KB

Feature Value
Distance Between Two Most Common Vertical Intervals 3.0
Prevalence of Most Common Vertical Interval 0.2024
Prevalence of Second Most Common Vertical Interval 0.2019
Prevalence Ratio of Two Most Common Vertical Intervals 0.9975
Vertical Unisons 0.0436
Vertical Minor Seconds 0.001547
Vertical Thirds 0.377
Vertical Tritones 0.007737
Vertical Perfect Fourths 0.06812
Vertical Perfect Fifths 0.167
Vertical Sixths 0.1324
Vertical Sevenths 0.02865
Vertical Octaves 0.1583
Perfect Vertical Intervals 0.437
Vertical Dissonance Ratio 0.05661
Vertical Minor Third Prevalence 0.466
Vertical Major Third Prevalence 0.4161
Chord Duration 2.757
Partial Chords 0.499
Standard Triads 0.3801
Diminished and Augmented Triads 0.01335
Dominant Seventh Chords 0.0
Seventh Chords 0.01049
Non-Standard Chords 0.1103
Complex Chords 0.0
Minor Major Triad Ratio 1.088
Average Number of Simultaneous Pitch Classes 2.412
Variability of Number of Simultaneous Pitch Classes 0.6571
Average Number of Simultaneous Pitches 2.894
Variability of Number of Simultaneous Pitches 0.7769
Most Common Vertical Interval 3.0
Second Most Common Vertical Interval 0.0
Dynamic Range 20.0
Variation of Dynamics 5.692
Variation of Dynamics In Each Voice 0.0
Average Note to Note Change in Dynamics 0.0
Unpitched Percussion Instrument Prevalence 0.0
String Keyboard Prevalence 0.0
Acoustic Guitar Prevalence 0.0
Electric Guitar Prevalence 0.0
Violin Prevalence 0.0
Saxophone Prevalence 0.0
Brass Prevalence 0.0
Woodwinds Prevalence 1.0
Orchestral Strings Prevalence 0.0
String Ensemble Prevalence 0.0
Electric Instrument Prevalence 0.0
Variability of Note Prevalence of Pitched Instruments 184.0
Variability of Note Prevalence of Unpitched Instruments 0.0
Number of Pitched Instruments 4.0
Number of Unpitched Instruments 0.0
Chromatic Motion 0.2094
Stepwise Motion 0.6648
Melodic Thirds 0.1237
Melodic Perfect Fourths 0.05527
Melodic Tritones 0.0
Melodic Perfect Fifths 0.05375
Melodic Sixths 0.006085
Melodic Sevenths 0.0005071
Melodic Octaves 0.01217
Melodic Large Intervals 0.0005071
Most Common Melodic Interval 2.0
Minor Major Melodic Third Ratio 1.94
Melodic Embellishments 0.01569
Direction of Melodic Motion 0.4607
Average Length of Melodic Arcs 1.868
Average Interval Spanned by Melodic Arcs 4.868
Melodic Pitch Variety 5.001
Mean Melodic Interval 2.395
Number of Common Melodic Intervals 2.0
Distance Between Most Prevalent Melodic Intervals 1.0
Prevalence of Most Common Melodic Interval 0.4554
Relative Prevalence of Most Common Melodic Intervals 0.4599
Amount of Arpeggiation 0.2733
Repeated Notes 0.08316
Importance of Middle Register 0.6695
Importance of High Register 0.001518
Dominant Spread 6.0
Strong Tonal Centres 2.0
Mean Pitch 57.3
Mean Pitch Class 5.174
Most Common Pitch 57.0
Most Common Pitch Class 9.0
Prevalence of Most Common Pitch 0.1048
Prevalence of Most Common Pitch Class 0.1771
Relative Prevalence of Top Pitches 0.8261
Relative Prevalence of Top Pitch Classes 0.9086
Interval Between Most Prevalent Pitches 3.0
Interval Between Most Prevalent Pitch Classes 7.0
Pitch Variability 7.102
Pitch Class Variability 3.486
Pitch Class Variability After Folding 3.259
Pitch Skewness 0.341
Pitch Class Skewness 0.1494
Pitch Class Skewness After Folding 0.4943
Pitch Kurtosis 5.299
Pitch Class Kurtosis 4.839
Pitch Class Kurtosis After Folding 6.765
Major or Minor 0.0
First Pitch 57.0
First Pitch Class 9.0
Last Pitch 50.0
Last Pitch Class 2.0
Glissando Prevalence 0.0
Average Range of Glissandos 0.0
Number of Pitches 28.0
Vibrato Prevalence 0.0
Microtone Prevalence 0.0
Number of Pitch Classes 11.0
Number of Common Pitches 1.0
Number of Common Pitch Classes 0.0
Range 33.0
Importance of Bass Register 0.3289
Note Density per Quarter Note 0.8724
Note Density per Quarter Note per Voice 0.2181
Note Density per Quarter Note Variability 0.4525
Range of Rhythmic Values 9.0
Number of Different Rhythmic Values Present 8.0
Number of Common Rhythmic Values Present 2.0
Prevalence of Very Short Rhythmic Values 0.0
Prevalence of Short Rhythmic Values 0.001012
Prevalence of Medium Rhythmic Values 0.4691
Simple Initial Meter 1.0
Prevalence of Long Rhythmic Values 0.8502
Prevalence of Very Long Rhythmic Values 0.1336
Prevalence of Dotted Notes 0.1083
Shortest Rhythmic Value 0.5
Longest Rhythmic Value 12.0
Mean Rhythmic Value 3.386
Most Common Rhythmic Value 4.0
Prevalence of Most Common Rhythmic Value 0.3411
Relative Prevalence of Most Common Rhythmic Values 0.9362
Difference Between Most Common Rhythmic Values 2.0
Compound Initial Meter 0.0
Rhythmic Value Variability 2.196
Rhythmic Value Skewness 0.5267
Rhythmic Value Kurtosis 8.898
Mean Rhythmic Value Run Length 1.723
Median Rhythmic Value Run Length 1.0
Variability in Rhythmic Value Run Lengths 1.378
Mean Rhythmic Value Offset 0.09919
Median Rhythmic Value Offset 0.0
Complex Initial Meter 0.0
Variability of Rhythmic Value Offsets 1.394
Complete Rests Fraction 0.0003351
Partial Rests Fraction 0.69
Average Rest Fraction Across Voices 0.2469
Longest Complete Rest 0.7589
Longest Partial Rest 407.7
Mean Complete Rest Duration 0.7589
Mean Partial Rest Duration 14.07
Median Complete Rest Duration 0.7589
Median Partial Rest Duration 3.061
Duple Initial Meter 1.0
Variability of Complete Rest Durations 0.0
Variability of Partial Rest Durations 47.46
Variability Across Voices of Combined Rests 461.7
Number of Strong Rhythmic Pulses - Tempo Standardized 3.0
Number of Moderate Rhythmic Pulses - Tempo Standardized 3.0
Number of Relatively Strong Rhythmic Pulses - Tempo Standardized 2.0
Strongest Rhythmic Pulse - Tempo Standardized 60.0
Second Strongest Rhythmic Pulse - Tempo Standardized 40.0
Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized 1.5
Triple Initial Meter 0.0
Strength of Strongest Rhythmic Pulse - Tempo Standardized 0.6227
Strength of Second Strongest Rhythmic Pulse - Tempo Standardized 0.193
Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized 3.226
Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized 0.8158
Rhythmic Variability - Tempo Standardized 0.05316
Rhythmic Looseness - Tempo Standardized 0.0
Polyrhythms - Tempo Standardized 0.5
Quadruple Initial Meter 0.0
Metrical Diversity 2.0
Total Number of Notes 1976.0
Initial Tempo 290.0
Average Variability of Time Between Attacks for Each Voice 2.415
Minimum Note Duration 0.1034
Maximum Note Duration 6.621
Average Note Duration 0.6167
Variability of Note Durations 0.4929
Amount of Staccato 0.0
Number of Strong Rhythmic Pulses 4.0
Number of Moderate Rhythmic Pulses 7.0
Number of Relatively Strong Rhythmic Pulses 4.0
Mean Tempo 350.1
Strongest Rhythmic Pulse 84.0
Second Strongest Rhythmic Pulse 42.0
Harmonicity of Two Strongest Rhythmic Pulses 2.0
Strength of Strongest Rhythmic Pulse 0.2481
Strength of Second Strongest Rhythmic Pulse 0.2458
Strength Ratio of Two Strongest Rhythmic Pulses 1.009
Combined Strength of Two Strongest Rhythmic Pulses 0.4939
Rhythmic Variability 0.03407
Rhythmic Looseness 0.0
Polyrhythms 0.75
Tempo Variability 73.09
Duration in Seconds 404.5
Note Density 4.885
Note Density Variability 1.259
Average Time Between Attacks 0.4036
Average Time Between Attacks for Each Voice 0.9328
Variability of Time Between Attacks 0.1986
Maximum Number of Independent Voices 4.0
Relative Range of Loudest Voice 0.5152
Relative Range Isolation of Loudest Voice 0.4467
Relative Range of Highest Line 0.5152
Relative Note Density of Highest Line 0.1316
Relative Note Durations of Lowest Line 0.9549
Relative Size of Melodic Intervals in Lowest Line 1.0
Voice Overlap 0.7955
Voice Separation 5.333
Variability of Voice Separation 2.887
Parallel Motion 0.05956
Average Number of Independent Voices 3.042
Similar Motion 0.1649
Contrary Motion 0.2062
Oblique Motion 0.5693
Parallel Fifths 0.001718
Parallel Octaves 0.001718
Variability of Number of Independent Voices 0.8242
Voice Equality - Number of Notes 184.0
Voice Equality - Note Duration 82.46
Voice Equality - Dynamics 8.66
Voice Equality - Melodic Leaps 0.0
Voice Equality - Range 1.732
Importance of Loudest Voice 10.0