| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.1984 |
| Prevalence of Second Most Common Vertical Interval |
0.1909 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.9624 |
| Vertical Unisons |
0.025 |
| Vertical Minor Seconds |
0.002487 |
| Vertical Thirds |
0.3345 |
| Vertical Tritones |
0.007234 |
| Vertical Perfect Fourths |
0.09201 |
| Vertical Perfect Fifths |
0.1984 |
| Vertical Sixths |
0.1381 |
| Vertical Sevenths |
0.02067 |
| Vertical Octaves |
0.1659 |
| Perfect Vertical Intervals |
0.4813 |
| Vertical Dissonance Ratio |
0.04839 |
| Vertical Minor Third Prevalence |
0.5069 |
| Vertical Major Third Prevalence |
0.4872 |
| Chord Duration |
2.808 |
| Partial Chords |
0.3541 |
| Standard Triads |
0.5175 |
| Diminished and Augmented Triads |
0.01082 |
| Dominant Seventh Chords |
0.002577 |
| Seventh Chords |
0.01289 |
| Non-Standard Chords |
0.1155 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
0.9271 |
| Average Number of Simultaneous Pitch Classes |
2.612 |
| Variability of Number of Simultaneous Pitch Classes |
0.6235 |
| Average Number of Simultaneous Pitches |
3.256 |
| Variability of Number of Simultaneous Pitches |
0.77 |
| Most Common Vertical Interval |
7.0 |
| Second Most Common Vertical Interval |
0.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
6.635 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
115.2 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.197 |
| Stepwise Motion |
0.5873 |
| Melodic Thirds |
0.106 |
| Melodic Perfect Fourths |
0.04952 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.04366 |
| Melodic Sixths |
0.002662 |
| Melodic Sevenths |
0.0005325 |
| Melodic Octaves |
0.006922 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.689 |
| Melodic Embellishments |
0.01435 |
| Direction of Melodic Motion |
0.484 |
| Average Length of Melodic Arcs |
1.953 |
| Average Interval Spanned by Melodic Arcs |
4.881 |
| Melodic Pitch Variety |
4.589 |
| Mean Melodic Interval |
1.998 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
2.0 |
| Prevalence of Most Common Melodic Interval |
0.3903 |
| Relative Prevalence of Most Common Melodic Intervals |
0.5211 |
| Amount of Arpeggiation |
0.3605 |
| Repeated Notes |
0.2034 |
| Importance of Middle Register |
0.7503 |
| Importance of High Register |
0.04995 |
| Dominant Spread |
7.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
60.78 |
| Mean Pitch Class |
5.201 |
| Most Common Pitch |
60.0 |
| Most Common Pitch Class |
4.0 |
| Prevalence of Most Common Pitch |
0.08874 |
| Prevalence of Most Common Pitch Class |
0.1637 |
| Relative Prevalence of Top Pitches |
0.9641 |
| Relative Prevalence of Top Pitch Classes |
0.974 |
| Interval Between Most Prevalent Pitches |
4.0 |
| Interval Between Most Prevalent Pitch Classes |
4.0 |
| Pitch Variability |
7.397 |
| Pitch Class Variability |
3.493 |
| Pitch Class Variability After Folding |
3.22 |
| Pitch Skewness |
0.4672 |
| Pitch Class Skewness |
0.1725 |
| Pitch Class Skewness After Folding |
0.3989 |
| Pitch Kurtosis |
5.235 |
| Pitch Class Kurtosis |
4.895 |
| Pitch Class Kurtosis After Folding |
6.912 |
| Major or Minor |
0.0 |
| First Pitch |
52.0 |
| First Pitch Class |
4.0 |
| Last Pitch |
43.0 |
| Last Pitch Class |
7.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
29.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
11.0 |
| Number of Common Pitches |
0.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
34.0 |
| Importance of Bass Register |
0.1998 |
| Note Density per Quarter Note |
0.9276 |
| Note Density per Quarter Note per Voice |
0.2319 |
| Note Density per Quarter Note Variability |
0.3984 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
2.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.001063 |
| Prevalence of Medium Rhythmic Values |
0.4447 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.8496 |
| Prevalence of Very Long Rhythmic Values |
0.1334 |
| Prevalence of Dotted Notes |
0.1004 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
3.492 |
| Most Common Rhythmic Value |
4.0 |
| Prevalence of Most Common Rhythmic Value |
0.3751 |
| Relative Prevalence of Most Common Rhythmic Values |
0.7847 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.312 |
| Rhythmic Value Skewness |
-0.6591 |
| Rhythmic Value Kurtosis |
9.151 |
| Mean Rhythmic Value Run Length |
1.648 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.167 |
| Mean Rhythmic Value Offset |
0.1254 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
1.444 |
| Complete Rests Fraction |
0.002564 |
| Partial Rests Fraction |
0.4898 |
| Average Rest Fraction Across Voices |
0.1654 |
| Longest Complete Rest |
4.599 |
| Longest Partial Rest |
68.99 |
| Mean Complete Rest Duration |
2.601 |
| Mean Partial Rest Duration |
10.33 |
| Median Complete Rest Duration |
4.599 |
| Median Partial Rest Duration |
3.705 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
2.826 |
| Variability of Partial Rest Durations |
13.87 |
| Variability Across Voices of Combined Rests |
74.21 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
2.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
120.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.0 |
| Triple Initial Meter |
1.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.6288 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1923 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
3.269 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8211 |
| Rhythmic Variability - Tempo Standardized |
0.05349 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
1.0 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
2.0 |
| Total Number of Notes |
1882.0 |
| Initial Tempo |
232.0 |
| Average Variability of Time Between Attacks for Each Voice |
1.391 |
| Minimum Note Duration |
0.1293 |
| Maximum Note Duration |
12.41 |
| Average Note Duration |
0.8095 |
| Variability of Note Durations |
0.7185 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
5.0 |
| Number of Relatively Strong Rhythmic Pulses |
3.0 |
| Mean Tempo |
274.6 |
| Strongest Rhythmic Pulse |
67.0 |
| Second Strongest Rhythmic Pulse |
45.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.489 |
| Strength of Strongest Rhythmic Pulse |
0.3473 |
| Strength of Second Strongest Rhythmic Pulse |
0.2688 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.292 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.6161 |
| Rhythmic Variability |
0.03989 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.6667 |
| Tempo Variability |
52.96 |
| Duration in Seconds |
456.4 |
| Note Density |
4.124 |
| Note Density Variability |
1.157 |
| Average Time Between Attacks |
0.4817 |
| Average Time Between Attacks for Each Voice |
1.019 |
| Variability of Time Between Attacks |
0.2996 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.5294 |
| Relative Range Isolation of Loudest Voice |
0.4512 |
| Relative Range of Highest Line |
0.5294 |
| Relative Note Density of Highest Line |
0.1467 |
| Relative Note Durations of Lowest Line |
1.007 |
| Relative Size of Melodic Intervals in Lowest Line |
0.6667 |
| Voice Overlap |
0.8172 |
| Voice Separation |
5.667 |
| Variability of Voice Separation |
4.933 |
| Parallel Motion |
0.03914 |
| Average Number of Independent Voices |
3.364 |
| Similar Motion |
0.1455 |
| Contrary Motion |
0.1516 |
| Oblique Motion |
0.6637 |
| Parallel Fifths |
0.001103 |
| Parallel Octaves |
0.001103 |
| Variability of Number of Independent Voices |
0.7585 |
| Voice Equality - Number of Notes |
115.2 |
| Voice Equality - Note Duration |
16.69 |
| Voice Equality - Dynamics |
8.66 |
| Voice Equality - Melodic Leaps |
0.5774 |
| Voice Equality - Range |
1.708 |
| Importance of Loudest Voice |
10.0 |