File

Last modified on: April 14, 2020, 1:56 a.m.

Rue1006a-Missa_Conceptio_tua-Kyrie.mid


Source
RenComp7
Musical Work
Missa Conceptio tua
Section
Kyrie
File Type
Symbolic Music
File Format
.mid
File Size
8.5 KB

Feature Value
Distance Between Two Most Common Vertical Intervals 3.0
Prevalence of Most Common Vertical Interval 0.2179
Prevalence of Second Most Common Vertical Interval 0.1701
Prevalence Ratio of Two Most Common Vertical Intervals 0.7804
Vertical Unisons 0.02879
Vertical Minor Seconds 0.007285
Vertical Thirds 0.2868
Vertical Tritones 0.01146
Vertical Perfect Fourths 0.1122
Vertical Perfect Fifths 0.1597
Vertical Sixths 0.1447
Vertical Sevenths 0.03388
Vertical Octaves 0.1891
Perfect Vertical Intervals 0.4898
Vertical Dissonance Ratio 0.08534
Vertical Minor Third Prevalence 0.6175
Vertical Major Third Prevalence 0.485
Chord Duration 2.09
Partial Chords 0.3002
Standard Triads 0.4568
Diminished and Augmented Triads 0.01583
Dominant Seventh Chords 0.004317
Seventh Chords 0.03885
Non-Standard Chords 0.2041
Complex Chords 0.008633
Minor Major Triad Ratio 2.038
Average Number of Simultaneous Pitch Classes 2.74
Variability of Number of Simultaneous Pitch Classes 0.75
Average Number of Simultaneous Pitches 3.672
Variability of Number of Simultaneous Pitches 1.122
Most Common Vertical Interval 0.0
Second Most Common Vertical Interval 3.0
Dynamic Range 20.0
Variation of Dynamics 8.329
Variation of Dynamics In Each Voice 0.0
Average Note to Note Change in Dynamics 0.0
Unpitched Percussion Instrument Prevalence 0.0
String Keyboard Prevalence 0.0
Acoustic Guitar Prevalence 0.0
Electric Guitar Prevalence 0.0
Violin Prevalence 0.0
Saxophone Prevalence 0.0
Brass Prevalence 0.0
Woodwinds Prevalence 1.0
Orchestral Strings Prevalence 0.0
String Ensemble Prevalence 0.0
Electric Instrument Prevalence 0.0
Variability of Note Prevalence of Pitched Instruments 63.1
Variability of Note Prevalence of Unpitched Instruments 0.0
Number of Pitched Instruments 4.0
Number of Unpitched Instruments 0.0
Chromatic Motion 0.2173
Stepwise Motion 0.6486
Melodic Thirds 0.1699
Melodic Perfect Fourths 0.05202
Melodic Tritones 0.0
Melodic Perfect Fifths 0.04624
Melodic Sixths 0.008092
Melodic Sevenths 0.0
Melodic Octaves 0.006936
Melodic Large Intervals 0.0
Most Common Melodic Interval 2.0
Minor Major Melodic Third Ratio 3.742
Melodic Embellishments 0.03333
Direction of Melodic Motion 0.4851
Average Length of Melodic Arcs 1.844
Average Interval Spanned by Melodic Arcs 4.638
Melodic Pitch Variety 5.078
Mean Melodic Interval 2.358
Number of Common Melodic Intervals 3.0
Distance Between Most Prevalent Melodic Intervals 1.0
Prevalence of Most Common Melodic Interval 0.4312
Relative Prevalence of Most Common Melodic Intervals 0.504
Amount of Arpeggiation 0.2913
Repeated Notes 0.06821
Importance of Middle Register 0.4425
Importance of High Register 0.0
Dominant Spread 6.0
Strong Tonal Centres 2.0
Mean Pitch 53.06
Mean Pitch Class 5.117
Most Common Pitch 50.0
Most Common Pitch Class 2.0
Prevalence of Most Common Pitch 0.09195
Prevalence of Most Common Pitch Class 0.1747
Relative Prevalence of Top Pitches 0.95
Relative Prevalence of Top Pitch Classes 0.9276
Interval Between Most Prevalent Pitches 2.0
Interval Between Most Prevalent Pitch Classes 7.0
Pitch Variability 7.461
Pitch Class Variability 3.357
Pitch Class Variability After Folding 3.409
Pitch Skewness 0.1913
Pitch Class Skewness 0.1048
Pitch Class Skewness After Folding 0.6979
Pitch Kurtosis 5.248
Pitch Class Kurtosis 4.948
Pitch Class Kurtosis After Folding 6.283
Major or Minor 0.0
First Pitch 50.0
First Pitch Class 2.0
Last Pitch 38.0
Last Pitch Class 2.0
Glissando Prevalence 0.0
Average Range of Glissandos 0.0
Number of Pitches 25.0
Vibrato Prevalence 0.0
Microtone Prevalence 0.0
Number of Pitch Classes 10.0
Number of Common Pitches 1.0
Number of Common Pitch Classes 0.0
Range 31.0
Importance of Bass Register 0.5575
Note Density per Quarter Note 1.187
Note Density per Quarter Note per Voice 0.2374
Note Density per Quarter Note Variability 0.6734
Range of Rhythmic Values 9.0
Number of Different Rhythmic Values Present 9.0
Number of Common Rhythmic Values Present 3.0
Prevalence of Very Short Rhythmic Values 0.0
Prevalence of Short Rhythmic Values 0.002299
Prevalence of Medium Rhythmic Values 0.531
Simple Initial Meter 1.0
Prevalence of Long Rhythmic Values 0.7322
Prevalence of Very Long Rhythmic Values 0.1379
Prevalence of Dotted Notes 0.1736
Shortest Rhythmic Value 0.5
Longest Rhythmic Value 12.0
Mean Rhythmic Value 3.164
Most Common Rhythmic Value 2.0
Prevalence of Most Common Rhythmic Value 0.2632
Relative Prevalence of Most Common Rhythmic Values 0.9956
Difference Between Most Common Rhythmic Values 2.0
Compound Initial Meter 0.0
Rhythmic Value Variability 2.474
Rhythmic Value Skewness 1.411
Rhythmic Value Kurtosis 8.896
Mean Rhythmic Value Run Length 1.492
Median Rhythmic Value Run Length 1.0
Variability in Rhythmic Value Run Lengths 0.9894
Mean Rhythmic Value Offset 0.07414
Median Rhythmic Value Offset 0.0
Complex Initial Meter 0.0
Variability of Rhythmic Value Offsets 0.855
Complete Rests Fraction 0.00122
Partial Rests Fraction 0.6146
Average Rest Fraction Across Voices 0.2275
Longest Complete Rest 0.8943
Longest Partial Rest 70.9
Mean Complete Rest Duration 0.8943
Mean Partial Rest Duration 15.44
Median Complete Rest Duration 0.8943
Median Partial Rest Duration 9.454
Duple Initial Meter 0.0
Variability of Complete Rest Durations 0.0
Variability of Partial Rest Durations 15.05
Variability Across Voices of Combined Rests 26.63
Number of Strong Rhythmic Pulses - Tempo Standardized 3.0
Number of Moderate Rhythmic Pulses - Tempo Standardized 3.0
Number of Relatively Strong Rhythmic Pulses - Tempo Standardized 3.0
Strongest Rhythmic Pulse - Tempo Standardized 60.0
Second Strongest Rhythmic Pulse - Tempo Standardized 40.0
Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized 1.5
Triple Initial Meter 1.0
Strength of Strongest Rhythmic Pulse - Tempo Standardized 0.4854
Strength of Second Strongest Rhythmic Pulse - Tempo Standardized 0.2639
Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized 1.839
Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized 0.7494
Rhythmic Variability - Tempo Standardized 0.04729
Rhythmic Looseness - Tempo Standardized 0.0
Polyrhythms - Tempo Standardized 0.6667
Quadruple Initial Meter 0.0
Metrical Diversity 2.0
Total Number of Notes 870.0
Initial Tempo 232.0
Average Variability of Time Between Attacks for Each Voice 1.308
Minimum Note Duration 0.09868
Maximum Note Duration 6.621
Average Note Duration 0.7122
Variability of Note Durations 0.6286
Amount of Staccato 0.002299
Number of Strong Rhythmic Pulses 6.0
Number of Moderate Rhythmic Pulses 6.0
Number of Relatively Strong Rhythmic Pulses 6.0
Mean Tempo 277.7
Strongest Rhythmic Pulse 69.0
Second Strongest Rhythmic Pulse 46.0
Harmonicity of Two Strongest Rhythmic Pulses 1.5
Strength of Strongest Rhythmic Pulse 0.2217
Strength of Second Strongest Rhythmic Pulse 0.2194
Strength Ratio of Two Strongest Rhythmic Pulses 1.01
Combined Strength of Two Strongest Rhythmic Pulses 0.441
Rhythmic Variability 0.03298
Rhythmic Looseness 0.0
Polyrhythms 0.3333
Tempo Variability 30.14
Duration in Seconds 160.4
Note Density 5.423
Note Density Variability 2.162
Average Time Between Attacks 0.3581
Average Time Between Attacks for Each Voice 0.8925
Variability of Time Between Attacks 0.2462
Maximum Number of Independent Voices 5.0
Relative Range of Loudest Voice 0.4516
Relative Range Isolation of Loudest Voice 0.5388
Relative Range of Highest Line 0.4516
Relative Note Density of Highest Line 0.3621
Relative Note Durations of Lowest Line 1.04
Relative Size of Melodic Intervals in Lowest Line 1.0
Voice Overlap 0.8264
Voice Separation 4.75
Variability of Voice Separation 2.217
Parallel Motion 0.04839
Average Number of Independent Voices 3.847
Similar Motion 0.1016
Contrary Motion 0.146
Oblique Motion 0.704
Parallel Fifths 0.0008065
Parallel Octaves 0.0008065
Variability of Number of Independent Voices 1.088
Voice Equality - Number of Notes 30.39
Voice Equality - Note Duration 5.827
Voice Equality - Dynamics 9.354
Voice Equality - Melodic Leaps 0.0
Voice Equality - Range 2.702
Importance of Loudest Voice 12.5