| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.185 |
| Prevalence of Second Most Common Vertical Interval |
0.1761 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.952 |
| Vertical Unisons |
0.03731 |
| Vertical Minor Seconds |
0.007217 |
| Vertical Thirds |
0.317 |
| Vertical Tritones |
0.007065 |
| Vertical Perfect Fourths |
0.1093 |
| Vertical Perfect Fifths |
0.1761 |
| Vertical Sixths |
0.1585 |
| Vertical Sevenths |
0.02572 |
| Vertical Octaves |
0.1477 |
| Perfect Vertical Intervals |
0.4704 |
| Vertical Dissonance Ratio |
0.05729 |
| Vertical Minor Third Prevalence |
0.5038 |
| Vertical Major Third Prevalence |
0.4848 |
| Chord Duration |
1.764 |
| Partial Chords |
0.2697 |
| Standard Triads |
0.5512 |
| Diminished and Augmented Triads |
0.02362 |
| Dominant Seventh Chords |
0.0 |
| Seventh Chords |
0.03937 |
| Non-Standard Chords |
0.1398 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
1.188 |
| Average Number of Simultaneous Pitch Classes |
2.71 |
| Variability of Number of Simultaneous Pitch Classes |
0.6103 |
| Average Number of Simultaneous Pitches |
3.32 |
| Variability of Number of Simultaneous Pitches |
0.6556 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
6.989 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
20.16 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2317 |
| Stepwise Motion |
0.6667 |
| Melodic Thirds |
0.1492 |
| Melodic Perfect Fourths |
0.06349 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.0381 |
| Melodic Sixths |
0.009524 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.006349 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.765 |
| Melodic Embellishments |
0.00627 |
| Direction of Melodic Motion |
0.483 |
| Average Length of Melodic Arcs |
1.76 |
| Average Interval Spanned by Melodic Arcs |
4.347 |
| Melodic Pitch Variety |
4.686 |
| Mean Melodic Interval |
2.34 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4349 |
| Relative Prevalence of Most Common Melodic Intervals |
0.5328 |
| Amount of Arpeggiation |
0.2603 |
| Repeated Notes |
0.06667 |
| Importance of Middle Register |
0.8088 |
| Importance of High Register |
0.01254 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
60.05 |
| Mean Pitch Class |
5.567 |
| Most Common Pitch |
57.0 |
| Most Common Pitch Class |
4.0 |
| Prevalence of Most Common Pitch |
0.1097 |
| Prevalence of Most Common Pitch Class |
0.1944 |
| Relative Prevalence of Top Pitches |
0.9714 |
| Relative Prevalence of Top Pitch Classes |
0.9516 |
| Interval Between Most Prevalent Pitches |
3.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
6.459 |
| Pitch Class Variability |
3.592 |
| Pitch Class Variability After Folding |
2.893 |
| Pitch Skewness |
0.3844 |
| Pitch Class Skewness |
0.4739 |
| Pitch Class Skewness After Folding |
0.3608 |
| Pitch Kurtosis |
5.265 |
| Pitch Class Kurtosis |
4.893 |
| Pitch Class Kurtosis After Folding |
7.799 |
| Major or Minor |
0.0 |
| First Pitch |
52.0 |
| First Pitch Class |
4.0 |
| Last Pitch |
52.0 |
| Last Pitch Class |
4.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
21.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
9.0 |
| Number of Common Pitches |
4.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
31.0 |
| Importance of Bass Register |
0.1787 |
| Note Density per Quarter Note |
1.204 |
| Note Density per Quarter Note per Voice |
0.301 |
| Note Density per Quarter Note Variability |
0.5497 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.00627 |
| Prevalence of Medium Rhythmic Values |
0.6395 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.8433 |
| Prevalence of Very Long Rhythmic Values |
0.06583 |
| Prevalence of Dotted Notes |
0.09718 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
2.815 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.4828 |
| Relative Prevalence of Most Common Rhythmic Values |
0.461 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.981 |
| Rhythmic Value Skewness |
1.234 |
| Rhythmic Value Kurtosis |
14.08 |
| Mean Rhythmic Value Run Length |
1.782 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.723 |
| Mean Rhythmic Value Offset |
0.07524 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.9487 |
| Complete Rests Fraction |
0.003742 |
| Partial Rests Fraction |
0.4339 |
| Average Rest Fraction Across Voices |
0.1302 |
| Longest Complete Rest |
0.9917 |
| Longest Partial Rest |
28.0 |
| Mean Complete Rest Duration |
0.9917 |
| Mean Partial Rest Duration |
4.927 |
| Median Complete Rest Duration |
0.9917 |
| Median Partial Rest Duration |
2.0 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
5.863 |
| Variability Across Voices of Combined Rests |
28.54 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
2.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
1.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.608 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2144 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.836 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8225 |
| Rhythmic Variability - Tempo Standardized |
0.05243 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.5 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
319.0 |
| Initial Tempo |
232.0 |
| Average Variability of Time Between Attacks for Each Voice |
0.6478 |
| Minimum Note Duration |
0.1293 |
| Maximum Note Duration |
6.207 |
| Average Note Duration |
0.7475 |
| Variability of Note Durations |
0.6445 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
4.0 |
| Number of Moderate Rhythmic Pulses |
4.0 |
| Number of Relatively Strong Rhythmic Pulses |
3.0 |
| Mean Tempo |
232.0 |
| Strongest Rhythmic Pulse |
58.0 |
| Second Strongest Rhythmic Pulse |
116.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
2.0 |
| Strength of Strongest Rhythmic Pulse |
0.3879 |
| Strength of Second Strongest Rhythmic Pulse |
0.363 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.069 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.7509 |
| Rhythmic Variability |
0.04366 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.6667 |
| Tempo Variability |
0.0000000001251 |
| Duration in Seconds |
68.53 |
| Note Density |
4.655 |
| Note Density Variability |
1.642 |
| Average Time Between Attacks |
0.4266 |
| Average Time Between Attacks for Each Voice |
0.8061 |
| Variability of Time Between Attacks |
0.2143 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.4516 |
| Relative Range Isolation of Loudest Voice |
0.6322 |
| Relative Range of Highest Line |
0.4516 |
| Relative Note Density of Highest Line |
0.8527 |
| Relative Note Durations of Lowest Line |
1.009 |
| Relative Size of Melodic Intervals in Lowest Line |
1.143 |
| Voice Overlap |
0.7931 |
| Voice Separation |
5.333 |
| Variability of Voice Separation |
4.726 |
| Parallel Motion |
0.03779 |
| Average Number of Independent Voices |
3.492 |
| Similar Motion |
0.1453 |
| Contrary Motion |
0.1686 |
| Oblique Motion |
0.6483 |
| Parallel Fifths |
0.01163 |
| Parallel Octaves |
0.0 |
| Variability of Number of Independent Voices |
0.6336 |
| Voice Equality - Number of Notes |
20.16 |
| Voice Equality - Note Duration |
7.38 |
| Voice Equality - Dynamics |
8.66 |
| Voice Equality - Melodic Leaps |
0.5 |
| Voice Equality - Range |
1.414 |
| Importance of Loudest Voice |
10.0 |