| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.2289 |
| Prevalence of Second Most Common Vertical Interval |
0.1707 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.7456 |
| Vertical Unisons |
0.03365 |
| Vertical Minor Seconds |
0.006767 |
| Vertical Thirds |
0.2943 |
| Vertical Tritones |
0.006474 |
| Vertical Perfect Fourths |
0.1023 |
| Vertical Perfect Fifths |
0.1707 |
| Vertical Sixths |
0.1451 |
| Vertical Sevenths |
0.02509 |
| Vertical Octaves |
0.1953 |
| Perfect Vertical Intervals |
0.5019 |
| Vertical Dissonance Ratio |
0.06251 |
| Vertical Minor Third Prevalence |
0.4826 |
| Vertical Major Third Prevalence |
0.4366 |
| Chord Duration |
2.37 |
| Partial Chords |
0.4376 |
| Standard Triads |
0.419 |
| Diminished and Augmented Triads |
0.007312 |
| Dominant Seventh Chords |
0.006187 |
| Seventh Chords |
0.03206 |
| Non-Standard Chords |
0.1114 |
| Complex Chords |
0.006187 |
| Minor Major Triad Ratio |
1.064 |
| Average Number of Simultaneous Pitch Classes |
2.533 |
| Variability of Number of Simultaneous Pitch Classes |
0.7287 |
| Average Number of Simultaneous Pitches |
3.357 |
| Variability of Number of Simultaneous Pitches |
1.175 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
5.092 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
263.4 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.1879 |
| Stepwise Motion |
0.5794 |
| Melodic Thirds |
0.1215 |
| Melodic Perfect Fourths |
0.05558 |
| Melodic Tritones |
0.0004919 |
| Melodic Perfect Fifths |
0.0364 |
| Melodic Sixths |
0.005411 |
| Melodic Sevenths |
0.0004919 |
| Melodic Octaves |
0.004427 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
2.338 |
| Melodic Embellishments |
0.01618 |
| Direction of Melodic Motion |
0.4706 |
| Average Length of Melodic Arcs |
1.988 |
| Average Interval Spanned by Melodic Arcs |
4.936 |
| Melodic Pitch Variety |
4.636 |
| Mean Melodic Interval |
2.01 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
2.0 |
| Prevalence of Most Common Melodic Interval |
0.3915 |
| Relative Prevalence of Most Common Melodic Intervals |
0.5013 |
| Amount of Arpeggiation |
0.3591 |
| Repeated Notes |
0.1963 |
| Importance of Middle Register |
0.65 |
| Importance of High Register |
0.0 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
56.64 |
| Mean Pitch Class |
5.519 |
| Most Common Pitch |
57.0 |
| Most Common Pitch Class |
4.0 |
| Prevalence of Most Common Pitch |
0.08873 |
| Prevalence of Most Common Pitch Class |
0.177 |
| Relative Prevalence of Top Pitches |
0.9669 |
| Relative Prevalence of Top Pitch Classes |
0.9806 |
| Interval Between Most Prevalent Pitches |
5.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
7.408 |
| Pitch Class Variability |
3.498 |
| Pitch Class Variability After Folding |
2.903 |
| Pitch Skewness |
0.02442 |
| Pitch Class Skewness |
0.4452 |
| Pitch Class Skewness After Folding |
0.3268 |
| Pitch Kurtosis |
5.331 |
| Pitch Class Kurtosis |
4.877 |
| Pitch Class Kurtosis After Folding |
7.7 |
| Major or Minor |
0.0 |
| First Pitch |
52.0 |
| First Pitch Class |
4.0 |
| Last Pitch |
40.0 |
| Last Pitch Class |
4.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
25.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
10.0 |
| Number of Common Pitches |
0.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
32.0 |
| Importance of Bass Register |
0.35 |
| Note Density per Quarter Note |
1.073 |
| Note Density per Quarter Note per Voice |
0.2146 |
| Note Density per Quarter Note Variability |
0.5004 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0009804 |
| Prevalence of Medium Rhythmic Values |
0.5436 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.7716 |
| Prevalence of Very Long Rhythmic Values |
0.123 |
| Prevalence of Dotted Notes |
0.1363 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
3.188 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.3152 |
| Relative Prevalence of Most Common Rhythmic Values |
0.8072 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.466 |
| Rhythmic Value Skewness |
1.445 |
| Rhythmic Value Kurtosis |
9.774 |
| Mean Rhythmic Value Run Length |
1.569 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.016 |
| Mean Rhythmic Value Offset |
0.09706 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.8217 |
| Complete Rests Fraction |
0.0004936 |
| Partial Rests Fraction |
0.6997 |
| Average Rest Fraction Across Voices |
0.3005 |
| Longest Complete Rest |
0.9384 |
| Longest Partial Rest |
169.2 |
| Mean Complete Rest Duration |
0.9384 |
| Mean Partial Rest Duration |
20.11 |
| Median Complete Rest Duration |
0.9384 |
| Median Partial Rest Duration |
4.699 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
28.79 |
| Variability Across Voices of Combined Rests |
117.7 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
1.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5452 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2286 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.385 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7737 |
| Rhythmic Variability - Tempo Standardized |
0.04965 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
2.0 |
| Total Number of Notes |
2040.0 |
| Initial Tempo |
232.0 |
| Average Variability of Time Between Attacks for Each Voice |
2.303 |
| Minimum Note Duration |
0.1034 |
| Maximum Note Duration |
6.207 |
| Average Note Duration |
0.7184 |
| Variability of Note Durations |
0.6436 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
4.0 |
| Number of Moderate Rhythmic Pulses |
5.0 |
| Number of Relatively Strong Rhythmic Pulses |
5.0 |
| Mean Tempo |
282.6 |
| Strongest Rhythmic Pulse |
68.0 |
| Second Strongest Rhythmic Pulse |
46.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.478 |
| Strength of Strongest Rhythmic Pulse |
0.2969 |
| Strength of Second Strongest Rhythmic Pulse |
0.2596 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.144 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.5565 |
| Rhythmic Variability |
0.03778 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.4 |
| Tempo Variability |
60.61 |
| Duration in Seconds |
418.5 |
| Note Density |
4.874 |
| Note Density Variability |
1.47 |
| Average Time Between Attacks |
0.3843 |
| Average Time Between Attacks for Each Voice |
1.184 |
| Variability of Time Between Attacks |
0.2051 |
| Maximum Number of Independent Voices |
5.0 |
| Relative Range of Loudest Voice |
0.5312 |
| Relative Range Isolation of Loudest Voice |
0.484 |
| Relative Range of Highest Line |
0.5312 |
| Relative Note Density of Highest Line |
0.1593 |
| Relative Note Durations of Lowest Line |
1.07 |
| Relative Size of Melodic Intervals in Lowest Line |
0.8333 |
| Voice Overlap |
0.8294 |
| Voice Separation |
4.75 |
| Variability of Voice Separation |
2.062 |
| Parallel Motion |
0.04745 |
| Average Number of Independent Voices |
3.523 |
| Similar Motion |
0.1246 |
| Contrary Motion |
0.1335 |
| Oblique Motion |
0.6945 |
| Parallel Fifths |
0.00365 |
| Parallel Octaves |
0.001564 |
| Variability of Number of Independent Voices |
1.221 |
| Voice Equality - Number of Notes |
144.9 |
| Voice Equality - Note Duration |
25.9 |
| Voice Equality - Dynamics |
7.583 |
| Voice Equality - Melodic Leaps |
0.4472 |
| Voice Equality - Range |
0.8944 |
| Importance of Loudest Voice |
8.75 |