File

Last modified on: April 14, 2020, 2 a.m.

Rue1014c-Missa_de_septem_doloribus-Credo.mid


Source
RenComp7
Musical Work
Missa de septem doloribus
Section
Credo
File Type
Symbolic Music
File Format
.mid
File Size
21.2 KB

Feature Value
Distance Between Two Most Common Vertical Intervals 7.0
Prevalence of Most Common Vertical Interval 0.2138
Prevalence of Second Most Common Vertical Interval 0.1836
Prevalence Ratio of Two Most Common Vertical Intervals 0.8589
Vertical Unisons 0.03085
Vertical Minor Seconds 0.004059
Vertical Thirds 0.3058
Vertical Tritones 0.009784
Vertical Perfect Fourths 0.09394
Vertical Perfect Fifths 0.1836
Vertical Sixths 0.1452
Vertical Sevenths 0.02404
Vertical Octaves 0.183
Perfect Vertical Intervals 0.4914
Vertical Dissonance Ratio 0.06107
Vertical Minor Third Prevalence 0.5239
Vertical Major Third Prevalence 0.4639
Chord Duration 1.982
Partial Chords 0.3765
Standard Triads 0.4637
Diminished and Augmented Triads 0.02265
Dominant Seventh Chords 0.002107
Seventh Chords 0.02265
Non-Standard Chords 0.1371
Complex Chords 0.00316
Minor Major Triad Ratio 1.062
Average Number of Simultaneous Pitch Classes 2.579
Variability of Number of Simultaneous Pitch Classes 0.6967
Average Number of Simultaneous Pitches 3.422
Variability of Number of Simultaneous Pitches 1.139
Most Common Vertical Interval 0.0
Second Most Common Vertical Interval 7.0
Dynamic Range 20.0
Variation of Dynamics 8.17
Variation of Dynamics In Each Voice 0.0
Average Note to Note Change in Dynamics 0.0
Unpitched Percussion Instrument Prevalence 0.0
String Keyboard Prevalence 0.0
Acoustic Guitar Prevalence 0.0
Electric Guitar Prevalence 0.0
Violin Prevalence 0.0
Saxophone Prevalence 0.0
Brass Prevalence 0.0
Woodwinds Prevalence 1.0
Orchestral Strings Prevalence 0.0
String Ensemble Prevalence 0.0
Electric Instrument Prevalence 0.0
Variability of Note Prevalence of Pitched Instruments 136.4
Variability of Note Prevalence of Unpitched Instruments 0.0
Number of Pitched Instruments 4.0
Number of Unpitched Instruments 0.0
Chromatic Motion 0.2044
Stepwise Motion 0.6071
Melodic Thirds 0.1253
Melodic Perfect Fourths 0.05729
Melodic Tritones 0.0
Melodic Perfect Fifths 0.02779
Melodic Sixths 0.002993
Melodic Sevenths 0.0
Melodic Octaves 0.007268
Melodic Large Intervals 0.0
Most Common Melodic Interval 2.0
Minor Major Melodic Third Ratio 1.845
Melodic Embellishments 0.01451
Direction of Melodic Motion 0.4489
Average Length of Melodic Arcs 1.872
Average Interval Spanned by Melodic Arcs 4.558
Melodic Pitch Variety 4.611
Mean Melodic Interval 2.023
Number of Common Melodic Intervals 3.0
Distance Between Most Prevalent Melodic Intervals 1.0
Prevalence of Most Common Melodic Interval 0.4027
Relative Prevalence of Most Common Melodic Intervals 0.5074
Amount of Arpeggiation 0.3326
Repeated Notes 0.1723
Importance of Middle Register 0.6421
Importance of High Register 0.002133
Dominant Spread 6.0
Strong Tonal Centres 2.0
Mean Pitch 57.09
Mean Pitch Class 5.126
Most Common Pitch 57.0
Most Common Pitch Class 9.0
Prevalence of Most Common Pitch 0.09172
Prevalence of Most Common Pitch Class 0.1783
Relative Prevalence of Top Pitches 1.0
Relative Prevalence of Top Pitch Classes 0.8876
Interval Between Most Prevalent Pitches 3.0
Interval Between Most Prevalent Pitch Classes 9.0
Pitch Variability 7.34
Pitch Class Variability 3.516
Pitch Class Variability After Folding 3.257
Pitch Skewness 0.1742
Pitch Class Skewness 0.1074
Pitch Class Skewness After Folding 0.4515
Pitch Kurtosis 5.277
Pitch Class Kurtosis 4.812
Pitch Class Kurtosis After Folding 6.765
Major or Minor 0.0
First Pitch 50.0
First Pitch Class 2.0
Last Pitch 38.0
Last Pitch Class 2.0
Glissando Prevalence 0.0
Average Range of Glissandos 0.0
Number of Pitches 30.0
Vibrato Prevalence 0.0
Microtone Prevalence 0.0
Number of Pitch Classes 11.0
Number of Common Pitches 2.0
Number of Common Pitch Classes 0.0
Range 36.0
Importance of Bass Register 0.3558
Note Density per Quarter Note 1.158
Note Density per Quarter Note per Voice 0.2315
Note Density per Quarter Note Variability 0.4891
Range of Rhythmic Values 9.0
Number of Different Rhythmic Values Present 9.0
Number of Common Rhythmic Values Present 3.0
Prevalence of Very Short Rhythmic Values 0.0
Prevalence of Short Rhythmic Values 0.0008532
Prevalence of Medium Rhythmic Values 0.5819
Simple Initial Meter 1.0
Prevalence of Long Rhythmic Values 0.7956
Prevalence of Very Long Rhythmic Values 0.09002
Prevalence of Dotted Notes 0.08916
Shortest Rhythmic Value 0.5
Longest Rhythmic Value 12.0
Mean Rhythmic Value 2.995
Most Common Rhythmic Value 2.0
Prevalence of Most Common Rhythmic Value 0.3776
Relative Prevalence of Most Common Rhythmic Values 0.7141
Difference Between Most Common Rhythmic Values 2.0
Compound Initial Meter 0.0
Rhythmic Value Variability 2.165
Rhythmic Value Skewness 1.379
Rhythmic Value Kurtosis 10.96
Mean Rhythmic Value Run Length 1.694
Median Rhythmic Value Run Length 1.0
Variability in Rhythmic Value Run Lengths 1.185
Mean Rhythmic Value Offset 0.1026
Median Rhythmic Value Offset 0.0
Complex Initial Meter 0.0
Variability of Rhythmic Value Offsets 0.907
Complete Rests Fraction 0.0004897
Partial Rests Fraction 0.6909
Average Rest Fraction Across Voices 0.283
Longest Complete Rest 0.9917
Longest Partial Rest 256.0
Mean Complete Rest Duration 0.9917
Mean Partial Rest Duration 15.08
Median Complete Rest Duration 0.9917
Median Partial Rest Duration 6.0
Duple Initial Meter 1.0
Variability of Complete Rest Durations 0.0
Variability of Partial Rest Durations 25.74
Variability Across Voices of Combined Rests 138.3
Number of Strong Rhythmic Pulses - Tempo Standardized 3.0
Number of Moderate Rhythmic Pulses - Tempo Standardized 3.0
Number of Relatively Strong Rhythmic Pulses - Tempo Standardized 3.0
Strongest Rhythmic Pulse - Tempo Standardized 60.0
Second Strongest Rhythmic Pulse - Tempo Standardized 40.0
Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized 1.5
Triple Initial Meter 0.0
Strength of Strongest Rhythmic Pulse - Tempo Standardized 0.6112
Strength of Second Strongest Rhythmic Pulse - Tempo Standardized 0.1939
Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized 3.152
Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized 0.8051
Rhythmic Variability - Tempo Standardized 0.05255
Rhythmic Looseness - Tempo Standardized 0.0
Polyrhythms - Tempo Standardized 0.6667
Quadruple Initial Meter 0.0
Metrical Diversity 1.0
Total Number of Notes 2344.0
Initial Tempo 290.0
Average Variability of Time Between Attacks for Each Voice 1.595
Minimum Note Duration 0.1034
Maximum Note Duration 6.621
Average Note Duration 0.6408
Variability of Note Durations 0.5612
Amount of Staccato 0.0
Number of Strong Rhythmic Pulses 3.0
Number of Moderate Rhythmic Pulses 6.0
Number of Relatively Strong Rhythmic Pulses 3.0
Mean Tempo 290.0
Strongest Rhythmic Pulse 73.0
Second Strongest Rhythmic Pulse 49.0
Harmonicity of Two Strongest Rhythmic Pulses 1.49
Strength of Strongest Rhythmic Pulse 0.2771
Strength of Second Strongest Rhythmic Pulse 0.2481
Strength Ratio of Two Strongest Rhythmic Pulses 1.117
Combined Strength of Two Strongest Rhythmic Pulses 0.5252
Rhythmic Variability 0.03605
Rhythmic Looseness 0.0
Polyrhythms 0.6667
Tempo Variability 4.507e-10
Duration in Seconds 419.0
Note Density 5.595
Note Density Variability 1.678
Average Time Between Attacks 0.3588
Average Time Between Attacks for Each Voice 0.9037
Variability of Time Between Attacks 0.1761
Maximum Number of Independent Voices 5.0
Relative Range of Loudest Voice 0.3889
Relative Range Isolation of Loudest Voice 0.5745
Relative Range of Highest Line 0.3889
Relative Note Density of Highest Line 0.1408
Relative Note Durations of Lowest Line 1.055
Relative Size of Melodic Intervals in Lowest Line 0.625
Voice Overlap 0.7756
Voice Separation 4.5
Variability of Voice Separation 2.38
Parallel Motion 0.04901
Average Number of Independent Voices 3.587
Similar Motion 0.1234
Contrary Motion 0.1378
Oblique Motion 0.6898
Parallel Fifths 0.0004623
Parallel Octaves 0.002312
Variability of Number of Independent Voices 1.188
Voice Equality - Number of Notes 118.8
Voice Equality - Note Duration 28.62
Voice Equality - Dynamics 9.354
Voice Equality - Melodic Leaps 0.5477
Voice Equality - Range 2.168
Importance of Loudest Voice 12.5