File

Last modified on: April 14, 2020, 2:01 a.m.

Rue1004b-Missa_Ave_Maria-Gloria.mid


Source
RenComp7
Musical Work
Missa Ave Maria
Section
Gloria
File Type
Symbolic Music
File Format
.mid
File Size
10.8 KB

Feature Value
Distance Between Two Most Common Vertical Intervals 7.0
Prevalence of Most Common Vertical Interval 0.2129
Prevalence of Second Most Common Vertical Interval 0.1753
Prevalence Ratio of Two Most Common Vertical Intervals 0.8237
Vertical Unisons 0.02735
Vertical Minor Seconds 0.005038
Vertical Thirds 0.3093
Vertical Tritones 0.01138
Vertical Perfect Fourths 0.09227
Vertical Perfect Fifths 0.1753
Vertical Sixths 0.1422
Vertical Sevenths 0.03117
Vertical Octaves 0.1855
Perfect Vertical Intervals 0.4805
Vertical Dissonance Ratio 0.07299
Vertical Minor Third Prevalence 0.3703
Vertical Major Third Prevalence 0.3414
Chord Duration 2.024
Partial Chords 0.539
Standard Triads 0.318
Diminished and Augmented Triads 0.01494
Dominant Seventh Chords 0.002134
Seventh Chords 0.01281
Non-Standard Chords 0.1302
Complex Chords 0.0
Minor Major Triad Ratio 1.443
Average Number of Simultaneous Pitch Classes 2.309
Variability of Number of Simultaneous Pitch Classes 0.7271
Average Number of Simultaneous Pitches 2.84
Variability of Number of Simultaneous Pitches 0.9283
Most Common Vertical Interval 0.0
Second Most Common Vertical Interval 7.0
Dynamic Range 20.0
Variation of Dynamics 7.168
Variation of Dynamics In Each Voice 0.0
Average Note to Note Change in Dynamics 0.0
Unpitched Percussion Instrument Prevalence 0.0
String Keyboard Prevalence 0.0
Acoustic Guitar Prevalence 0.0
Electric Guitar Prevalence 0.0
Violin Prevalence 0.0
Saxophone Prevalence 0.0
Brass Prevalence 0.0
Woodwinds Prevalence 1.0
Orchestral Strings Prevalence 0.0
String Ensemble Prevalence 0.0
Electric Instrument Prevalence 0.0
Variability of Note Prevalence of Pitched Instruments 35.39
Variability of Note Prevalence of Unpitched Instruments 0.0
Number of Pitched Instruments 4.0
Number of Unpitched Instruments 0.0
Chromatic Motion 0.1901
Stepwise Motion 0.5632
Melodic Thirds 0.1752
Melodic Perfect Fourths 0.05667
Melodic Tritones 0.0
Melodic Perfect Fifths 0.02267
Melodic Sixths 0.001744
Melodic Sevenths 0.0
Melodic Octaves 0.005231
Melodic Large Intervals 0.0
Most Common Melodic Interval 2.0
Minor Major Melodic Third Ratio 2.526
Melodic Embellishments 0.03215
Direction of Melodic Motion 0.4767
Average Length of Melodic Arcs 1.792
Average Interval Spanned by Melodic Arcs 4.388
Melodic Pitch Variety 4.443
Mean Melodic Interval 2.031
Number of Common Melodic Intervals 4.0
Distance Between Most Prevalent Melodic Intervals 1.0
Prevalence of Most Common Melodic Interval 0.3731
Relative Prevalence of Most Common Melodic Intervals 0.5093
Amount of Arpeggiation 0.3784
Repeated Notes 0.1752
Importance of Middle Register 0.8054
Importance of High Register 0.07211
Dominant Spread 7.0
Strong Tonal Centres 1.0
Mean Pitch 62.7
Mean Pitch Class 5.52
Most Common Pitch 57.0
Most Common Pitch Class 9.0
Prevalence of Most Common Pitch 0.09383
Prevalence of Most Common Pitch Class 0.1885
Relative Prevalence of Top Pitches 0.9907
Relative Prevalence of Top Pitch Classes 0.8894
Interval Between Most Prevalent Pitches 12.0
Interval Between Most Prevalent Pitch Classes 5.0
Pitch Variability 7.011
Pitch Class Variability 3.508
Pitch Class Variability After Folding 3.092
Pitch Skewness -0.429
Pitch Class Skewness 0.4451
Pitch Class Skewness After Folding 0.5436
Pitch Kurtosis 5.141
Pitch Class Kurtosis 4.848
Pitch Class Kurtosis After Folding 7.112
Major or Minor 0.0
First Pitch 60.0
First Pitch Class 0.0
Last Pitch 45.0
Last Pitch Class 9.0
Glissando Prevalence 0.0
Average Range of Glissandos 0.0
Number of Pitches 27.0
Vibrato Prevalence 0.0
Microtone Prevalence 0.0
Number of Pitch Classes 11.0
Number of Common Pitches 3.0
Number of Common Pitch Classes 0.0
Range 34.0
Importance of Bass Register 0.1225
Note Density per Quarter Note 1.073
Note Density per Quarter Note per Voice 0.2682
Note Density per Quarter Note Variability 0.5593
Range of Rhythmic Values 7.0
Number of Different Rhythmic Values Present 7.0
Number of Common Rhythmic Values Present 3.0
Prevalence of Very Short Rhythmic Values 0.0
Prevalence of Short Rhythmic Values 0.0
Prevalence of Medium Rhythmic Values 0.6264
Simple Initial Meter 1.0
Prevalence of Long Rhythmic Values 0.7368
Prevalence of Very Long Rhythmic Values 0.06864
Prevalence of Dotted Notes 0.1069
Shortest Rhythmic Value 1.0
Longest Rhythmic Value 12.0
Mean Rhythmic Value 2.679
Most Common Rhythmic Value 2.0
Prevalence of Most Common Rhythmic Value 0.3632
Relative Prevalence of Most Common Rhythmic Values 0.7249
Difference Between Most Common Rhythmic Values 2.0
Compound Initial Meter 0.0
Rhythmic Value Variability 1.873
Rhythmic Value Skewness 1.088
Rhythmic Value Kurtosis 11.43
Mean Rhythmic Value Run Length 1.628
Median Rhythmic Value Run Length 1.0
Variability in Rhythmic Value Run Lengths 1.139
Mean Rhythmic Value Offset 0.04865
Median Rhythmic Value Offset 0.0
Complex Initial Meter 0.0
Variability of Rhythmic Value Offsets 0.7444
Complete Rests Fraction 0.0008216
Partial Rests Fraction 0.6442
Average Rest Fraction Across Voices 0.2718
Longest Complete Rest 0.8816
Longest Partial Rest 97.79
Mean Complete Rest Duration 0.8816
Mean Partial Rest Duration 12.55
Median Complete Rest Duration 0.8816
Median Partial Rest Duration 7.112
Duple Initial Meter 1.0
Variability of Complete Rest Durations 0.0
Variability of Partial Rest Durations 18.57
Variability Across Voices of Combined Rests 46.19
Number of Strong Rhythmic Pulses - Tempo Standardized 3.0
Number of Moderate Rhythmic Pulses - Tempo Standardized 3.0
Number of Relatively Strong Rhythmic Pulses - Tempo Standardized 3.0
Strongest Rhythmic Pulse - Tempo Standardized 60.0
Second Strongest Rhythmic Pulse - Tempo Standardized 40.0
Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized 1.5
Triple Initial Meter 0.0
Strength of Strongest Rhythmic Pulse - Tempo Standardized 0.52
Strength of Second Strongest Rhythmic Pulse - Tempo Standardized 0.2427
Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized 2.142
Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized 0.7627
Rhythmic Variability - Tempo Standardized 0.04869
Rhythmic Looseness - Tempo Standardized 0.0
Polyrhythms - Tempo Standardized 0.6667
Quadruple Initial Meter 0.0
Metrical Diversity 1.0
Total Number of Notes 1151.0
Initial Tempo 232.0
Average Variability of Time Between Attacks for Each Voice 1.435
Minimum Note Duration 0.2069
Maximum Note Duration 6.621
Average Note Duration 0.6319
Variability of Note Durations 0.5081
Amount of Staccato 0.0
Number of Strong Rhythmic Pulses 5.0
Number of Moderate Rhythmic Pulses 5.0
Number of Relatively Strong Rhythmic Pulses 5.0
Mean Tempo 261.0
Strongest Rhythmic Pulse 65.0
Second Strongest Rhythmic Pulse 43.0
Harmonicity of Two Strongest Rhythmic Pulses 1.512
Strength of Strongest Rhythmic Pulse 0.2643
Strength of Second Strongest Rhythmic Pulse 0.2533
Strength Ratio of Two Strongest Rhythmic Pulses 1.043
Combined Strength of Two Strongest Rhythmic Pulses 0.5176
Rhythmic Variability 0.03685
Rhythmic Looseness 0.0
Polyrhythms 0.4
Tempo Variability 29.0
Duration in Seconds 249.7
Note Density 4.609
Note Density Variability 1.81
Average Time Between Attacks 0.3841
Average Time Between Attacks for Each Voice 0.8296
Variability of Time Between Attacks 0.1964
Maximum Number of Independent Voices 4.0
Relative Range of Loudest Voice 0.5
Relative Range Isolation of Loudest Voice 0.4574
Relative Range of Highest Line 0.5
Relative Note Density of Highest Line 0.2467
Relative Note Durations of Lowest Line 0.9966
Relative Size of Melodic Intervals in Lowest Line 0.6667
Voice Overlap 0.7515
Voice Separation 5.667
Variability of Voice Separation 1.528
Parallel Motion 0.04597
Average Number of Independent Voices 2.929
Similar Motion 0.1135
Contrary Motion 0.1426
Oblique Motion 0.6979
Parallel Fifths 0.001876
Parallel Octaves 0.001876
Variability of Number of Independent Voices 0.9476
Voice Equality - Number of Notes 35.39
Voice Equality - Note Duration 10.75
Voice Equality - Dynamics 8.66
Voice Equality - Melodic Leaps 0.5774
Voice Equality - Range 2.38
Importance of Loudest Voice 10.0