| Distance Between Two Most Common Vertical Intervals |
4.0 |
| Prevalence of Most Common Vertical Interval |
0.204 |
| Prevalence of Second Most Common Vertical Interval |
0.1901 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.932 |
| Vertical Unisons |
0.02312 |
| Vertical Minor Seconds |
0.001884 |
| Vertical Thirds |
0.3559 |
| Vertical Tritones |
0.0105 |
| Vertical Perfect Fourths |
0.1015 |
| Vertical Perfect Fifths |
0.1826 |
| Vertical Sixths |
0.1304 |
| Vertical Sevenths |
0.01266 |
| Vertical Octaves |
0.167 |
| Perfect Vertical Intervals |
0.4742 |
| Vertical Dissonance Ratio |
0.04114 |
| Vertical Minor Third Prevalence |
0.6213 |
| Vertical Major Third Prevalence |
0.7647 |
| Chord Duration |
3.618 |
| Partial Chords |
0.1213 |
| Standard Triads |
0.7684 |
| Diminished and Augmented Triads |
0.01471 |
| Dominant Seventh Chords |
0.003676 |
| Seventh Chords |
0.01471 |
| Non-Standard Chords |
0.09559 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
0.6992 |
| Average Number of Simultaneous Pitch Classes |
2.915 |
| Variability of Number of Simultaneous Pitch Classes |
0.3885 |
| Average Number of Simultaneous Pitches |
3.831 |
| Variability of Number of Simultaneous Pitches |
0.4465 |
| Most Common Vertical Interval |
4.0 |
| Second Most Common Vertical Interval |
0.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
7.24 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
6.758 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.161 |
| Stepwise Motion |
0.5854 |
| Melodic Thirds |
0.1317 |
| Melodic Perfect Fourths |
0.06341 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.03902 |
| Melodic Sixths |
0.009756 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.004878 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
2.857 |
| Melodic Embellishments |
0.02857 |
| Direction of Melodic Motion |
0.4269 |
| Average Length of Melodic Arcs |
1.9 |
| Average Interval Spanned by Melodic Arcs |
4.778 |
| Melodic Pitch Variety |
4.577 |
| Mean Melodic Interval |
2.166 |
| Number of Common Melodic Intervals |
4.0 |
| Distance Between Most Prevalent Melodic Intervals |
2.0 |
| Prevalence of Most Common Melodic Interval |
0.4244 |
| Relative Prevalence of Most Common Melodic Intervals |
0.3908 |
| Amount of Arpeggiation |
0.3415 |
| Repeated Notes |
0.1659 |
| Importance of Middle Register |
0.7857 |
| Importance of High Register |
0.0 |
| Dominant Spread |
7.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
60.04 |
| Mean Pitch Class |
4.895 |
| Most Common Pitch |
65.0 |
| Most Common Pitch Class |
5.0 |
| Prevalence of Most Common Pitch |
0.1333 |
| Prevalence of Most Common Pitch Class |
0.2048 |
| Relative Prevalence of Top Pitches |
0.8571 |
| Relative Prevalence of Top Pitch Classes |
0.814 |
| Interval Between Most Prevalent Pitches |
3.0 |
| Interval Between Most Prevalent Pitch Classes |
3.0 |
| Pitch Variability |
6.756 |
| Pitch Class Variability |
3.319 |
| Pitch Class Variability After Folding |
4.195 |
| Pitch Skewness |
-0.6682 |
| Pitch Class Skewness |
-0.09471 |
| Pitch Class Skewness After Folding |
1.11 |
| Pitch Kurtosis |
5.41 |
| Pitch Class Kurtosis |
4.886 |
| Pitch Class Kurtosis After Folding |
4.82 |
| Major or Minor |
0.0 |
| First Pitch |
53.0 |
| First Pitch Class |
5.0 |
| Last Pitch |
53.0 |
| Last Pitch Class |
5.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
17.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
7.0 |
| Number of Common Pitches |
5.0 |
| Number of Common Pitch Classes |
1.0 |
| Range |
27.0 |
| Importance of Bass Register |
0.2143 |
| Note Density per Quarter Note |
0.7693 |
| Note Density per Quarter Note per Voice |
0.1923 |
| Note Density per Quarter Note Variability |
0.3767 |
| Range of Rhythmic Values |
7.0 |
| Number of Different Rhythmic Values Present |
7.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0 |
| Prevalence of Medium Rhythmic Values |
0.2619 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.9 |
| Prevalence of Very Long Rhythmic Values |
0.4476 |
| Prevalence of Dotted Notes |
0.119 |
| Shortest Rhythmic Value |
1.0 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
5.067 |
| Most Common Rhythmic Value |
8.0 |
| Prevalence of Most Common Rhythmic Value |
0.3524 |
| Relative Prevalence of Most Common Rhythmic Values |
0.7568 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.763 |
| Rhythmic Value Skewness |
1.158 |
| Rhythmic Value Kurtosis |
5.043 |
| Mean Rhythmic Value Run Length |
1.963 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
2.128 |
| Mean Rhythmic Value Offset |
0.07619 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.5481 |
| Complete Rests Fraction |
0.003633 |
| Partial Rests Fraction |
0.06224 |
| Average Rest Fraction Across Voices |
0.01829 |
| Longest Complete Rest |
0.9917 |
| Longest Partial Rest |
8.0 |
| Mean Complete Rest Duration |
0.9917 |
| Mean Partial Rest Duration |
2.496 |
| Median Complete Rest Duration |
0.9917 |
| Median Partial Rest Duration |
2.0 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
2.452 |
| Variability Across Voices of Combined Rests |
4.32 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
2.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
120.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.0 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.6479 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1946 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
3.329 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8426 |
| Rhythmic Variability - Tempo Standardized |
0.05456 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
1.0 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
210.0 |
| Initial Tempo |
288.0 |
| Average Variability of Time Between Attacks for Each Voice |
0.6281 |
| Minimum Note Duration |
0.2083 |
| Maximum Note Duration |
3.333 |
| Average Note Duration |
1.071 |
| Variability of Note Durations |
0.6248 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
6.0 |
| Number of Relatively Strong Rhythmic Pulses |
3.0 |
| Mean Tempo |
288.0 |
| Strongest Rhythmic Pulse |
72.0 |
| Second Strongest Rhythmic Pulse |
48.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.5 |
| Strength of Strongest Rhythmic Pulse |
0.4204 |
| Strength of Second Strongest Rhythmic Pulse |
0.2109 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.993 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.6314 |
| Rhythmic Variability |
0.04086 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.6667 |
| Tempo Variability |
0.00000000008151 |
| Duration in Seconds |
56.87 |
| Note Density |
3.692 |
| Note Density Variability |
1.26 |
| Average Time Between Attacks |
0.6773 |
| Average Time Between Attacks for Each Voice |
1.079 |
| Variability of Time Between Attacks |
0.4928 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.3704 |
| Relative Range Isolation of Loudest Voice |
0.5 |
| Relative Range of Highest Line |
0.3704 |
| Relative Note Density of Highest Line |
1.276 |
| Relative Note Durations of Lowest Line |
1.067 |
| Relative Size of Melodic Intervals in Lowest Line |
0.6667 |
| Voice Overlap |
0.7143 |
| Voice Separation |
5.667 |
| Variability of Voice Separation |
2.082 |
| Parallel Motion |
0.05714 |
| Average Number of Independent Voices |
3.941 |
| Similar Motion |
0.1714 |
| Contrary Motion |
0.1673 |
| Oblique Motion |
0.6041 |
| Parallel Fifths |
0.0 |
| Parallel Octaves |
0.0 |
| Variability of Number of Independent Voices |
0.2353 |
| Voice Equality - Number of Notes |
6.758 |
| Voice Equality - Note Duration |
0.9001 |
| Voice Equality - Dynamics |
8.66 |
| Voice Equality - Melodic Leaps |
1.0 |
| Voice Equality - Range |
1.826 |
| Importance of Loudest Voice |
10.0 |