File

Last modified on: April 14, 2020, 2:02 a.m.

Rue1003e-Missa_Assumpta_est_Maria-Agnus.mid


Source
RenComp7
Musical Work
Missa Assumpta est Maria
Section
Agnus
File Type
Symbolic Music
File Format
.mid
File Size
11.8 KB

Feature Value
Distance Between Two Most Common Vertical Intervals 7.0
Prevalence of Most Common Vertical Interval 0.2223
Prevalence of Second Most Common Vertical Interval 0.1959
Prevalence Ratio of Two Most Common Vertical Intervals 0.8809
Vertical Unisons 0.03905
Vertical Minor Seconds 0.003024
Vertical Thirds 0.3204
Vertical Tritones 0.00642
Vertical Perfect Fourths 0.09395
Vertical Perfect Fifths 0.1959
Vertical Sixths 0.1193
Vertical Sevenths 0.02077
Vertical Octaves 0.1833
Perfect Vertical Intervals 0.5121
Vertical Dissonance Ratio 0.05057
Vertical Minor Third Prevalence 0.4747
Vertical Major Third Prevalence 0.5158
Chord Duration 2.391
Partial Chords 0.3615
Standard Triads 0.5054
Diminished and Augmented Triads 0.004184
Dominant Seventh Chords 0.001674
Seventh Chords 0.02008
Non-Standard Chords 0.113
Complex Chords 0.0
Minor Major Triad Ratio 0.7159
Average Number of Simultaneous Pitch Classes 2.589
Variability of Number of Simultaneous Pitch Classes 0.6572
Average Number of Simultaneous Pitches 3.32
Variability of Number of Simultaneous Pitches 0.7666
Most Common Vertical Interval 0.0
Second Most Common Vertical Interval 7.0
Dynamic Range 20.0
Variation of Dynamics 6.63
Variation of Dynamics In Each Voice 0.0
Average Note to Note Change in Dynamics 0.0
Unpitched Percussion Instrument Prevalence 0.0
String Keyboard Prevalence 0.0
Acoustic Guitar Prevalence 0.0
Electric Guitar Prevalence 0.0
Violin Prevalence 0.0
Saxophone Prevalence 0.0
Brass Prevalence 0.0
Woodwinds Prevalence 1.0
Orchestral Strings Prevalence 0.0
String Ensemble Prevalence 0.0
Electric Instrument Prevalence 0.0
Variability of Note Prevalence of Pitched Instruments 75.6
Variability of Note Prevalence of Unpitched Instruments 0.0
Number of Pitched Instruments 4.0
Number of Unpitched Instruments 0.0
Chromatic Motion 0.1681
Stepwise Motion 0.5728
Melodic Thirds 0.1609
Melodic Perfect Fourths 0.07884
Melodic Tritones 0.0
Melodic Perfect Fifths 0.06034
Melodic Sixths 0.004023
Melodic Sevenths 0.0
Melodic Octaves 0.005632
Melodic Large Intervals 0.0
Most Common Melodic Interval 2.0
Minor Major Melodic Third Ratio 1.353
Melodic Embellishments 0.01201
Direction of Melodic Motion 0.4503
Average Length of Melodic Arcs 1.733
Average Interval Spanned by Melodic Arcs 4.78
Melodic Pitch Variety 4.931
Mean Melodic Interval 2.447
Number of Common Melodic Intervals 4.0
Distance Between Most Prevalent Melodic Intervals 1.0
Prevalence of Most Common Melodic Interval 0.4047
Relative Prevalence of Most Common Melodic Intervals 0.4155
Amount of Arpeggiation 0.3443
Repeated Notes 0.1175
Importance of Middle Register 0.5749
Importance of High Register 0.0
Dominant Spread 7.0
Strong Tonal Centres 1.0
Mean Pitch 54.3
Mean Pitch Class 4.874
Most Common Pitch 60.0
Most Common Pitch Class 0.0
Prevalence of Most Common Pitch 0.1209
Prevalence of Most Common Pitch Class 0.205
Relative Prevalence of Top Pitches 0.7417
Relative Prevalence of Top Pitch Classes 0.7578
Interval Between Most Prevalent Pitches 5.0
Interval Between Most Prevalent Pitch Classes 7.0
Pitch Variability 6.771
Pitch Class Variability 3.523
Pitch Class Variability After Folding 4.118
Pitch Skewness -0.07343
Pitch Class Skewness -0.1071
Pitch Class Skewness After Folding 1.506
Pitch Kurtosis 5.246
Pitch Class Kurtosis 4.706
Pitch Class Kurtosis After Folding 4.972
Major or Minor 0.0
First Pitch 48.0
First Pitch Class 0.0
Last Pitch 36.0
Last Pitch Class 0.0
Glissando Prevalence 0.0
Average Range of Glissandos 0.0
Number of Pitches 21.0
Vibrato Prevalence 0.0
Microtone Prevalence 0.0
Number of Pitch Classes 9.0
Number of Common Pitches 1.0
Number of Common Pitch Classes 1.0
Range 33.0
Importance of Bass Register 0.4251
Note Density per Quarter Note 0.9874
Note Density per Quarter Note per Voice 0.2468
Note Density per Quarter Note Variability 0.4145
Range of Rhythmic Values 7.0
Number of Different Rhythmic Values Present 7.0
Number of Common Rhythmic Values Present 3.0
Prevalence of Very Short Rhythmic Values 0.0
Prevalence of Short Rhythmic Values 0.0
Prevalence of Medium Rhythmic Values 0.4812
Simple Initial Meter 1.0
Prevalence of Long Rhythmic Values 0.7806
Prevalence of Very Long Rhythmic Values 0.1649
Prevalence of Dotted Notes 0.1305
Shortest Rhythmic Value 1.0
Longest Rhythmic Value 12.0
Mean Rhythmic Value 3.438
Most Common Rhythmic Value 4.0
Prevalence of Most Common Rhythmic Value 0.277
Relative Prevalence of Most Common Rhythmic Values 0.9451
Difference Between Most Common Rhythmic Values 2.0
Compound Initial Meter 0.0
Rhythmic Value Variability 2.495
Rhythmic Value Skewness 0.5266
Rhythmic Value Kurtosis 7.874
Mean Rhythmic Value Run Length 1.597
Median Rhythmic Value Run Length 1.0
Variability in Rhythmic Value Run Lengths 1.027
Mean Rhythmic Value Offset 0.1025
Median Rhythmic Value Offset 0.0
Complex Initial Meter 0.0
Variability of Rhythmic Value Offsets 0.9686
Complete Rests Fraction 0.0007304
Partial Rests Fraction 0.3837
Average Rest Fraction Across Voices 0.1271
Longest Complete Rest 0.924
Longest Partial Rest 55.52
Mean Complete Rest Duration 0.924
Mean Partial Rest Duration 8.69
Median Complete Rest Duration 0.924
Median Partial Rest Duration 3.727
Duple Initial Meter 0.0
Variability of Complete Rest Durations 0.0
Variability of Partial Rest Durations 12.64
Variability Across Voices of Combined Rests 73.4
Number of Strong Rhythmic Pulses - Tempo Standardized 3.0
Number of Moderate Rhythmic Pulses - Tempo Standardized 3.0
Number of Relatively Strong Rhythmic Pulses - Tempo Standardized 3.0
Strongest Rhythmic Pulse - Tempo Standardized 60.0
Second Strongest Rhythmic Pulse - Tempo Standardized 40.0
Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized 1.5
Triple Initial Meter 1.0
Strength of Strongest Rhythmic Pulse - Tempo Standardized 0.5409
Strength of Second Strongest Rhythmic Pulse - Tempo Standardized 0.2334
Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized 2.317
Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized 0.7744
Rhythmic Variability - Tempo Standardized 0.04949
Rhythmic Looseness - Tempo Standardized 0.0
Polyrhythms - Tempo Standardized 0.6667
Quadruple Initial Meter 0.0
Metrical Diversity 2.0
Total Number of Notes 1249.0
Initial Tempo 232.0
Average Variability of Time Between Attacks for Each Voice 1.177
Minimum Note Duration 0.2083
Maximum Note Duration 6.207
Average Note Duration 0.7934
Variability of Note Durations 0.6803
Amount of Staccato 0.0
Number of Strong Rhythmic Pulses 4.0
Number of Moderate Rhythmic Pulses 5.0
Number of Relatively Strong Rhythmic Pulses 5.0
Mean Tempo 271.0
Strongest Rhythmic Pulse 67.0
Second Strongest Rhythmic Pulse 45.0
Harmonicity of Two Strongest Rhythmic Pulses 1.489
Strength of Strongest Rhythmic Pulse 0.3118
Strength of Second Strongest Rhythmic Pulse 0.2509
Strength Ratio of Two Strongest Rhythmic Pulses 1.243
Combined Strength of Two Strongest Rhythmic Pulses 0.5627
Rhythmic Variability 0.03792
Rhythmic Looseness 0.0
Polyrhythms 0.4
Tempo Variability 25.75
Duration in Seconds 282.9
Note Density 4.416
Note Density Variability 1.19
Average Time Between Attacks 0.4251
Average Time Between Attacks for Each Voice 0.9534
Variability of Time Between Attacks 0.2745
Maximum Number of Independent Voices 4.0
Relative Range of Loudest Voice 0.4848
Relative Range Isolation of Loudest Voice 0.2031
Relative Range of Highest Line 0.4848
Relative Note Density of Highest Line 0.1954
Relative Note Durations of Lowest Line 1.023
Relative Size of Melodic Intervals in Lowest Line 1.0
Voice Overlap 0.7846
Voice Separation 5.0
Variability of Voice Separation 1.0
Parallel Motion 0.04389
Average Number of Independent Voices 3.486
Similar Motion 0.1317
Contrary Motion 0.1375
Oblique Motion 0.6869
Parallel Fifths 0.0007315
Parallel Octaves 0.0007315
Variability of Number of Independent Voices 0.7159
Voice Equality - Number of Notes 75.6
Voice Equality - Note Duration 16.41
Voice Equality - Dynamics 8.66
Voice Equality - Melodic Leaps 0.8165
Voice Equality - Range 2.872
Importance of Loudest Voice 10.0