File

Last modified on: April 14, 2020, 2:02 a.m.

Rue1026d-Missa_Sancta_Dei_genitrix-Sanctus.mid


Source
RenComp7
Musical Work
Missa Sancta Dei genitrix
Section
Sanctus
File Type
Symbolic Music
File Format
.mid
File Size
9.6 KB

Feature Value
Distance Between Two Most Common Vertical Intervals 3.0
Prevalence of Most Common Vertical Interval 0.1924
Prevalence of Second Most Common Vertical Interval 0.1862
Prevalence Ratio of Two Most Common Vertical Intervals 0.9678
Vertical Unisons 0.02785
Vertical Minor Seconds 0.007247
Vertical Thirds 0.3282
Vertical Tritones 0.01203
Vertical Perfect Fourths 0.08177
Vertical Perfect Fifths 0.1816
Vertical Sixths 0.1549
Vertical Sevenths 0.02889
Vertical Octaves 0.1584
Perfect Vertical Intervals 0.4496
Vertical Dissonance Ratio 0.07223
Vertical Minor Third Prevalence 0.4191
Vertical Major Third Prevalence 0.3457
Chord Duration 2.025
Partial Chords 0.5244
Standard Triads 0.3465
Diminished and Augmented Triads 0.01441
Dominant Seventh Chords 0.003603
Seventh Chords 0.01681
Non-Standard Chords 0.1123
Complex Chords 0.0
Minor Major Triad Ratio 1.531
Average Number of Simultaneous Pitch Classes 2.335
Variability of Number of Simultaneous Pitch Classes 0.7116
Average Number of Simultaneous Pitches 2.784
Variability of Number of Simultaneous Pitches 0.8844
Most Common Vertical Interval 3.0
Second Most Common Vertical Interval 0.0
Dynamic Range 20.0
Variation of Dynamics 4.731
Variation of Dynamics In Each Voice 0.0
Average Note to Note Change in Dynamics 0.0
Unpitched Percussion Instrument Prevalence 0.0
String Keyboard Prevalence 0.0
Acoustic Guitar Prevalence 0.0
Electric Guitar Prevalence 0.0
Violin Prevalence 0.0
Saxophone Prevalence 0.0
Brass Prevalence 0.0
Woodwinds Prevalence 1.0
Orchestral Strings Prevalence 0.0
String Ensemble Prevalence 0.0
Electric Instrument Prevalence 0.0
Variability of Note Prevalence of Pitched Instruments 132.0
Variability of Note Prevalence of Unpitched Instruments 0.0
Number of Pitched Instruments 4.0
Number of Unpitched Instruments 0.0
Chromatic Motion 0.2441
Stepwise Motion 0.7281
Melodic Thirds 0.1153
Melodic Perfect Fourths 0.04119
Melodic Tritones 0.0
Melodic Perfect Fifths 0.08136
Melodic Sixths 0.00309
Melodic Sevenths 0.0
Melodic Octaves 0.008239
Melodic Large Intervals 0.0
Most Common Melodic Interval 2.0
Minor Major Melodic Third Ratio 1.333
Melodic Embellishments 0.01332
Direction of Melodic Motion 0.491
Average Length of Melodic Arcs 2.077
Average Interval Spanned by Melodic Arcs 5.298
Melodic Pitch Variety 5.229
Mean Melodic Interval 2.508
Number of Common Melodic Intervals 2.0
Distance Between Most Prevalent Melodic Intervals 1.0
Prevalence of Most Common Melodic Interval 0.484
Relative Prevalence of Most Common Melodic Intervals 0.5043
Amount of Arpeggiation 0.2276
Repeated Notes 0.02266
Importance of Middle Register 0.79
Importance of High Register 0.005123
Dominant Spread 7.0
Strong Tonal Centres 1.0
Mean Pitch 59.67
Mean Pitch Class 5.537
Most Common Pitch 64.0
Most Common Pitch Class 9.0
Prevalence of Most Common Pitch 0.1045
Prevalence of Most Common Pitch Class 0.1721
Relative Prevalence of Top Pitches 0.9608
Relative Prevalence of Top Pitch Classes 0.9583
Interval Between Most Prevalent Pitches 2.0
Interval Between Most Prevalent Pitch Classes 5.0
Pitch Variability 6.746
Pitch Class Variability 3.539
Pitch Class Variability After Folding 3.129
Pitch Skewness 0.01823
Pitch Class Skewness 0.4551
Pitch Class Skewness After Folding 0.5579
Pitch Kurtosis 5.52
Pitch Class Kurtosis 4.853
Pitch Class Kurtosis After Folding 7.005
Major or Minor 0.0
First Pitch 52.0
First Pitch Class 4.0
Last Pitch 57.0
Last Pitch Class 9.0
Glissando Prevalence 0.0
Average Range of Glissandos 0.0
Number of Pitches 23.0
Vibrato Prevalence 0.0
Microtone Prevalence 0.0
Number of Pitch Classes 10.0
Number of Common Pitches 3.0
Number of Common Pitch Classes 0.0
Range 31.0
Importance of Bass Register 0.2049
Note Density per Quarter Note 1.037
Note Density per Quarter Note per Voice 0.2593
Note Density per Quarter Note Variability 0.511
Range of Rhythmic Values 9.0
Number of Different Rhythmic Values Present 9.0
Number of Common Rhythmic Values Present 3.0
Prevalence of Very Short Rhythmic Values 0.0
Prevalence of Short Rhythmic Values 0.01025
Prevalence of Medium Rhythmic Values 0.6148
Simple Initial Meter 1.0
Prevalence of Long Rhythmic Values 0.7193
Prevalence of Very Long Rhythmic Values 0.06455
Prevalence of Dotted Notes 0.1117
Shortest Rhythmic Value 0.5
Longest Rhythmic Value 12.0
Mean Rhythmic Value 2.69
Most Common Rhythmic Value 2.0
Prevalence of Most Common Rhythmic Value 0.334
Relative Prevalence of Most Common Rhythmic Values 0.8037
Difference Between Most Common Rhythmic Values 2.0
Compound Initial Meter 0.0
Rhythmic Value Variability 1.944
Rhythmic Value Skewness 1.064
Rhythmic Value Kurtosis 12.87
Mean Rhythmic Value Run Length 1.737
Median Rhythmic Value Run Length 1.0
Variability in Rhythmic Value Run Lengths 1.369
Mean Rhythmic Value Offset 0.0748
Median Rhythmic Value Offset 0.0
Complex Initial Meter 0.0
Variability of Rhythmic Value Offsets 1.958
Complete Rests Fraction 0.0009351
Partial Rests Fraction 0.7246
Average Rest Fraction Across Voices 0.2753
Longest Complete Rest 0.8799
Longest Partial Rest 203.2
Mean Complete Rest Duration 0.8799
Mean Partial Rest Duration 17.87
Median Complete Rest Duration 0.8799
Median Partial Rest Duration 2.325
Duple Initial Meter 0.0
Variability of Complete Rest Durations 0.0
Variability of Partial Rest Durations 46.08
Variability Across Voices of Combined Rests 221.2
Number of Strong Rhythmic Pulses - Tempo Standardized 3.0
Number of Moderate Rhythmic Pulses - Tempo Standardized 3.0
Number of Relatively Strong Rhythmic Pulses - Tempo Standardized 3.0
Strongest Rhythmic Pulse - Tempo Standardized 60.0
Second Strongest Rhythmic Pulse - Tempo Standardized 40.0
Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized 1.5
Triple Initial Meter 1.0
Strength of Strongest Rhythmic Pulse - Tempo Standardized 0.5213
Strength of Second Strongest Rhythmic Pulse - Tempo Standardized 0.2341
Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized 2.227
Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized 0.7554
Rhythmic Variability - Tempo Standardized 0.04833
Rhythmic Looseness - Tempo Standardized 0.0
Polyrhythms - Tempo Standardized 0.6667
Quadruple Initial Meter 0.0
Metrical Diversity 2.0
Total Number of Notes 976.0
Initial Tempo 232.0
Average Variability of Time Between Attacks for Each Voice 2.548
Minimum Note Duration 0.1042
Maximum Note Duration 18.62
Average Note Duration 0.6234
Variability of Note Durations 0.7576
Amount of Staccato 0.0
Number of Strong Rhythmic Pulses 5.0
Number of Moderate Rhythmic Pulses 5.0
Number of Relatively Strong Rhythmic Pulses 5.0
Mean Tempo 273.8
Strongest Rhythmic Pulse 68.0
Second Strongest Rhythmic Pulse 45.0
Harmonicity of Two Strongest Rhythmic Pulses 1.511
Strength of Strongest Rhythmic Pulse 0.2706
Strength of Second Strongest Rhythmic Pulse 0.2476
Strength Ratio of Two Strongest Rhythmic Pulses 1.093
Combined Strength of Two Strongest Rhythmic Pulses 0.5181
Rhythmic Variability 0.03639
Rhythmic Looseness 0.0
Polyrhythms 0.4
Tempo Variability 32.62
Duration in Seconds 209.3
Note Density 4.663
Note Density Variability 1.754
Average Time Between Attacks 0.3782
Average Time Between Attacks for Each Voice 1.111
Variability of Time Between Attacks 0.2643
Maximum Number of Independent Voices 4.0
Relative Range of Loudest Voice 0.4516
Relative Range Isolation of Loudest Voice 0.4092
Relative Range of Highest Line 0.4516
Relative Note Density of Highest Line 0.2705
Relative Note Durations of Lowest Line 1.028
Relative Size of Melodic Intervals in Lowest Line 0.8889
Voice Overlap 0.8064
Voice Separation 5.0
Variability of Voice Separation 1.732
Parallel Motion 0.04593
Average Number of Independent Voices 2.86
Similar Motion 0.1409
Contrary Motion 0.2244
Oblique Motion 0.5887
Parallel Fifths 0.003132
Parallel Octaves 0.003132
Variability of Number of Independent Voices 0.8737
Voice Equality - Number of Notes 132.0
Voice Equality - Note Duration 49.21
Voice Equality - Dynamics 8.66
Voice Equality - Melodic Leaps 0.5
Voice Equality - Range 1.5
Importance of Loudest Voice 10.0