File

Last modified on: April 14, 2020, 2:02 a.m.

Rue1003c-Missa_Assumpta_est_Maria-Credo.mid


Source
RenComp7
Musical Work
Missa Assumpta est Maria
Section
Credo
File Type
Symbolic Music
File Format
.mid
File Size
14.8 KB

Feature Value
Distance Between Two Most Common Vertical Intervals 7.0
Prevalence of Most Common Vertical Interval 0.2287
Prevalence of Second Most Common Vertical Interval 0.2006
Prevalence Ratio of Two Most Common Vertical Intervals 0.8768
Vertical Unisons 0.04077
Vertical Minor Seconds 0.001775
Vertical Thirds 0.3143
Vertical Tritones 0.006027
Vertical Perfect Fourths 0.08328
Vertical Perfect Fifths 0.2006
Vertical Sixths 0.1263
Vertical Sevenths 0.02279
Vertical Octaves 0.188
Perfect Vertical Intervals 0.5126
Vertical Dissonance Ratio 0.04914
Vertical Minor Third Prevalence 0.3866
Vertical Major Third Prevalence 0.4072
Chord Duration 2.6
Partial Chords 0.5127
Standard Triads 0.3905
Diminished and Augmented Triads 0.006863
Dominant Seventh Chords 0.001373
Seventh Chords 0.009609
Non-Standard Chords 0.08717
Complex Chords 0.0
Minor Major Triad Ratio 0.4442
Average Number of Simultaneous Pitch Classes 2.341
Variability of Number of Simultaneous Pitch Classes 0.7051
Average Number of Simultaneous Pitches 2.922
Variability of Number of Simultaneous Pitches 0.9355
Most Common Vertical Interval 0.0
Second Most Common Vertical Interval 7.0
Dynamic Range 20.0
Variation of Dynamics 6.782
Variation of Dynamics In Each Voice 0.0
Average Note to Note Change in Dynamics 0.0
Unpitched Percussion Instrument Prevalence 0.0
String Keyboard Prevalence 0.0
Acoustic Guitar Prevalence 0.0
Electric Guitar Prevalence 0.0
Violin Prevalence 0.0
Saxophone Prevalence 0.0
Brass Prevalence 0.0
Woodwinds Prevalence 1.0
Orchestral Strings Prevalence 0.0
String Ensemble Prevalence 0.0
Electric Instrument Prevalence 0.0
Variability of Note Prevalence of Pitched Instruments 75.61
Variability of Note Prevalence of Unpitched Instruments 0.0
Number of Pitched Instruments 4.0
Number of Unpitched Instruments 0.0
Chromatic Motion 0.1593
Stepwise Motion 0.4991
Melodic Thirds 0.1568
Melodic Perfect Fourths 0.05227
Melodic Tritones 0.0
Melodic Perfect Fifths 0.0392
Melodic Sixths 0.003111
Melodic Sevenths 0.0
Melodic Octaves 0.003111
Melodic Large Intervals 0.0
Most Common Melodic Interval 2.0
Minor Major Melodic Third Ratio 2.36
Melodic Embellishments 0.01303
Direction of Melodic Motion 0.455
Average Length of Melodic Arcs 1.747
Average Interval Spanned by Melodic Arcs 4.515
Melodic Pitch Variety 4.26
Mean Melodic Interval 1.956
Number of Common Melodic Intervals 4.0
Distance Between Most Prevalent Melodic Intervals 2.0
Prevalence of Most Common Melodic Interval 0.3398
Relative Prevalence of Most Common Melodic Intervals 0.7253
Amount of Arpeggiation 0.4456
Repeated Notes 0.2464
Importance of Middle Register 0.5323
Importance of High Register 0.0
Dominant Spread 6.0
Strong Tonal Centres 1.0
Mean Pitch 53.49
Mean Pitch Class 4.942
Most Common Pitch 60.0
Most Common Pitch Class 0.0
Prevalence of Most Common Pitch 0.121
Prevalence of Most Common Pitch Class 0.2035
Relative Prevalence of Top Pitches 0.6769
Relative Prevalence of Top Pitch Classes 0.8384
Interval Between Most Prevalent Pitches 12.0
Interval Between Most Prevalent Pitch Classes 5.0
Pitch Variability 7.176
Pitch Class Variability 3.506
Pitch Class Variability After Folding 4.223
Pitch Skewness -0.3436
Pitch Class Skewness -0.04937
Pitch Class Skewness After Folding 0.8906
Pitch Kurtosis 5.035
Pitch Class Kurtosis 4.714
Pitch Class Kurtosis After Folding 4.801
Major or Minor 0.0
First Pitch 60.0
First Pitch Class 0.0
Last Pitch 36.0
Last Pitch Class 0.0
Glissando Prevalence 0.0
Average Range of Glissandos 0.0
Number of Pitches 25.0
Vibrato Prevalence 0.0
Microtone Prevalence 0.0
Number of Pitch Classes 10.0
Number of Common Pitches 1.0
Number of Common Pitch Classes 1.0
Range 34.0
Importance of Bass Register 0.4677
Note Density per Quarter Note 0.9776
Note Density per Quarter Note per Voice 0.2444
Note Density per Quarter Note Variability 0.451
Range of Rhythmic Values 9.0
Number of Different Rhythmic Values Present 8.0
Number of Common Rhythmic Values Present 3.0
Prevalence of Very Short Rhythmic Values 0.0
Prevalence of Short Rhythmic Values 0.002481
Prevalence of Medium Rhythmic Values 0.5596
Simple Initial Meter 1.0
Prevalence of Long Rhythmic Values 0.8226
Prevalence of Very Long Rhythmic Values 0.09243
Prevalence of Dotted Notes 0.09243
Shortest Rhythmic Value 0.5
Longest Rhythmic Value 12.0
Mean Rhythmic Value 3.087
Most Common Rhythmic Value 2.0
Prevalence of Most Common Rhythmic Value 0.3821
Relative Prevalence of Most Common Rhythmic Values 0.7581
Difference Between Most Common Rhythmic Values 2.0
Compound Initial Meter 0.0
Rhythmic Value Variability 2.201
Rhythmic Value Skewness 1.481
Rhythmic Value Kurtosis 11.04
Mean Rhythmic Value Run Length 1.674
Median Rhythmic Value Run Length 1.0
Variability in Rhythmic Value Run Lengths 1.156
Mean Rhythmic Value Offset 0.04218
Median Rhythmic Value Offset 0.0
Complex Initial Meter 0.0
Variability of Rhythmic Value Offsets 0.4761
Complete Rests Fraction 0.003237
Partial Rests Fraction 0.5681
Average Rest Fraction Across Voices 0.2431
Longest Complete Rest 4.45
Longest Partial Rest 155.7
Mean Complete Rest Duration 2.669
Mean Partial Rest Duration 15.88
Median Complete Rest Duration 4.45
Median Partial Rest Duration 3.584
Duple Initial Meter 0.0
Variability of Complete Rest Durations 2.518
Variability of Partial Rest Durations 28.68
Variability Across Voices of Combined Rests 52.98
Number of Strong Rhythmic Pulses - Tempo Standardized 3.0
Number of Moderate Rhythmic Pulses - Tempo Standardized 3.0
Number of Relatively Strong Rhythmic Pulses - Tempo Standardized 3.0
Strongest Rhythmic Pulse - Tempo Standardized 60.0
Second Strongest Rhythmic Pulse - Tempo Standardized 40.0
Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized 1.5
Triple Initial Meter 1.0
Strength of Strongest Rhythmic Pulse - Tempo Standardized 0.6086
Strength of Second Strongest Rhythmic Pulse - Tempo Standardized 0.1969
Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized 3.091
Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized 0.8055
Rhythmic Variability - Tempo Standardized 0.05239
Rhythmic Looseness - Tempo Standardized 0.0
Polyrhythms - Tempo Standardized 0.6667
Quadruple Initial Meter 0.0
Metrical Diversity 2.0
Total Number of Notes 1612.0
Initial Tempo 232.0
Average Variability of Time Between Attacks for Each Voice 1.626
Minimum Note Duration 0.1293
Maximum Note Duration 6.207
Average Note Duration 0.7211
Variability of Note Durations 0.569
Amount of Staccato 0.0
Number of Strong Rhythmic Pulses 3.0
Number of Moderate Rhythmic Pulses 5.0
Number of Relatively Strong Rhythmic Pulses 3.0
Mean Tempo 261.1
Strongest Rhythmic Pulse 65.0
Second Strongest Rhythmic Pulse 43.0
Harmonicity of Two Strongest Rhythmic Pulses 1.512
Strength of Strongest Rhythmic Pulse 0.3087
Strength of Second Strongest Rhythmic Pulse 0.2701
Strength Ratio of Two Strongest Rhythmic Pulses 1.143
Combined Strength of Two Strongest Rhythmic Pulses 0.5788
Rhythmic Variability 0.03878
Rhythmic Looseness 0.0
Polyrhythms 0.6667
Tempo Variability 27.98
Duration in Seconds 383.4
Note Density 4.205
Note Density Variability 1.608
Average Time Between Attacks 0.4582
Average Time Between Attacks for Each Voice 0.9264
Variability of Time Between Attacks 0.3003
Maximum Number of Independent Voices 4.0
Relative Range of Loudest Voice 0.5
Relative Range Isolation of Loudest Voice 0.3833
Relative Range of Highest Line 0.5
Relative Note Density of Highest Line 0.1514
Relative Note Durations of Lowest Line 0.966
Relative Size of Melodic Intervals in Lowest Line 0.8
Voice Overlap 0.8406
Voice Separation 5.333
Variability of Voice Separation 0.5774
Parallel Motion 0.0541
Average Number of Independent Voices 3.063
Similar Motion 0.1252
Contrary Motion 0.1777
Oblique Motion 0.643
Parallel Fifths 0.001546
Parallel Octaves 0.0007728
Variability of Number of Independent Voices 0.9325
Voice Equality - Number of Notes 75.61
Voice Equality - Note Duration 12.32
Voice Equality - Dynamics 8.66
Voice Equality - Melodic Leaps 0.5
Voice Equality - Range 1.5
Importance of Loudest Voice 10.0