| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.2044 |
| Prevalence of Second Most Common Vertical Interval |
0.1888 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.9235 |
| Vertical Unisons |
0.02339 |
| Vertical Minor Seconds |
0.012 |
| Vertical Thirds |
0.3042 |
| Vertical Tritones |
0.01469 |
| Vertical Perfect Fourths |
0.04604 |
| Vertical Perfect Fifths |
0.2044 |
| Vertical Sixths |
0.1289 |
| Vertical Sevenths |
0.04651 |
| Vertical Octaves |
0.1654 |
| Perfect Vertical Intervals |
0.4393 |
| Vertical Dissonance Ratio |
0.1462 |
| Vertical Minor Third Prevalence |
0.3482 |
| Vertical Major Third Prevalence |
0.3229 |
| Chord Duration |
1.492 |
| Partial Chords |
0.5017 |
| Standard Triads |
0.2901 |
| Diminished and Augmented Triads |
0.01024 |
| Dominant Seventh Chords |
0.0 |
| Seventh Chords |
0.0 |
| Non-Standard Chords |
0.2082 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
0.8478 |
| Average Number of Simultaneous Pitch Classes |
2.307 |
| Variability of Number of Simultaneous Pitch Classes |
0.6845 |
| Average Number of Simultaneous Pitches |
2.673 |
| Variability of Number of Simultaneous Pitches |
0.5509 |
| Most Common Vertical Interval |
7.0 |
| Second Most Common Vertical Interval |
0.0 |
| Dynamic Range |
15.0 |
| Variation of Dynamics |
6.938 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
9.452 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
3.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2297 |
| Stepwise Motion |
0.6752 |
| Melodic Thirds |
0.08121 |
| Melodic Perfect Fourths |
0.05336 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.02552 |
| Melodic Sixths |
0.00232 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.01856 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.917 |
| Melodic Embellishments |
0.02074 |
| Direction of Melodic Motion |
0.5528 |
| Average Length of Melodic Arcs |
2.183 |
| Average Interval Spanned by Melodic Arcs |
5.195 |
| Melodic Pitch Variety |
5.289 |
| Mean Melodic Interval |
2.079 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4455 |
| Relative Prevalence of Most Common Melodic Intervals |
0.5156 |
| Amount of Arpeggiation |
0.2691 |
| Repeated Notes |
0.1439 |
| Importance of Middle Register |
0.5138 |
| Importance of High Register |
0.0 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
53.24 |
| Mean Pitch Class |
5.417 |
| Most Common Pitch |
57.0 |
| Most Common Pitch Class |
9.0 |
| Prevalence of Most Common Pitch |
0.1129 |
| Prevalence of Most Common Pitch Class |
0.1797 |
| Relative Prevalence of Top Pitches |
0.6531 |
| Relative Prevalence of Top Pitch Classes |
0.9487 |
| Interval Between Most Prevalent Pitches |
7.0 |
| Interval Between Most Prevalent Pitch Classes |
4.0 |
| Pitch Variability |
7.624 |
| Pitch Class Variability |
3.46 |
| Pitch Class Variability After Folding |
3.713 |
| Pitch Skewness |
-0.5358 |
| Pitch Class Skewness |
0.3616 |
| Pitch Class Skewness After Folding |
1.048 |
| Pitch Kurtosis |
5.032 |
| Pitch Class Kurtosis |
4.85 |
| Pitch Class Kurtosis After Folding |
5.43 |
| Major or Minor |
0.0 |
| First Pitch |
45.0 |
| First Pitch Class |
9.0 |
| Last Pitch |
38.0 |
| Last Pitch Class |
2.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
22.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
9.0 |
| Number of Common Pitches |
1.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
29.0 |
| Importance of Bass Register |
0.4862 |
| Note Density per Quarter Note |
1.288 |
| Note Density per Quarter Note per Voice |
0.4293 |
| Note Density per Quarter Note Variability |
0.4558 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
2.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.004608 |
| Prevalence of Medium Rhythmic Values |
0.7742 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.5968 |
| Prevalence of Very Long Rhythmic Values |
0.03226 |
| Prevalence of Dotted Notes |
0.06221 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
2.115 |
| Most Common Rhythmic Value |
1.0 |
| Prevalence of Most Common Rhythmic Value |
0.3986 |
| Relative Prevalence of Most Common Rhythmic Values |
0.9306 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.465 |
| Rhythmic Value Skewness |
0.2359 |
| Rhythmic Value Kurtosis |
14.36 |
| Mean Rhythmic Value Run Length |
2.038 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.572 |
| Mean Rhythmic Value Offset |
0.0 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.0 |
| Complete Rests Fraction |
0.002943 |
| Partial Rests Fraction |
0.2344 |
| Average Rest Fraction Across Voices |
0.09197 |
| Longest Complete Rest |
0.9917 |
| Longest Partial Rest |
24.0 |
| Mean Complete Rest Duration |
0.9917 |
| Mean Partial Rest Duration |
3.099 |
| Median Complete Rest Duration |
0.9917 |
| Median Partial Rest Duration |
2.0 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
4.23 |
| Variability Across Voices of Combined Rests |
14.0 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
120.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.0 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.4727 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2675 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.767 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7402 |
| Rhythmic Variability - Tempo Standardized |
0.04714 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
434.0 |
| Initial Tempo |
288.0 |
| Average Variability of Time Between Attacks for Each Voice |
0.3748 |
| Minimum Note Duration |
0.1042 |
| Maximum Note Duration |
2.5 |
| Average Note Duration |
0.4407 |
| Variability of Note Durations |
0.3053 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
6.0 |
| Number of Moderate Rhythmic Pulses |
6.0 |
| Number of Relatively Strong Rhythmic Pulses |
6.0 |
| Mean Tempo |
288.0 |
| Strongest Rhythmic Pulse |
144.0 |
| Second Strongest Rhythmic Pulse |
48.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
3.0 |
| Strength of Strongest Rhythmic Pulse |
0.2202 |
| Strength of Second Strongest Rhythmic Pulse |
0.2165 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.017 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.4367 |
| Rhythmic Variability |
0.03304 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.5 |
| Tempo Variability |
0.0000000002386 |
| Duration in Seconds |
70.21 |
| Note Density |
6.182 |
| Note Density Variability |
1.913 |
| Average Time Between Attacks |
0.2854 |
| Average Time Between Attacks for Each Voice |
0.459 |
| Variability of Time Between Attacks |
0.1191 |
| Maximum Number of Independent Voices |
3.0 |
| Relative Range of Loudest Voice |
0.4138 |
| Relative Range Isolation of Loudest Voice |
0.5811 |
| Relative Range of Highest Line |
0.4138 |
| Relative Note Density of Highest Line |
0.4217 |
| Relative Note Durations of Lowest Line |
0.9971 |
| Relative Size of Melodic Intervals in Lowest Line |
0.75 |
| Voice Overlap |
0.5484 |
| Voice Separation |
8.0 |
| Variability of Voice Separation |
1.414 |
| Parallel Motion |
0.0508 |
| Average Number of Independent Voices |
2.732 |
| Similar Motion |
0.1123 |
| Contrary Motion |
0.1818 |
| Oblique Motion |
0.6551 |
| Parallel Fifths |
0.005348 |
| Parallel Octaves |
0.002674 |
| Variability of Number of Independent Voices |
0.5172 |
| Voice Equality - Number of Notes |
9.452 |
| Voice Equality - Note Duration |
2.917 |
| Voice Equality - Dynamics |
8.66 |
| Voice Equality - Melodic Leaps |
0.5774 |
| Voice Equality - Range |
1.732 |
| Importance of Loudest Voice |
7.5 |