| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.1928 |
| Prevalence of Second Most Common Vertical Interval |
0.1877 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.9734 |
| Vertical Unisons |
0.02853 |
| Vertical Minor Seconds |
0.006306 |
| Vertical Thirds |
0.3045 |
| Vertical Tritones |
0.01308 |
| Vertical Perfect Fourths |
0.1122 |
| Vertical Perfect Fifths |
0.1877 |
| Vertical Sixths |
0.1387 |
| Vertical Sevenths |
0.02906 |
| Vertical Octaves |
0.1643 |
| Perfect Vertical Intervals |
0.4928 |
| Vertical Dissonance Ratio |
0.06845 |
| Vertical Minor Third Prevalence |
0.4754 |
| Vertical Major Third Prevalence |
0.3902 |
| Chord Duration |
2.414 |
| Partial Chords |
0.3739 |
| Standard Triads |
0.4466 |
| Diminished and Augmented Triads |
0.0235 |
| Dominant Seventh Chords |
0.002137 |
| Seventh Chords |
0.02137 |
| Non-Standard Chords |
0.1581 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
2.426 |
| Average Number of Simultaneous Pitch Classes |
2.491 |
| Variability of Number of Simultaneous Pitch Classes |
0.7587 |
| Average Number of Simultaneous Pitches |
3.042 |
| Variability of Number of Simultaneous Pitches |
0.8994 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
5.477 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
52.82 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2755 |
| Stepwise Motion |
0.6898 |
| Melodic Thirds |
0.1041 |
| Melodic Perfect Fourths |
0.03878 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.1184 |
| Melodic Sixths |
0.0 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.02653 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
0.5 |
| Melodic Embellishments |
0.01822 |
| Direction of Melodic Motion |
0.4948 |
| Average Length of Melodic Arcs |
1.774 |
| Average Interval Spanned by Melodic Arcs |
5.07 |
| Melodic Pitch Variety |
5.352 |
| Mean Melodic Interval |
2.827 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4143 |
| Relative Prevalence of Most Common Melodic Intervals |
0.665 |
| Amount of Arpeggiation |
0.2714 |
| Repeated Notes |
0.02245 |
| Importance of Middle Register |
0.7874 |
| Importance of High Register |
0.0 |
| Dominant Spread |
7.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
59.87 |
| Mean Pitch Class |
5.735 |
| Most Common Pitch |
64.0 |
| Most Common Pitch Class |
9.0 |
| Prevalence of Most Common Pitch |
0.1073 |
| Prevalence of Most Common Pitch Class |
0.1943 |
| Relative Prevalence of Top Pitches |
0.8491 |
| Relative Prevalence of Top Pitch Classes |
0.9062 |
| Interval Between Most Prevalent Pitches |
7.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
7.045 |
| Pitch Class Variability |
3.565 |
| Pitch Class Variability After Folding |
3.077 |
| Pitch Skewness |
0.1974 |
| Pitch Class Skewness |
0.6184 |
| Pitch Class Skewness After Folding |
0.6413 |
| Pitch Kurtosis |
5.259 |
| Pitch Class Kurtosis |
4.844 |
| Pitch Class Kurtosis After Folding |
6.914 |
| Major or Minor |
0.0 |
| First Pitch |
52.0 |
| First Pitch Class |
4.0 |
| Last Pitch |
52.0 |
| Last Pitch Class |
4.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
23.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
10.0 |
| Number of Common Pitches |
2.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
27.0 |
| Importance of Bass Register |
0.2126 |
| Note Density per Quarter Note |
0.9339 |
| Note Density per Quarter Note per Voice |
0.2335 |
| Note Density per Quarter Note Variability |
0.4993 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
2.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.008097 |
| Prevalence of Medium Rhythmic Values |
0.5405 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.8623 |
| Prevalence of Very Long Rhythmic Values |
0.1113 |
| Prevalence of Dotted Notes |
0.09514 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
3.267 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.4028 |
| Relative Prevalence of Most Common Rhythmic Values |
0.7638 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.337 |
| Rhythmic Value Skewness |
1.627 |
| Rhythmic Value Kurtosis |
10.61 |
| Mean Rhythmic Value Run Length |
1.497 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
0.9839 |
| Mean Rhythmic Value Offset |
0.09717 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.9819 |
| Complete Rests Fraction |
0.001681 |
| Partial Rests Fraction |
0.5945 |
| Average Rest Fraction Across Voices |
0.2133 |
| Longest Complete Rest |
0.8894 |
| Longest Partial Rest |
169.2 |
| Mean Complete Rest Duration |
0.8894 |
| Mean Partial Rest Duration |
14.11 |
| Median Complete Rest Duration |
0.8894 |
| Median Partial Rest Duration |
4.701 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
31.12 |
| Variability Across Voices of Combined Rests |
75.34 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
120.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.0 |
| Triple Initial Meter |
1.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.6948 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.151 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
4.601 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8458 |
| Rhythmic Variability - Tempo Standardized |
0.05708 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
1.0 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
2.0 |
| Total Number of Notes |
494.0 |
| Initial Tempo |
232.0 |
| Average Variability of Time Between Attacks for Each Voice |
2.105 |
| Minimum Note Duration |
0.1042 |
| Maximum Note Duration |
6.207 |
| Average Note Duration |
0.7415 |
| Variability of Note Durations |
0.655 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
5.0 |
| Number of Relatively Strong Rhythmic Pulses |
3.0 |
| Mean Tempo |
276.4 |
| Strongest Rhythmic Pulse |
69.0 |
| Second Strongest Rhythmic Pulse |
46.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.5 |
| Strength of Strongest Rhythmic Pulse |
0.302 |
| Strength of Second Strongest Rhythmic Pulse |
0.2864 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.055 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.5884 |
| Rhythmic Variability |
0.03978 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.6667 |
| Tempo Variability |
31.0 |
| Duration in Seconds |
116.4 |
| Note Density |
4.244 |
| Note Density Variability |
1.626 |
| Average Time Between Attacks |
0.4278 |
| Average Time Between Attacks for Each Voice |
1.116 |
| Variability of Time Between Attacks |
0.2837 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.4444 |
| Relative Range Isolation of Loudest Voice |
0.5437 |
| Relative Range of Highest Line |
0.4444 |
| Relative Note Density of Highest Line |
0.5425 |
| Relative Note Durations of Lowest Line |
1.063 |
| Relative Size of Melodic Intervals in Lowest Line |
0.8 |
| Voice Overlap |
0.7591 |
| Voice Separation |
5.333 |
| Variability of Voice Separation |
3.786 |
| Parallel Motion |
0.03922 |
| Average Number of Independent Voices |
3.148 |
| Similar Motion |
0.1283 |
| Contrary Motion |
0.2032 |
| Oblique Motion |
0.6292 |
| Parallel Fifths |
0.003565 |
| Parallel Octaves |
0.0 |
| Variability of Number of Independent Voices |
0.8644 |
| Voice Equality - Number of Notes |
52.82 |
| Voice Equality - Note Duration |
16.58 |
| Voice Equality - Dynamics |
8.66 |
| Voice Equality - Melodic Leaps |
0.5774 |
| Voice Equality - Range |
2.062 |
| Importance of Loudest Voice |
10.0 |