| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.1948 |
| Prevalence of Second Most Common Vertical Interval |
0.1881 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.9652 |
| Vertical Unisons |
0.02536 |
| Vertical Minor Seconds |
0.006076 |
| Vertical Thirds |
0.3418 |
| Vertical Tritones |
0.007686 |
| Vertical Perfect Fourths |
0.07478 |
| Vertical Perfect Fifths |
0.1881 |
| Vertical Sixths |
0.1489 |
| Vertical Sevenths |
0.02006 |
| Vertical Octaves |
0.1695 |
| Perfect Vertical Intervals |
0.4577 |
| Vertical Dissonance Ratio |
0.05446 |
| Vertical Minor Third Prevalence |
0.3888 |
| Vertical Major Third Prevalence |
0.3485 |
| Chord Duration |
2.265 |
| Partial Chords |
0.629 |
| Standard Triads |
0.2944 |
| Diminished and Augmented Triads |
0.01436 |
| Dominant Seventh Chords |
0.001197 |
| Seventh Chords |
0.00778 |
| Non-Standard Chords |
0.06882 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
1.121 |
| Average Number of Simultaneous Pitch Classes |
2.251 |
| Variability of Number of Simultaneous Pitch Classes |
0.6597 |
| Average Number of Simultaneous Pitches |
2.702 |
| Variability of Number of Simultaneous Pitches |
0.956 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
7.386 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
34.0 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2126 |
| Stepwise Motion |
0.6322 |
| Melodic Thirds |
0.1167 |
| Melodic Perfect Fourths |
0.04353 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.04479 |
| Melodic Sixths |
0.005047 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.01199 |
| Melodic Large Intervals |
0.0006309 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.5 |
| Melodic Embellishments |
0.008811 |
| Direction of Melodic Motion |
0.4428 |
| Average Length of Melodic Arcs |
1.821 |
| Average Interval Spanned by Melodic Arcs |
4.61 |
| Melodic Pitch Variety |
4.777 |
| Mean Melodic Interval |
2.175 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4196 |
| Relative Prevalence of Most Common Melodic Intervals |
0.5068 |
| Amount of Arpeggiation |
0.3186 |
| Repeated Notes |
0.1451 |
| Importance of Middle Register |
0.7483 |
| Importance of High Register |
0.003147 |
| Dominant Spread |
7.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
59.16 |
| Mean Pitch Class |
5.308 |
| Most Common Pitch |
64.0 |
| Most Common Pitch Class |
0.0 |
| Prevalence of Most Common Pitch |
0.1057 |
| Prevalence of Most Common Pitch Class |
0.1699 |
| Relative Prevalence of Top Pitches |
0.9345 |
| Relative Prevalence of Top Pitch Classes |
0.9815 |
| Interval Between Most Prevalent Pitches |
4.0 |
| Interval Between Most Prevalent Pitch Classes |
4.0 |
| Pitch Variability |
7.081 |
| Pitch Class Variability |
3.61 |
| Pitch Class Variability After Folding |
3.042 |
| Pitch Skewness |
-0.2981 |
| Pitch Class Skewness |
0.2557 |
| Pitch Class Skewness After Folding |
0.2948 |
| Pitch Kurtosis |
5.337 |
| Pitch Class Kurtosis |
4.838 |
| Pitch Class Kurtosis After Folding |
7.349 |
| Major or Minor |
0.0 |
| First Pitch |
64.0 |
| First Pitch Class |
4.0 |
| Last Pitch |
52.0 |
| Last Pitch Class |
4.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
23.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
9.0 |
| Number of Common Pitches |
2.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
31.0 |
| Importance of Bass Register |
0.2486 |
| Note Density per Quarter Note |
0.852 |
| Note Density per Quarter Note per Voice |
0.213 |
| Note Density per Quarter Note Variability |
0.3885 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.001259 |
| Prevalence of Medium Rhythmic Values |
0.5022 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.7999 |
| Prevalence of Very Long Rhythmic Values |
0.1101 |
| Prevalence of Dotted Notes |
0.09125 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
3.182 |
| Most Common Rhythmic Value |
4.0 |
| Prevalence of Most Common Rhythmic Value |
0.3379 |
| Relative Prevalence of Most Common Rhythmic Values |
0.8939 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.11 |
| Rhythmic Value Skewness |
1.68 |
| Rhythmic Value Kurtosis |
9.284 |
| Mean Rhythmic Value Run Length |
1.705 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.159 |
| Mean Rhythmic Value Offset |
0.07048 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.895 |
| Complete Rests Fraction |
0.001604 |
| Partial Rests Fraction |
0.659 |
| Average Rest Fraction Across Voices |
0.3072 |
| Longest Complete Rest |
2.0 |
| Longest Partial Rest |
100.0 |
| Mean Complete Rest Duration |
1.496 |
| Mean Partial Rest Duration |
15.7 |
| Median Complete Rest Duration |
2.0 |
| Median Partial Rest Duration |
4.0 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.713 |
| Variability of Partial Rest Durations |
23.96 |
| Variability Across Voices of Combined Rests |
22.8 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
120.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.0 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5842 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2104 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.777 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7946 |
| Rhythmic Variability - Tempo Standardized |
0.0513 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
1589.0 |
| Initial Tempo |
290.0 |
| Average Variability of Time Between Attacks for Each Voice |
1.842 |
| Minimum Note Duration |
0.1034 |
| Maximum Note Duration |
6.621 |
| Average Note Duration |
0.6729 |
| Variability of Note Durations |
0.5274 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
6.0 |
| Number of Relatively Strong Rhythmic Pulses |
3.0 |
| Mean Tempo |
290.0 |
| Strongest Rhythmic Pulse |
73.0 |
| Second Strongest Rhythmic Pulse |
49.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.49 |
| Strength of Strongest Rhythmic Pulse |
0.312 |
| Strength of Second Strongest Rhythmic Pulse |
0.237 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.317 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.549 |
| Rhythmic Variability |
0.03654 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.6667 |
| Tempo Variability |
0.00000000069 |
| Duration in Seconds |
385.9 |
| Note Density |
4.118 |
| Note Density Variability |
1.439 |
| Average Time Between Attacks |
0.4221 |
| Average Time Between Attacks for Each Voice |
0.9379 |
| Variability of Time Between Attacks |
0.2573 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.5484 |
| Relative Range Isolation of Loudest Voice |
0.4483 |
| Relative Range of Highest Line |
0.5484 |
| Relative Note Density of Highest Line |
0.1687 |
| Relative Note Durations of Lowest Line |
1.082 |
| Relative Size of Melodic Intervals in Lowest Line |
1.143 |
| Voice Overlap |
0.8301 |
| Voice Separation |
5.667 |
| Variability of Voice Separation |
1.528 |
| Parallel Motion |
0.04951 |
| Average Number of Independent Voices |
2.776 |
| Similar Motion |
0.1615 |
| Contrary Motion |
0.1631 |
| Oblique Motion |
0.6258 |
| Parallel Fifths |
0.002435 |
| Parallel Octaves |
0.0008117 |
| Variability of Number of Independent Voices |
0.9667 |
| Voice Equality - Number of Notes |
34.0 |
| Voice Equality - Note Duration |
4.718 |
| Voice Equality - Dynamics |
8.66 |
| Voice Equality - Melodic Leaps |
0.5 |
| Voice Equality - Range |
1.5 |
| Importance of Loudest Voice |
10.0 |