| Distance Between Two Most Common Vertical Intervals |
3.0 |
| Prevalence of Most Common Vertical Interval |
0.2055 |
| Prevalence of Second Most Common Vertical Interval |
0.1706 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.8304 |
| Vertical Unisons |
0.02222 |
| Vertical Minor Seconds |
0.005988 |
| Vertical Thirds |
0.3288 |
| Vertical Tritones |
0.01074 |
| Vertical Perfect Fourths |
0.08386 |
| Vertical Perfect Fifths |
0.1577 |
| Vertical Sixths |
0.1447 |
| Vertical Sevenths |
0.03592 |
| Vertical Octaves |
0.1832 |
| Perfect Vertical Intervals |
0.447 |
| Vertical Dissonance Ratio |
0.08643 |
| Vertical Minor Third Prevalence |
0.5131 |
| Vertical Major Third Prevalence |
0.4988 |
| Chord Duration |
1.775 |
| Partial Chords |
0.3884 |
| Standard Triads |
0.3854 |
| Diminished and Augmented Triads |
0.02561 |
| Dominant Seventh Chords |
0.002439 |
| Seventh Chords |
0.02439 |
| Non-Standard Chords |
0.2018 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
0.848 |
| Average Number of Simultaneous Pitch Classes |
2.645 |
| Variability of Number of Simultaneous Pitch Classes |
0.6477 |
| Average Number of Simultaneous Pitches |
3.381 |
| Variability of Number of Simultaneous Pitches |
0.7055 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
3.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
7.099 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
33.87 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2091 |
| Stepwise Motion |
0.7136 |
| Melodic Thirds |
0.1348 |
| Melodic Perfect Fourths |
0.04361 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.02874 |
| Melodic Sixths |
0.002973 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.006938 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.519 |
| Melodic Embellishments |
0.005923 |
| Direction of Melodic Motion |
0.459 |
| Average Length of Melodic Arcs |
1.973 |
| Average Interval Spanned by Melodic Arcs |
4.641 |
| Melodic Pitch Variety |
4.979 |
| Mean Melodic Interval |
2.204 |
| Number of Common Melodic Intervals |
2.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.5045 |
| Relative Prevalence of Most Common Melodic Intervals |
0.4145 |
| Amount of Arpeggiation |
0.2398 |
| Repeated Notes |
0.06938 |
| Importance of Middle Register |
0.766 |
| Importance of High Register |
0.1185 |
| Dominant Spread |
7.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
63.42 |
| Mean Pitch Class |
5.06 |
| Most Common Pitch |
67.0 |
| Most Common Pitch Class |
2.0 |
| Prevalence of Most Common Pitch |
0.1007 |
| Prevalence of Most Common Pitch Class |
0.1678 |
| Relative Prevalence of Top Pitches |
0.8529 |
| Relative Prevalence of Top Pitch Classes |
0.9882 |
| Interval Between Most Prevalent Pitches |
5.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
7.405 |
| Pitch Class Variability |
3.518 |
| Pitch Class Variability After Folding |
3.251 |
| Pitch Skewness |
0.012 |
| Pitch Class Skewness |
0.05135 |
| Pitch Class Skewness After Folding |
0.3599 |
| Pitch Kurtosis |
5.192 |
| Pitch Class Kurtosis |
4.94 |
| Pitch Class Kurtosis After Folding |
6.939 |
| Major or Minor |
0.0 |
| First Pitch |
48.0 |
| First Pitch Class |
0.0 |
| Last Pitch |
48.0 |
| Last Pitch Class |
0.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
21.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
9.0 |
| Number of Common Pitches |
1.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
31.0 |
| Importance of Bass Register |
0.1155 |
| Note Density per Quarter Note |
1.205 |
| Note Density per Quarter Note per Voice |
0.3011 |
| Note Density per Quarter Note Variability |
0.4808 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.009872 |
| Prevalence of Medium Rhythmic Values |
0.6041 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.7601 |
| Prevalence of Very Long Rhythmic Values |
0.07897 |
| Prevalence of Dotted Notes |
0.1037 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
2.819 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.3643 |
| Relative Prevalence of Most Common Rhythmic Values |
0.6802 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.031 |
| Rhythmic Value Skewness |
1.21 |
| Rhythmic Value Kurtosis |
11.86 |
| Mean Rhythmic Value Run Length |
1.703 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.249 |
| Mean Rhythmic Value Offset |
0.06713 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.6738 |
| Complete Rests Fraction |
0.001179 |
| Partial Rests Fraction |
0.4197 |
| Average Rest Fraction Across Voices |
0.1308 |
| Longest Complete Rest |
0.9917 |
| Longest Partial Rest |
34.0 |
| Mean Complete Rest Duration |
0.9917 |
| Mean Partial Rest Duration |
6.47 |
| Median Complete Rest Duration |
0.9917 |
| Median Partial Rest Duration |
4.0 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
6.608 |
| Variability Across Voices of Combined Rests |
20.17 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.545 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2309 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.36 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7759 |
| Rhythmic Variability - Tempo Standardized |
0.04933 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
1013.0 |
| Initial Tempo |
232.0 |
| Average Variability of Time Between Attacks for Each Voice |
0.9136 |
| Minimum Note Duration |
0.1293 |
| Maximum Note Duration |
6.207 |
| Average Note Duration |
0.7465 |
| Variability of Note Durations |
0.6235 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
4.0 |
| Number of Moderate Rhythmic Pulses |
4.0 |
| Number of Relatively Strong Rhythmic Pulses |
4.0 |
| Mean Tempo |
232.0 |
| Strongest Rhythmic Pulse |
58.0 |
| Second Strongest Rhythmic Pulse |
116.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
2.0 |
| Strength of Strongest Rhythmic Pulse |
0.3711 |
| Strength of Second Strongest Rhythmic Pulse |
0.3356 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.106 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.7067 |
| Rhythmic Variability |
0.04198 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.5 |
| Tempo Variability |
0.0000000002026 |
| Duration in Seconds |
217.5 |
| Note Density |
4.658 |
| Note Density Variability |
1.455 |
| Average Time Between Attacks |
0.4343 |
| Average Time Between Attacks for Each Voice |
0.854 |
| Variability of Time Between Attacks |
0.2349 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.4839 |
| Relative Range Isolation of Loudest Voice |
0.2195 |
| Relative Range of Highest Line |
0.4839 |
| Relative Note Density of Highest Line |
0.2843 |
| Relative Note Durations of Lowest Line |
1.039 |
| Relative Size of Melodic Intervals in Lowest Line |
1.143 |
| Voice Overlap |
0.8223 |
| Voice Separation |
6.0 |
| Variability of Voice Separation |
1.732 |
| Parallel Motion |
0.04857 |
| Average Number of Independent Voices |
3.481 |
| Similar Motion |
0.1344 |
| Contrary Motion |
0.1795 |
| Oblique Motion |
0.6375 |
| Parallel Fifths |
0.0008673 |
| Parallel Octaves |
0.0008673 |
| Variability of Number of Independent Voices |
0.6776 |
| Voice Equality - Number of Notes |
33.87 |
| Voice Equality - Note Duration |
5.215 |
| Voice Equality - Dynamics |
8.66 |
| Voice Equality - Melodic Leaps |
0.5 |
| Voice Equality - Range |
2.887 |
| Importance of Loudest Voice |
10.0 |