| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.2326 |
| Prevalence of Second Most Common Vertical Interval |
0.1725 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.7414 |
| Vertical Unisons |
0.02743 |
| Vertical Minor Seconds |
0.002961 |
| Vertical Thirds |
0.3086 |
| Vertical Tritones |
0.0085 |
| Vertical Perfect Fourths |
0.09431 |
| Vertical Perfect Fifths |
0.1725 |
| Vertical Sixths |
0.1475 |
| Vertical Sevenths |
0.02014 |
| Vertical Octaves |
0.2052 |
| Perfect Vertical Intervals |
0.4994 |
| Vertical Dissonance Ratio |
0.04663 |
| Vertical Minor Third Prevalence |
0.362 |
| Vertical Major Third Prevalence |
0.3956 |
| Chord Duration |
3.648 |
| Partial Chords |
0.4971 |
| Standard Triads |
0.402 |
| Diminished and Augmented Triads |
0.02077 |
| Dominant Seventh Chords |
0.001483 |
| Seventh Chords |
0.01335 |
| Non-Standard Chords |
0.08752 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
0.8819 |
| Average Number of Simultaneous Pitch Classes |
2.308 |
| Variability of Number of Simultaneous Pitch Classes |
0.7463 |
| Average Number of Simultaneous Pitches |
2.974 |
| Variability of Number of Simultaneous Pitches |
1.15 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
7.667 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
32.01 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.1714 |
| Stepwise Motion |
0.498 |
| Melodic Thirds |
0.1571 |
| Melodic Perfect Fourths |
0.06735 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.03571 |
| Melodic Sixths |
0.002041 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.006122 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
2.85 |
| Melodic Embellishments |
0.04365 |
| Direction of Melodic Motion |
0.4474 |
| Average Length of Melodic Arcs |
1.68 |
| Average Interval Spanned by Melodic Arcs |
4.365 |
| Melodic Pitch Variety |
4.431 |
| Mean Melodic Interval |
2.015 |
| Number of Common Melodic Intervals |
4.0 |
| Distance Between Most Prevalent Melodic Intervals |
2.0 |
| Prevalence of Most Common Melodic Interval |
0.3265 |
| Relative Prevalence of Most Common Melodic Intervals |
0.7156 |
| Amount of Arpeggiation |
0.4327 |
| Repeated Notes |
0.2337 |
| Importance of Middle Register |
0.5381 |
| Importance of High Register |
0.0 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
54.8 |
| Mean Pitch Class |
4.796 |
| Most Common Pitch |
62.0 |
| Most Common Pitch Class |
2.0 |
| Prevalence of Most Common Pitch |
0.1107 |
| Prevalence of Most Common Pitch Class |
0.2132 |
| Relative Prevalence of Top Pitches |
0.8899 |
| Relative Prevalence of Top Pitch Classes |
0.7571 |
| Interval Between Most Prevalent Pitches |
12.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
7.435 |
| Pitch Class Variability |
3.332 |
| Pitch Class Variability After Folding |
3.493 |
| Pitch Skewness |
0.09873 |
| Pitch Class Skewness |
-0.1837 |
| Pitch Class Skewness After Folding |
1.365 |
| Pitch Kurtosis |
5.064 |
| Pitch Class Kurtosis |
4.943 |
| Pitch Class Kurtosis After Folding |
6.251 |
| Major or Minor |
0.0 |
| First Pitch |
60.0 |
| First Pitch Class |
0.0 |
| Last Pitch |
38.0 |
| Last Pitch Class |
2.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
27.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
11.0 |
| Number of Common Pitches |
2.0 |
| Number of Common Pitch Classes |
1.0 |
| Range |
34.0 |
| Importance of Bass Register |
0.4619 |
| Note Density per Quarter Note |
0.6215 |
| Note Density per Quarter Note per Voice |
0.1243 |
| Note Density per Quarter Note Variability |
0.4315 |
| Range of Rhythmic Values |
7.0 |
| Number of Different Rhythmic Values Present |
7.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0 |
| Prevalence of Medium Rhythmic Values |
0.2964 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.9685 |
| Prevalence of Very Long Rhythmic Values |
0.3452 |
| Prevalence of Dotted Notes |
0.1716 |
| Shortest Rhythmic Value |
1.0 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
4.756 |
| Most Common Rhythmic Value |
4.0 |
| Prevalence of Most Common Rhythmic Value |
0.3442 |
| Relative Prevalence of Most Common Rhythmic Values |
0.7699 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.778 |
| Rhythmic Value Skewness |
0.8168 |
| Rhythmic Value Kurtosis |
6.286 |
| Mean Rhythmic Value Run Length |
1.444 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
0.899 |
| Mean Rhythmic Value Offset |
0.1885 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
1.431 |
| Complete Rests Fraction |
0.003105 |
| Partial Rests Fraction |
0.8806 |
| Average Rest Fraction Across Voices |
0.389 |
| Longest Complete Rest |
3.943 |
| Longest Partial Rest |
745.3 |
| Mean Complete Rest Duration |
2.461 |
| Mean Partial Rest Duration |
34.64 |
| Median Complete Rest Duration |
3.943 |
| Median Partial Rest Duration |
3.943 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
2.097 |
| Variability of Partial Rest Durations |
109.9 |
| Variability Across Voices of Combined Rests |
395.2 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
1.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.8559 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.07226 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
11.84 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.9282 |
| Rhythmic Variability - Tempo Standardized |
0.06785 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
1.0 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
2.0 |
| Total Number of Notes |
985.0 |
| Initial Tempo |
287.0 |
| Average Variability of Time Between Attacks for Each Voice |
4.82 |
| Minimum Note Duration |
0.2091 |
| Maximum Note Duration |
5.017 |
| Average Note Duration |
1.042 |
| Variability of Note Durations |
0.7375 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
6.0 |
| Number of Relatively Strong Rhythmic Pulses |
3.0 |
| Mean Tempo |
283.7 |
| Strongest Rhythmic Pulse |
71.0 |
| Second Strongest Rhythmic Pulse |
48.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.479 |
| Strength of Strongest Rhythmic Pulse |
0.4023 |
| Strength of Second Strongest Rhythmic Pulse |
0.2873 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.4 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.6895 |
| Rhythmic Variability |
0.04354 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.6667 |
| Tempo Variability |
13.12 |
| Duration in Seconds |
336.1 |
| Note Density |
2.931 |
| Note Density Variability |
1.478 |
| Average Time Between Attacks |
0.6532 |
| Average Time Between Attacks for Each Voice |
1.654 |
| Variability of Time Between Attacks |
0.4051 |
| Maximum Number of Independent Voices |
5.0 |
| Relative Range of Loudest Voice |
0.3824 |
| Relative Range Isolation of Loudest Voice |
0.4319 |
| Relative Range of Highest Line |
0.3824 |
| Relative Note Density of Highest Line |
0.3249 |
| Relative Note Durations of Lowest Line |
1.102 |
| Relative Size of Melodic Intervals in Lowest Line |
0.625 |
| Voice Overlap |
0.864 |
| Voice Separation |
4.75 |
| Variability of Voice Separation |
2.062 |
| Parallel Motion |
0.0257 |
| Average Number of Independent Voices |
3.081 |
| Similar Motion |
0.1236 |
| Contrary Motion |
0.1701 |
| Oblique Motion |
0.6805 |
| Parallel Fifths |
0.002448 |
| Parallel Octaves |
0.0 |
| Variability of Number of Independent Voices |
1.167 |
| Voice Equality - Number of Notes |
84.93 |
| Voice Equality - Note Duration |
83.81 |
| Voice Equality - Dynamics |
9.354 |
| Voice Equality - Melodic Leaps |
0.5477 |
| Voice Equality - Range |
2.881 |
| Importance of Loudest Voice |
12.5 |