File

Last modified on: April 14, 2020, 2:09 a.m.

Rue1029c-Missa_Sub_tuum_presidium-Credo.mid


Source
RenComp7
Musical Work
Missa Sub tuum presidium
Section
Credo
File Type
Symbolic Music
File Format
.mid
File Size
15.1 KB

Feature Value
Distance Between Two Most Common Vertical Intervals 3.0
Prevalence of Most Common Vertical Interval 0.2139
Prevalence of Second Most Common Vertical Interval 0.1832
Prevalence Ratio of Two Most Common Vertical Intervals 0.8565
Vertical Unisons 0.03102
Vertical Minor Seconds 0.01035
Vertical Thirds 0.3115
Vertical Tritones 0.008979
Vertical Perfect Fourths 0.08115
Vertical Perfect Fifths 0.1807
Vertical Sixths 0.153
Vertical Sevenths 0.02718
Vertical Octaves 0.1829
Perfect Vertical Intervals 0.4757
Vertical Dissonance Ratio 0.06358
Vertical Minor Third Prevalence 0.4173
Vertical Major Third Prevalence 0.3387
Chord Duration 2.505
Partial Chords 0.5526
Standard Triads 0.326
Diminished and Augmented Triads 0.008772
Dominant Seventh Chords 0.0
Seventh Chords 0.01096
Non-Standard Chords 0.1104
Complex Chords 0.0
Minor Major Triad Ratio 2.22
Average Number of Simultaneous Pitch Classes 2.348
Variability of Number of Simultaneous Pitch Classes 0.6769
Average Number of Simultaneous Pitches 2.879
Variability of Number of Simultaneous Pitches 0.8687
Most Common Vertical Interval 0.0
Second Most Common Vertical Interval 3.0
Dynamic Range 20.0
Variation of Dynamics 7.619
Variation of Dynamics In Each Voice 0.0
Average Note to Note Change in Dynamics 0.0
Unpitched Percussion Instrument Prevalence 0.0
String Keyboard Prevalence 0.0
Acoustic Guitar Prevalence 0.0
Electric Guitar Prevalence 0.0
Violin Prevalence 0.0
Saxophone Prevalence 0.0
Brass Prevalence 0.0
Woodwinds Prevalence 1.0
Orchestral Strings Prevalence 0.0
String Ensemble Prevalence 0.0
Electric Instrument Prevalence 0.0
Variability of Note Prevalence of Pitched Instruments 63.76
Variability of Note Prevalence of Unpitched Instruments 0.0
Number of Pitched Instruments 4.0
Number of Unpitched Instruments 0.0
Chromatic Motion 0.1816
Stepwise Motion 0.5281
Melodic Thirds 0.1492
Melodic Perfect Fourths 0.04869
Melodic Tritones 0.0
Melodic Perfect Fifths 0.04307
Melodic Sixths 0.003121
Melodic Sevenths 0.0
Melodic Octaves 0.01311
Melodic Large Intervals 0.0
Most Common Melodic Interval 2.0
Minor Major Melodic Third Ratio 1.988
Melodic Embellishments 0.02117
Direction of Melodic Motion 0.4515
Average Length of Melodic Arcs 1.73
Average Interval Spanned by Melodic Arcs 4.608
Melodic Pitch Variety 4.421
Mean Melodic Interval 2.1
Number of Common Melodic Intervals 4.0
Distance Between Most Prevalent Melodic Intervals 2.0
Prevalence of Most Common Melodic Interval 0.3464
Relative Prevalence of Most Common Melodic Intervals 0.6198
Amount of Arpeggiation 0.4201
Repeated Notes 0.2147
Importance of Middle Register 0.7559
Importance of High Register 0.009963
Dominant Spread 6.0
Strong Tonal Centres 2.0
Mean Pitch 59.31
Mean Pitch Class 5.941
Most Common Pitch 59.0
Most Common Pitch Class 11.0
Prevalence of Most Common Pitch 0.1171
Prevalence of Most Common Pitch Class 0.1912
Relative Prevalence of Top Pitches 0.7713
Relative Prevalence of Top Pitch Classes 0.9251
Interval Between Most Prevalent Pitches 7.0
Interval Between Most Prevalent Pitch Classes 7.0
Pitch Variability 7.176
Pitch Class Variability 3.689
Pitch Class Variability After Folding 2.609
Pitch Skewness 0.234
Pitch Class Skewness -0.8614
Pitch Class Skewness After Folding 0.2756
Pitch Kurtosis 5.365
Pitch Class Kurtosis 4.791
Pitch Class Kurtosis After Folding 8.274
Major or Minor 0.0
First Pitch 64.0
First Pitch Class 4.0
Last Pitch 45.0
Last Pitch Class 9.0
Glissando Prevalence 0.0
Average Range of Glissandos 0.0
Number of Pitches 22.0
Vibrato Prevalence 0.0
Microtone Prevalence 0.0
Number of Pitch Classes 9.0
Number of Common Pitches 2.0
Number of Common Pitch Classes 0.0
Range 31.0
Importance of Bass Register 0.2341
Note Density per Quarter Note 1.07
Note Density per Quarter Note per Voice 0.2675
Note Density per Quarter Note Variability 0.4638
Range of Rhythmic Values 9.0
Number of Different Rhythmic Values Present 8.0
Number of Common Rhythmic Values Present 3.0
Prevalence of Very Short Rhythmic Values 0.0
Prevalence of Short Rhythmic Values 0.01121
Prevalence of Medium Rhythmic Values 0.6395
Simple Initial Meter 1.0
Prevalence of Long Rhythmic Values 0.8387
Prevalence of Very Long Rhythmic Values 0.06351
Prevalence of Dotted Notes 0.08904
Shortest Rhythmic Value 0.5
Longest Rhythmic Value 12.0
Mean Rhythmic Value 2.745
Most Common Rhythmic Value 2.0
Prevalence of Most Common Rhythmic Value 0.4782
Relative Prevalence of Most Common Rhythmic Values 0.4909
Difference Between Most Common Rhythmic Values 2.0
Compound Initial Meter 0.0
Rhythmic Value Variability 1.763
Rhythmic Value Skewness 1.267
Rhythmic Value Kurtosis 13.04
Mean Rhythmic Value Run Length 1.775
Median Rhythmic Value Run Length 1.0
Variability in Rhythmic Value Run Lengths 1.351
Mean Rhythmic Value Offset 0.04234
Median Rhythmic Value Offset 0.0
Complex Initial Meter 0.0
Variability of Rhythmic Value Offsets 0.6684
Complete Rests Fraction 0.0006425
Partial Rests Fraction 0.653
Average Rest Fraction Across Voices 0.2547
Longest Complete Rest 0.9644
Longest Partial Rest 85.58
Mean Complete Rest Duration 0.9644
Mean Partial Rest Duration 12.23
Median Complete Rest Duration 0.9644
Median Partial Rest Duration 7.244
Duple Initial Meter 1.0
Variability of Complete Rest Durations 0.0
Variability of Partial Rest Durations 15.15
Variability Across Voices of Combined Rests 77.56
Number of Strong Rhythmic Pulses - Tempo Standardized 3.0
Number of Moderate Rhythmic Pulses - Tempo Standardized 3.0
Number of Relatively Strong Rhythmic Pulses - Tempo Standardized 1.0
Strongest Rhythmic Pulse - Tempo Standardized 60.0
Second Strongest Rhythmic Pulse - Tempo Standardized 40.0
Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized 1.5
Triple Initial Meter 0.0
Strength of Strongest Rhythmic Pulse - Tempo Standardized 0.6461
Strength of Second Strongest Rhythmic Pulse - Tempo Standardized 0.1817
Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized 3.557
Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized 0.8278
Rhythmic Variability - Tempo Standardized 0.05429
Rhythmic Looseness - Tempo Standardized 0.0
Polyrhythms - Tempo Standardized 1.0
Quadruple Initial Meter 0.0
Metrical Diversity 2.0
Total Number of Notes 1606.0
Initial Tempo 232.0
Average Variability of Time Between Attacks for Each Voice 1.341
Minimum Note Duration 0.1042
Maximum Note Duration 6.667
Average Note Duration 0.5968
Variability of Note Durations 0.445
Amount of Staccato 0.0
Number of Strong Rhythmic Pulses 3.0
Number of Moderate Rhythmic Pulses 6.0
Number of Relatively Strong Rhythmic Pulses 3.0
Mean Tempo 290.0
Strongest Rhythmic Pulse 70.0
Second Strongest Rhythmic Pulse 47.0
Harmonicity of Two Strongest Rhythmic Pulses 1.489
Strength of Strongest Rhythmic Pulse 0.2733
Strength of Second Strongest Rhythmic Pulse 0.2587
Strength Ratio of Two Strongest Rhythmic Pulses 1.056
Combined Strength of Two Strongest Rhythmic Pulses 0.532
Rhythmic Variability 0.03647
Rhythmic Looseness 0.0
Polyrhythms 0.6667
Tempo Variability 60.27
Duration in Seconds 321.5
Note Density 4.995
Note Density Variability 1.504
Average Time Between Attacks 0.3933
Average Time Between Attacks for Each Voice 0.8013
Variability of Time Between Attacks 0.1813
Maximum Number of Independent Voices 4.0
Relative Range of Loudest Voice 0.5484
Relative Range Isolation of Loudest Voice 0.5041
Relative Range of Highest Line 0.5484
Relative Note Density of Highest Line 0.1669
Relative Note Durations of Lowest Line 1.118
Relative Size of Melodic Intervals in Lowest Line 1.143
Voice Overlap 0.774
Voice Separation 5.667
Variability of Voice Separation 2.309
Parallel Motion 0.04211
Average Number of Independent Voices 2.984
Similar Motion 0.1401
Contrary Motion 0.1765
Oblique Motion 0.6413
Parallel Fifths 0.0008097
Parallel Octaves 0.0008097
Variability of Number of Independent Voices 0.8762
Voice Equality - Number of Notes 63.76
Voice Equality - Note Duration 16.62
Voice Equality - Dynamics 8.539
Voice Equality - Melodic Leaps 0.5
Voice Equality - Range 1.414
Importance of Loudest Voice 11.67