| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.2358 |
| Prevalence of Second Most Common Vertical Interval |
0.1829 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.7758 |
| Vertical Unisons |
0.03034 |
| Vertical Minor Seconds |
0.007688 |
| Vertical Thirds |
0.2981 |
| Vertical Tritones |
0.008645 |
| Vertical Perfect Fourths |
0.0723 |
| Vertical Perfect Fifths |
0.1829 |
| Vertical Sixths |
0.1412 |
| Vertical Sevenths |
0.0318 |
| Vertical Octaves |
0.2054 |
| Perfect Vertical Intervals |
0.491 |
| Vertical Dissonance Ratio |
0.07484 |
| Vertical Minor Third Prevalence |
0.383 |
| Vertical Major Third Prevalence |
0.3112 |
| Chord Duration |
2.159 |
| Partial Chords |
0.6066 |
| Standard Triads |
0.2707 |
| Diminished and Augmented Triads |
0.01472 |
| Dominant Seventh Chords |
0.0006691 |
| Seventh Chords |
0.009368 |
| Non-Standard Chords |
0.1134 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
1.002 |
| Average Number of Simultaneous Pitch Classes |
2.281 |
| Variability of Number of Simultaneous Pitch Classes |
0.6703 |
| Average Number of Simultaneous Pitches |
2.853 |
| Variability of Number of Simultaneous Pitches |
0.8348 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
6.84 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
104.6 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.1904 |
| Stepwise Motion |
0.6067 |
| Melodic Thirds |
0.1702 |
| Melodic Perfect Fourths |
0.06348 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.05393 |
| Melodic Sixths |
0.007303 |
| Melodic Sevenths |
0.001685 |
| Melodic Octaves |
0.0118 |
| Melodic Large Intervals |
0.0005618 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
2.124 |
| Melodic Embellishments |
0.01065 |
| Direction of Melodic Motion |
0.4693 |
| Average Length of Melodic Arcs |
1.789 |
| Average Interval Spanned by Melodic Arcs |
4.88 |
| Melodic Pitch Variety |
5.145 |
| Mean Melodic Interval |
2.511 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4163 |
| Relative Prevalence of Most Common Melodic Intervals |
0.4575 |
| Amount of Arpeggiation |
0.3219 |
| Repeated Notes |
0.08427 |
| Importance of Middle Register |
0.6928 |
| Importance of High Register |
0.01626 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
58.43 |
| Mean Pitch Class |
5.748 |
| Most Common Pitch |
59.0 |
| Most Common Pitch Class |
11.0 |
| Prevalence of Most Common Pitch |
0.1026 |
| Prevalence of Most Common Pitch Class |
0.1827 |
| Relative Prevalence of Top Pitches |
0.8743 |
| Relative Prevalence of Top Pitch Classes |
0.9049 |
| Interval Between Most Prevalent Pitches |
7.0 |
| Interval Between Most Prevalent Pitch Classes |
7.0 |
| Pitch Variability |
7.654 |
| Pitch Class Variability |
3.749 |
| Pitch Class Variability After Folding |
2.669 |
| Pitch Skewness |
-0.1206 |
| Pitch Class Skewness |
0.5989 |
| Pitch Class Skewness After Folding |
0.2804 |
| Pitch Kurtosis |
5.302 |
| Pitch Class Kurtosis |
4.721 |
| Pitch Class Kurtosis After Folding |
8.126 |
| Major or Minor |
0.0 |
| First Pitch |
64.0 |
| First Pitch Class |
4.0 |
| Last Pitch |
40.0 |
| Last Pitch Class |
4.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
24.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
9.0 |
| Number of Common Pitches |
1.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
34.0 |
| Importance of Bass Register |
0.2909 |
| Note Density per Quarter Note |
1.074 |
| Note Density per Quarter Note per Voice |
0.2685 |
| Note Density per Quarter Note Variability |
0.5065 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.007848 |
| Prevalence of Medium Rhythmic Values |
0.6788 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.7197 |
| Prevalence of Very Long Rhythmic Values |
0.07063 |
| Prevalence of Dotted Notes |
0.1003 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
2.628 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.3985 |
| Relative Prevalence of Most Common Rhythmic Values |
0.6835 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.067 |
| Rhythmic Value Skewness |
0.9118 |
| Rhythmic Value Kurtosis |
13.52 |
| Mean Rhythmic Value Run Length |
1.777 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.43 |
| Mean Rhythmic Value Offset |
0.1143 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
1.127 |
| Complete Rests Fraction |
0.001706 |
| Partial Rests Fraction |
0.6888 |
| Average Rest Fraction Across Voices |
0.2619 |
| Longest Complete Rest |
1.928 |
| Longest Partial Rest |
377.9 |
| Mean Complete Rest Duration |
1.417 |
| Mean Partial Rest Duration |
12.8 |
| Median Complete Rest Duration |
1.928 |
| Median Partial Rest Duration |
2.393 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.7229 |
| Variability of Partial Rest Durations |
41.22 |
| Variability Across Voices of Combined Rests |
235.0 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
120.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.0 |
| Triple Initial Meter |
1.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5438 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2258 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.409 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7696 |
| Rhythmic Variability - Tempo Standardized |
0.04942 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
2.0 |
| Total Number of Notes |
1784.0 |
| Initial Tempo |
232.0 |
| Average Variability of Time Between Attacks for Each Voice |
2.499 |
| Minimum Note Duration |
0.09868 |
| Maximum Note Duration |
7.105 |
| Average Note Duration |
0.594 |
| Variability of Note Durations |
0.5988 |
| Amount of Staccato |
0.006726 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
6.0 |
| Number of Relatively Strong Rhythmic Pulses |
6.0 |
| Mean Tempo |
279.9 |
| Strongest Rhythmic Pulse |
47.0 |
| Second Strongest Rhythmic Pulse |
70.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.489 |
| Strength of Strongest Rhythmic Pulse |
0.2387 |
| Strength of Second Strongest Rhythmic Pulse |
0.2363 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.01 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.475 |
| Rhythmic Variability |
0.03437 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.5 |
| Tempo Variability |
23.72 |
| Duration in Seconds |
359.0 |
| Note Density |
4.97 |
| Note Density Variability |
1.716 |
| Average Time Between Attacks |
0.3615 |
| Average Time Between Attacks for Each Voice |
0.8077 |
| Variability of Time Between Attacks |
0.2257 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.5588 |
| Relative Range Isolation of Loudest Voice |
0.488 |
| Relative Range of Highest Line |
0.5588 |
| Relative Note Density of Highest Line |
0.1502 |
| Relative Note Durations of Lowest Line |
1.084 |
| Relative Size of Melodic Intervals in Lowest Line |
1.0 |
| Voice Overlap |
0.7696 |
| Voice Separation |
6.0 |
| Variability of Voice Separation |
2.646 |
| Parallel Motion |
0.04923 |
| Average Number of Independent Voices |
2.951 |
| Similar Motion |
0.1287 |
| Contrary Motion |
0.169 |
| Oblique Motion |
0.653 |
| Parallel Fifths |
0.002372 |
| Parallel Octaves |
0.0005931 |
| Variability of Number of Independent Voices |
0.8347 |
| Voice Equality - Number of Notes |
104.6 |
| Voice Equality - Note Duration |
50.79 |
| Voice Equality - Dynamics |
8.539 |
| Voice Equality - Melodic Leaps |
0.0 |
| Voice Equality - Range |
1.258 |
| Importance of Loudest Voice |
11.67 |