File

Last modified on: April 14, 2020, 2:12 a.m.

Rue1029a-Missa_Sub_tuum_presidium-Kyrie.mid


Source
RenComp7
Musical Work
Missa Sub tuum presidium
Section
Kyrie
File Type
Symbolic Music
File Format
.mid
File Size
8.3 KB

Feature Value
Distance Between Two Most Common Vertical Intervals 7.0
Prevalence of Most Common Vertical Interval 0.2291
Prevalence of Second Most Common Vertical Interval 0.1731
Prevalence Ratio of Two Most Common Vertical Intervals 0.7556
Vertical Unisons 0.03637
Vertical Minor Seconds 0.004717
Vertical Thirds 0.3011
Vertical Tritones 0.01009
Vertical Perfect Fourths 0.08837
Vertical Perfect Fifths 0.1731
Vertical Sixths 0.1419
Vertical Sevenths 0.03081
Vertical Octaves 0.1927
Perfect Vertical Intervals 0.4905
Vertical Dissonance Ratio 0.07121
Vertical Minor Third Prevalence 0.3942
Vertical Major Third Prevalence 0.3244
Chord Duration 2.233
Partial Chords 0.5854
Standard Triads 0.2659
Diminished and Augmented Triads 0.01541
Dominant Seventh Chords 0.001401
Seventh Chords 0.0112
Non-Standard Chords 0.1375
Complex Chords 0.0
Minor Major Triad Ratio 1.315
Average Number of Simultaneous Pitch Classes 2.294
Variability of Number of Simultaneous Pitch Classes 0.6964
Average Number of Simultaneous Pitches 2.815
Variability of Number of Simultaneous Pitches 0.921
Most Common Vertical Interval 0.0
Second Most Common Vertical Interval 7.0
Dynamic Range 20.0
Variation of Dynamics 7.187
Variation of Dynamics In Each Voice 0.0
Average Note to Note Change in Dynamics 0.0
Unpitched Percussion Instrument Prevalence 0.0
String Keyboard Prevalence 0.0
Acoustic Guitar Prevalence 0.0
Electric Guitar Prevalence 0.0
Violin Prevalence 0.0
Saxophone Prevalence 0.0
Brass Prevalence 0.0
Woodwinds Prevalence 1.0
Orchestral Strings Prevalence 0.0
String Ensemble Prevalence 0.0
Electric Instrument Prevalence 0.0
Variability of Note Prevalence of Pitched Instruments 36.81
Variability of Note Prevalence of Unpitched Instruments 0.0
Number of Pitched Instruments 4.0
Number of Unpitched Instruments 0.0
Chromatic Motion 0.2019
Stepwise Motion 0.6046
Melodic Thirds 0.1983
Melodic Perfect Fourths 0.08759
Melodic Tritones 0.0
Melodic Perfect Fifths 0.04623
Melodic Sixths 0.001217
Melodic Sevenths 0.001217
Melodic Octaves 0.007299
Melodic Large Intervals 0.0
Most Common Melodic Interval 2.0
Minor Major Melodic Third Ratio 1.587
Melodic Embellishments 0.01572
Direction of Melodic Motion 0.482
Average Length of Melodic Arcs 1.699
Average Interval Spanned by Melodic Arcs 4.548
Melodic Pitch Variety 5.131
Mean Melodic Interval 2.551
Number of Common Melodic Intervals 3.0
Distance Between Most Prevalent Melodic Intervals 1.0
Prevalence of Most Common Melodic Interval 0.4027
Relative Prevalence of Most Common Melodic Intervals 0.5015
Amount of Arpeggiation 0.3066
Repeated Notes 0.05353
Importance of Middle Register 0.7062
Importance of High Register 0.009674
Dominant Spread 6.0
Strong Tonal Centres 1.0
Mean Pitch 58.31
Mean Pitch Class 5.572
Most Common Pitch 55.0
Most Common Pitch Class 7.0
Prevalence of Most Common Pitch 0.09674
Prevalence of Most Common Pitch Class 0.1826
Relative Prevalence of Top Pitches 0.9
Relative Prevalence of Top Pitch Classes 0.8675
Interval Between Most Prevalent Pitches 7.0
Interval Between Most Prevalent Pitch Classes 5.0
Pitch Variability 7.47
Pitch Class Variability 3.527
Pitch Class Variability After Folding 2.832
Pitch Skewness -0.07042
Pitch Class Skewness 0.4865
Pitch Class Skewness After Folding 0.2497
Pitch Kurtosis 5.259
Pitch Class Kurtosis 4.869
Pitch Class Kurtosis After Folding 7.926
Major or Minor 0.0
First Pitch 64.0
First Pitch Class 4.0
Last Pitch 52.0
Last Pitch Class 4.0
Glissando Prevalence 0.0
Average Range of Glissandos 0.0
Number of Pitches 24.0
Vibrato Prevalence 0.0
Microtone Prevalence 0.0
Number of Pitch Classes 9.0
Number of Common Pitches 1.0
Number of Common Pitch Classes 0.0
Range 34.0
Importance of Bass Register 0.2842
Note Density per Quarter Note 1.022
Note Density per Quarter Note per Voice 0.2556
Note Density per Quarter Note Variability 0.523
Range of Rhythmic Values 9.0
Number of Different Rhythmic Values Present 9.0
Number of Common Rhythmic Values Present 3.0
Prevalence of Very Short Rhythmic Values 0.0
Prevalence of Short Rhythmic Values 0.002418
Prevalence of Medium Rhythmic Values 0.6324
Simple Initial Meter 1.0
Prevalence of Long Rhythmic Values 0.8404
Prevalence of Very Long Rhythmic Values 0.07376
Prevalence of Dotted Notes 0.1173
Shortest Rhythmic Value 0.5
Longest Rhythmic Value 12.0
Mean Rhythmic Value 2.806
Most Common Rhythmic Value 2.0
Prevalence of Most Common Rhythmic Value 0.4728
Relative Prevalence of Most Common Rhythmic Values 0.4629
Difference Between Most Common Rhythmic Values 2.0
Compound Initial Meter 0.0
Rhythmic Value Variability 1.888
Rhythmic Value Skewness 1.28
Rhythmic Value Kurtosis 13.65
Mean Rhythmic Value Run Length 1.609
Median Rhythmic Value Run Length 1.0
Variability in Rhythmic Value Run Lengths 1.224
Mean Rhythmic Value Offset 0.03446
Median Rhythmic Value Offset 0.0
Complex Initial Meter 0.0
Variability of Rhythmic Value Offsets 0.6058
Complete Rests Fraction 0.009987
Partial Rests Fraction 0.6668
Average Rest Fraction Across Voices 0.2794
Longest Complete Rest 7.188
Longest Partial Rest 127.2
Mean Complete Rest Duration 4.04
Mean Partial Rest Duration 14.35
Median Complete Rest Duration 7.188
Median Partial Rest Duration 3.594
Duple Initial Meter 0.0
Variability of Complete Rest Durations 4.453
Variability of Partial Rest Durations 25.67
Variability Across Voices of Combined Rests 65.92
Number of Strong Rhythmic Pulses - Tempo Standardized 3.0
Number of Moderate Rhythmic Pulses - Tempo Standardized 3.0
Number of Relatively Strong Rhythmic Pulses - Tempo Standardized 1.0
Strongest Rhythmic Pulse - Tempo Standardized 60.0
Second Strongest Rhythmic Pulse - Tempo Standardized 40.0
Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized 1.5
Triple Initial Meter 1.0
Strength of Strongest Rhythmic Pulse - Tempo Standardized 0.6335
Strength of Second Strongest Rhythmic Pulse - Tempo Standardized 0.1862
Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized 3.402
Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized 0.8198
Rhythmic Variability - Tempo Standardized 0.05354
Rhythmic Looseness - Tempo Standardized 0.0
Polyrhythms - Tempo Standardized 1.0
Quadruple Initial Meter 0.0
Metrical Diversity 2.0
Total Number of Notes 827.0
Initial Tempo 232.0
Average Variability of Time Between Attacks for Each Voice 1.414
Minimum Note Duration 0.09868
Maximum Note Duration 6.207
Average Note Duration 0.6231
Variability of Note Durations 0.4952
Amount of Staccato 0.002418
Number of Strong Rhythmic Pulses 3.0
Number of Moderate Rhythmic Pulses 5.0
Number of Relatively Strong Rhythmic Pulses 3.0
Mean Tempo 276.6
Strongest Rhythmic Pulse 46.0
Second Strongest Rhythmic Pulse 69.0
Harmonicity of Two Strongest Rhythmic Pulses 1.5
Strength of Strongest Rhythmic Pulse 0.2843
Strength of Second Strongest Rhythmic Pulse 0.2781
Strength Ratio of Two Strongest Rhythmic Pulses 1.023
Combined Strength of Two Strongest Rhythmic Pulses 0.5624
Rhythmic Variability 0.03859
Rhythmic Looseness 0.0
Polyrhythms 0.6667
Tempo Variability 29.75
Duration in Seconds 177.7
Note Density 4.654
Note Density Variability 1.773
Average Time Between Attacks 0.3926
Average Time Between Attacks for Each Voice 0.7943
Variability of Time Between Attacks 0.2519
Maximum Number of Independent Voices 4.0
Relative Range of Loudest Voice 0.4118
Relative Range Isolation of Loudest Voice 0.4823
Relative Range of Highest Line 0.4118
Relative Note Density of Highest Line 0.3241
Relative Note Durations of Lowest Line 1.104
Relative Size of Melodic Intervals in Lowest Line 1.0
Voice Overlap 0.8041
Voice Separation 6.0
Variability of Voice Separation 1.0
Parallel Motion 0.06422
Average Number of Independent Voices 2.92
Similar Motion 0.1324
Contrary Motion 0.1664
Oblique Motion 0.637
Parallel Fifths 0.006553
Parallel Octaves 0.002621
Variability of Number of Independent Voices 0.9075
Voice Equality - Number of Notes 36.81
Voice Equality - Note Duration 14.48
Voice Equality - Dynamics 8.539
Voice Equality - Melodic Leaps 0.0
Voice Equality - Range 2.449
Importance of Loudest Voice 11.67