| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.2367 |
| Prevalence of Second Most Common Vertical Interval |
0.1631 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.6889 |
| Vertical Unisons |
0.03774 |
| Vertical Minor Seconds |
0.009157 |
| Vertical Thirds |
0.285 |
| Vertical Tritones |
0.009703 |
| Vertical Perfect Fourths |
0.1084 |
| Vertical Perfect Fifths |
0.1631 |
| Vertical Sixths |
0.1312 |
| Vertical Sevenths |
0.02884 |
| Vertical Octaves |
0.1989 |
| Perfect Vertical Intervals |
0.5081 |
| Vertical Dissonance Ratio |
0.08187 |
| Vertical Minor Third Prevalence |
0.4491 |
| Vertical Major Third Prevalence |
0.3634 |
| Chord Duration |
2.671 |
| Partial Chords |
0.4838 |
| Standard Triads |
0.3483 |
| Diminished and Augmented Triads |
0.01375 |
| Dominant Seventh Chords |
0.001618 |
| Seventh Chords |
0.01294 |
| Non-Standard Chords |
0.1549 |
| Complex Chords |
0.008091 |
| Minor Major Triad Ratio |
1.609 |
| Average Number of Simultaneous Pitch Classes |
2.409 |
| Variability of Number of Simultaneous Pitch Classes |
0.7615 |
| Average Number of Simultaneous Pitches |
3.13 |
| Variability of Number of Simultaneous Pitches |
1.161 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
8.289 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
100.4 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.22 |
| Stepwise Motion |
0.6458 |
| Melodic Thirds |
0.101 |
| Melodic Perfect Fourths |
0.06029 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.0324 |
| Melodic Sixths |
0.006029 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.006782 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
2.941 |
| Melodic Embellishments |
0.01351 |
| Direction of Melodic Motion |
0.4244 |
| Average Length of Melodic Arcs |
1.97 |
| Average Interval Spanned by Melodic Arcs |
4.718 |
| Melodic Pitch Variety |
4.639 |
| Mean Melodic Interval |
2.058 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4258 |
| Relative Prevalence of Most Common Melodic Intervals |
0.5168 |
| Amount of Arpeggiation |
0.2879 |
| Repeated Notes |
0.1477 |
| Importance of Middle Register |
0.4565 |
| Importance of High Register |
0.0 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
53.01 |
| Mean Pitch Class |
5.287 |
| Most Common Pitch |
57.0 |
| Most Common Pitch Class |
9.0 |
| Prevalence of Most Common Pitch |
0.1201 |
| Prevalence of Most Common Pitch Class |
0.1922 |
| Relative Prevalence of Top Pitches |
0.825 |
| Relative Prevalence of Top Pitch Classes |
0.9336 |
| Interval Between Most Prevalent Pitches |
5.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
6.998 |
| Pitch Class Variability |
3.312 |
| Pitch Class Variability After Folding |
3.397 |
| Pitch Skewness |
0.2697 |
| Pitch Class Skewness |
0.2598 |
| Pitch Class Skewness After Folding |
0.842 |
| Pitch Kurtosis |
5.444 |
| Pitch Class Kurtosis |
4.953 |
| Pitch Class Kurtosis After Folding |
6.2 |
| Major or Minor |
0.0 |
| First Pitch |
50.0 |
| First Pitch Class |
2.0 |
| Last Pitch |
38.0 |
| Last Pitch Class |
2.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
25.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
10.0 |
| Number of Common Pitches |
3.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
31.0 |
| Importance of Bass Register |
0.5435 |
| Note Density per Quarter Note |
0.959 |
| Note Density per Quarter Note per Voice |
0.1918 |
| Note Density per Quarter Note Variability |
0.5887 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.001502 |
| Prevalence of Medium Rhythmic Values |
0.5278 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.7695 |
| Prevalence of Very Long Rhythmic Values |
0.1562 |
| Prevalence of Dotted Notes |
0.1239 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
3.285 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.2973 |
| Relative Prevalence of Most Common Rhythmic Values |
0.9066 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.422 |
| Rhythmic Value Skewness |
1.592 |
| Rhythmic Value Kurtosis |
8.614 |
| Mean Rhythmic Value Run Length |
1.607 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.148 |
| Mean Rhythmic Value Offset |
0.1502 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
1.663 |
| Complete Rests Fraction |
0.002351 |
| Partial Rests Fraction |
0.7475 |
| Average Rest Fraction Across Voices |
0.3519 |
| Longest Complete Rest |
2.617 |
| Longest Partial Rest |
136.2 |
| Mean Complete Rest Duration |
1.633 |
| Mean Partial Rest Duration |
28.09 |
| Median Complete Rest Duration |
2.617 |
| Median Partial Rest Duration |
14.86 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
1.392 |
| Variability of Partial Rest Durations |
36.04 |
| Variability Across Voices of Combined Rests |
34.82 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
120.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.0 |
| Triple Initial Meter |
1.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5612 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2193 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.559 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7805 |
| Rhythmic Variability - Tempo Standardized |
0.05025 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
2.0 |
| Total Number of Notes |
1332.0 |
| Initial Tempo |
232.0 |
| Average Variability of Time Between Attacks for Each Voice |
2.417 |
| Minimum Note Duration |
0.1293 |
| Maximum Note Duration |
6.56 |
| Average Note Duration |
0.706 |
| Variability of Note Durations |
0.631 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
6.0 |
| Number of Relatively Strong Rhythmic Pulses |
6.0 |
| Mean Tempo |
305.4 |
| Strongest Rhythmic Pulse |
72.0 |
| Second Strongest Rhythmic Pulse |
48.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.5 |
| Strength of Strongest Rhythmic Pulse |
0.2705 |
| Strength of Second Strongest Rhythmic Pulse |
0.2478 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.092 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.5184 |
| Rhythmic Variability |
0.03535 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.3333 |
| Tempo Variability |
81.36 |
| Duration in Seconds |
290.2 |
| Note Density |
4.59 |
| Note Density Variability |
1.725 |
| Average Time Between Attacks |
0.3998 |
| Average Time Between Attacks for Each Voice |
1.045 |
| Variability of Time Between Attacks |
0.2321 |
| Maximum Number of Independent Voices |
5.0 |
| Relative Range of Loudest Voice |
0.6129 |
| Relative Range Isolation of Loudest Voice |
0.5475 |
| Relative Range of Highest Line |
0.6129 |
| Relative Note Density of Highest Line |
0.2327 |
| Relative Note Durations of Lowest Line |
1.118 |
| Relative Size of Melodic Intervals in Lowest Line |
0.7143 |
| Voice Overlap |
0.8138 |
| Voice Separation |
4.5 |
| Variability of Voice Separation |
2.38 |
| Parallel Motion |
0.06158 |
| Average Number of Independent Voices |
3.306 |
| Similar Motion |
0.0936 |
| Contrary Motion |
0.1593 |
| Oblique Motion |
0.6856 |
| Parallel Fifths |
0.006568 |
| Parallel Octaves |
0.000821 |
| Variability of Number of Independent Voices |
1.224 |
| Voice Equality - Number of Notes |
38.48 |
| Voice Equality - Note Duration |
7.275 |
| Voice Equality - Dynamics |
9.354 |
| Voice Equality - Melodic Leaps |
0.5477 |
| Voice Equality - Range |
1.949 |
| Importance of Loudest Voice |
12.5 |