File

Last modified on: April 14, 2020, 2:15 a.m.

Rue1020a-Missa_Nunca_fue_pena_mayor-Kyrie.mid


Source
RenComp7
Musical Work
Missa Nunca fue pena mayor
Section
Kyrie
File Type
Symbolic Music
File Format
.mid
File Size
9.0 KB

Feature Value
Distance Between Two Most Common Vertical Intervals 7.0
Prevalence of Most Common Vertical Interval 0.1924
Prevalence of Second Most Common Vertical Interval 0.19
Prevalence Ratio of Two Most Common Vertical Intervals 0.9875
Vertical Unisons 0.03055
Vertical Minor Seconds 0.006361
Vertical Thirds 0.3143
Vertical Tritones 0.01098
Vertical Perfect Fourths 0.09892
Vertical Perfect Fifths 0.1924
Vertical Sixths 0.1384
Vertical Sevenths 0.02877
Vertical Octaves 0.1595
Perfect Vertical Intervals 0.4813
Vertical Dissonance Ratio 0.07062
Vertical Minor Third Prevalence 0.513
Vertical Major Third Prevalence 0.434
Chord Duration 2.244
Partial Chords 0.3353
Standard Triads 0.4735
Diminished and Augmented Triads 0.02419
Dominant Seventh Chords 0.002304
Seventh Chords 0.0288
Non-Standard Chords 0.1624
Complex Chords 0.0
Minor Major Triad Ratio 0.664
Average Number of Simultaneous Pitch Classes 2.62
Variability of Number of Simultaneous Pitch Classes 0.6851
Average Number of Simultaneous Pitches 3.252
Variability of Number of Simultaneous Pitches 0.8298
Most Common Vertical Interval 7.0
Second Most Common Vertical Interval 0.0
Dynamic Range 20.0
Variation of Dynamics 6.347
Variation of Dynamics In Each Voice 0.0
Average Note to Note Change in Dynamics 0.0
Unpitched Percussion Instrument Prevalence 0.0
String Keyboard Prevalence 0.0
Acoustic Guitar Prevalence 0.0
Electric Guitar Prevalence 0.0
Violin Prevalence 0.0
Saxophone Prevalence 0.0
Brass Prevalence 0.0
Woodwinds Prevalence 1.0
Orchestral Strings Prevalence 0.0
String Ensemble Prevalence 0.0
Electric Instrument Prevalence 0.0
Variability of Note Prevalence of Pitched Instruments 60.16
Variability of Note Prevalence of Unpitched Instruments 0.0
Number of Pitched Instruments 4.0
Number of Unpitched Instruments 0.0
Chromatic Motion 0.2544
Stepwise Motion 0.716
Melodic Thirds 0.1162
Melodic Perfect Fourths 0.05482
Melodic Tritones 0.0
Melodic Perfect Fifths 0.04496
Melodic Sixths 0.005482
Melodic Sevenths 0.0
Melodic Octaves 0.007675
Melodic Large Intervals 0.0
Most Common Melodic Interval 2.0
Minor Major Melodic Third Ratio 2.029
Melodic Embellishments 0.02183
Direction of Melodic Motion 0.4606
Average Length of Melodic Arcs 2.009
Average Interval Spanned by Melodic Arcs 4.844
Melodic Pitch Variety 5.238
Mean Melodic Interval 2.289
Number of Common Melodic Intervals 2.0
Distance Between Most Prevalent Melodic Intervals 1.0
Prevalence of Most Common Melodic Interval 0.4616
Relative Prevalence of Most Common Melodic Intervals 0.5511
Amount of Arpeggiation 0.2237
Repeated Notes 0.05482
Importance of Middle Register 0.7402
Importance of High Register 0.01965
Dominant Spread 7.0
Strong Tonal Centres 2.0
Mean Pitch 59.49
Mean Pitch Class 5.317
Most Common Pitch 55.0
Most Common Pitch Class 7.0
Prevalence of Most Common Pitch 0.08952
Prevalence of Most Common Pitch Class 0.1692
Relative Prevalence of Top Pitches 0.9634
Relative Prevalence of Top Pitch Classes 0.9935
Interval Between Most Prevalent Pitches 5.0
Interval Between Most Prevalent Pitch Classes 3.0
Pitch Variability 7.147
Pitch Class Variability 3.524
Pitch Class Variability After Folding 3.166
Pitch Skewness -0.02291
Pitch Class Skewness 0.2695
Pitch Class Skewness After Folding 0.3827
Pitch Kurtosis 5.196
Pitch Class Kurtosis 4.912
Pitch Class Kurtosis After Folding 6.998
Major or Minor 0.0
First Pitch 52.0
First Pitch Class 4.0
Last Pitch 55.0
Last Pitch Class 7.0
Glissando Prevalence 0.0
Average Range of Glissandos 0.0
Number of Pitches 27.0
Vibrato Prevalence 0.0
Microtone Prevalence 0.0
Number of Pitch Classes 10.0
Number of Common Pitches 0.0
Number of Common Pitch Classes 0.0
Range 32.0
Importance of Bass Register 0.2402
Note Density per Quarter Note 0.9903
Note Density per Quarter Note per Voice 0.2476
Note Density per Quarter Note Variability 0.4908
Range of Rhythmic Values 7.0
Number of Different Rhythmic Values Present 7.0
Number of Common Rhythmic Values Present 3.0
Prevalence of Very Short Rhythmic Values 0.0
Prevalence of Short Rhythmic Values 0.0
Prevalence of Medium Rhythmic Values 0.5469
Simple Initial Meter 1.0
Prevalence of Long Rhythmic Values 0.8177
Prevalence of Very Long Rhythmic Values 0.1408
Prevalence of Dotted Notes 0.1255
Shortest Rhythmic Value 1.0
Longest Rhythmic Value 12.0
Mean Rhythmic Value 3.258
Most Common Rhythmic Value 2.0
Prevalence of Most Common Rhythmic Value 0.3646
Relative Prevalence of Most Common Rhythmic Values 0.7156
Difference Between Most Common Rhythmic Values 2.0
Compound Initial Meter 0.0
Rhythmic Value Variability 2.381
Rhythmic Value Skewness 1.584
Rhythmic Value Kurtosis 9.521
Mean Rhythmic Value Run Length 1.678
Median Rhythmic Value Run Length 1.0
Variability in Rhythmic Value Run Lengths 1.269
Mean Rhythmic Value Offset 0.1572
Median Rhythmic Value Offset 0.0
Complex Initial Meter 0.0
Variability of Rhythmic Value Offsets 1.601
Complete Rests Fraction 0.001192
Partial Rests Fraction 0.4403
Average Rest Fraction Across Voices 0.1558
Longest Complete Rest 1.103
Longest Partial Rest 73.41
Mean Complete Rest Duration 1.103
Mean Partial Rest Duration 9.771
Median Complete Rest Duration 1.103
Median Partial Rest Duration 3.584
Duple Initial Meter 0.0
Variability of Complete Rest Durations 0.0
Variability of Partial Rest Durations 13.37
Variability Across Voices of Combined Rests 24.43
Number of Strong Rhythmic Pulses - Tempo Standardized 3.0
Number of Moderate Rhythmic Pulses - Tempo Standardized 3.0
Number of Relatively Strong Rhythmic Pulses - Tempo Standardized 3.0
Strongest Rhythmic Pulse - Tempo Standardized 60.0
Second Strongest Rhythmic Pulse - Tempo Standardized 40.0
Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized 1.5
Triple Initial Meter 1.0
Strength of Strongest Rhythmic Pulse - Tempo Standardized 0.6234
Strength of Second Strongest Rhythmic Pulse - Tempo Standardized 0.1884
Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized 3.308
Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized 0.8118
Rhythmic Variability - Tempo Standardized 0.05323
Rhythmic Looseness - Tempo Standardized 0.0
Polyrhythms - Tempo Standardized 0.6667
Quadruple Initial Meter 0.0
Metrical Diversity 2.0
Total Number of Notes 916.0
Initial Tempo 232.0
Average Variability of Time Between Attacks for Each Voice 1.264
Minimum Note Duration 0.2083
Maximum Note Duration 10.0
Average Note Duration 0.7929
Variability of Note Durations 0.7462
Amount of Staccato 0.0
Number of Strong Rhythmic Pulses 3.0
Number of Moderate Rhythmic Pulses 5.0
Number of Relatively Strong Rhythmic Pulses 3.0
Mean Tempo 261.1
Strongest Rhythmic Pulse 65.0
Second Strongest Rhythmic Pulse 43.0
Harmonicity of Two Strongest Rhythmic Pulses 1.512
Strength of Strongest Rhythmic Pulse 0.3019
Strength of Second Strongest Rhythmic Pulse 0.2753
Strength Ratio of Two Strongest Rhythmic Pulses 1.097
Combined Strength of Two Strongest Rhythmic Pulses 0.5773
Rhythmic Variability 0.03885
Rhythmic Looseness 0.0
Polyrhythms 0.6667
Tempo Variability 27.98
Duration in Seconds 215.1
Note Density 4.259
Note Density Variability 1.57
Average Time Between Attacks 0.4466
Average Time Between Attacks for Each Voice 0.9663
Variability of Time Between Attacks 0.256
Maximum Number of Independent Voices 4.0
Relative Range of Loudest Voice 0.5312
Relative Range Isolation of Loudest Voice 0.3478
Relative Range of Highest Line 0.5312
Relative Note Density of Highest Line 0.2969
Relative Note Durations of Lowest Line 0.9113
Relative Size of Melodic Intervals in Lowest Line 0.5714
Voice Overlap 0.8035
Voice Separation 5.333
Variability of Voice Separation 4.726
Parallel Motion 0.04459
Average Number of Independent Voices 3.385
Similar Motion 0.1256
Contrary Motion 0.1711
Oblique Motion 0.6588
Parallel Fifths 0.00273
Parallel Octaves 0.0009099
Variability of Number of Independent Voices 0.821
Voice Equality - Number of Notes 60.16
Voice Equality - Note Duration 5.681
Voice Equality - Dynamics 8.66
Voice Equality - Melodic Leaps 0.5
Voice Equality - Range 1.155
Importance of Loudest Voice 10.0