| Distance Between Two Most Common Vertical Intervals |
4.0 |
| Prevalence of Most Common Vertical Interval |
0.209 |
| Prevalence of Second Most Common Vertical Interval |
0.2014 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.9639 |
| Vertical Unisons |
0.01102 |
| Vertical Minor Seconds |
0.002953 |
| Vertical Thirds |
0.309 |
| Vertical Tritones |
0.01557 |
| Vertical Perfect Fourths |
0.09737 |
| Vertical Perfect Fifths |
0.1761 |
| Vertical Sixths |
0.1416 |
| Vertical Sevenths |
0.02833 |
| Vertical Octaves |
0.1979 |
| Perfect Vertical Intervals |
0.4824 |
| Vertical Dissonance Ratio |
0.07176 |
| Vertical Minor Third Prevalence |
0.3864 |
| Vertical Major Third Prevalence |
0.5682 |
| Chord Duration |
2.248 |
| Partial Chords |
0.3935 |
| Standard Triads |
0.4304 |
| Diminished and Augmented Triads |
0.03085 |
| Dominant Seventh Chords |
0.00301 |
| Seventh Chords |
0.02709 |
| Non-Standard Chords |
0.149 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
0.1917 |
| Average Number of Simultaneous Pitch Classes |
2.595 |
| Variability of Number of Simultaneous Pitch Classes |
0.7147 |
| Average Number of Simultaneous Pitches |
3.357 |
| Variability of Number of Simultaneous Pitches |
0.9752 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
4.0 |
| Dynamic Range |
4.0 |
| Variation of Dynamics |
1.745 |
| Variation of Dynamics In Each Voice |
1.743 |
| Average Note to Note Change in Dynamics |
1.991 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
0.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
0.0 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
1.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.1459 |
| Stepwise Motion |
0.5329 |
| Melodic Thirds |
0.1588 |
| Melodic Perfect Fourths |
0.05059 |
| Melodic Tritones |
0.007059 |
| Melodic Perfect Fifths |
0.01647 |
| Melodic Sixths |
0.002353 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.004706 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
3.355 |
| Melodic Embellishments |
0.009368 |
| Direction of Melodic Motion |
0.4673 |
| Average Length of Melodic Arcs |
1.805 |
| Average Interval Spanned by Melodic Arcs |
4.415 |
| Melodic Pitch Variety |
4.206 |
| Mean Melodic Interval |
1.921 |
| Number of Common Melodic Intervals |
4.0 |
| Distance Between Most Prevalent Melodic Intervals |
2.0 |
| Prevalence of Most Common Melodic Interval |
0.3871 |
| Relative Prevalence of Most Common Melodic Intervals |
0.5866 |
| Amount of Arpeggiation |
0.4071 |
| Repeated Notes |
0.2271 |
| Importance of Middle Register |
0.7342 |
| Importance of High Register |
0.002342 |
| Dominant Spread |
7.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
58.23 |
| Mean Pitch Class |
4.864 |
| Most Common Pitch |
60.0 |
| Most Common Pitch Class |
0.0 |
| Prevalence of Most Common Pitch |
0.1335 |
| Prevalence of Most Common Pitch Class |
0.2389 |
| Relative Prevalence of Top Pitches |
0.7456 |
| Relative Prevalence of Top Pitch Classes |
0.9069 |
| Interval Between Most Prevalent Pitches |
7.0 |
| Interval Between Most Prevalent Pitch Classes |
7.0 |
| Pitch Variability |
7.086 |
| Pitch Class Variability |
3.618 |
| Pitch Class Variability After Folding |
3.409 |
| Pitch Skewness |
-0.5284 |
| Pitch Class Skewness |
-0.1126 |
| Pitch Class Skewness After Folding |
0.9131 |
| Pitch Kurtosis |
5.256 |
| Pitch Class Kurtosis |
4.835 |
| Pitch Class Kurtosis After Folding |
6.964 |
| Major or Minor |
0.0 |
| First Pitch |
43.0 |
| First Pitch Class |
7.0 |
| Last Pitch |
43.0 |
| Last Pitch Class |
7.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
19.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
7.0 |
| Number of Common Pitches |
3.0 |
| Number of Common Pitch Classes |
2.0 |
| Range |
31.0 |
| Importance of Bass Register |
0.2635 |
| Note Density per Quarter Note |
1.193 |
| Note Density per Quarter Note per Voice |
0.2982 |
| Note Density per Quarter Note Variability |
0.6639 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.009368 |
| Prevalence of Medium Rhythmic Values |
0.6663 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.8197 |
| Prevalence of Very Long Rhythmic Values |
0.06674 |
| Prevalence of Dotted Notes |
0.1241 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
2.653 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.4859 |
| Relative Prevalence of Most Common Rhythmic Values |
0.3663 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.776 |
| Rhythmic Value Skewness |
1.104 |
| Rhythmic Value Kurtosis |
14.3 |
| Mean Rhythmic Value Run Length |
1.802 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.698 |
| Mean Rhythmic Value Offset |
0.1546 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
1.687 |
| Complete Rests Fraction |
0.01676 |
| Partial Rests Fraction |
0.3101 |
| Average Rest Fraction Across Voices |
0.1627 |
| Longest Complete Rest |
4.0 |
| Longest Partial Rest |
46.0 |
| Mean Complete Rest Duration |
2.4 |
| Mean Partial Rest Duration |
8.034 |
| Median Complete Rest Duration |
2.0 |
| Median Partial Rest Duration |
2.0 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.8944 |
| Variability of Partial Rest Durations |
10.54 |
| Variability Across Voices of Combined Rests |
73.44 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
2.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5919 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2272 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.606 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8191 |
| Rhythmic Variability - Tempo Standardized |
0.05167 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.5 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
2.0 |
| Total Number of Notes |
854.0 |
| Initial Tempo |
320.0 |
| Average Variability of Time Between Attacks for Each Voice |
0.6943 |
| Minimum Note Duration |
0.09375 |
| Maximum Note Duration |
6.75 |
| Average Note Duration |
0.5265 |
| Variability of Note Durations |
0.5592 |
| Amount of Staccato |
0.009368 |
| Number of Strong Rhythmic Pulses |
4.0 |
| Number of Moderate Rhythmic Pulses |
7.0 |
| Number of Relatively Strong Rhythmic Pulses |
6.0 |
| Mean Tempo |
320.0 |
| Strongest Rhythmic Pulse |
40.0 |
| Second Strongest Rhythmic Pulse |
80.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
2.0 |
| Strength of Strongest Rhythmic Pulse |
0.2097 |
| Strength of Second Strongest Rhythmic Pulse |
0.2074 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.011 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.4172 |
| Rhythmic Variability |
0.03212 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.5 |
| Tempo Variability |
0.0 |
| Duration in Seconds |
134.3 |
| Note Density |
6.361 |
| Note Density Variability |
2.637 |
| Average Time Between Attacks |
0.3748 |
| Average Time Between Attacks for Each Voice |
0.5899 |
| Variability of Time Between Attacks |
0.3302 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.4839 |
| Relative Range Isolation of Loudest Voice |
0.0 |
| Relative Range of Highest Line |
0.3226 |
| Relative Note Density of Highest Line |
0.3138 |
| Relative Note Durations of Lowest Line |
0.9749 |
| Relative Size of Melodic Intervals in Lowest Line |
0.8 |
| Voice Overlap |
0.7459 |
| Voice Separation |
5.667 |
| Variability of Voice Separation |
3.215 |
| Parallel Motion |
0.04772 |
| Average Number of Independent Voices |
3.406 |
| Similar Motion |
0.2178 |
| Contrary Motion |
0.223 |
| Oblique Motion |
0.5114 |
| Parallel Fifths |
0.001037 |
| Parallel Octaves |
0.0 |
| Variability of Number of Independent Voices |
0.9368 |
| Voice Equality - Number of Notes |
37.03 |
| Voice Equality - Note Duration |
13.77 |
| Voice Equality - Dynamics |
0.5774 |
| Voice Equality - Melodic Leaps |
0.5 |
| Voice Equality - Range |
2.217 |
| Importance of Loudest Voice |
0.6667 |