File

Last modified on: April 14, 2020, 2:16 a.m.

Rue1029d-Missa_Sub_tuum_presidium-Sanctus.mid


Source
RenComp7
Musical Work
Missa Sub tuum presidium
Section
Sanctus
File Type
Symbolic Music
File Format
.mid
File Size
16.7 KB

Feature Value
Distance Between Two Most Common Vertical Intervals 7.0
Prevalence of Most Common Vertical Interval 0.2358
Prevalence of Second Most Common Vertical Interval 0.1829
Prevalence Ratio of Two Most Common Vertical Intervals 0.7758
Vertical Unisons 0.03034
Vertical Minor Seconds 0.007688
Vertical Thirds 0.2981
Vertical Tritones 0.008645
Vertical Perfect Fourths 0.0723
Vertical Perfect Fifths 0.1829
Vertical Sixths 0.1412
Vertical Sevenths 0.0318
Vertical Octaves 0.2054
Perfect Vertical Intervals 0.491
Vertical Dissonance Ratio 0.07484
Vertical Minor Third Prevalence 0.383
Vertical Major Third Prevalence 0.3112
Chord Duration 2.159
Partial Chords 0.6066
Standard Triads 0.2707
Diminished and Augmented Triads 0.01472
Dominant Seventh Chords 0.0006691
Seventh Chords 0.009368
Non-Standard Chords 0.1134
Complex Chords 0.0
Minor Major Triad Ratio 1.002
Average Number of Simultaneous Pitch Classes 2.281
Variability of Number of Simultaneous Pitch Classes 0.6703
Average Number of Simultaneous Pitches 2.853
Variability of Number of Simultaneous Pitches 0.8348
Most Common Vertical Interval 0.0
Second Most Common Vertical Interval 7.0
Dynamic Range 20.0
Variation of Dynamics 6.84
Variation of Dynamics In Each Voice 0.0
Average Note to Note Change in Dynamics 0.0
Unpitched Percussion Instrument Prevalence 0.0
String Keyboard Prevalence 0.0
Acoustic Guitar Prevalence 0.0
Electric Guitar Prevalence 0.0
Violin Prevalence 0.0
Saxophone Prevalence 0.0
Brass Prevalence 0.0
Woodwinds Prevalence 1.0
Orchestral Strings Prevalence 0.0
String Ensemble Prevalence 0.0
Electric Instrument Prevalence 0.0
Variability of Note Prevalence of Pitched Instruments 104.6
Variability of Note Prevalence of Unpitched Instruments 0.0
Number of Pitched Instruments 4.0
Number of Unpitched Instruments 0.0
Chromatic Motion 0.1904
Stepwise Motion 0.6067
Melodic Thirds 0.1702
Melodic Perfect Fourths 0.06348
Melodic Tritones 0.0
Melodic Perfect Fifths 0.05393
Melodic Sixths 0.007303
Melodic Sevenths 0.001685
Melodic Octaves 0.0118
Melodic Large Intervals 0.0005618
Most Common Melodic Interval 2.0
Minor Major Melodic Third Ratio 2.124
Melodic Embellishments 0.01065
Direction of Melodic Motion 0.4693
Average Length of Melodic Arcs 1.789
Average Interval Spanned by Melodic Arcs 4.88
Melodic Pitch Variety 5.145
Mean Melodic Interval 2.511
Number of Common Melodic Intervals 3.0
Distance Between Most Prevalent Melodic Intervals 1.0
Prevalence of Most Common Melodic Interval 0.4163
Relative Prevalence of Most Common Melodic Intervals 0.4575
Amount of Arpeggiation 0.3219
Repeated Notes 0.08427
Importance of Middle Register 0.6928
Importance of High Register 0.01626
Dominant Spread 6.0
Strong Tonal Centres 2.0
Mean Pitch 58.43
Mean Pitch Class 5.748
Most Common Pitch 59.0
Most Common Pitch Class 11.0
Prevalence of Most Common Pitch 0.1026
Prevalence of Most Common Pitch Class 0.1827
Relative Prevalence of Top Pitches 0.8743
Relative Prevalence of Top Pitch Classes 0.9049
Interval Between Most Prevalent Pitches 7.0
Interval Between Most Prevalent Pitch Classes 7.0
Pitch Variability 7.654
Pitch Class Variability 3.749
Pitch Class Variability After Folding 2.669
Pitch Skewness -0.1206
Pitch Class Skewness 0.5989
Pitch Class Skewness After Folding 0.2804
Pitch Kurtosis 5.302
Pitch Class Kurtosis 4.721
Pitch Class Kurtosis After Folding 8.126
Major or Minor 0.0
First Pitch 64.0
First Pitch Class 4.0
Last Pitch 40.0
Last Pitch Class 4.0
Glissando Prevalence 0.0
Average Range of Glissandos 0.0
Number of Pitches 24.0
Vibrato Prevalence 0.0
Microtone Prevalence 0.0
Number of Pitch Classes 9.0
Number of Common Pitches 1.0
Number of Common Pitch Classes 0.0
Range 34.0
Importance of Bass Register 0.2909
Note Density per Quarter Note 1.074
Note Density per Quarter Note per Voice 0.2685
Note Density per Quarter Note Variability 0.5065
Range of Rhythmic Values 9.0
Number of Different Rhythmic Values Present 8.0
Number of Common Rhythmic Values Present 3.0
Prevalence of Very Short Rhythmic Values 0.0
Prevalence of Short Rhythmic Values 0.007848
Prevalence of Medium Rhythmic Values 0.6788
Simple Initial Meter 1.0
Prevalence of Long Rhythmic Values 0.7197
Prevalence of Very Long Rhythmic Values 0.07063
Prevalence of Dotted Notes 0.1003
Shortest Rhythmic Value 0.5
Longest Rhythmic Value 12.0
Mean Rhythmic Value 2.628
Most Common Rhythmic Value 2.0
Prevalence of Most Common Rhythmic Value 0.3985
Relative Prevalence of Most Common Rhythmic Values 0.6835
Difference Between Most Common Rhythmic Values 2.0
Compound Initial Meter 0.0
Rhythmic Value Variability 2.067
Rhythmic Value Skewness 0.9118
Rhythmic Value Kurtosis 13.52
Mean Rhythmic Value Run Length 1.777
Median Rhythmic Value Run Length 1.0
Variability in Rhythmic Value Run Lengths 1.43
Mean Rhythmic Value Offset 0.1143
Median Rhythmic Value Offset 0.0
Complex Initial Meter 0.0
Variability of Rhythmic Value Offsets 1.127
Complete Rests Fraction 0.001706
Partial Rests Fraction 0.6888
Average Rest Fraction Across Voices 0.2619
Longest Complete Rest 1.928
Longest Partial Rest 377.9
Mean Complete Rest Duration 1.417
Mean Partial Rest Duration 12.8
Median Complete Rest Duration 1.928
Median Partial Rest Duration 2.393
Duple Initial Meter 0.0
Variability of Complete Rest Durations 0.7229
Variability of Partial Rest Durations 41.22
Variability Across Voices of Combined Rests 235.0
Number of Strong Rhythmic Pulses - Tempo Standardized 3.0
Number of Moderate Rhythmic Pulses - Tempo Standardized 3.0
Number of Relatively Strong Rhythmic Pulses - Tempo Standardized 3.0
Strongest Rhythmic Pulse - Tempo Standardized 60.0
Second Strongest Rhythmic Pulse - Tempo Standardized 120.0
Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized 2.0
Triple Initial Meter 1.0
Strength of Strongest Rhythmic Pulse - Tempo Standardized 0.5438
Strength of Second Strongest Rhythmic Pulse - Tempo Standardized 0.2258
Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized 2.409
Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized 0.7696
Rhythmic Variability - Tempo Standardized 0.04942
Rhythmic Looseness - Tempo Standardized 0.0
Polyrhythms - Tempo Standardized 0.6667
Quadruple Initial Meter 0.0
Metrical Diversity 2.0
Total Number of Notes 1784.0
Initial Tempo 232.0
Average Variability of Time Between Attacks for Each Voice 2.499
Minimum Note Duration 0.09868
Maximum Note Duration 7.105
Average Note Duration 0.594
Variability of Note Durations 0.5988
Amount of Staccato 0.006726
Number of Strong Rhythmic Pulses 3.0
Number of Moderate Rhythmic Pulses 6.0
Number of Relatively Strong Rhythmic Pulses 6.0
Mean Tempo 279.9
Strongest Rhythmic Pulse 47.0
Second Strongest Rhythmic Pulse 70.0
Harmonicity of Two Strongest Rhythmic Pulses 1.489
Strength of Strongest Rhythmic Pulse 0.2387
Strength of Second Strongest Rhythmic Pulse 0.2363
Strength Ratio of Two Strongest Rhythmic Pulses 1.01
Combined Strength of Two Strongest Rhythmic Pulses 0.475
Rhythmic Variability 0.03437
Rhythmic Looseness 0.0
Polyrhythms 0.5
Tempo Variability 23.72
Duration in Seconds 359.0
Note Density 4.97
Note Density Variability 1.716
Average Time Between Attacks 0.3615
Average Time Between Attacks for Each Voice 0.8077
Variability of Time Between Attacks 0.2257
Maximum Number of Independent Voices 4.0
Relative Range of Loudest Voice 0.5588
Relative Range Isolation of Loudest Voice 0.488
Relative Range of Highest Line 0.5588
Relative Note Density of Highest Line 0.1502
Relative Note Durations of Lowest Line 1.084
Relative Size of Melodic Intervals in Lowest Line 1.0
Voice Overlap 0.7696
Voice Separation 6.0
Variability of Voice Separation 2.646
Parallel Motion 0.04923
Average Number of Independent Voices 2.951
Similar Motion 0.1287
Contrary Motion 0.169
Oblique Motion 0.653
Parallel Fifths 0.002372
Parallel Octaves 0.0005931
Variability of Number of Independent Voices 0.8347
Voice Equality - Number of Notes 104.6
Voice Equality - Note Duration 50.79
Voice Equality - Dynamics 8.539
Voice Equality - Melodic Leaps 0.0
Voice Equality - Range 1.258
Importance of Loudest Voice 11.67