| Distance Between Two Most Common Vertical Intervals |
3.0 |
| Prevalence of Most Common Vertical Interval |
0.1988 |
| Prevalence of Second Most Common Vertical Interval |
0.1797 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.9042 |
| Vertical Unisons |
0.02841 |
| Vertical Minor Seconds |
0.005066 |
| Vertical Thirds |
0.3213 |
| Vertical Tritones |
0.008289 |
| Vertical Perfect Fourths |
0.08917 |
| Vertical Perfect Fifths |
0.173 |
| Vertical Sixths |
0.1524 |
| Vertical Sevenths |
0.02746 |
| Vertical Octaves |
0.1703 |
| Perfect Vertical Intervals |
0.4609 |
| Vertical Dissonance Ratio |
0.06992 |
| Vertical Minor Third Prevalence |
0.4173 |
| Vertical Major Third Prevalence |
0.3368 |
| Chord Duration |
2.455 |
| Partial Chords |
0.5542 |
| Standard Triads |
0.3267 |
| Diminished and Augmented Triads |
0.01323 |
| Dominant Seventh Chords |
0.0008271 |
| Seventh Chords |
0.006617 |
| Non-Standard Chords |
0.1125 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
1.705 |
| Average Number of Simultaneous Pitch Classes |
2.341 |
| Variability of Number of Simultaneous Pitch Classes |
0.6789 |
| Average Number of Simultaneous Pitches |
2.843 |
| Variability of Number of Simultaneous Pitches |
0.9372 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
3.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
7.361 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
14.93 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2112 |
| Stepwise Motion |
0.6216 |
| Melodic Thirds |
0.1033 |
| Melodic Perfect Fourths |
0.05547 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.02052 |
| Melodic Sixths |
0.003799 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.009878 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.776 |
| Melodic Embellishments |
0.0106 |
| Direction of Melodic Motion |
0.459 |
| Average Length of Melodic Arcs |
1.845 |
| Average Interval Spanned by Melodic Arcs |
4.394 |
| Melodic Pitch Variety |
4.333 |
| Mean Melodic Interval |
1.951 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4103 |
| Relative Prevalence of Most Common Melodic Intervals |
0.5148 |
| Amount of Arpeggiation |
0.3191 |
| Repeated Notes |
0.1854 |
| Importance of Middle Register |
0.8357 |
| Importance of High Register |
0.08781 |
| Dominant Spread |
7.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
63.72 |
| Mean Pitch Class |
5.316 |
| Most Common Pitch |
64.0 |
| Most Common Pitch Class |
9.0 |
| Prevalence of Most Common Pitch |
0.1075 |
| Prevalence of Most Common Pitch Class |
0.1734 |
| Relative Prevalence of Top Pitches |
0.9789 |
| Relative Prevalence of Top Pitch Classes |
0.9782 |
| Interval Between Most Prevalent Pitches |
2.0 |
| Interval Between Most Prevalent Pitch Classes |
7.0 |
| Pitch Variability |
6.433 |
| Pitch Class Variability |
3.365 |
| Pitch Class Variability After Folding |
3.372 |
| Pitch Skewness |
-0.01765 |
| Pitch Class Skewness |
0.2815 |
| Pitch Class Skewness After Folding |
0.7428 |
| Pitch Kurtosis |
5.49 |
| Pitch Class Kurtosis |
4.922 |
| Pitch Class Kurtosis After Folding |
6.319 |
| Major or Minor |
0.0 |
| First Pitch |
62.0 |
| First Pitch Class |
2.0 |
| Last Pitch |
50.0 |
| Last Pitch Class |
2.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
25.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
11.0 |
| Number of Common Pitches |
5.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
31.0 |
| Importance of Bass Register |
0.07646 |
| Note Density per Quarter Note |
0.991 |
| Note Density per Quarter Note per Voice |
0.2478 |
| Note Density per Quarter Note Variability |
0.5167 |
| Range of Rhythmic Values |
7.0 |
| Number of Different Rhythmic Values Present |
7.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0 |
| Prevalence of Medium Rhythmic Values |
0.5829 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.7593 |
| Prevalence of Very Long Rhythmic Values |
0.08327 |
| Prevalence of Dotted Notes |
0.1014 |
| Shortest Rhythmic Value |
1.0 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
2.877 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.3422 |
| Relative Prevalence of Most Common Rhythmic Values |
0.781 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.03 |
| Rhythmic Value Skewness |
1.296 |
| Rhythmic Value Kurtosis |
11.21 |
| Mean Rhythmic Value Run Length |
1.586 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.039 |
| Mean Rhythmic Value Offset |
0.07873 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.8633 |
| Complete Rests Fraction |
0.002275 |
| Partial Rests Fraction |
0.6102 |
| Average Rest Fraction Across Voices |
0.2653 |
| Longest Complete Rest |
2.402 |
| Longest Partial Rest |
111.5 |
| Mean Complete Rest Duration |
1.516 |
| Mean Partial Rest Duration |
14.73 |
| Median Complete Rest Duration |
2.402 |
| Median Partial Rest Duration |
2.402 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
1.254 |
| Variability of Partial Rest Durations |
25.74 |
| Variability Across Voices of Combined Rests |
43.71 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
120.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.0 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5527 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2274 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.43 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7802 |
| Rhythmic Variability - Tempo Standardized |
0.04996 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
2.0 |
| Total Number of Notes |
1321.0 |
| Initial Tempo |
232.0 |
| Average Variability of Time Between Attacks for Each Voice |
1.813 |
| Minimum Note Duration |
0.1367 |
| Maximum Note Duration |
6.207 |
| Average Note Duration |
0.6401 |
| Variability of Note Durations |
0.5501 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
6.0 |
| Number of Relatively Strong Rhythmic Pulses |
6.0 |
| Mean Tempo |
293.9 |
| Strongest Rhythmic Pulse |
70.0 |
| Second Strongest Rhythmic Pulse |
47.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.489 |
| Strength of Strongest Rhythmic Pulse |
0.2582 |
| Strength of Second Strongest Rhythmic Pulse |
0.2368 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.09 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.4949 |
| Rhythmic Variability |
0.03487 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.3333 |
| Tempo Variability |
74.91 |
| Duration in Seconds |
287.0 |
| Note Density |
4.603 |
| Note Density Variability |
1.52 |
| Average Time Between Attacks |
0.3905 |
| Average Time Between Attacks for Each Voice |
0.8356 |
| Variability of Time Between Attacks |
0.2147 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.5484 |
| Relative Range Isolation of Loudest Voice |
0.358 |
| Relative Range of Highest Line |
0.5484 |
| Relative Note Density of Highest Line |
0.215 |
| Relative Note Durations of Lowest Line |
1.043 |
| Relative Size of Melodic Intervals in Lowest Line |
0.8 |
| Voice Overlap |
0.8357 |
| Voice Separation |
5.0 |
| Variability of Voice Separation |
2.646 |
| Parallel Motion |
0.04525 |
| Average Number of Independent Voices |
2.929 |
| Similar Motion |
0.1313 |
| Contrary Motion |
0.1606 |
| Oblique Motion |
0.6628 |
| Parallel Fifths |
0.0 |
| Parallel Octaves |
0.0 |
| Variability of Number of Independent Voices |
0.9464 |
| Voice Equality - Number of Notes |
14.93 |
| Voice Equality - Note Duration |
9.411 |
| Voice Equality - Dynamics |
8.66 |
| Voice Equality - Melodic Leaps |
0.5 |
| Voice Equality - Range |
1.5 |
| Importance of Loudest Voice |
10.0 |