File

Last modified on: April 14, 2020, 2:18 a.m.

Rue1003b-Missa_Assumpta_est_Maria-Gloria.mid


Source
RenComp7
Musical Work
Missa Assumpta est Maria
Section
Gloria
File Type
Symbolic Music
File Format
.mid
File Size
12.2 KB

Feature Value
Distance Between Two Most Common Vertical Intervals 7.0
Prevalence of Most Common Vertical Interval 0.2156
Prevalence of Second Most Common Vertical Interval 0.1892
Prevalence Ratio of Two Most Common Vertical Intervals 0.8774
Vertical Unisons 0.03079
Vertical Minor Seconds 0.003113
Vertical Thirds 0.3253
Vertical Tritones 0.00477
Vertical Perfect Fourths 0.1009
Vertical Perfect Fifths 0.1892
Vertical Sixths 0.121
Vertical Sevenths 0.02419
Vertical Octaves 0.1848
Perfect Vertical Intervals 0.5056
Vertical Dissonance Ratio 0.05049
Vertical Minor Third Prevalence 0.4414
Vertical Major Third Prevalence 0.512
Chord Duration 2.967
Partial Chords 0.4307
Standard Triads 0.4492
Diminished and Augmented Triads 0.008895
Dominant Seventh Chords 0.001483
Seventh Chords 0.008895
Non-Standard Chords 0.1112
Complex Chords 0.0
Minor Major Triad Ratio 0.6603
Average Number of Simultaneous Pitch Classes 2.525
Variability of Number of Simultaneous Pitch Classes 0.6351
Average Number of Simultaneous Pitches 3.205
Variability of Number of Simultaneous Pitches 0.7966
Most Common Vertical Interval 0.0
Second Most Common Vertical Interval 7.0
Dynamic Range 20.0
Variation of Dynamics 6.645
Variation of Dynamics In Each Voice 0.0
Average Note to Note Change in Dynamics 0.0
Unpitched Percussion Instrument Prevalence 0.0
String Keyboard Prevalence 0.0
Acoustic Guitar Prevalence 0.0
Electric Guitar Prevalence 0.0
Violin Prevalence 0.0
Saxophone Prevalence 0.0
Brass Prevalence 0.0
Woodwinds Prevalence 1.0
Orchestral Strings Prevalence 0.0
String Ensemble Prevalence 0.0
Electric Instrument Prevalence 0.0
Variability of Note Prevalence of Pitched Instruments 68.46
Variability of Note Prevalence of Unpitched Instruments 0.0
Number of Pitched Instruments 4.0
Number of Unpitched Instruments 0.0
Chromatic Motion 0.1748
Stepwise Motion 0.5166
Melodic Thirds 0.1493
Melodic Perfect Fourths 0.07038
Melodic Tritones 0.0
Melodic Perfect Fifths 0.03635
Melodic Sixths 0.003867
Melodic Sevenths 0.0007734
Melodic Octaves 0.00464
Melodic Large Intervals 0.0
Most Common Melodic Interval 2.0
Minor Major Melodic Third Ratio 2.574
Melodic Embellishments 0.02082
Direction of Melodic Motion 0.4599
Average Length of Melodic Arcs 1.883
Average Interval Spanned by Melodic Arcs 4.912
Melodic Pitch Variety 4.587
Mean Melodic Interval 2.049
Number of Common Melodic Intervals 4.0
Distance Between Most Prevalent Melodic Intervals 2.0
Prevalence of Most Common Melodic Interval 0.3418
Relative Prevalence of Most Common Melodic Intervals 0.638
Amount of Arpeggiation 0.4091
Repeated Notes 0.2181
Importance of Middle Register 0.5258
Importance of High Register 0.0
Dominant Spread 6.0
Strong Tonal Centres 1.0
Mean Pitch 53.46
Mean Pitch Class 5.049
Most Common Pitch 60.0
Most Common Pitch Class 0.0
Prevalence of Most Common Pitch 0.1041
Prevalence of Most Common Pitch Class 0.1835
Relative Prevalence of Top Pitches 0.8889
Relative Prevalence of Top Pitch Classes 0.8824
Interval Between Most Prevalent Pitches 5.0
Interval Between Most Prevalent Pitch Classes 5.0
Pitch Variability 6.87
Pitch Class Variability 3.47
Pitch Class Variability After Folding 4.207
Pitch Skewness -0.3996
Pitch Class Skewness 0.04199
Pitch Class Skewness After Folding 0.9659
Pitch Kurtosis 5.107
Pitch Class Kurtosis 4.733
Pitch Class Kurtosis After Folding 4.741
Major or Minor 0.0
First Pitch 48.0
First Pitch Class 0.0
Last Pitch 48.0
Last Pitch Class 0.0
Glissando Prevalence 0.0
Average Range of Glissandos 0.0
Number of Pitches 27.0
Vibrato Prevalence 0.0
Microtone Prevalence 0.0
Number of Pitch Classes 12.0
Number of Common Pitches 2.0
Number of Common Pitch Classes 0.0
Range 32.0
Importance of Bass Register 0.4742
Note Density per Quarter Note 0.9076
Note Density per Quarter Note per Voice 0.2269
Note Density per Quarter Note Variability 0.4753
Range of Rhythmic Values 9.0
Number of Different Rhythmic Values Present 8.0
Number of Common Rhythmic Values Present 3.0
Prevalence of Very Short Rhythmic Values 0.0
Prevalence of Short Rhythmic Values 0.001542
Prevalence of Medium Rhythmic Values 0.4749
Simple Initial Meter 1.0
Prevalence of Long Rhythmic Values 0.8466
Prevalence of Very Long Rhythmic Values 0.1658
Prevalence of Dotted Notes 0.1218
Shortest Rhythmic Value 0.5
Longest Rhythmic Value 12.0
Mean Rhythmic Value 3.568
Most Common Rhythmic Value 2.0
Prevalence of Most Common Rhythmic Value 0.3215
Relative Prevalence of Most Common Rhythmic Values 0.9353
Difference Between Most Common Rhythmic Values 2.0
Compound Initial Meter 0.0
Rhythmic Value Variability 2.527
Rhythmic Value Skewness 0.6746
Rhythmic Value Kurtosis 8.259
Mean Rhythmic Value Run Length 1.597
Median Rhythmic Value Run Length 1.0
Variability in Rhythmic Value Run Lengths 1.0
Mean Rhythmic Value Offset 0.07093
Median Rhythmic Value Offset 0.0
Complex Initial Meter 0.0
Variability of Rhythmic Value Offsets 0.7079
Complete Rests Fraction 0.007211
Partial Rests Fraction 0.4875
Average Rest Fraction Across Voices 0.179
Longest Complete Rest 4.71
Longest Partial Rest 127.2
Mean Complete Rest Duration 2.576
Mean Partial Rest Duration 15.98
Median Complete Rest Duration 2.489
Median Partial Rest Duration 3.794
Duple Initial Meter 0.0
Variability of Complete Rest Durations 1.674
Variability of Partial Rest Durations 27.37
Variability Across Voices of Combined Rests 90.88
Number of Strong Rhythmic Pulses - Tempo Standardized 3.0
Number of Moderate Rhythmic Pulses - Tempo Standardized 3.0
Number of Relatively Strong Rhythmic Pulses - Tempo Standardized 2.0
Strongest Rhythmic Pulse - Tempo Standardized 60.0
Second Strongest Rhythmic Pulse - Tempo Standardized 40.0
Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized 1.5
Triple Initial Meter 1.0
Strength of Strongest Rhythmic Pulse - Tempo Standardized 0.6243
Strength of Second Strongest Rhythmic Pulse - Tempo Standardized 0.1879
Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized 3.323
Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized 0.8122
Rhythmic Variability - Tempo Standardized 0.05322
Rhythmic Looseness - Tempo Standardized 0.0
Polyrhythms - Tempo Standardized 0.5
Quadruple Initial Meter 0.0
Metrical Diversity 2.0
Total Number of Notes 1297.0
Initial Tempo 232.0
Average Variability of Time Between Attacks for Each Voice 1.791
Minimum Note Duration 0.1293
Maximum Note Duration 6.207
Average Note Duration 0.7948
Variability of Note Durations 0.6329
Amount of Staccato 0.0
Number of Strong Rhythmic Pulses 3.0
Number of Moderate Rhythmic Pulses 5.0
Number of Relatively Strong Rhythmic Pulses 3.0
Mean Tempo 286.8
Strongest Rhythmic Pulse 69.0
Second Strongest Rhythmic Pulse 46.0
Harmonicity of Two Strongest Rhythmic Pulses 1.5
Strength of Strongest Rhythmic Pulse 0.3291
Strength of Second Strongest Rhythmic Pulse 0.2644
Strength Ratio of Two Strongest Rhythmic Pulses 1.244
Combined Strength of Two Strongest Rhythmic Pulses 0.5935
Rhythmic Variability 0.03935
Rhythmic Looseness 0.0
Polyrhythms 0.6667
Tempo Variability 71.24
Duration in Seconds 313.9
Note Density 4.132
Note Density Variability 1.377
Average Time Between Attacks 0.4746
Average Time Between Attacks for Each Voice 1.005
Variability of Time Between Attacks 0.3083
Maximum Number of Independent Voices 4.0
Relative Range of Loudest Voice 0.5
Relative Range Isolation of Loudest Voice 0.3778
Relative Range of Highest Line 0.5
Relative Note Density of Highest Line 0.1881
Relative Note Durations of Lowest Line 0.9303
Relative Size of Melodic Intervals in Lowest Line 0.6667
Voice Overlap 0.8589
Voice Separation 5.333
Variability of Voice Separation 1.528
Parallel Motion 0.0377
Average Number of Independent Voices 3.333
Similar Motion 0.1344
Contrary Motion 0.182
Oblique Motion 0.6459
Parallel Fifths 0.0008197
Parallel Octaves 0.0008197
Variability of Number of Independent Voices 0.7984
Voice Equality - Number of Notes 68.46
Voice Equality - Note Duration 19.96
Voice Equality - Dynamics 8.66
Voice Equality - Melodic Leaps 0.5774
Voice Equality - Range 0.8165
Importance of Loudest Voice 10.0