| Distance Between Two Most Common Vertical Intervals |
3.0 |
| Prevalence of Most Common Vertical Interval |
0.2333 |
| Prevalence of Second Most Common Vertical Interval |
0.171 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.7329 |
| Vertical Unisons |
0.04 |
| Vertical Minor Seconds |
0.004304 |
| Vertical Thirds |
0.2979 |
| Vertical Tritones |
0.009598 |
| Vertical Perfect Fourths |
0.09608 |
| Vertical Perfect Fifths |
0.1672 |
| Vertical Sixths |
0.1449 |
| Vertical Sevenths |
0.0303 |
| Vertical Octaves |
0.1933 |
| Perfect Vertical Intervals |
0.4965 |
| Vertical Dissonance Ratio |
0.06453 |
| Vertical Minor Third Prevalence |
0.4162 |
| Vertical Major Third Prevalence |
0.3441 |
| Chord Duration |
2.937 |
| Partial Chords |
0.5186 |
| Standard Triads |
0.3575 |
| Diminished and Augmented Triads |
0.01745 |
| Dominant Seventh Chords |
0.004505 |
| Seventh Chords |
0.01182 |
| Non-Standard Chords |
0.112 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
1.205 |
| Average Number of Simultaneous Pitch Classes |
2.374 |
| Variability of Number of Simultaneous Pitch Classes |
0.6903 |
| Average Number of Simultaneous Pitches |
2.971 |
| Variability of Number of Simultaneous Pitches |
0.8869 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
3.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
6.656 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
114.2 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2105 |
| Stepwise Motion |
0.6058 |
| Melodic Thirds |
0.1136 |
| Melodic Perfect Fourths |
0.06659 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.04162 |
| Melodic Sixths |
0.003567 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.005945 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
2.537 |
| Melodic Embellishments |
0.02014 |
| Direction of Melodic Motion |
0.4354 |
| Average Length of Melodic Arcs |
1.769 |
| Average Interval Spanned by Melodic Arcs |
4.42 |
| Melodic Pitch Variety |
4.434 |
| Mean Melodic Interval |
2.099 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.3954 |
| Relative Prevalence of Most Common Melodic Intervals |
0.5323 |
| Amount of Arpeggiation |
0.324 |
| Repeated Notes |
0.1629 |
| Importance of Middle Register |
0.843 |
| Importance of High Register |
0.03732 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
61.51 |
| Mean Pitch Class |
5.39 |
| Most Common Pitch |
62.0 |
| Most Common Pitch Class |
7.0 |
| Prevalence of Most Common Pitch |
0.1037 |
| Prevalence of Most Common Pitch Class |
0.1973 |
| Relative Prevalence of Top Pitches |
0.9543 |
| Relative Prevalence of Top Pitch Classes |
0.8228 |
| Interval Between Most Prevalent Pitches |
5.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
6.785 |
| Pitch Class Variability |
3.45 |
| Pitch Class Variability After Folding |
4.05 |
| Pitch Skewness |
0.04662 |
| Pitch Class Skewness |
0.339 |
| Pitch Class Skewness After Folding |
1.621 |
| Pitch Kurtosis |
5.281 |
| Pitch Class Kurtosis |
4.711 |
| Pitch Class Kurtosis After Folding |
4.875 |
| Major or Minor |
0.0 |
| First Pitch |
55.0 |
| First Pitch Class |
7.0 |
| Last Pitch |
55.0 |
| Last Pitch Class |
7.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
28.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
11.0 |
| Number of Common Pitches |
3.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
34.0 |
| Importance of Bass Register |
0.1197 |
| Note Density per Quarter Note |
0.8625 |
| Note Density per Quarter Note per Voice |
0.2156 |
| Note Density per Quarter Note Variability |
0.4294 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.004739 |
| Prevalence of Medium Rhythmic Values |
0.4805 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.8395 |
| Prevalence of Very Long Rhythmic Values |
0.1582 |
| Prevalence of Dotted Notes |
0.125 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
3.512 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.3199 |
| Relative Prevalence of Most Common Rhythmic Values |
0.9056 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.506 |
| Rhythmic Value Skewness |
0.6127 |
| Rhythmic Value Kurtosis |
8.314 |
| Mean Rhythmic Value Run Length |
1.566 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.175 |
| Mean Rhythmic Value Offset |
0.1043 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.978 |
| Complete Rests Fraction |
0.0003268 |
| Partial Rests Fraction |
0.5751 |
| Average Rest Fraction Across Voices |
0.2307 |
| Longest Complete Rest |
0.6396 |
| Longest Partial Rest |
161.1 |
| Mean Complete Rest Duration |
0.6396 |
| Mean Partial Rest Duration |
14.45 |
| Median Complete Rest Duration |
0.6396 |
| Median Partial Rest Duration |
3.933 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
23.64 |
| Variability Across Voices of Combined Rests |
92.99 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
1.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5898 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2093 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.818 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7991 |
| Rhythmic Variability - Tempo Standardized |
0.05149 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
2.0 |
| Total Number of Notes |
1688.0 |
| Initial Tempo |
232.0 |
| Average Variability of Time Between Attacks for Each Voice |
1.599 |
| Minimum Note Duration |
0.1042 |
| Maximum Note Duration |
6.667 |
| Average Note Duration |
0.7588 |
| Variability of Note Durations |
0.6513 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
6.0 |
| Number of Relatively Strong Rhythmic Pulses |
3.0 |
| Mean Tempo |
299.8 |
| Strongest Rhythmic Pulse |
71.0 |
| Second Strongest Rhythmic Pulse |
48.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.479 |
| Strength of Strongest Rhythmic Pulse |
0.3043 |
| Strength of Second Strongest Rhythmic Pulse |
0.2386 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.275 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.5429 |
| Rhythmic Variability |
0.03623 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.6667 |
| Tempo Variability |
78.22 |
| Duration in Seconds |
414.7 |
| Note Density |
4.07 |
| Note Density Variability |
1.321 |
| Average Time Between Attacks |
0.4489 |
| Average Time Between Attacks for Each Voice |
0.9997 |
| Variability of Time Between Attacks |
0.2713 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.5 |
| Relative Range Isolation of Loudest Voice |
0.2523 |
| Relative Range of Highest Line |
0.5 |
| Relative Note Density of Highest Line |
0.1635 |
| Relative Note Durations of Lowest Line |
1.01 |
| Relative Size of Melodic Intervals in Lowest Line |
0.6667 |
| Voice Overlap |
0.8851 |
| Voice Separation |
5.333 |
| Variability of Voice Separation |
3.786 |
| Parallel Motion |
0.04688 |
| Average Number of Independent Voices |
3.108 |
| Similar Motion |
0.1603 |
| Contrary Motion |
0.1549 |
| Oblique Motion |
0.6379 |
| Parallel Fifths |
0.002717 |
| Parallel Octaves |
0.002717 |
| Variability of Number of Independent Voices |
0.8888 |
| Voice Equality - Number of Notes |
114.2 |
| Voice Equality - Note Duration |
19.71 |
| Voice Equality - Dynamics |
8.66 |
| Voice Equality - Melodic Leaps |
0.5774 |
| Voice Equality - Range |
3.559 |
| Importance of Loudest Voice |
10.0 |