| Distance Between Two Most Common Vertical Intervals |
3.0 |
| Prevalence of Most Common Vertical Interval |
0.239 |
| Prevalence of Second Most Common Vertical Interval |
0.1727 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.7226 |
| Vertical Unisons |
0.02532 |
| Vertical Minor Seconds |
0.005459 |
| Vertical Thirds |
0.2916 |
| Vertical Tritones |
0.00683 |
| Vertical Perfect Fourths |
0.1003 |
| Vertical Perfect Fifths |
0.17 |
| Vertical Sixths |
0.1431 |
| Vertical Sevenths |
0.02359 |
| Vertical Octaves |
0.2137 |
| Perfect Vertical Intervals |
0.5093 |
| Vertical Dissonance Ratio |
0.05922 |
| Vertical Minor Third Prevalence |
0.4539 |
| Vertical Major Third Prevalence |
0.3443 |
| Chord Duration |
2.033 |
| Partial Chords |
0.4733 |
| Standard Triads |
0.4029 |
| Diminished and Augmented Triads |
0.009709 |
| Dominant Seventh Chords |
0.006472 |
| Seventh Chords |
0.02265 |
| Non-Standard Chords |
0.1011 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
2.113 |
| Average Number of Simultaneous Pitch Classes |
2.424 |
| Variability of Number of Simultaneous Pitch Classes |
0.7255 |
| Average Number of Simultaneous Pitches |
3.161 |
| Variability of Number of Simultaneous Pitches |
0.9399 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
3.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
7.472 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
6.191 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.1478 |
| Stepwise Motion |
0.4858 |
| Melodic Thirds |
0.1253 |
| Melodic Perfect Fourths |
0.06856 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.03073 |
| Melodic Sixths |
0.002364 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.009456 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
2.419 |
| Melodic Embellishments |
0.01059 |
| Direction of Melodic Motion |
0.4632 |
| Average Length of Melodic Arcs |
1.802 |
| Average Interval Spanned by Melodic Arcs |
4.773 |
| Melodic Pitch Variety |
3.936 |
| Mean Melodic Interval |
1.928 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
2.0 |
| Prevalence of Most Common Melodic Interval |
0.3381 |
| Relative Prevalence of Most Common Melodic Intervals |
0.8217 |
| Amount of Arpeggiation |
0.4433 |
| Repeated Notes |
0.2778 |
| Importance of Middle Register |
0.7741 |
| Importance of High Register |
0.03176 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
59.84 |
| Mean Pitch Class |
5.242 |
| Most Common Pitch |
62.0 |
| Most Common Pitch Class |
2.0 |
| Prevalence of Most Common Pitch |
0.1188 |
| Prevalence of Most Common Pitch Class |
0.2094 |
| Relative Prevalence of Top Pitches |
0.9208 |
| Relative Prevalence of Top Pitch Classes |
0.9719 |
| Interval Between Most Prevalent Pitches |
7.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
7.402 |
| Pitch Class Variability |
3.41 |
| Pitch Class Variability After Folding |
3.827 |
| Pitch Skewness |
0.05341 |
| Pitch Class Skewness |
0.2132 |
| Pitch Class Skewness After Folding |
1.446 |
| Pitch Kurtosis |
5.388 |
| Pitch Class Kurtosis |
4.668 |
| Pitch Class Kurtosis After Folding |
5.333 |
| Major or Minor |
0.0 |
| First Pitch |
55.0 |
| First Pitch Class |
7.0 |
| Last Pitch |
43.0 |
| Last Pitch Class |
7.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
25.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
10.0 |
| Number of Common Pitches |
2.0 |
| Number of Common Pitch Classes |
2.0 |
| Range |
33.0 |
| Importance of Bass Register |
0.1941 |
| Note Density per Quarter Note |
1.234 |
| Note Density per Quarter Note per Voice |
0.3084 |
| Note Density per Quarter Note Variability |
0.5541 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.02118 |
| Prevalence of Medium Rhythmic Values |
0.6565 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.7965 |
| Prevalence of Very Long Rhythmic Values |
0.05412 |
| Prevalence of Dotted Notes |
0.09765 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
2.605 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.4529 |
| Relative Prevalence of Most Common Rhythmic Values |
0.4571 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.678 |
| Rhythmic Value Skewness |
1.081 |
| Rhythmic Value Kurtosis |
12.35 |
| Mean Rhythmic Value Run Length |
1.742 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.305 |
| Mean Rhythmic Value Offset |
0.02353 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.4547 |
| Complete Rests Fraction |
0.007245 |
| Partial Rests Fraction |
0.4223 |
| Average Rest Fraction Across Voices |
0.1894 |
| Longest Complete Rest |
2.0 |
| Longest Partial Rest |
62.0 |
| Mean Complete Rest Duration |
1.664 |
| Mean Partial Rest Duration |
6.868 |
| Median Complete Rest Duration |
2.0 |
| Median Partial Rest Duration |
2.0 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.5822 |
| Variability of Partial Rest Durations |
11.3 |
| Variability Across Voices of Combined Rests |
18.43 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5997 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.202 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.97 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8017 |
| Rhythmic Variability - Tempo Standardized |
0.05187 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
850.0 |
| Initial Tempo |
288.0 |
| Average Variability of Time Between Attacks for Each Voice |
0.7426 |
| Minimum Note Duration |
0.1042 |
| Maximum Note Duration |
5.0 |
| Average Note Duration |
0.5475 |
| Variability of Note Durations |
0.3878 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
6.0 |
| Number of Relatively Strong Rhythmic Pulses |
6.0 |
| Mean Tempo |
288.0 |
| Strongest Rhythmic Pulse |
72.0 |
| Second Strongest Rhythmic Pulse |
144.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
2.0 |
| Strength of Strongest Rhythmic Pulse |
0.2515 |
| Strength of Second Strongest Rhythmic Pulse |
0.247 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.018 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.4984 |
| Rhythmic Variability |
0.03505 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.3333 |
| Tempo Variability |
0.00000000003075 |
| Duration in Seconds |
143.5 |
| Note Density |
5.922 |
| Note Density Variability |
1.771 |
| Average Time Between Attacks |
0.3507 |
| Average Time Between Attacks for Each Voice |
0.6357 |
| Variability of Time Between Attacks |
0.2054 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.4242 |
| Relative Range Isolation of Loudest Voice |
0.6199 |
| Relative Range of Highest Line |
0.4242 |
| Relative Note Density of Highest Line |
0.3247 |
| Relative Note Durations of Lowest Line |
0.9912 |
| Relative Size of Melodic Intervals in Lowest Line |
0.8 |
| Voice Overlap |
0.7659 |
| Voice Separation |
6.333 |
| Variability of Voice Separation |
2.082 |
| Parallel Motion |
0.05118 |
| Average Number of Independent Voices |
3.266 |
| Similar Motion |
0.122 |
| Contrary Motion |
0.1798 |
| Oblique Motion |
0.647 |
| Parallel Fifths |
0.002625 |
| Parallel Octaves |
0.001312 |
| Variability of Number of Independent Voices |
0.944 |
| Voice Equality - Number of Notes |
6.191 |
| Voice Equality - Note Duration |
3.84 |
| Voice Equality - Dynamics |
8.66 |
| Voice Equality - Melodic Leaps |
0.5 |
| Voice Equality - Range |
0.5 |
| Importance of Loudest Voice |
10.0 |