File

Last modified on: April 14, 2020, 2:22 a.m.

Rue1018b-Missa_Ista_est_speciosa-Gloria.mid


Source
RenComp7
Musical Work
Missa Ista est speciosa
Section
Gloria
File Type
Symbolic Music
File Format
.mid
File Size
14.1 KB

Feature Value
Distance Between Two Most Common Vertical Intervals 7.0
Prevalence of Most Common Vertical Interval 0.2244
Prevalence of Second Most Common Vertical Interval 0.1771
Prevalence Ratio of Two Most Common Vertical Intervals 0.7893
Vertical Unisons 0.02918
Vertical Minor Seconds 0.005889
Vertical Thirds 0.2946
Vertical Tritones 0.008162
Vertical Perfect Fourths 0.09856
Vertical Perfect Fifths 0.1771
Vertical Sixths 0.1452
Vertical Sevenths 0.0272
Vertical Octaves 0.1952
Perfect Vertical Intervals 0.5
Vertical Dissonance Ratio 0.06399
Vertical Minor Third Prevalence 0.5655
Vertical Major Third Prevalence 0.5033
Chord Duration 2.258
Partial Chords 0.3037
Standard Triads 0.521
Diminished and Augmented Triads 0.02103
Dominant Seventh Chords 0.003115
Seventh Chords 0.02648
Non-Standard Chords 0.1488
Complex Chords 0.004673
Minor Major Triad Ratio 0.9114
Average Number of Simultaneous Pitch Classes 2.684
Variability of Number of Simultaneous Pitch Classes 0.687
Average Number of Simultaneous Pitches 3.626
Variability of Number of Simultaneous Pitches 0.9876
Most Common Vertical Interval 0.0
Second Most Common Vertical Interval 7.0
Dynamic Range 20.0
Variation of Dynamics 5.491
Variation of Dynamics In Each Voice 0.0
Average Note to Note Change in Dynamics 0.0
Unpitched Percussion Instrument Prevalence 0.0
String Keyboard Prevalence 0.0
Acoustic Guitar Prevalence 0.0
Electric Guitar Prevalence 0.0
Violin Prevalence 0.0
Saxophone Prevalence 0.0
Brass Prevalence 0.0
Woodwinds Prevalence 1.0
Orchestral Strings Prevalence 0.0
String Ensemble Prevalence 0.0
Electric Instrument Prevalence 0.0
Variability of Note Prevalence of Pitched Instruments 187.9
Variability of Note Prevalence of Unpitched Instruments 0.0
Number of Pitched Instruments 4.0
Number of Unpitched Instruments 0.0
Chromatic Motion 0.188
Stepwise Motion 0.6195
Melodic Thirds 0.1009
Melodic Perfect Fourths 0.05763
Melodic Tritones 0.0
Melodic Perfect Fifths 0.03667
Melodic Sixths 0.00262
Melodic Sevenths 0.0
Melodic Octaves 0.00262
Melodic Large Intervals 0.0006549
Most Common Melodic Interval 2.0
Minor Major Melodic Third Ratio 2.756
Melodic Embellishments 0.01371
Direction of Melodic Motion 0.4741
Average Length of Melodic Arcs 2.005
Average Interval Spanned by Melodic Arcs 4.822
Melodic Pitch Variety 4.674
Mean Melodic Interval 1.99
Number of Common Melodic Intervals 3.0
Distance Between Most Prevalent Melodic Intervals 1.0
Prevalence of Most Common Melodic Interval 0.4316
Relative Prevalence of Most Common Melodic Intervals 0.4355
Amount of Arpeggiation 0.3202
Repeated Notes 0.1794
Importance of Middle Register 0.6162
Importance of High Register 0.0
Dominant Spread 6.0
Strong Tonal Centres 2.0
Mean Pitch 56.17
Mean Pitch Class 5.416
Most Common Pitch 52.0
Most Common Pitch Class 7.0
Prevalence of Most Common Pitch 0.0842
Prevalence of Most Common Pitch Class 0.1736
Relative Prevalence of Top Pitches 0.9302
Relative Prevalence of Top Pitch Classes 0.9474
Interval Between Most Prevalent Pitches 3.0
Interval Between Most Prevalent Pitch Classes 3.0
Pitch Variability 7.527
Pitch Class Variability 3.524
Pitch Class Variability After Folding 2.909
Pitch Skewness -0.1517
Pitch Class Skewness 0.3539
Pitch Class Skewness After Folding 0.2417
Pitch Kurtosis 5.147
Pitch Class Kurtosis 4.862
Pitch Class Kurtosis After Folding 7.758
Major or Minor 0.0
First Pitch 52.0
First Pitch Class 4.0
Last Pitch 40.0
Last Pitch Class 4.0
Glissando Prevalence 0.0
Average Range of Glissandos 0.0
Number of Pitches 25.0
Vibrato Prevalence 0.0
Microtone Prevalence 0.0
Number of Pitch Classes 10.0
Number of Common Pitches 0.0
Number of Common Pitch Classes 0.0
Range 32.0
Importance of Bass Register 0.3838
Note Density per Quarter Note 1.132
Note Density per Quarter Note per Voice 0.2265
Note Density per Quarter Note Variability 0.5031
Range of Rhythmic Values 9.0
Number of Different Rhythmic Values Present 8.0
Number of Common Rhythmic Values Present 3.0
Prevalence of Very Short Rhythmic Values 0.0
Prevalence of Short Rhythmic Values 0.002611
Prevalence of Medium Rhythmic Values 0.5346
Simple Initial Meter 1.0
Prevalence of Long Rhythmic Values 0.7781
Prevalence of Very Long Rhythmic Values 0.124
Prevalence of Dotted Notes 0.1279
Shortest Rhythmic Value 0.5
Longest Rhythmic Value 12.0
Mean Rhythmic Value 3.206
Most Common Rhythmic Value 2.0
Prevalence of Most Common Rhythmic Value 0.3127
Relative Prevalence of Most Common Rhythmic Values 0.8413
Difference Between Most Common Rhythmic Values 2.0
Compound Initial Meter 0.0
Rhythmic Value Variability 2.429
Rhythmic Value Skewness 1.49
Rhythmic Value Kurtosis 9.534
Mean Rhythmic Value Run Length 1.575
Median Rhythmic Value Run Length 1.0
Variability in Rhythmic Value Run Lengths 0.9937
Mean Rhythmic Value Offset 0.1436
Median Rhythmic Value Offset 0.0
Complex Initial Meter 0.0
Variability of Rhythmic Value Offsets 0.9965
Complete Rests Fraction 0.0006598
Partial Rests Fraction 0.7106
Average Rest Fraction Across Voices 0.2458
Longest Complete Rest 0.8927
Longest Partial Rest 90.02
Mean Complete Rest Duration 0.8927
Mean Partial Rest Duration 15.99
Median Complete Rest Duration 0.8927
Median Partial Rest Duration 5.401
Duple Initial Meter 1.0
Variability of Complete Rest Durations 0.0
Variability of Partial Rest Durations 20.22
Variability Across Voices of Combined Rests 34.69
Number of Strong Rhythmic Pulses - Tempo Standardized 3.0
Number of Moderate Rhythmic Pulses - Tempo Standardized 3.0
Number of Relatively Strong Rhythmic Pulses - Tempo Standardized 3.0
Strongest Rhythmic Pulse - Tempo Standardized 60.0
Second Strongest Rhythmic Pulse - Tempo Standardized 40.0
Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized 1.5
Triple Initial Meter 0.0
Strength of Strongest Rhythmic Pulse - Tempo Standardized 0.5461
Strength of Second Strongest Rhythmic Pulse - Tempo Standardized 0.2363
Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized 2.311
Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized 0.7824
Rhythmic Variability - Tempo Standardized 0.04965
Rhythmic Looseness - Tempo Standardized 0.0
Polyrhythms - Tempo Standardized 0.6667
Quadruple Initial Meter 0.0
Metrical Diversity 1.0
Total Number of Notes 1532.0
Initial Tempo 232.0
Average Variability of Time Between Attacks for Each Voice 1.868
Minimum Note Duration 0.1293
Maximum Note Duration 6.207
Average Note Duration 0.7655
Variability of Note Durations 0.6933
Amount of Staccato 0.0
Number of Strong Rhythmic Pulses 5.0
Number of Moderate Rhythmic Pulses 5.0
Number of Relatively Strong Rhythmic Pulses 5.0
Mean Tempo 264.3
Strongest Rhythmic Pulse 66.0
Second Strongest Rhythmic Pulse 44.0
Harmonicity of Two Strongest Rhythmic Pulses 1.5
Strength of Strongest Rhythmic Pulse 0.2937
Strength of Second Strongest Rhythmic Pulse 0.2564
Strength Ratio of Two Strongest Rhythmic Pulses 1.146
Combined Strength of Two Strongest Rhythmic Pulses 0.5501
Rhythmic Variability 0.03749
Rhythmic Looseness 0.0
Polyrhythms 0.4
Tempo Variability 28.81
Duration in Seconds 311.0
Note Density 4.927
Note Density Variability 1.598
Average Time Between Attacks 0.4027
Average Time Between Attacks for Each Voice 1.091
Variability of Time Between Attacks 0.2406
Maximum Number of Independent Voices 5.0
Relative Range of Loudest Voice 0.4688
Relative Range Isolation of Loudest Voice 0.5145
Relative Range of Highest Line 0.4688
Relative Note Density of Highest Line 0.2121
Relative Note Durations of Lowest Line 1.005
Relative Size of Melodic Intervals in Lowest Line 0.625
Voice Overlap 0.829
Voice Separation 4.75
Variability of Voice Separation 1.5
Parallel Motion 0.04664
Average Number of Independent Voices 3.796
Similar Motion 0.1102
Contrary Motion 0.1672
Oblique Motion 0.676
Parallel Fifths 0.001817
Parallel Octaves 0.001211
Variability of Number of Independent Voices 1.013
Voice Equality - Number of Notes 86.37
Voice Equality - Note Duration 7.973
Voice Equality - Dynamics 7.583
Voice Equality - Melodic Leaps 0.5477
Voice Equality - Range 1.225
Importance of Loudest Voice 8.75