File

Last modified on: April 14, 2020, 2:23 a.m.

Rue1021b-Missa_O_gloriosa_domina-Gloria.mid


Source
RenComp7
Musical Work
Missa O gloriosa domina
Section
Gloria
File Type
Symbolic Music
File Format
.mid
File Size
12.3 KB

Feature Value
Distance Between Two Most Common Vertical Intervals 3.0
Prevalence of Most Common Vertical Interval 0.1988
Prevalence of Second Most Common Vertical Interval 0.1797
Prevalence Ratio of Two Most Common Vertical Intervals 0.9042
Vertical Unisons 0.02841
Vertical Minor Seconds 0.005066
Vertical Thirds 0.3213
Vertical Tritones 0.008289
Vertical Perfect Fourths 0.08917
Vertical Perfect Fifths 0.173
Vertical Sixths 0.1524
Vertical Sevenths 0.02746
Vertical Octaves 0.1703
Perfect Vertical Intervals 0.4609
Vertical Dissonance Ratio 0.06992
Vertical Minor Third Prevalence 0.4173
Vertical Major Third Prevalence 0.3368
Chord Duration 2.455
Partial Chords 0.5542
Standard Triads 0.3267
Diminished and Augmented Triads 0.01323
Dominant Seventh Chords 0.0008271
Seventh Chords 0.006617
Non-Standard Chords 0.1125
Complex Chords 0.0
Minor Major Triad Ratio 1.705
Average Number of Simultaneous Pitch Classes 2.341
Variability of Number of Simultaneous Pitch Classes 0.6789
Average Number of Simultaneous Pitches 2.843
Variability of Number of Simultaneous Pitches 0.9372
Most Common Vertical Interval 0.0
Second Most Common Vertical Interval 3.0
Dynamic Range 20.0
Variation of Dynamics 7.361
Variation of Dynamics In Each Voice 0.0
Average Note to Note Change in Dynamics 0.0
Unpitched Percussion Instrument Prevalence 0.0
String Keyboard Prevalence 0.0
Acoustic Guitar Prevalence 0.0
Electric Guitar Prevalence 0.0
Violin Prevalence 0.0
Saxophone Prevalence 0.0
Brass Prevalence 0.0
Woodwinds Prevalence 1.0
Orchestral Strings Prevalence 0.0
String Ensemble Prevalence 0.0
Electric Instrument Prevalence 0.0
Variability of Note Prevalence of Pitched Instruments 14.93
Variability of Note Prevalence of Unpitched Instruments 0.0
Number of Pitched Instruments 4.0
Number of Unpitched Instruments 0.0
Chromatic Motion 0.2112
Stepwise Motion 0.6216
Melodic Thirds 0.1033
Melodic Perfect Fourths 0.05547
Melodic Tritones 0.0
Melodic Perfect Fifths 0.02052
Melodic Sixths 0.003799
Melodic Sevenths 0.0
Melodic Octaves 0.009878
Melodic Large Intervals 0.0
Most Common Melodic Interval 2.0
Minor Major Melodic Third Ratio 1.776
Melodic Embellishments 0.0106
Direction of Melodic Motion 0.459
Average Length of Melodic Arcs 1.845
Average Interval Spanned by Melodic Arcs 4.394
Melodic Pitch Variety 4.333
Mean Melodic Interval 1.951
Number of Common Melodic Intervals 3.0
Distance Between Most Prevalent Melodic Intervals 1.0
Prevalence of Most Common Melodic Interval 0.4103
Relative Prevalence of Most Common Melodic Intervals 0.5148
Amount of Arpeggiation 0.3191
Repeated Notes 0.1854
Importance of Middle Register 0.8357
Importance of High Register 0.08781
Dominant Spread 7.0
Strong Tonal Centres 2.0
Mean Pitch 63.72
Mean Pitch Class 5.316
Most Common Pitch 64.0
Most Common Pitch Class 9.0
Prevalence of Most Common Pitch 0.1075
Prevalence of Most Common Pitch Class 0.1734
Relative Prevalence of Top Pitches 0.9789
Relative Prevalence of Top Pitch Classes 0.9782
Interval Between Most Prevalent Pitches 2.0
Interval Between Most Prevalent Pitch Classes 7.0
Pitch Variability 6.433
Pitch Class Variability 3.365
Pitch Class Variability After Folding 3.372
Pitch Skewness -0.01765
Pitch Class Skewness 0.2815
Pitch Class Skewness After Folding 0.7428
Pitch Kurtosis 5.49
Pitch Class Kurtosis 4.922
Pitch Class Kurtosis After Folding 6.319
Major or Minor 0.0
First Pitch 62.0
First Pitch Class 2.0
Last Pitch 50.0
Last Pitch Class 2.0
Glissando Prevalence 0.0
Average Range of Glissandos 0.0
Number of Pitches 25.0
Vibrato Prevalence 0.0
Microtone Prevalence 0.0
Number of Pitch Classes 11.0
Number of Common Pitches 5.0
Number of Common Pitch Classes 0.0
Range 31.0
Importance of Bass Register 0.07646
Note Density per Quarter Note 0.991
Note Density per Quarter Note per Voice 0.2478
Note Density per Quarter Note Variability 0.5167
Range of Rhythmic Values 7.0
Number of Different Rhythmic Values Present 7.0
Number of Common Rhythmic Values Present 3.0
Prevalence of Very Short Rhythmic Values 0.0
Prevalence of Short Rhythmic Values 0.0
Prevalence of Medium Rhythmic Values 0.5829
Simple Initial Meter 1.0
Prevalence of Long Rhythmic Values 0.7593
Prevalence of Very Long Rhythmic Values 0.08327
Prevalence of Dotted Notes 0.1014
Shortest Rhythmic Value 1.0
Longest Rhythmic Value 12.0
Mean Rhythmic Value 2.877
Most Common Rhythmic Value 2.0
Prevalence of Most Common Rhythmic Value 0.3422
Relative Prevalence of Most Common Rhythmic Values 0.781
Difference Between Most Common Rhythmic Values 2.0
Compound Initial Meter 0.0
Rhythmic Value Variability 2.03
Rhythmic Value Skewness 1.296
Rhythmic Value Kurtosis 11.21
Mean Rhythmic Value Run Length 1.586
Median Rhythmic Value Run Length 1.0
Variability in Rhythmic Value Run Lengths 1.039
Mean Rhythmic Value Offset 0.07873
Median Rhythmic Value Offset 0.0
Complex Initial Meter 0.0
Variability of Rhythmic Value Offsets 0.8633
Complete Rests Fraction 0.002275
Partial Rests Fraction 0.6102
Average Rest Fraction Across Voices 0.2653
Longest Complete Rest 2.402
Longest Partial Rest 111.5
Mean Complete Rest Duration 1.516
Mean Partial Rest Duration 14.73
Median Complete Rest Duration 2.402
Median Partial Rest Duration 2.402
Duple Initial Meter 1.0
Variability of Complete Rest Durations 1.254
Variability of Partial Rest Durations 25.74
Variability Across Voices of Combined Rests 43.71
Number of Strong Rhythmic Pulses - Tempo Standardized 3.0
Number of Moderate Rhythmic Pulses - Tempo Standardized 3.0
Number of Relatively Strong Rhythmic Pulses - Tempo Standardized 3.0
Strongest Rhythmic Pulse - Tempo Standardized 60.0
Second Strongest Rhythmic Pulse - Tempo Standardized 120.0
Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized 2.0
Triple Initial Meter 0.0
Strength of Strongest Rhythmic Pulse - Tempo Standardized 0.5527
Strength of Second Strongest Rhythmic Pulse - Tempo Standardized 0.2274
Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized 2.43
Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized 0.7802
Rhythmic Variability - Tempo Standardized 0.04996
Rhythmic Looseness - Tempo Standardized 0.0
Polyrhythms - Tempo Standardized 0.6667
Quadruple Initial Meter 0.0
Metrical Diversity 2.0
Total Number of Notes 1321.0
Initial Tempo 232.0
Average Variability of Time Between Attacks for Each Voice 1.813
Minimum Note Duration 0.1367
Maximum Note Duration 6.207
Average Note Duration 0.6401
Variability of Note Durations 0.5501
Amount of Staccato 0.0
Number of Strong Rhythmic Pulses 3.0
Number of Moderate Rhythmic Pulses 6.0
Number of Relatively Strong Rhythmic Pulses 6.0
Mean Tempo 293.9
Strongest Rhythmic Pulse 70.0
Second Strongest Rhythmic Pulse 47.0
Harmonicity of Two Strongest Rhythmic Pulses 1.489
Strength of Strongest Rhythmic Pulse 0.2582
Strength of Second Strongest Rhythmic Pulse 0.2368
Strength Ratio of Two Strongest Rhythmic Pulses 1.09
Combined Strength of Two Strongest Rhythmic Pulses 0.4949
Rhythmic Variability 0.03487
Rhythmic Looseness 0.0
Polyrhythms 0.3333
Tempo Variability 74.91
Duration in Seconds 287.0
Note Density 4.603
Note Density Variability 1.52
Average Time Between Attacks 0.3905
Average Time Between Attacks for Each Voice 0.8356
Variability of Time Between Attacks 0.2147
Maximum Number of Independent Voices 4.0
Relative Range of Loudest Voice 0.5484
Relative Range Isolation of Loudest Voice 0.358
Relative Range of Highest Line 0.5484
Relative Note Density of Highest Line 0.215
Relative Note Durations of Lowest Line 1.043
Relative Size of Melodic Intervals in Lowest Line 0.8
Voice Overlap 0.8357
Voice Separation 5.0
Variability of Voice Separation 2.646
Parallel Motion 0.04525
Average Number of Independent Voices 2.929
Similar Motion 0.1313
Contrary Motion 0.1606
Oblique Motion 0.6628
Parallel Fifths 0.0
Parallel Octaves 0.0
Variability of Number of Independent Voices 0.9464
Voice Equality - Number of Notes 14.93
Voice Equality - Note Duration 9.411
Voice Equality - Dynamics 8.66
Voice Equality - Melodic Leaps 0.5
Voice Equality - Range 1.5
Importance of Loudest Voice 10.0