File

Last modified on: April 14, 2020, 2:23 a.m.

Rue1025c-Missa_Puer_natus_est_nobis-Credo.mid


Source
RenComp7
Musical Work
Missa Puer natus est nobis
Section
Credo
File Type
Symbolic Music
File Format
.mid
File Size
15.6 KB

Feature Value
Distance Between Two Most Common Vertical Intervals 3.0
Prevalence of Most Common Vertical Interval 0.2333
Prevalence of Second Most Common Vertical Interval 0.171
Prevalence Ratio of Two Most Common Vertical Intervals 0.7329
Vertical Unisons 0.04
Vertical Minor Seconds 0.004304
Vertical Thirds 0.2979
Vertical Tritones 0.009598
Vertical Perfect Fourths 0.09608
Vertical Perfect Fifths 0.1672
Vertical Sixths 0.1449
Vertical Sevenths 0.0303
Vertical Octaves 0.1933
Perfect Vertical Intervals 0.4965
Vertical Dissonance Ratio 0.06453
Vertical Minor Third Prevalence 0.4162
Vertical Major Third Prevalence 0.3441
Chord Duration 2.937
Partial Chords 0.5186
Standard Triads 0.3575
Diminished and Augmented Triads 0.01745
Dominant Seventh Chords 0.004505
Seventh Chords 0.01182
Non-Standard Chords 0.112
Complex Chords 0.0
Minor Major Triad Ratio 1.205
Average Number of Simultaneous Pitch Classes 2.374
Variability of Number of Simultaneous Pitch Classes 0.6903
Average Number of Simultaneous Pitches 2.971
Variability of Number of Simultaneous Pitches 0.8869
Most Common Vertical Interval 0.0
Second Most Common Vertical Interval 3.0
Dynamic Range 20.0
Variation of Dynamics 6.656
Variation of Dynamics In Each Voice 0.0
Average Note to Note Change in Dynamics 0.0
Unpitched Percussion Instrument Prevalence 0.0
String Keyboard Prevalence 0.0
Acoustic Guitar Prevalence 0.0
Electric Guitar Prevalence 0.0
Violin Prevalence 0.0
Saxophone Prevalence 0.0
Brass Prevalence 0.0
Woodwinds Prevalence 1.0
Orchestral Strings Prevalence 0.0
String Ensemble Prevalence 0.0
Electric Instrument Prevalence 0.0
Variability of Note Prevalence of Pitched Instruments 114.2
Variability of Note Prevalence of Unpitched Instruments 0.0
Number of Pitched Instruments 4.0
Number of Unpitched Instruments 0.0
Chromatic Motion 0.2105
Stepwise Motion 0.6058
Melodic Thirds 0.1136
Melodic Perfect Fourths 0.06659
Melodic Tritones 0.0
Melodic Perfect Fifths 0.04162
Melodic Sixths 0.003567
Melodic Sevenths 0.0
Melodic Octaves 0.005945
Melodic Large Intervals 0.0
Most Common Melodic Interval 2.0
Minor Major Melodic Third Ratio 2.537
Melodic Embellishments 0.02014
Direction of Melodic Motion 0.4354
Average Length of Melodic Arcs 1.769
Average Interval Spanned by Melodic Arcs 4.42
Melodic Pitch Variety 4.434
Mean Melodic Interval 2.099
Number of Common Melodic Intervals 3.0
Distance Between Most Prevalent Melodic Intervals 1.0
Prevalence of Most Common Melodic Interval 0.3954
Relative Prevalence of Most Common Melodic Intervals 0.5323
Amount of Arpeggiation 0.324
Repeated Notes 0.1629
Importance of Middle Register 0.843
Importance of High Register 0.03732
Dominant Spread 6.0
Strong Tonal Centres 2.0
Mean Pitch 61.51
Mean Pitch Class 5.39
Most Common Pitch 62.0
Most Common Pitch Class 7.0
Prevalence of Most Common Pitch 0.1037
Prevalence of Most Common Pitch Class 0.1973
Relative Prevalence of Top Pitches 0.9543
Relative Prevalence of Top Pitch Classes 0.8228
Interval Between Most Prevalent Pitches 5.0
Interval Between Most Prevalent Pitch Classes 5.0
Pitch Variability 6.785
Pitch Class Variability 3.45
Pitch Class Variability After Folding 4.05
Pitch Skewness 0.04662
Pitch Class Skewness 0.339
Pitch Class Skewness After Folding 1.621
Pitch Kurtosis 5.281
Pitch Class Kurtosis 4.711
Pitch Class Kurtosis After Folding 4.875
Major or Minor 0.0
First Pitch 55.0
First Pitch Class 7.0
Last Pitch 55.0
Last Pitch Class 7.0
Glissando Prevalence 0.0
Average Range of Glissandos 0.0
Number of Pitches 28.0
Vibrato Prevalence 0.0
Microtone Prevalence 0.0
Number of Pitch Classes 11.0
Number of Common Pitches 3.0
Number of Common Pitch Classes 0.0
Range 34.0
Importance of Bass Register 0.1197
Note Density per Quarter Note 0.8625
Note Density per Quarter Note per Voice 0.2156
Note Density per Quarter Note Variability 0.4294
Range of Rhythmic Values 9.0
Number of Different Rhythmic Values Present 8.0
Number of Common Rhythmic Values Present 3.0
Prevalence of Very Short Rhythmic Values 0.0
Prevalence of Short Rhythmic Values 0.004739
Prevalence of Medium Rhythmic Values 0.4805
Simple Initial Meter 1.0
Prevalence of Long Rhythmic Values 0.8395
Prevalence of Very Long Rhythmic Values 0.1582
Prevalence of Dotted Notes 0.125
Shortest Rhythmic Value 0.5
Longest Rhythmic Value 12.0
Mean Rhythmic Value 3.512
Most Common Rhythmic Value 2.0
Prevalence of Most Common Rhythmic Value 0.3199
Relative Prevalence of Most Common Rhythmic Values 0.9056
Difference Between Most Common Rhythmic Values 2.0
Compound Initial Meter 0.0
Rhythmic Value Variability 2.506
Rhythmic Value Skewness 0.6127
Rhythmic Value Kurtosis 8.314
Mean Rhythmic Value Run Length 1.566
Median Rhythmic Value Run Length 1.0
Variability in Rhythmic Value Run Lengths 1.175
Mean Rhythmic Value Offset 0.1043
Median Rhythmic Value Offset 0.0
Complex Initial Meter 0.0
Variability of Rhythmic Value Offsets 0.978
Complete Rests Fraction 0.0003268
Partial Rests Fraction 0.5751
Average Rest Fraction Across Voices 0.2307
Longest Complete Rest 0.6396
Longest Partial Rest 161.1
Mean Complete Rest Duration 0.6396
Mean Partial Rest Duration 14.45
Median Complete Rest Duration 0.6396
Median Partial Rest Duration 3.933
Duple Initial Meter 0.0
Variability of Complete Rest Durations 0.0
Variability of Partial Rest Durations 23.64
Variability Across Voices of Combined Rests 92.99
Number of Strong Rhythmic Pulses - Tempo Standardized 3.0
Number of Moderate Rhythmic Pulses - Tempo Standardized 3.0
Number of Relatively Strong Rhythmic Pulses - Tempo Standardized 3.0
Strongest Rhythmic Pulse - Tempo Standardized 60.0
Second Strongest Rhythmic Pulse - Tempo Standardized 40.0
Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized 1.5
Triple Initial Meter 1.0
Strength of Strongest Rhythmic Pulse - Tempo Standardized 0.5898
Strength of Second Strongest Rhythmic Pulse - Tempo Standardized 0.2093
Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized 2.818
Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized 0.7991
Rhythmic Variability - Tempo Standardized 0.05149
Rhythmic Looseness - Tempo Standardized 0.0
Polyrhythms - Tempo Standardized 0.6667
Quadruple Initial Meter 0.0
Metrical Diversity 2.0
Total Number of Notes 1688.0
Initial Tempo 232.0
Average Variability of Time Between Attacks for Each Voice 1.599
Minimum Note Duration 0.1042
Maximum Note Duration 6.667
Average Note Duration 0.7588
Variability of Note Durations 0.6513
Amount of Staccato 0.0
Number of Strong Rhythmic Pulses 3.0
Number of Moderate Rhythmic Pulses 6.0
Number of Relatively Strong Rhythmic Pulses 3.0
Mean Tempo 299.8
Strongest Rhythmic Pulse 71.0
Second Strongest Rhythmic Pulse 48.0
Harmonicity of Two Strongest Rhythmic Pulses 1.479
Strength of Strongest Rhythmic Pulse 0.3043
Strength of Second Strongest Rhythmic Pulse 0.2386
Strength Ratio of Two Strongest Rhythmic Pulses 1.275
Combined Strength of Two Strongest Rhythmic Pulses 0.5429
Rhythmic Variability 0.03623
Rhythmic Looseness 0.0
Polyrhythms 0.6667
Tempo Variability 78.22
Duration in Seconds 414.7
Note Density 4.07
Note Density Variability 1.321
Average Time Between Attacks 0.4489
Average Time Between Attacks for Each Voice 0.9997
Variability of Time Between Attacks 0.2713
Maximum Number of Independent Voices 4.0
Relative Range of Loudest Voice 0.5
Relative Range Isolation of Loudest Voice 0.2523
Relative Range of Highest Line 0.5
Relative Note Density of Highest Line 0.1635
Relative Note Durations of Lowest Line 1.01
Relative Size of Melodic Intervals in Lowest Line 0.6667
Voice Overlap 0.8851
Voice Separation 5.333
Variability of Voice Separation 3.786
Parallel Motion 0.04688
Average Number of Independent Voices 3.108
Similar Motion 0.1603
Contrary Motion 0.1549
Oblique Motion 0.6379
Parallel Fifths 0.002717
Parallel Octaves 0.002717
Variability of Number of Independent Voices 0.8888
Voice Equality - Number of Notes 114.2
Voice Equality - Note Duration 19.71
Voice Equality - Dynamics 8.66
Voice Equality - Melodic Leaps 0.5774
Voice Equality - Range 3.559
Importance of Loudest Voice 10.0