| Distance Between Two Most Common Vertical Intervals |
4.0 |
| Prevalence of Most Common Vertical Interval |
0.263 |
| Prevalence of Second Most Common Vertical Interval |
0.1875 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.713 |
| Vertical Unisons |
0.06542 |
| Vertical Minor Seconds |
0.001537 |
| Vertical Thirds |
0.3362 |
| Vertical Tritones |
0.009167 |
| Vertical Perfect Fourths |
0.06317 |
| Vertical Perfect Fifths |
0.1344 |
| Vertical Sixths |
0.1382 |
| Vertical Sevenths |
0.03186 |
| Vertical Octaves |
0.1976 |
| Perfect Vertical Intervals |
0.4605 |
| Vertical Dissonance Ratio |
0.06956 |
| Vertical Minor Third Prevalence |
0.3062 |
| Vertical Major Third Prevalence |
0.3511 |
| Chord Duration |
2.262 |
| Partial Chords |
0.6644 |
| Standard Triads |
0.2295 |
| Diminished and Augmented Triads |
0.01199 |
| Dominant Seventh Chords |
0.0 |
| Seventh Chords |
0.001712 |
| Non-Standard Chords |
0.1045 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
0.675 |
| Average Number of Simultaneous Pitch Classes |
2.107 |
| Variability of Number of Simultaneous Pitch Classes |
0.6909 |
| Average Number of Simultaneous Pitches |
2.583 |
| Variability of Number of Simultaneous Pitches |
0.931 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
4.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
7.683 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
11.15 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2209 |
| Stepwise Motion |
0.6728 |
| Melodic Thirds |
0.1315 |
| Melodic Perfect Fourths |
0.05228 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.02361 |
| Melodic Sixths |
0.006745 |
| Melodic Sevenths |
0.001686 |
| Melodic Octaves |
0.0 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
2.12 |
| Melodic Embellishments |
0.03685 |
| Direction of Melodic Motion |
0.4516 |
| Average Length of Melodic Arcs |
1.843 |
| Average Interval Spanned by Melodic Arcs |
4.231 |
| Melodic Pitch Variety |
4.592 |
| Mean Melodic Interval |
2.059 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4519 |
| Relative Prevalence of Most Common Melodic Intervals |
0.4888 |
| Amount of Arpeggiation |
0.2681 |
| Repeated Notes |
0.1113 |
| Importance of Middle Register |
0.7002 |
| Importance of High Register |
0.01675 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
1.0 |
| Mean Pitch |
58.83 |
| Mean Pitch Class |
5.02 |
| Most Common Pitch |
60.0 |
| Most Common Pitch Class |
0.0 |
| Prevalence of Most Common Pitch |
0.0871 |
| Prevalence of Most Common Pitch Class |
0.1843 |
| Relative Prevalence of Top Pitches |
0.9038 |
| Relative Prevalence of Top Pitch Classes |
0.8727 |
| Interval Between Most Prevalent Pitches |
5.0 |
| Interval Between Most Prevalent Pitch Classes |
7.0 |
| Pitch Variability |
7.623 |
| Pitch Class Variability |
3.503 |
| Pitch Class Variability After Folding |
4.064 |
| Pitch Skewness |
-0.3659 |
| Pitch Class Skewness |
0.01721 |
| Pitch Class Skewness After Folding |
0.8458 |
| Pitch Kurtosis |
5.172 |
| Pitch Class Kurtosis |
4.72 |
| Pitch Class Kurtosis After Folding |
4.939 |
| Major or Minor |
0.0 |
| First Pitch |
67.0 |
| First Pitch Class |
7.0 |
| Last Pitch |
43.0 |
| Last Pitch Class |
7.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
28.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
11.0 |
| Number of Common Pitches |
0.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
34.0 |
| Importance of Bass Register |
0.2831 |
| Note Density per Quarter Note |
0.8373 |
| Note Density per Quarter Note per Voice |
0.2093 |
| Note Density per Quarter Note Variability |
0.4687 |
| Range of Rhythmic Values |
7.0 |
| Number of Different Rhythmic Values Present |
7.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0 |
| Prevalence of Medium Rhythmic Values |
0.469 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.742 |
| Prevalence of Very Long Rhythmic Values |
0.1307 |
| Prevalence of Dotted Notes |
0.1089 |
| Shortest Rhythmic Value |
1.0 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
3.243 |
| Most Common Rhythmic Value |
4.0 |
| Prevalence of Most Common Rhythmic Value |
0.3367 |
| Relative Prevalence of Most Common Rhythmic Values |
0.7662 |
| Difference Between Most Common Rhythmic Values |
4.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.217 |
| Rhythmic Value Skewness |
0.3286 |
| Rhythmic Value Kurtosis |
8.114 |
| Mean Rhythmic Value Run Length |
1.415 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
0.8044 |
| Mean Rhythmic Value Offset |
0.0603 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.7484 |
| Complete Rests Fraction |
0.00135 |
| Partial Rests Fraction |
0.7253 |
| Average Rest Fraction Across Voices |
0.3087 |
| Longest Complete Rest |
0.9625 |
| Longest Partial Rest |
97.67 |
| Mean Complete Rest Duration |
0.9625 |
| Mean Partial Rest Duration |
18.73 |
| Median Complete Rest Duration |
0.9625 |
| Median Partial Rest Duration |
4.07 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
24.96 |
| Variability Across Voices of Combined Rests |
36.55 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
120.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.0 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.497 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2751 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.807 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7721 |
| Rhythmic Variability - Tempo Standardized |
0.04799 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
2.0 |
| Total Number of Notes |
597.0 |
| Initial Tempo |
290.0 |
| Average Variability of Time Between Attacks for Each Voice |
1.606 |
| Minimum Note Duration |
0.1974 |
| Maximum Note Duration |
4.966 |
| Average Note Duration |
0.6716 |
| Variability of Note Durations |
0.5204 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
4.0 |
| Number of Moderate Rhythmic Pulses |
6.0 |
| Number of Relatively Strong Rhythmic Pulses |
6.0 |
| Mean Tempo |
295.2 |
| Strongest Rhythmic Pulse |
74.0 |
| Second Strongest Rhythmic Pulse |
50.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.48 |
| Strength of Strongest Rhythmic Pulse |
0.2741 |
| Strength of Second Strongest Rhythmic Pulse |
0.2409 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.138 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.515 |
| Rhythmic Variability |
0.03482 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.3333 |
| Tempo Variability |
6.766 |
| Duration in Seconds |
145.0 |
| Note Density |
4.118 |
| Note Density Variability |
1.548 |
| Average Time Between Attacks |
0.4029 |
| Average Time Between Attacks for Each Voice |
0.89 |
| Variability of Time Between Attacks |
0.2674 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.4412 |
| Relative Range Isolation of Loudest Voice |
0.323 |
| Relative Range of Highest Line |
0.4412 |
| Relative Note Density of Highest Line |
0.4556 |
| Relative Note Durations of Lowest Line |
0.9964 |
| Relative Size of Melodic Intervals in Lowest Line |
0.5714 |
| Voice Overlap |
0.861 |
| Voice Separation |
6.333 |
| Variability of Voice Separation |
1.155 |
| Parallel Motion |
0.04393 |
| Average Number of Independent Voices |
2.77 |
| Similar Motion |
0.1004 |
| Contrary Motion |
0.1653 |
| Oblique Motion |
0.6904 |
| Parallel Fifths |
0.0 |
| Parallel Octaves |
0.0 |
| Variability of Number of Independent Voices |
0.9378 |
| Voice Equality - Number of Notes |
11.15 |
| Voice Equality - Note Duration |
7.432 |
| Voice Equality - Dynamics |
8.66 |
| Voice Equality - Melodic Leaps |
0.5 |
| Voice Equality - Range |
0.8165 |
| Importance of Loudest Voice |
10.0 |