File

Last modified on: April 14, 2020, 2:24 a.m.

Rue1025b-Missa_Puer_natus_est_nobis-Gloria.mid


Source
RenComp7
Musical Work
Missa Puer natus est nobis
Section
Gloria
File Type
Symbolic Music
File Format
.mid
File Size
11.3 KB

Feature Value
Distance Between Two Most Common Vertical Intervals 3.0
Prevalence of Most Common Vertical Interval 0.2311
Prevalence of Second Most Common Vertical Interval 0.1905
Prevalence Ratio of Two Most Common Vertical Intervals 0.8245
Vertical Unisons 0.03674
Vertical Minor Seconds 0.00238
Vertical Thirds 0.2952
Vertical Tritones 0.008039
Vertical Perfect Fourths 0.09662
Vertical Perfect Fifths 0.1796
Vertical Sixths 0.1382
Vertical Sevenths 0.02957
Vertical Octaves 0.1944
Perfect Vertical Intervals 0.5074
Vertical Dissonance Ratio 0.06295
Vertical Minor Third Prevalence 0.4916
Vertical Major Third Prevalence 0.3062
Chord Duration 2.374
Partial Chords 0.4625
Standard Triads 0.3852
Diminished and Augmented Triads 0.01899
Dominant Seventh Chords 0.0009042
Seventh Chords 0.01085
Non-Standard Chords 0.1415
Complex Chords 0.0
Minor Major Triad Ratio 1.803
Average Number of Simultaneous Pitch Classes 2.458
Variability of Number of Simultaneous Pitch Classes 0.6755
Average Number of Simultaneous Pitches 3.129
Variability of Number of Simultaneous Pitches 0.8274
Most Common Vertical Interval 0.0
Second Most Common Vertical Interval 3.0
Dynamic Range 20.0
Variation of Dynamics 6.226
Variation of Dynamics In Each Voice 0.0
Average Note to Note Change in Dynamics 0.0
Unpitched Percussion Instrument Prevalence 0.0
String Keyboard Prevalence 0.0
Acoustic Guitar Prevalence 0.0
Electric Guitar Prevalence 0.0
Violin Prevalence 0.0
Saxophone Prevalence 0.0
Brass Prevalence 0.0
Woodwinds Prevalence 1.0
Orchestral Strings Prevalence 0.0
String Ensemble Prevalence 0.0
Electric Instrument Prevalence 0.0
Variability of Note Prevalence of Pitched Instruments 91.14
Variability of Note Prevalence of Unpitched Instruments 0.0
Number of Pitched Instruments 4.0
Number of Unpitched Instruments 0.0
Chromatic Motion 0.1972
Stepwise Motion 0.584
Melodic Thirds 0.1015
Melodic Perfect Fourths 0.08735
Melodic Tritones 0.0
Melodic Perfect Fifths 0.05158
Melodic Sixths 0.004992
Melodic Sevenths 0.0008319
Melodic Octaves 0.009151
Melodic Large Intervals 0.0
Most Common Melodic Interval 2.0
Minor Major Melodic Third Ratio 1.905
Melodic Embellishments 0.02073
Direction of Melodic Motion 0.4331
Average Length of Melodic Arcs 1.862
Average Interval Spanned by Melodic Arcs 5.007
Melodic Pitch Variety 4.608
Mean Melodic Interval 2.267
Number of Common Melodic Intervals 3.0
Distance Between Most Prevalent Melodic Intervals 1.0
Prevalence of Most Common Melodic Interval 0.3869
Relative Prevalence of Most Common Melodic Intervals 0.5097
Amount of Arpeggiation 0.3236
Repeated Notes 0.1606
Importance of Middle Register 0.7993
Importance of High Register 0.05224
Dominant Spread 7.0
Strong Tonal Centres 1.0
Mean Pitch 61.33
Mean Pitch Class 5.147
Most Common Pitch 55.0
Most Common Pitch Class 7.0
Prevalence of Most Common Pitch 0.1061
Prevalence of Most Common Pitch Class 0.2007
Relative Prevalence of Top Pitches 0.8828
Relative Prevalence of Top Pitch Classes 0.8223
Interval Between Most Prevalent Pitches 12.0
Interval Between Most Prevalent Pitch Classes 5.0
Pitch Variability 7.087
Pitch Class Variability 3.327
Pitch Class Variability After Folding 3.894
Pitch Skewness -0.09161
Pitch Class Skewness 0.1323
Pitch Class Skewness After Folding 1.477
Pitch Kurtosis 5.16
Pitch Class Kurtosis 4.774
Pitch Class Kurtosis After Folding 5.28
Major or Minor 0.0
First Pitch 55.0
First Pitch Class 7.0
Last Pitch 55.0
Last Pitch Class 7.0
Glissando Prevalence 0.0
Average Range of Glissandos 0.0
Number of Pitches 29.0
Vibrato Prevalence 0.0
Microtone Prevalence 0.0
Number of Pitch Classes 11.0
Number of Common Pitches 2.0
Number of Common Pitch Classes 1.0
Range 34.0
Importance of Bass Register 0.1484
Note Density per Quarter Note 1.011
Note Density per Quarter Note per Voice 0.2527
Note Density per Quarter Note Variability 0.4902
Range of Rhythmic Values 9.0
Number of Different Rhythmic Values Present 8.0
Number of Common Rhythmic Values Present 3.0
Prevalence of Very Short Rhythmic Values 0.0
Prevalence of Short Rhythmic Values 0.01327
Prevalence of Medium Rhythmic Values 0.5788
Simple Initial Meter 1.0
Prevalence of Long Rhythmic Values 0.7894
Prevalence of Very Long Rhythmic Values 0.102
Prevalence of Dotted Notes 0.1153
Shortest Rhythmic Value 0.5
Longest Rhythmic Value 12.0
Mean Rhythmic Value 3.076
Most Common Rhythmic Value 2.0
Prevalence of Most Common Rhythmic Value 0.3682
Relative Prevalence of Most Common Rhythmic Values 0.6779
Difference Between Most Common Rhythmic Values 2.0
Compound Initial Meter 0.0
Rhythmic Value Variability 2.399
Rhythmic Value Skewness 1.346
Rhythmic Value Kurtosis 10.73
Mean Rhythmic Value Run Length 1.61
Median Rhythmic Value Run Length 1.0
Variability in Rhythmic Value Run Lengths 1.093
Mean Rhythmic Value Offset 0.1675
Median Rhythmic Value Offset 0.0
Complex Initial Meter 0.0
Variability of Rhythmic Value Offsets 1.176
Complete Rests Fraction 0.000751
Partial Rests Fraction 0.4996
Average Rest Fraction Across Voices 0.1786
Longest Complete Rest 0.896
Longest Partial Rest 107.7
Mean Complete Rest Duration 0.896
Mean Partial Rest Duration 11.07
Median Complete Rest Duration 0.896
Median Partial Rest Duration 4.486
Duple Initial Meter 0.0
Variability of Complete Rest Durations 0.0
Variability of Partial Rest Durations 17.12
Variability Across Voices of Combined Rests 46.58
Number of Strong Rhythmic Pulses - Tempo Standardized 3.0
Number of Moderate Rhythmic Pulses - Tempo Standardized 3.0
Number of Relatively Strong Rhythmic Pulses - Tempo Standardized 3.0
Strongest Rhythmic Pulse - Tempo Standardized 60.0
Second Strongest Rhythmic Pulse - Tempo Standardized 120.0
Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized 2.0
Triple Initial Meter 1.0
Strength of Strongest Rhythmic Pulse - Tempo Standardized 0.5849
Strength of Second Strongest Rhythmic Pulse - Tempo Standardized 0.2066
Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized 2.831
Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized 0.7915
Rhythmic Variability - Tempo Standardized 0.05124
Rhythmic Looseness - Tempo Standardized 0.0
Polyrhythms - Tempo Standardized 0.6667
Quadruple Initial Meter 0.0
Metrical Diversity 2.0
Total Number of Notes 1206.0
Initial Tempo 232.0
Average Variability of Time Between Attacks for Each Voice 1.361
Minimum Note Duration 0.1042
Maximum Note Duration 6.667
Average Note Duration 0.7495
Variability of Note Durations 0.7195
Amount of Staccato 0.0
Number of Strong Rhythmic Pulses 3.0
Number of Moderate Rhythmic Pulses 5.0
Number of Relatively Strong Rhythmic Pulses 5.0
Mean Tempo 263.2
Strongest Rhythmic Pulse 44.0
Second Strongest Rhythmic Pulse 65.0
Harmonicity of Two Strongest Rhythmic Pulses 1.477
Strength of Strongest Rhythmic Pulse 0.2779
Strength of Second Strongest Rhythmic Pulse 0.2755
Strength Ratio of Two Strongest Rhythmic Pulses 1.009
Combined Strength of Two Strongest Rhythmic Pulses 0.5535
Rhythmic Variability 0.03773
Rhythmic Looseness 0.0
Polyrhythms 0.6
Tempo Variability 27.82
Duration in Seconds 275.1
Note Density 4.384
Note Density Variability 1.486
Average Time Between Attacks 0.4256
Average Time Between Attacks for Each Voice 0.9584
Variability of Time Between Attacks 0.2546
Maximum Number of Independent Voices 4.0
Relative Range of Loudest Voice 0.5294
Relative Range Isolation of Loudest Voice 0.3261
Relative Range of Highest Line 0.5294
Relative Note Density of Highest Line 0.2289
Relative Note Durations of Lowest Line 0.9614
Relative Size of Melodic Intervals in Lowest Line 0.5714
Voice Overlap 0.8002
Voice Separation 5.333
Variability of Voice Separation 2.082
Parallel Motion 0.05646
Average Number of Independent Voices 3.279
Similar Motion 0.1367
Contrary Motion 0.1669
Oblique Motion 0.6399
Parallel Fifths 0.006547
Parallel Octaves 0.001637
Variability of Number of Independent Voices 0.8108
Voice Equality - Number of Notes 91.14
Voice Equality - Note Duration 10.74
Voice Equality - Dynamics 8.66
Voice Equality - Melodic Leaps 0.5
Voice Equality - Range 3.109
Importance of Loudest Voice 10.0