| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.2458 |
| Prevalence of Second Most Common Vertical Interval |
0.166 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.6751 |
| Vertical Unisons |
0.05232 |
| Vertical Minor Seconds |
0.00375 |
| Vertical Thirds |
0.3076 |
| Vertical Tritones |
0.002411 |
| Vertical Perfect Fourths |
0.06077 |
| Vertical Perfect Fifths |
0.166 |
| Vertical Sixths |
0.1654 |
| Vertical Sevenths |
0.02315 |
| Vertical Octaves |
0.1935 |
| Perfect Vertical Intervals |
0.4726 |
| Vertical Dissonance Ratio |
0.05748 |
| Vertical Minor Third Prevalence |
0.295 |
| Vertical Major Third Prevalence |
0.2975 |
| Chord Duration |
2.322 |
| Partial Chords |
0.7084 |
| Standard Triads |
0.2174 |
| Diminished and Augmented Triads |
0.004008 |
| Dominant Seventh Chords |
0.001002 |
| Seventh Chords |
0.00501 |
| Non-Standard Chords |
0.06914 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
1.17 |
| Average Number of Simultaneous Pitch Classes |
2.083 |
| Variability of Number of Simultaneous Pitch Classes |
0.655 |
| Average Number of Simultaneous Pitches |
2.509 |
| Variability of Number of Simultaneous Pitches |
0.8286 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
7.519 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
7.958 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.1833 |
| Stepwise Motion |
0.5498 |
| Melodic Thirds |
0.08365 |
| Melodic Perfect Fourths |
0.04793 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.02068 |
| Melodic Sixths |
0.01128 |
| Melodic Sevenths |
0.003759 |
| Melodic Octaves |
0.003759 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.781 |
| Melodic Embellishments |
0.02247 |
| Direction of Melodic Motion |
0.4433 |
| Average Length of Melodic Arcs |
2.113 |
| Average Interval Spanned by Melodic Arcs |
5.105 |
| Melodic Pitch Variety |
4.401 |
| Mean Melodic Interval |
1.758 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
2.0 |
| Prevalence of Most Common Melodic Interval |
0.3665 |
| Relative Prevalence of Most Common Melodic Intervals |
0.7615 |
| Amount of Arpeggiation |
0.391 |
| Repeated Notes |
0.2791 |
| Importance of Middle Register |
0.6526 |
| Importance of High Register |
0.008427 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
57.42 |
| Mean Pitch Class |
5.269 |
| Most Common Pitch |
62.0 |
| Most Common Pitch Class |
7.0 |
| Prevalence of Most Common Pitch |
0.08614 |
| Prevalence of Most Common Pitch Class |
0.1695 |
| Relative Prevalence of Top Pitches |
0.9783 |
| Relative Prevalence of Top Pitch Classes |
0.9945 |
| Interval Between Most Prevalent Pitches |
7.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
7.685 |
| Pitch Class Variability |
3.452 |
| Pitch Class Variability After Folding |
4.002 |
| Pitch Skewness |
-0.0837 |
| Pitch Class Skewness |
0.2336 |
| Pitch Class Skewness After Folding |
0.9217 |
| Pitch Kurtosis |
5.091 |
| Pitch Class Kurtosis |
4.682 |
| Pitch Class Kurtosis After Folding |
4.893 |
| Major or Minor |
0.0 |
| First Pitch |
67.0 |
| First Pitch Class |
7.0 |
| Last Pitch |
43.0 |
| Last Pitch Class |
7.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
29.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
11.0 |
| Number of Common Pitches |
0.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
33.0 |
| Importance of Bass Register |
0.339 |
| Note Density per Quarter Note |
0.8893 |
| Note Density per Quarter Note per Voice |
0.2223 |
| Note Density per Quarter Note Variability |
0.4269 |
| Range of Rhythmic Values |
7.0 |
| Number of Different Rhythmic Values Present |
7.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0 |
| Prevalence of Medium Rhythmic Values |
0.5787 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.7697 |
| Prevalence of Very Long Rhythmic Values |
0.07116 |
| Prevalence of Dotted Notes |
0.1058 |
| Shortest Rhythmic Value |
1.0 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
2.852 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.3483 |
| Relative Prevalence of Most Common Rhythmic Values |
0.7849 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.979 |
| Rhythmic Value Skewness |
1.291 |
| Rhythmic Value Kurtosis |
12.14 |
| Mean Rhythmic Value Run Length |
1.552 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
0.8965 |
| Mean Rhythmic Value Offset |
0.1124 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
1.381 |
| Complete Rests Fraction |
0.0008257 |
| Partial Rests Fraction |
0.8185 |
| Average Rest Fraction Across Voices |
0.341 |
| Longest Complete Rest |
0.9917 |
| Longest Partial Rest |
120.0 |
| Mean Complete Rest Duration |
0.9917 |
| Mean Partial Rest Duration |
24.45 |
| Median Complete Rest Duration |
0.9917 |
| Median Partial Rest Duration |
6.0 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
29.7 |
| Variability Across Voices of Combined Rests |
24.52 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
120.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.0 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5531 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2382 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.322 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7913 |
| Rhythmic Variability - Tempo Standardized |
0.05 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
1068.0 |
| Initial Tempo |
290.0 |
| Average Variability of Time Between Attacks for Each Voice |
2.027 |
| Minimum Note Duration |
0.2069 |
| Maximum Note Duration |
9.931 |
| Average Note Duration |
0.6133 |
| Variability of Note Durations |
0.5809 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
6.0 |
| Number of Relatively Strong Rhythmic Pulses |
6.0 |
| Mean Tempo |
290.0 |
| Strongest Rhythmic Pulse |
73.0 |
| Second Strongest Rhythmic Pulse |
49.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.49 |
| Strength of Strongest Rhythmic Pulse |
0.265 |
| Strength of Second Strongest Rhythmic Pulse |
0.2394 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.107 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.5044 |
| Rhythmic Variability |
0.03502 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.3333 |
| Tempo Variability |
0.0000000001219 |
| Duration in Seconds |
248.5 |
| Note Density |
4.298 |
| Note Density Variability |
1.648 |
| Average Time Between Attacks |
0.3879 |
| Average Time Between Attacks for Each Voice |
0.8723 |
| Variability of Time Between Attacks |
0.2136 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.4242 |
| Relative Range Isolation of Loudest Voice |
0.4317 |
| Relative Range of Highest Line |
0.4242 |
| Relative Note Density of Highest Line |
0.2509 |
| Relative Note Durations of Lowest Line |
0.9914 |
| Relative Size of Melodic Intervals in Lowest Line |
1.0 |
| Voice Overlap |
0.7959 |
| Voice Separation |
6.333 |
| Variability of Voice Separation |
0.5774 |
| Parallel Motion |
0.04533 |
| Average Number of Independent Voices |
2.638 |
| Similar Motion |
0.08933 |
| Contrary Motion |
0.1307 |
| Oblique Motion |
0.7347 |
| Parallel Fifths |
0.0 |
| Parallel Octaves |
0.001333 |
| Variability of Number of Independent Voices |
0.8412 |
| Voice Equality - Number of Notes |
7.958 |
| Voice Equality - Note Duration |
5.072 |
| Voice Equality - Dynamics |
8.66 |
| Voice Equality - Melodic Leaps |
0.0 |
| Voice Equality - Range |
0.0 |
| Importance of Loudest Voice |
10.0 |