| Distance Between Two Most Common Vertical Intervals |
3.0 |
| Prevalence of Most Common Vertical Interval |
0.2277 |
| Prevalence of Second Most Common Vertical Interval |
0.1733 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.7613 |
| Vertical Unisons |
0.03143 |
| Vertical Minor Seconds |
0.004477 |
| Vertical Thirds |
0.2746 |
| Vertical Tritones |
0.01315 |
| Vertical Perfect Fourths |
0.1131 |
| Vertical Perfect Fifths |
0.1642 |
| Vertical Sixths |
0.1475 |
| Vertical Sevenths |
0.02908 |
| Vertical Octaves |
0.1962 |
| Perfect Vertical Intervals |
0.505 |
| Vertical Dissonance Ratio |
0.07862 |
| Vertical Minor Third Prevalence |
0.6288 |
| Vertical Major Third Prevalence |
0.4457 |
| Chord Duration |
2.007 |
| Partial Chords |
0.2671 |
| Standard Triads |
0.4775 |
| Diminished and Augmented Triads |
0.03604 |
| Dominant Seventh Chords |
0.001287 |
| Seventh Chords |
0.03024 |
| Non-Standard Chords |
0.2252 |
| Complex Chords |
0.005792 |
| Minor Major Triad Ratio |
1.378 |
| Average Number of Simultaneous Pitch Classes |
2.803 |
| Variability of Number of Simultaneous Pitch Classes |
0.6428 |
| Average Number of Simultaneous Pitches |
3.886 |
| Variability of Number of Simultaneous Pitches |
0.9599 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
3.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
8.159 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
107.8 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2033 |
| Stepwise Motion |
0.7017 |
| Melodic Thirds |
0.1144 |
| Melodic Perfect Fourths |
0.05924 |
| Melodic Tritones |
0.001021 |
| Melodic Perfect Fifths |
0.0286 |
| Melodic Sixths |
0.003064 |
| Melodic Sevenths |
0.001021 |
| Melodic Octaves |
0.004086 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
2.394 |
| Melodic Embellishments |
0.0203 |
| Direction of Melodic Motion |
0.4586 |
| Average Length of Melodic Arcs |
2.041 |
| Average Interval Spanned by Melodic Arcs |
4.792 |
| Melodic Pitch Variety |
5.1 |
| Mean Melodic Interval |
2.163 |
| Number of Common Melodic Intervals |
2.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4985 |
| Relative Prevalence of Most Common Melodic Intervals |
0.4078 |
| Amount of Arpeggiation |
0.2349 |
| Repeated Notes |
0.08682 |
| Importance of Middle Register |
0.4244 |
| Importance of High Register |
0.0 |
| Dominant Spread |
7.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
51.9 |
| Mean Pitch Class |
5.568 |
| Most Common Pitch |
50.0 |
| Most Common Pitch Class |
9.0 |
| Prevalence of Most Common Pitch |
0.09848 |
| Prevalence of Most Common Pitch Class |
0.1888 |
| Relative Prevalence of Top Pitches |
0.9794 |
| Relative Prevalence of Top Pitch Classes |
0.914 |
| Interval Between Most Prevalent Pitches |
7.0 |
| Interval Between Most Prevalent Pitch Classes |
7.0 |
| Pitch Variability |
7.268 |
| Pitch Class Variability |
3.463 |
| Pitch Class Variability After Folding |
3.203 |
| Pitch Skewness |
0.1794 |
| Pitch Class Skewness |
0.4916 |
| Pitch Class Skewness After Folding |
0.5221 |
| Pitch Kurtosis |
5.306 |
| Pitch Class Kurtosis |
4.825 |
| Pitch Class Kurtosis After Folding |
6.857 |
| Major or Minor |
0.0 |
| First Pitch |
50.0 |
| First Pitch Class |
2.0 |
| Last Pitch |
38.0 |
| Last Pitch Class |
2.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
28.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
11.0 |
| Number of Common Pitches |
2.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
33.0 |
| Importance of Bass Register |
0.5756 |
| Note Density per Quarter Note |
1.242 |
| Note Density per Quarter Note per Voice |
0.2484 |
| Note Density per Quarter Note Variability |
0.5973 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.004061 |
| Prevalence of Medium Rhythmic Values |
0.5371 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.7655 |
| Prevalence of Very Long Rhythmic Values |
0.1249 |
| Prevalence of Dotted Notes |
0.1452 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
3.17 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.3025 |
| Relative Prevalence of Most Common Rhythmic Values |
0.7651 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.437 |
| Rhythmic Value Skewness |
1.44 |
| Rhythmic Value Kurtosis |
9.306 |
| Mean Rhythmic Value Run Length |
1.481 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.057 |
| Mean Rhythmic Value Offset |
0.1299 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
1.059 |
| Complete Rests Fraction |
0.001131 |
| Partial Rests Fraction |
0.5513 |
| Average Rest Fraction Across Voices |
0.1819 |
| Longest Complete Rest |
0.8967 |
| Longest Partial Rest |
67.82 |
| Mean Complete Rest Duration |
0.8967 |
| Mean Partial Rest Duration |
10.93 |
| Median Complete Rest Duration |
0.8967 |
| Median Partial Rest Duration |
4.521 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
13.19 |
| Variability Across Voices of Combined Rests |
23.77 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
1.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.538 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2334 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.305 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7714 |
| Rhythmic Variability - Tempo Standardized |
0.04926 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
2.0 |
| Total Number of Notes |
985.0 |
| Initial Tempo |
232.0 |
| Average Variability of Time Between Attacks for Each Voice |
1.141 |
| Minimum Note Duration |
0.1034 |
| Maximum Note Duration |
6.621 |
| Average Note Duration |
0.7544 |
| Variability of Note Durations |
0.6762 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
5.0 |
| Number of Moderate Rhythmic Pulses |
5.0 |
| Number of Relatively Strong Rhythmic Pulses |
5.0 |
| Mean Tempo |
265.4 |
| Strongest Rhythmic Pulse |
44.0 |
| Second Strongest Rhythmic Pulse |
66.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.5 |
| Strength of Strongest Rhythmic Pulse |
0.2681 |
| Strength of Second Strongest Rhythmic Pulse |
0.2674 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.003 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.5356 |
| Rhythmic Variability |
0.03709 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.6 |
| Tempo Variability |
28.66 |
| Duration in Seconds |
181.4 |
| Note Density |
5.429 |
| Note Density Variability |
1.745 |
| Average Time Between Attacks |
0.3762 |
| Average Time Between Attacks for Each Voice |
0.8934 |
| Variability of Time Between Attacks |
0.2303 |
| Maximum Number of Independent Voices |
5.0 |
| Relative Range of Loudest Voice |
0.3636 |
| Relative Range Isolation of Loudest Voice |
0.54 |
| Relative Range of Highest Line |
0.3636 |
| Relative Note Density of Highest Line |
0.3198 |
| Relative Note Durations of Lowest Line |
1.038 |
| Relative Size of Melodic Intervals in Lowest Line |
1.111 |
| Voice Overlap |
0.8741 |
| Voice Separation |
5.0 |
| Variability of Voice Separation |
1.414 |
| Parallel Motion |
0.05525 |
| Average Number of Independent Voices |
4.098 |
| Similar Motion |
0.1066 |
| Contrary Motion |
0.1502 |
| Oblique Motion |
0.6879 |
| Parallel Fifths |
0.002335 |
| Parallel Octaves |
0.001556 |
| Variability of Number of Independent Voices |
0.947 |
| Voice Equality - Number of Notes |
35.68 |
| Voice Equality - Note Duration |
5.44 |
| Voice Equality - Dynamics |
9.354 |
| Voice Equality - Melodic Leaps |
0.4472 |
| Voice Equality - Range |
2.0 |
| Importance of Loudest Voice |
12.5 |