| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.2835 |
| Prevalence of Second Most Common Vertical Interval |
0.1839 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.6488 |
| Vertical Unisons |
0.0517 |
| Vertical Minor Seconds |
0.00449 |
| Vertical Thirds |
0.2626 |
| Vertical Tritones |
0.007111 |
| Vertical Perfect Fourths |
0.06106 |
| Vertical Perfect Fifths |
0.1839 |
| Vertical Sixths |
0.1486 |
| Vertical Sevenths |
0.0258 |
| Vertical Octaves |
0.2318 |
| Perfect Vertical Intervals |
0.5285 |
| Vertical Dissonance Ratio |
0.06412 |
| Vertical Minor Third Prevalence |
0.2348 |
| Vertical Major Third Prevalence |
0.1946 |
| Chord Duration |
2.852 |
| Partial Chords |
0.8167 |
| Standard Triads |
0.1134 |
| Diminished and Augmented Triads |
0.01279 |
| Dominant Seventh Chords |
0.0 |
| Seventh Chords |
0.0 |
| Non-Standard Chords |
0.06991 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
1.375 |
| Average Number of Simultaneous Pitch Classes |
1.917 |
| Variability of Number of Simultaneous Pitch Classes |
0.6043 |
| Average Number of Simultaneous Pitches |
2.349 |
| Variability of Number of Simultaneous Pitches |
0.8419 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
7.676 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
14.93 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.207 |
| Stepwise Motion |
0.6459 |
| Melodic Thirds |
0.1392 |
| Melodic Perfect Fourths |
0.03479 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.04193 |
| Melodic Sixths |
0.0 |
| Melodic Sevenths |
0.001784 |
| Melodic Octaves |
0.005352 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.836 |
| Melodic Embellishments |
0.02133 |
| Direction of Melodic Motion |
0.5092 |
| Average Length of Melodic Arcs |
1.862 |
| Average Interval Spanned by Melodic Arcs |
4.467 |
| Melodic Pitch Variety |
4.804 |
| Mean Melodic Interval |
2.101 |
| Number of Common Melodic Intervals |
4.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4389 |
| Relative Prevalence of Most Common Melodic Intervals |
0.4715 |
| Amount of Arpeggiation |
0.3194 |
| Repeated Notes |
0.1311 |
| Importance of Middle Register |
0.6409 |
| Importance of High Register |
0.008 |
| Dominant Spread |
7.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
56.57 |
| Mean Pitch Class |
5.356 |
| Most Common Pitch |
55.0 |
| Most Common Pitch Class |
2.0 |
| Prevalence of Most Common Pitch |
0.08533 |
| Prevalence of Most Common Pitch Class |
0.1769 |
| Relative Prevalence of Top Pitches |
1.0 |
| Relative Prevalence of Top Pitch Classes |
0.9698 |
| Interval Between Most Prevalent Pitches |
7.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
7.68 |
| Pitch Class Variability |
3.388 |
| Pitch Class Variability After Folding |
3.872 |
| Pitch Skewness |
0.1559 |
| Pitch Class Skewness |
0.3156 |
| Pitch Class Skewness After Folding |
0.8505 |
| Pitch Kurtosis |
5.148 |
| Pitch Class Kurtosis |
4.71 |
| Pitch Class Kurtosis After Folding |
5.141 |
| Major or Minor |
0.0 |
| First Pitch |
55.0 |
| First Pitch Class |
7.0 |
| Last Pitch |
43.0 |
| Last Pitch Class |
7.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
27.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
11.0 |
| Number of Common Pitches |
0.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
33.0 |
| Importance of Bass Register |
0.3511 |
| Note Density per Quarter Note |
0.7416 |
| Note Density per Quarter Note per Voice |
0.1854 |
| Note Density per Quarter Note Variability |
0.3978 |
| Range of Rhythmic Values |
7.0 |
| Number of Different Rhythmic Values Present |
7.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0 |
| Prevalence of Medium Rhythmic Values |
0.5236 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.8116 |
| Prevalence of Very Long Rhythmic Values |
0.1333 |
| Prevalence of Dotted Notes |
0.1067 |
| Shortest Rhythmic Value |
1.0 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
3.23 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.3351 |
| Relative Prevalence of Most Common Rhythmic Values |
0.8912 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.212 |
| Rhythmic Value Skewness |
1.669 |
| Rhythmic Value Kurtosis |
9.099 |
| Mean Rhythmic Value Run Length |
1.508 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
0.8374 |
| Mean Rhythmic Value Offset |
0.09067 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
1.278 |
| Complete Rests Fraction |
0.0006175 |
| Partial Rests Fraction |
0.8549 |
| Average Rest Fraction Across Voices |
0.3856 |
| Longest Complete Rest |
0.9367 |
| Longest Partial Rest |
90.68 |
| Mean Complete Rest Duration |
0.9367 |
| Mean Partial Rest Duration |
27.53 |
| Median Complete Rest Duration |
0.9367 |
| Median Partial Rest Duration |
15.11 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
25.4 |
| Variability Across Voices of Combined Rests |
36.43 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
120.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.0 |
| Triple Initial Meter |
1.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.6067 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2061 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.944 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8128 |
| Rhythmic Variability - Tempo Standardized |
0.05241 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
2.0 |
| Total Number of Notes |
1125.0 |
| Initial Tempo |
232.0 |
| Average Variability of Time Between Attacks for Each Voice |
2.416 |
| Minimum Note Duration |
0.2069 |
| Maximum Note Duration |
7.526 |
| Average Note Duration |
0.7334 |
| Variability of Note Durations |
0.6224 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
5.0 |
| Number of Relatively Strong Rhythmic Pulses |
4.0 |
| Mean Tempo |
273.6 |
| Strongest Rhythmic Pulse |
68.0 |
| Second Strongest Rhythmic Pulse |
46.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.478 |
| Strength of Strongest Rhythmic Pulse |
0.3023 |
| Strength of Second Strongest Rhythmic Pulse |
0.2844 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.063 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.5867 |
| Rhythmic Variability |
0.0388 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.5 |
| Tempo Variability |
24.74 |
| Duration in Seconds |
335.7 |
| Note Density |
3.351 |
| Note Density Variability |
1.331 |
| Average Time Between Attacks |
0.4952 |
| Average Time Between Attacks for Each Voice |
1.143 |
| Variability of Time Between Attacks |
0.3116 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.4242 |
| Relative Range Isolation of Loudest Voice |
0.3924 |
| Relative Range of Highest Line |
0.4242 |
| Relative Note Density of Highest Line |
0.2347 |
| Relative Note Durations of Lowest Line |
1.034 |
| Relative Size of Melodic Intervals in Lowest Line |
1.0 |
| Voice Overlap |
0.7973 |
| Voice Separation |
6.333 |
| Variability of Voice Separation |
1.155 |
| Parallel Motion |
0.05594 |
| Average Number of Independent Voices |
2.462 |
| Similar Motion |
0.1119 |
| Contrary Motion |
0.2448 |
| Oblique Motion |
0.5874 |
| Parallel Fifths |
0.004196 |
| Parallel Octaves |
0.004196 |
| Variability of Number of Independent Voices |
0.8659 |
| Voice Equality - Number of Notes |
14.93 |
| Voice Equality - Note Duration |
8.062 |
| Voice Equality - Dynamics |
8.66 |
| Voice Equality - Melodic Leaps |
0.0 |
| Voice Equality - Range |
0.0 |
| Importance of Loudest Voice |
10.0 |