| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.2124 |
| Prevalence of Second Most Common Vertical Interval |
0.1781 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.8387 |
| Vertical Unisons |
0.02471 |
| Vertical Minor Seconds |
0.01106 |
| Vertical Thirds |
0.2753 |
| Vertical Tritones |
0.01341 |
| Vertical Perfect Fourths |
0.1107 |
| Vertical Perfect Fifths |
0.2124 |
| Vertical Sixths |
0.1332 |
| Vertical Sevenths |
0.04269 |
| Vertical Octaves |
0.1534 |
| Perfect Vertical Intervals |
0.5013 |
| Vertical Dissonance Ratio |
0.09913 |
| Vertical Minor Third Prevalence |
0.4056 |
| Vertical Major Third Prevalence |
0.4043 |
| Chord Duration |
1.566 |
| Partial Chords |
0.3723 |
| Standard Triads |
0.413 |
| Diminished and Augmented Triads |
0.008152 |
| Dominant Seventh Chords |
0.0 |
| Seventh Chords |
0.02582 |
| Non-Standard Chords |
0.1889 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
1.621 |
| Average Number of Simultaneous Pitch Classes |
2.619 |
| Variability of Number of Simultaneous Pitch Classes |
0.7345 |
| Average Number of Simultaneous Pitches |
3.202 |
| Variability of Number of Simultaneous Pitches |
0.8098 |
| Most Common Vertical Interval |
7.0 |
| Second Most Common Vertical Interval |
0.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
7.221 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
11.47 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2475 |
| Stepwise Motion |
0.7305 |
| Melodic Thirds |
0.1158 |
| Melodic Perfect Fourths |
0.02196 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.03194 |
| Melodic Sixths |
0.005988 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.00998 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.636 |
| Melodic Embellishments |
0.0198 |
| Direction of Melodic Motion |
0.4946 |
| Average Length of Melodic Arcs |
1.858 |
| Average Interval Spanned by Melodic Arcs |
4.211 |
| Melodic Pitch Variety |
4.431 |
| Mean Melodic Interval |
2.11 |
| Number of Common Melodic Intervals |
2.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.483 |
| Relative Prevalence of Most Common Melodic Intervals |
0.5124 |
| Amount of Arpeggiation |
0.2415 |
| Repeated Notes |
0.08383 |
| Importance of Middle Register |
0.7525 |
| Importance of High Register |
0.01188 |
| Dominant Spread |
7.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
59.23 |
| Mean Pitch Class |
5.768 |
| Most Common Pitch |
64.0 |
| Most Common Pitch Class |
4.0 |
| Prevalence of Most Common Pitch |
0.101 |
| Prevalence of Most Common Pitch Class |
0.198 |
| Relative Prevalence of Top Pitches |
0.9608 |
| Relative Prevalence of Top Pitch Classes |
0.87 |
| Interval Between Most Prevalent Pitches |
7.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
6.98 |
| Pitch Class Variability |
3.57 |
| Pitch Class Variability After Folding |
2.989 |
| Pitch Skewness |
-0.06383 |
| Pitch Class Skewness |
0.6457 |
| Pitch Class Skewness After Folding |
0.6439 |
| Pitch Kurtosis |
5.344 |
| Pitch Class Kurtosis |
4.884 |
| Pitch Class Kurtosis After Folding |
7.252 |
| Major or Minor |
0.0 |
| First Pitch |
52.0 |
| First Pitch Class |
4.0 |
| Last Pitch |
45.0 |
| Last Pitch Class |
9.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
23.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
9.0 |
| Number of Common Pitches |
3.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
33.0 |
| Importance of Bass Register |
0.2356 |
| Note Density per Quarter Note |
1.285 |
| Note Density per Quarter Note per Voice |
0.3213 |
| Note Density per Quarter Note Variability |
0.5832 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.05149 |
| Prevalence of Medium Rhythmic Values |
0.5842 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.6693 |
| Prevalence of Very Long Rhythmic Values |
0.04752 |
| Prevalence of Dotted Notes |
0.105 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
2.554 |
| Most Common Rhythmic Value |
4.0 |
| Prevalence of Most Common Rhythmic Value |
0.2812 |
| Relative Prevalence of Most Common Rhythmic Values |
0.993 |
| Difference Between Most Common Rhythmic Values |
4.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.681 |
| Rhythmic Value Skewness |
0.9895 |
| Rhythmic Value Kurtosis |
9.102 |
| Mean Rhythmic Value Run Length |
1.624 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.217 |
| Mean Rhythmic Value Offset |
0.007921 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.178 |
| Complete Rests Fraction |
0.002523 |
| Partial Rests Fraction |
0.486 |
| Average Rest Fraction Across Voices |
0.1768 |
| Longest Complete Rest |
0.9917 |
| Longest Partial Rest |
28.0 |
| Mean Complete Rest Duration |
0.9917 |
| Mean Partial Rest Duration |
5.791 |
| Median Complete Rest Duration |
0.9917 |
| Median Partial Rest Duration |
4.0 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
7.343 |
| Variability Across Voices of Combined Rests |
22.29 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
5.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
120.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.0 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.4587 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2526 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.816 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7112 |
| Rhythmic Variability - Tempo Standardized |
0.04534 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
505.0 |
| Initial Tempo |
288.0 |
| Average Variability of Time Between Attacks for Each Voice |
0.6963 |
| Minimum Note Duration |
0.1042 |
| Maximum Note Duration |
3.333 |
| Average Note Duration |
0.5338 |
| Variability of Note Durations |
0.3613 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
5.0 |
| Number of Moderate Rhythmic Pulses |
8.0 |
| Number of Relatively Strong Rhythmic Pulses |
6.0 |
| Mean Tempo |
288.0 |
| Strongest Rhythmic Pulse |
72.0 |
| Second Strongest Rhythmic Pulse |
48.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.5 |
| Strength of Strongest Rhythmic Pulse |
0.2168 |
| Strength of Second Strongest Rhythmic Pulse |
0.2113 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.026 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.4281 |
| Rhythmic Variability |
0.03168 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.3333 |
| Tempo Variability |
0.0000000003341 |
| Duration in Seconds |
81.87 |
| Note Density |
6.168 |
| Note Density Variability |
2.228 |
| Average Time Between Attacks |
0.308 |
| Average Time Between Attacks for Each Voice |
0.6212 |
| Variability of Time Between Attacks |
0.1497 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.4848 |
| Relative Range Isolation of Loudest Voice |
0.64 |
| Relative Range of Highest Line |
0.4848 |
| Relative Note Density of Highest Line |
0.5386 |
| Relative Note Durations of Lowest Line |
1.036 |
| Relative Size of Melodic Intervals in Lowest Line |
0.6667 |
| Voice Overlap |
0.7881 |
| Voice Separation |
5.667 |
| Variability of Voice Separation |
4.933 |
| Parallel Motion |
0.02957 |
| Average Number of Independent Voices |
3.301 |
| Similar Motion |
0.1217 |
| Contrary Motion |
0.1496 |
| Oblique Motion |
0.6991 |
| Parallel Fifths |
0.0 |
| Parallel Octaves |
0.0 |
| Variability of Number of Independent Voices |
0.812 |
| Voice Equality - Number of Notes |
11.47 |
| Voice Equality - Note Duration |
4.644 |
| Voice Equality - Dynamics |
8.66 |
| Voice Equality - Melodic Leaps |
0.5774 |
| Voice Equality - Range |
1.893 |
| Importance of Loudest Voice |
10.0 |