File

Last modified on: April 14, 2020, 2:30 a.m.

Rue1031c-Missa_Tous_les_regretz-Credo.mid


Source
RenComp7
Musical Work
Missa Tous les regretz
Section
Credo
File Type
Symbolic Music
File Format
.mid
File Size
15.7 KB

Feature Value
Distance Between Two Most Common Vertical Intervals 7.0
Prevalence of Most Common Vertical Interval 0.2096
Prevalence of Second Most Common Vertical Interval 0.1905
Prevalence Ratio of Two Most Common Vertical Intervals 0.9088
Vertical Unisons 0.02665
Vertical Minor Seconds 0.003506
Vertical Thirds 0.2906
Vertical Tritones 0.008953
Vertical Perfect Fourths 0.09945
Vertical Perfect Fifths 0.1905
Vertical Sixths 0.1411
Vertical Sevenths 0.03128
Vertical Octaves 0.1829
Perfect Vertical Intervals 0.4995
Vertical Dissonance Ratio 0.07392
Vertical Minor Third Prevalence 0.3104
Vertical Major Third Prevalence 0.3932
Chord Duration 2.025
Partial Chords 0.5432
Standard Triads 0.3244
Diminished and Augmented Triads 0.01299
Dominant Seventh Chords 0.001299
Seventh Chords 0.01883
Non-Standard Chords 0.1136
Complex Chords 0.0
Minor Major Triad Ratio 0.7254
Average Number of Simultaneous Pitch Classes 2.357
Variability of Number of Simultaneous Pitch Classes 0.7093
Average Number of Simultaneous Pitches 2.929
Variability of Number of Simultaneous Pitches 0.9469
Most Common Vertical Interval 0.0
Second Most Common Vertical Interval 7.0
Dynamic Range 20.0
Variation of Dynamics 6.965
Variation of Dynamics In Each Voice 0.0
Average Note to Note Change in Dynamics 0.0
Unpitched Percussion Instrument Prevalence 0.0
String Keyboard Prevalence 0.0
Acoustic Guitar Prevalence 0.0
Electric Guitar Prevalence 0.0
Violin Prevalence 0.0
Saxophone Prevalence 0.0
Brass Prevalence 0.0
Woodwinds Prevalence 1.0
Orchestral Strings Prevalence 0.0
String Ensemble Prevalence 0.0
Electric Instrument Prevalence 0.0
Variability of Note Prevalence of Pitched Instruments 67.12
Variability of Note Prevalence of Unpitched Instruments 0.0
Number of Pitched Instruments 4.0
Number of Unpitched Instruments 0.0
Chromatic Motion 0.1913
Stepwise Motion 0.5965
Melodic Thirds 0.09913
Melodic Perfect Fourths 0.05073
Melodic Tritones 0.0
Melodic Perfect Fifths 0.02857
Melodic Sixths 0.004082
Melodic Sevenths 0.0005831
Melodic Octaves 0.008746
Melodic Large Intervals 0.0
Most Common Melodic Interval 2.0
Minor Major Melodic Third Ratio 1.615
Melodic Embellishments 0.01396
Direction of Melodic Motion 0.4371
Average Length of Melodic Arcs 1.87
Average Interval Spanned by Melodic Arcs 4.577
Melodic Pitch Variety 4.297
Mean Melodic Interval 1.935
Number of Common Melodic Intervals 3.0
Distance Between Most Prevalent Melodic Intervals 2.0
Prevalence of Most Common Melodic Interval 0.4052
Relative Prevalence of Most Common Melodic Intervals 0.5223
Amount of Arpeggiation 0.3487
Repeated Notes 0.2117
Importance of Middle Register 0.6754
Importance of High Register 0.0
Dominant Spread 6.0
Strong Tonal Centres 2.0
Mean Pitch 57.09
Mean Pitch Class 5.156
Most Common Pitch 57.0
Most Common Pitch Class 9.0
Prevalence of Most Common Pitch 0.1082
Prevalence of Most Common Pitch Class 0.1856
Relative Prevalence of Top Pitches 0.9462
Relative Prevalence of Top Pitch Classes 0.8903
Interval Between Most Prevalent Pitches 3.0
Interval Between Most Prevalent Pitch Classes 9.0
Pitch Variability 6.979
Pitch Class Variability 3.559
Pitch Class Variability After Folding 3.377
Pitch Skewness 0.2083
Pitch Class Skewness 0.1319
Pitch Class Skewness After Folding 0.5141
Pitch Kurtosis 5.399
Pitch Class Kurtosis 4.783
Pitch Class Kurtosis After Folding 6.455
Major or Minor 0.0
First Pitch 62.0
First Pitch Class 2.0
Last Pitch 50.0
Last Pitch Class 2.0
Glissando Prevalence 0.0
Average Range of Glissandos 0.0
Number of Pitches 28.0
Vibrato Prevalence 0.0
Microtone Prevalence 0.0
Number of Pitch Classes 11.0
Number of Common Pitches 2.0
Number of Common Pitch Classes 0.0
Range 31.0
Importance of Bass Register 0.3246
Note Density per Quarter Note 1.008
Note Density per Quarter Note per Voice 0.2521
Note Density per Quarter Note Variability 0.4817
Range of Rhythmic Values 9.0
Number of Different Rhythmic Values Present 8.0
Number of Common Rhythmic Values Present 3.0
Prevalence of Very Short Rhythmic Values 0.0
Prevalence of Short Rhythmic Values 0.004654
Prevalence of Medium Rhythmic Values 0.5777
Simple Initial Meter 1.0
Prevalence of Long Rhythmic Values 0.7487
Prevalence of Very Long Rhythmic Values 0.09308
Prevalence of Dotted Notes 0.1076
Shortest Rhythmic Value 0.5
Longest Rhythmic Value 12.0
Mean Rhythmic Value 2.912
Most Common Rhythmic Value 2.0
Prevalence of Most Common Rhythmic Value 0.3264
Relative Prevalence of Most Common Rhythmic Values 0.8164
Difference Between Most Common Rhythmic Values 2.0
Compound Initial Meter 0.0
Rhythmic Value Variability 2.104
Rhythmic Value Skewness 1.3
Rhythmic Value Kurtosis 10.89
Mean Rhythmic Value Run Length 1.687
Median Rhythmic Value Run Length 1.0
Variability in Rhythmic Value Run Lengths 1.124
Mean Rhythmic Value Offset 0.08377
Median Rhythmic Value Offset 0.0
Complex Initial Meter 0.0
Variability of Rhythmic Value Offsets 1.036
Complete Rests Fraction 0.0005816
Partial Rests Fraction 0.5613
Average Rest Fraction Across Voices 0.2449
Longest Complete Rest 0.9917
Longest Partial Rest 100.0
Mean Complete Rest Duration 0.9917
Mean Partial Rest Duration 14.78
Median Complete Rest Duration 0.9917
Median Partial Rest Duration 4.0
Duple Initial Meter 1.0
Variability of Complete Rest Durations 0.0
Variability of Partial Rest Durations 22.83
Variability Across Voices of Combined Rests 81.69
Number of Strong Rhythmic Pulses - Tempo Standardized 3.0
Number of Moderate Rhythmic Pulses - Tempo Standardized 3.0
Number of Relatively Strong Rhythmic Pulses - Tempo Standardized 3.0
Strongest Rhythmic Pulse - Tempo Standardized 60.0
Second Strongest Rhythmic Pulse - Tempo Standardized 120.0
Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized 2.0
Triple Initial Meter 0.0
Strength of Strongest Rhythmic Pulse - Tempo Standardized 0.5386
Strength of Second Strongest Rhythmic Pulse - Tempo Standardized 0.231
Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized 2.332
Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized 0.7697
Rhythmic Variability - Tempo Standardized 0.04928
Rhythmic Looseness - Tempo Standardized 0.0
Polyrhythms - Tempo Standardized 0.6667
Quadruple Initial Meter 0.0
Metrical Diversity 1.0
Total Number of Notes 1719.0
Initial Tempo 290.0
Average Variability of Time Between Attacks for Each Voice 1.694
Minimum Note Duration 0.1034
Maximum Note Duration 9.931
Average Note Duration 0.6198
Variability of Note Durations 0.5484
Amount of Staccato 0.0
Number of Strong Rhythmic Pulses 3.0
Number of Moderate Rhythmic Pulses 6.0
Number of Relatively Strong Rhythmic Pulses 6.0
Mean Tempo 290.0
Strongest Rhythmic Pulse 73.0
Second Strongest Rhythmic Pulse 49.0
Harmonicity of Two Strongest Rhythmic Pulses 1.49
Strength of Strongest Rhythmic Pulse 0.2634
Strength of Second Strongest Rhythmic Pulse 0.231
Strength Ratio of Two Strongest Rhythmic Pulses 1.141
Combined Strength of Two Strongest Rhythmic Pulses 0.4944
Rhythmic Variability 0.03466
Rhythmic Looseness 0.0
Polyrhythms 0.3333
Tempo Variability 5.522e-10
Duration in Seconds 352.8
Note Density 4.873
Note Density Variability 1.649
Average Time Between Attacks 0.3692
Average Time Between Attacks for Each Voice 0.8194
Variability of Time Between Attacks 0.2096
Maximum Number of Independent Voices 4.0
Relative Range of Loudest Voice 0.4839
Relative Range Isolation of Loudest Voice 0.4249
Relative Range of Highest Line 0.4839
Relative Note Density of Highest Line 0.1513
Relative Note Durations of Lowest Line 1.067
Relative Size of Melodic Intervals in Lowest Line 0.8
Voice Overlap 0.8086
Voice Separation 5.333
Variability of Voice Separation 2.082
Parallel Motion 0.04299
Average Number of Independent Voices 3.022
Similar Motion 0.1039
Contrary Motion 0.1463
Oblique Motion 0.7069
Parallel Fifths 0.002985
Parallel Octaves 0.0
Variability of Number of Independent Voices 0.9596
Voice Equality - Number of Notes 67.12
Voice Equality - Note Duration 16.9
Voice Equality - Dynamics 8.66
Voice Equality - Melodic Leaps 0.5
Voice Equality - Range 1.5
Importance of Loudest Voice 10.0