| Distance Between Two Most Common Vertical Intervals |
4.0 |
| Prevalence of Most Common Vertical Interval |
0.194 |
| Prevalence of Second Most Common Vertical Interval |
0.1789 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.9223 |
| Vertical Unisons |
0.02251 |
| Vertical Minor Seconds |
0.005605 |
| Vertical Thirds |
0.3249 |
| Vertical Tritones |
0.009012 |
| Vertical Perfect Fourths |
0.08096 |
| Vertical Perfect Fifths |
0.1741 |
| Vertical Sixths |
0.154 |
| Vertical Sevenths |
0.03712 |
| Vertical Octaves |
0.1715 |
| Perfect Vertical Intervals |
0.449 |
| Vertical Dissonance Ratio |
0.07765 |
| Vertical Minor Third Prevalence |
0.4096 |
| Vertical Major Third Prevalence |
0.4574 |
| Chord Duration |
1.783 |
| Partial Chords |
0.4291 |
| Standard Triads |
0.4006 |
| Diminished and Augmented Triads |
0.01444 |
| Dominant Seventh Chords |
0.002549 |
| Seventh Chords |
0.01699 |
| Non-Standard Chords |
0.1534 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
0.4804 |
| Average Number of Simultaneous Pitch Classes |
2.507 |
| Variability of Number of Simultaneous Pitch Classes |
0.6677 |
| Average Number of Simultaneous Pitches |
3.089 |
| Variability of Number of Simultaneous Pitches |
0.7779 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
4.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
7.484 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
59.41 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2268 |
| Stepwise Motion |
0.7068 |
| Melodic Thirds |
0.1109 |
| Melodic Perfect Fourths |
0.05689 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.04012 |
| Melodic Sixths |
0.005106 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.01094 |
| Melodic Large Intervals |
0.0007294 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.235 |
| Melodic Embellishments |
0.016 |
| Direction of Melodic Motion |
0.4675 |
| Average Length of Melodic Arcs |
1.883 |
| Average Interval Spanned by Melodic Arcs |
4.668 |
| Melodic Pitch Variety |
4.842 |
| Mean Melodic Interval |
2.319 |
| Number of Common Melodic Intervals |
2.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4799 |
| Relative Prevalence of Most Common Melodic Intervals |
0.4726 |
| Amount of Arpeggiation |
0.2312 |
| Repeated Notes |
0.06856 |
| Importance of Middle Register |
0.6029 |
| Importance of High Register |
0.0 |
| Dominant Spread |
7.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
56.02 |
| Mean Pitch Class |
5.231 |
| Most Common Pitch |
60.0 |
| Most Common Pitch Class |
0.0 |
| Prevalence of Most Common Pitch |
0.09891 |
| Prevalence of Most Common Pitch Class |
0.1753 |
| Relative Prevalence of Top Pitches |
0.8897 |
| Relative Prevalence of Top Pitch Classes |
0.9751 |
| Interval Between Most Prevalent Pitches |
7.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
7.43 |
| Pitch Class Variability |
3.445 |
| Pitch Class Variability After Folding |
4.191 |
| Pitch Skewness |
-0.306 |
| Pitch Class Skewness |
0.2014 |
| Pitch Class Skewness After Folding |
1.088 |
| Pitch Kurtosis |
5.208 |
| Pitch Class Kurtosis |
4.759 |
| Pitch Class Kurtosis After Folding |
4.697 |
| Major or Minor |
0.0 |
| First Pitch |
53.0 |
| First Pitch Class |
5.0 |
| Last Pitch |
41.0 |
| Last Pitch Class |
5.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
24.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
11.0 |
| Number of Common Pitches |
1.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
31.0 |
| Importance of Bass Register |
0.3971 |
| Note Density per Quarter Note |
1.094 |
| Note Density per Quarter Note per Voice |
0.2735 |
| Note Density per Quarter Note Variability |
0.432 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
9.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.008 |
| Prevalence of Medium Rhythmic Values |
0.6124 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.72 |
| Prevalence of Very Long Rhythmic Values |
0.07709 |
| Prevalence of Dotted Notes |
0.08 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
2.783 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.3324 |
| Relative Prevalence of Most Common Rhythmic Values |
0.8162 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.061 |
| Rhythmic Value Skewness |
1.139 |
| Rhythmic Value Kurtosis |
11.25 |
| Mean Rhythmic Value Run Length |
1.717 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.133 |
| Mean Rhythmic Value Offset |
0.1164 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
1.377 |
| Complete Rests Fraction |
0.0007889 |
| Partial Rests Fraction |
0.6261 |
| Average Rest Fraction Across Voices |
0.2072 |
| Longest Complete Rest |
0.9917 |
| Longest Partial Rest |
400.0 |
| Mean Complete Rest Duration |
0.9917 |
| Mean Partial Rest Duration |
11.58 |
| Median Complete Rest Duration |
0.9917 |
| Median Partial Rest Duration |
4.0 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
42.83 |
| Variability Across Voices of Combined Rests |
166.7 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
120.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.0 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5416 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2334 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.321 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7749 |
| Rhythmic Variability - Tempo Standardized |
0.04937 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
1375.0 |
| Initial Tempo |
288.0 |
| Average Variability of Time Between Attacks for Each Voice |
1.993 |
| Minimum Note Duration |
0.1042 |
| Maximum Note Duration |
10.0 |
| Average Note Duration |
0.6039 |
| Variability of Note Durations |
0.5999 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
6.0 |
| Number of Relatively Strong Rhythmic Pulses |
6.0 |
| Mean Tempo |
288.0 |
| Strongest Rhythmic Pulse |
72.0 |
| Second Strongest Rhythmic Pulse |
48.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.5 |
| Strength of Strongest Rhythmic Pulse |
0.2537 |
| Strength of Second Strongest Rhythmic Pulse |
0.234 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.084 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.4876 |
| Rhythmic Variability |
0.03444 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.3333 |
| Tempo Variability |
0.0000000004337 |
| Duration in Seconds |
261.9 |
| Note Density |
5.251 |
| Note Density Variability |
1.507 |
| Average Time Between Attacks |
0.3539 |
| Average Time Between Attacks for Each Voice |
0.7571 |
| Variability of Time Between Attacks |
0.2007 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.6129 |
| Relative Range Isolation of Loudest Voice |
0.3286 |
| Relative Range of Highest Line |
0.6129 |
| Relative Note Density of Highest Line |
0.1862 |
| Relative Note Durations of Lowest Line |
1.033 |
| Relative Size of Melodic Intervals in Lowest Line |
1.0 |
| Voice Overlap |
0.8124 |
| Voice Separation |
5.667 |
| Variability of Voice Separation |
4.041 |
| Parallel Motion |
0.05393 |
| Average Number of Independent Voices |
3.174 |
| Similar Motion |
0.1434 |
| Contrary Motion |
0.1593 |
| Oblique Motion |
0.6434 |
| Parallel Fifths |
0.003173 |
| Parallel Octaves |
0.0 |
| Variability of Number of Independent Voices |
0.7635 |
| Voice Equality - Number of Notes |
59.41 |
| Voice Equality - Note Duration |
34.73 |
| Voice Equality - Dynamics |
8.66 |
| Voice Equality - Melodic Leaps |
0.0 |
| Voice Equality - Range |
1.915 |
| Importance of Loudest Voice |
10.0 |