File

Last modified on: April 14, 2020, 2:32 a.m.

Rue1017b-Missa_Inviolata-Gloria.mid


Source
RenComp7
Musical Work
Missa Inviolata
Section
Gloria
File Type
Symbolic Music
File Format
.mid
File Size
12.5 KB

Feature Value
Distance Between Two Most Common Vertical Intervals 4.0
Prevalence of Most Common Vertical Interval 0.2012
Prevalence of Second Most Common Vertical Interval 0.1722
Prevalence Ratio of Two Most Common Vertical Intervals 0.8557
Vertical Unisons 0.01939
Vertical Minor Seconds 0.007142
Vertical Thirds 0.331
Vertical Tritones 0.01102
Vertical Perfect Fourths 0.07549
Vertical Perfect Fifths 0.1693
Vertical Sixths 0.1471
Vertical Sevenths 0.03239
Vertical Octaves 0.1818
Perfect Vertical Intervals 0.446
Vertical Dissonance Ratio 0.0822
Vertical Minor Third Prevalence 0.4478
Vertical Major Third Prevalence 0.4802
Chord Duration 2.308
Partial Chords 0.4273
Standard Triads 0.3838
Diminished and Augmented Triads 0.02611
Dominant Seventh Chords 0.006963
Seventh Chords 0.02219
Non-Standard Chords 0.1667
Complex Chords 0.0
Minor Major Triad Ratio 0.6273
Average Number of Simultaneous Pitch Classes 2.577
Variability of Number of Simultaneous Pitch Classes 0.6494
Average Number of Simultaneous Pitches 3.257
Variability of Number of Simultaneous Pitches 0.7691
Most Common Vertical Interval 0.0
Second Most Common Vertical Interval 4.0
Dynamic Range 20.0
Variation of Dynamics 7.562
Variation of Dynamics In Each Voice 0.0
Average Note to Note Change in Dynamics 0.0
Unpitched Percussion Instrument Prevalence 0.0
String Keyboard Prevalence 0.0
Acoustic Guitar Prevalence 0.0
Electric Guitar Prevalence 0.0
Violin Prevalence 0.0
Saxophone Prevalence 0.0
Brass Prevalence 0.0
Woodwinds Prevalence 1.0
Orchestral Strings Prevalence 0.0
String Ensemble Prevalence 0.0
Electric Instrument Prevalence 0.0
Variability of Note Prevalence of Pitched Instruments 23.34
Variability of Note Prevalence of Unpitched Instruments 0.0
Number of Pitched Instruments 4.0
Number of Unpitched Instruments 0.0
Chromatic Motion 0.1935
Stepwise Motion 0.6124
Melodic Thirds 0.131
Melodic Perfect Fourths 0.05357
Melodic Tritones 0.0
Melodic Perfect Fifths 0.03051
Melodic Sixths 0.005208
Melodic Sevenths 0.000744
Melodic Octaves 0.009673
Melodic Large Intervals 0.0
Most Common Melodic Interval 2.0
Minor Major Melodic Third Ratio 1.228
Melodic Embellishments 0.01113
Direction of Melodic Motion 0.4625
Average Length of Melodic Arcs 1.86
Average Interval Spanned by Melodic Arcs 4.681
Melodic Pitch Variety 4.553
Mean Melodic Interval 2.134
Number of Common Melodic Intervals 3.0
Distance Between Most Prevalent Melodic Intervals 1.0
Prevalence of Most Common Melodic Interval 0.4189
Relative Prevalence of Most Common Melodic Intervals 0.4618
Amount of Arpeggiation 0.3289
Repeated Notes 0.157
Importance of Middle Register 0.7634
Importance of High Register 0.1291
Dominant Spread 7.0
Strong Tonal Centres 2.0
Mean Pitch 63.86
Mean Pitch Class 4.924
Most Common Pitch 67.0
Most Common Pitch Class 7.0
Prevalence of Most Common Pitch 0.1068
Prevalence of Most Common Pitch Class 0.1788
Relative Prevalence of Top Pitches 0.8125
Relative Prevalence of Top Pitch Classes 0.9834
Interval Between Most Prevalent Pitches 3.0
Interval Between Most Prevalent Pitch Classes 7.0
Pitch Variability 7.488
Pitch Class Variability 3.497
Pitch Class Variability After Folding 3.208
Pitch Skewness -0.2303
Pitch Class Skewness -0.06554
Pitch Class Skewness After Folding 1.165
Pitch Kurtosis 5.289
Pitch Class Kurtosis 4.958
Pitch Class Kurtosis After Folding 7.142
Major or Minor 0.0
First Pitch 60.0
First Pitch Class 0.0
Last Pitch 48.0
Last Pitch Class 0.0
Glissando Prevalence 0.0
Average Range of Glissandos 0.0
Number of Pitches 23.0
Vibrato Prevalence 0.0
Microtone Prevalence 0.0
Number of Pitch Classes 10.0
Number of Common Pitches 1.0
Number of Common Pitch Classes 0.0
Range 31.0
Importance of Bass Register 0.1076
Note Density per Quarter Note 1.134
Note Density per Quarter Note per Voice 0.2834
Note Density per Quarter Note Variability 0.5983
Range of Rhythmic Values 9.0
Number of Different Rhythmic Values Present 8.0
Number of Common Rhythmic Values Present 3.0
Prevalence of Very Short Rhythmic Values 0.0
Prevalence of Short Rhythmic Values 0.005935
Prevalence of Medium Rhythmic Values 0.6076
Simple Initial Meter 1.0
Prevalence of Long Rhythmic Values 0.7834
Prevalence of Very Long Rhythmic Values 0.08605
Prevalence of Dotted Notes 0.1009
Shortest Rhythmic Value 0.5
Longest Rhythmic Value 12.0
Mean Rhythmic Value 2.832
Most Common Rhythmic Value 2.0
Prevalence of Most Common Rhythmic Value 0.3909
Relative Prevalence of Most Common Rhythmic Values 0.6357
Difference Between Most Common Rhythmic Values 2.0
Compound Initial Meter 0.0
Rhythmic Value Variability 1.939
Rhythmic Value Skewness 1.288
Rhythmic Value Kurtosis 11.24
Mean Rhythmic Value Run Length 1.696
Median Rhythmic Value Run Length 1.0
Variability in Rhythmic Value Run Lengths 1.121
Mean Rhythmic Value Offset 0.1098
Median Rhythmic Value Offset 0.0
Complex Initial Meter 0.0
Variability of Rhythmic Value Offsets 1.791
Complete Rests Fraction 0.0004952
Partial Rests Fraction 0.5065
Average Rest Fraction Across Voices 0.173
Longest Complete Rest 0.5887
Longest Partial Rest 53.92
Mean Complete Rest Duration 0.5887
Mean Partial Rest Duration 8.662
Median Complete Rest Duration 0.5887
Median Partial Rest Duration 4.494
Duple Initial Meter 1.0
Variability of Complete Rest Durations 0.0
Variability of Partial Rest Durations 10.49
Variability Across Voices of Combined Rests 76.63
Number of Strong Rhythmic Pulses - Tempo Standardized 3.0
Number of Moderate Rhythmic Pulses - Tempo Standardized 3.0
Number of Relatively Strong Rhythmic Pulses - Tempo Standardized 3.0
Strongest Rhythmic Pulse - Tempo Standardized 60.0
Second Strongest Rhythmic Pulse - Tempo Standardized 40.0
Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized 1.5
Triple Initial Meter 0.0
Strength of Strongest Rhythmic Pulse - Tempo Standardized 0.5664
Strength of Second Strongest Rhythmic Pulse - Tempo Standardized 0.2169
Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized 2.611
Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized 0.7833
Rhythmic Variability - Tempo Standardized 0.05039
Rhythmic Looseness - Tempo Standardized 0.0
Polyrhythms - Tempo Standardized 0.6667
Quadruple Initial Meter 0.0
Metrical Diversity 2.0
Total Number of Notes 1348.0
Initial Tempo 232.0
Average Variability of Time Between Attacks for Each Voice 1.055
Minimum Note Duration 0.1293
Maximum Note Duration 6.56
Average Note Duration 0.6717
Variability of Note Durations 0.5217
Amount of Staccato 0.0
Number of Strong Rhythmic Pulses 3.0
Number of Moderate Rhythmic Pulses 5.0
Number of Relatively Strong Rhythmic Pulses 5.0
Mean Tempo 280.2
Strongest Rhythmic Pulse 66.0
Second Strongest Rhythmic Pulse 44.0
Harmonicity of Two Strongest Rhythmic Pulses 1.5
Strength of Strongest Rhythmic Pulse 0.2771
Strength of Second Strongest Rhythmic Pulse 0.2654
Strength Ratio of Two Strongest Rhythmic Pulses 1.044
Combined Strength of Two Strongest Rhythmic Pulses 0.5425
Rhythmic Variability 0.03755
Rhythmic Looseness 0.0
Polyrhythms 0.4
Tempo Variability 87.5
Duration in Seconds 273.7
Note Density 4.925
Note Density Variability 1.63
Average Time Between Attacks 0.4151
Average Time Between Attacks for Each Voice 0.8011
Variability of Time Between Attacks 0.2058
Maximum Number of Independent Voices 4.0
Relative Range of Loudest Voice 0.3871
Relative Range Isolation of Loudest Voice 0.5668
Relative Range of Highest Line 0.3871
Relative Note Density of Highest Line 0.2166
Relative Note Durations of Lowest Line 1.054
Relative Size of Melodic Intervals in Lowest Line 0.8
Voice Overlap 0.799
Voice Separation 6.333
Variability of Voice Separation 1.528
Parallel Motion 0.05339
Average Number of Independent Voices 3.338
Similar Motion 0.1183
Contrary Motion 0.1912
Oblique Motion 0.6371
Parallel Fifths 0.002886
Parallel Octaves 0.0007215
Variability of Number of Independent Voices 0.7709
Voice Equality - Number of Notes 23.34
Voice Equality - Note Duration 17.64
Voice Equality - Dynamics 8.66
Voice Equality - Melodic Leaps 0.5
Voice Equality - Range 2.217
Importance of Loudest Voice 10.0