File

Last modified on: April 14, 2020, 2:34 a.m.

Rue1007d-Missa_Cum_iocunditate-Sanctus.mid


Source
RenComp7
Musical Work
Missa Cum iocunditate
Section
Sanctus
File Type
Symbolic Music
File Format
.mid
File Size
12.9 KB

Feature Value
Distance Between Two Most Common Vertical Intervals 7.0
Prevalence of Most Common Vertical Interval 0.2269
Prevalence of Second Most Common Vertical Interval 0.1747
Prevalence Ratio of Two Most Common Vertical Intervals 0.7698
Vertical Unisons 0.02088
Vertical Minor Seconds 0.006358
Vertical Thirds 0.2882
Vertical Tritones 0.005168
Vertical Perfect Fourths 0.08271
Vertical Perfect Fifths 0.1747
Vertical Sixths 0.1554
Vertical Sevenths 0.03594
Vertical Octaves 0.206
Perfect Vertical Intervals 0.4843
Vertical Dissonance Ratio 0.07777
Vertical Minor Third Prevalence 0.3496
Vertical Major Third Prevalence 0.3983
Chord Duration 2.534
Partial Chords 0.5028
Standard Triads 0.3382
Diminished and Augmented Triads 0.003228
Dominant Seventh Chords 0.0008071
Seventh Chords 0.006457
Non-Standard Chords 0.1525
Complex Chords 0.0
Minor Major Triad Ratio 0.5461
Average Number of Simultaneous Pitch Classes 2.364
Variability of Number of Simultaneous Pitch Classes 0.7035
Average Number of Simultaneous Pitches 2.929
Variability of Number of Simultaneous Pitches 0.8054
Most Common Vertical Interval 0.0
Second Most Common Vertical Interval 7.0
Dynamic Range 20.0
Variation of Dynamics 5.232
Variation of Dynamics In Each Voice 0.0
Average Note to Note Change in Dynamics 0.0
Unpitched Percussion Instrument Prevalence 0.0
String Keyboard Prevalence 0.0
Acoustic Guitar Prevalence 0.0
Electric Guitar Prevalence 0.0
Violin Prevalence 0.0
Saxophone Prevalence 0.0
Brass Prevalence 0.0
Woodwinds Prevalence 1.0
Orchestral Strings Prevalence 0.0
String Ensemble Prevalence 0.0
Electric Instrument Prevalence 0.0
Variability of Note Prevalence of Pitched Instruments 185.4
Variability of Note Prevalence of Unpitched Instruments 0.0
Number of Pitched Instruments 4.0
Number of Unpitched Instruments 0.0
Chromatic Motion 0.2074
Stepwise Motion 0.6934
Melodic Thirds 0.1118
Melodic Perfect Fourths 0.04926
Melodic Tritones 0.0
Melodic Perfect Fifths 0.04559
Melodic Sixths 0.006618
Melodic Sevenths 0.0007353
Melodic Octaves 0.01029
Melodic Large Intervals 0.0007353
Most Common Melodic Interval 2.0
Minor Major Melodic Third Ratio 1.667
Melodic Embellishments 0.005132
Direction of Melodic Motion 0.4948
Average Length of Melodic Arcs 2.071
Average Interval Spanned by Melodic Arcs 5.209
Melodic Pitch Variety 5.103
Mean Melodic Interval 2.32
Number of Common Melodic Intervals 2.0
Distance Between Most Prevalent Melodic Intervals 1.0
Prevalence of Most Common Melodic Interval 0.486
Relative Prevalence of Most Common Melodic Intervals 0.4266
Amount of Arpeggiation 0.25
Repeated Notes 0.08162
Importance of Middle Register 0.7485
Importance of High Register 0.0132
Dominant Spread 7.0
Strong Tonal Centres 2.0
Mean Pitch 58.98
Mean Pitch Class 5.481
Most Common Pitch 55.0
Most Common Pitch Class 7.0
Prevalence of Most Common Pitch 0.1078
Prevalence of Most Common Pitch Class 0.2141
Relative Prevalence of Top Pitches 0.8435
Relative Prevalence of Top Pitch Classes 0.7055
Interval Between Most Prevalent Pitches 7.0
Interval Between Most Prevalent Pitch Classes 5.0
Pitch Variability 7.501
Pitch Class Variability 3.526
Pitch Class Variability After Folding 3.08
Pitch Skewness -0.102
Pitch Class Skewness 0.4092
Pitch Class Skewness After Folding 1.197
Pitch Kurtosis 5.236
Pitch Class Kurtosis 4.879
Pitch Class Kurtosis After Folding 7.365
Major or Minor 0.0
First Pitch 55.0
First Pitch Class 7.0
Last Pitch 43.0
Last Pitch Class 7.0
Glissando Prevalence 0.0
Average Range of Glissandos 0.0
Number of Pitches 27.0
Vibrato Prevalence 0.0
Microtone Prevalence 0.0
Number of Pitch Classes 11.0
Number of Common Pitches 2.0
Number of Common Pitch Classes 1.0
Range 31.0
Importance of Bass Register 0.2383
Note Density per Quarter Note 0.9792
Note Density per Quarter Note per Voice 0.2448
Note Density per Quarter Note Variability 0.4794
Range of Rhythmic Values 9.0
Number of Different Rhythmic Values Present 8.0
Number of Common Rhythmic Values Present 3.0
Prevalence of Very Short Rhythmic Values 0.0
Prevalence of Short Rhythmic Values 0.002933
Prevalence of Medium Rhythmic Values 0.5704
Simple Initial Meter 1.0
Prevalence of Long Rhythmic Values 0.6782
Prevalence of Very Long Rhythmic Values 0.129
Prevalence of Dotted Notes 0.1305
Shortest Rhythmic Value 0.5
Longest Rhythmic Value 12.0
Mean Rhythmic Value 2.985
Most Common Rhythmic Value 1.0
Prevalence of Most Common Rhythmic Value 0.3189
Relative Prevalence of Most Common Rhythmic Values 0.7793
Difference Between Most Common Rhythmic Values 2.0
Compound Initial Meter 0.0
Rhythmic Value Variability 2.36
Rhythmic Value Skewness 1.253
Rhythmic Value Kurtosis 8.881
Mean Rhythmic Value Run Length 1.577
Median Rhythmic Value Run Length 1.0
Variability in Rhythmic Value Run Lengths 0.9581
Mean Rhythmic Value Offset 0.06158
Median Rhythmic Value Offset 0.0
Complex Initial Meter 0.0
Variability of Rhythmic Value Offsets 0.7242
Complete Rests Fraction 0.005196
Partial Rests Fraction 0.7302
Average Rest Fraction Across Voices 0.2616
Longest Complete Rest 2.07
Longest Partial Rest 389.2
Mean Complete Rest Duration 1.809
Mean Partial Rest Duration 12.25
Median Complete Rest Duration 2.07
Median Partial Rest Duration 2.57
Duple Initial Meter 0.0
Variability of Complete Rest Durations 0.5219
Variability of Partial Rest Durations 49.5
Variability Across Voices of Combined Rests 367.0
Number of Strong Rhythmic Pulses - Tempo Standardized 3.0
Number of Moderate Rhythmic Pulses - Tempo Standardized 3.0
Number of Relatively Strong Rhythmic Pulses - Tempo Standardized 3.0
Strongest Rhythmic Pulse - Tempo Standardized 60.0
Second Strongest Rhythmic Pulse - Tempo Standardized 120.0
Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized 2.0
Triple Initial Meter 1.0
Strength of Strongest Rhythmic Pulse - Tempo Standardized 0.4653
Strength of Second Strongest Rhythmic Pulse - Tempo Standardized 0.2876
Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized 1.618
Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized 0.7529
Rhythmic Variability - Tempo Standardized 0.04696
Rhythmic Looseness - Tempo Standardized 0.0
Polyrhythms - Tempo Standardized 0.6667
Quadruple Initial Meter 0.0
Metrical Diversity 2.0
Total Number of Notes 1364.0
Initial Tempo 232.0
Average Variability of Time Between Attacks for Each Voice 3.03
Minimum Note Duration 0.1293
Maximum Note Duration 5.0
Average Note Duration 0.6071
Variability of Note Durations 0.517
Amount of Staccato 0.0
Number of Strong Rhythmic Pulses 6.0
Number of Moderate Rhythmic Pulses 6.0
Number of Relatively Strong Rhythmic Pulses 6.0
Mean Tempo 313.7
Strongest Rhythmic Pulse 75.0
Second Strongest Rhythmic Pulse 50.0
Harmonicity of Two Strongest Rhythmic Pulses 1.5
Strength of Strongest Rhythmic Pulse 0.2301
Strength of Second Strongest Rhythmic Pulse 0.2176
Strength Ratio of Two Strongest Rhythmic Pulses 1.057
Combined Strength of Two Strongest Rhythmic Pulses 0.4477
Rhythmic Variability 0.03311
Rhythmic Looseness 0.0
Polyrhythms 0.3333
Tempo Variability 75.58
Duration in Seconds 280.4
Note Density 4.865
Note Density Variability 1.272
Average Time Between Attacks 0.3797
Average Time Between Attacks for Each Voice 1.22
Variability of Time Between Attacks 0.2292
Maximum Number of Independent Voices 4.0
Relative Range of Loudest Voice 0.5484
Relative Range Isolation of Loudest Voice 0.2898
Relative Range of Highest Line 0.5484
Relative Note Density of Highest Line 0.1965
Relative Note Durations of Lowest Line 1.012
Relative Size of Melodic Intervals in Lowest Line 1.0
Voice Overlap 0.8182
Voice Separation 5.667
Variability of Voice Separation 2.517
Parallel Motion 0.06134
Average Number of Independent Voices 2.999
Similar Motion 0.1382
Contrary Motion 0.1747
Oblique Motion 0.6258
Parallel Fifths 0.0007764
Parallel Octaves 0.001553
Variability of Number of Independent Voices 0.8085
Voice Equality - Number of Notes 185.4
Voice Equality - Note Duration 73.87
Voice Equality - Dynamics 8.539
Voice Equality - Melodic Leaps 0.0
Voice Equality - Range 2.986
Importance of Loudest Voice 11.67