File

Last modified on: April 14, 2020, 2:34 a.m.

Rue1003d-Missa_Assumpta_est_Maria-Sanctus.mid


Source
RenComp7
Musical Work
Missa Assumpta est Maria
Section
Sanctus
File Type
Symbolic Music
File Format
.mid
File Size
10.9 KB

Feature Value
Distance Between Two Most Common Vertical Intervals 7.0
Prevalence of Most Common Vertical Interval 0.2199
Prevalence of Second Most Common Vertical Interval 0.2033
Prevalence Ratio of Two Most Common Vertical Intervals 0.9245
Vertical Unisons 0.03856
Vertical Minor Seconds 0.003004
Vertical Thirds 0.29
Vertical Tritones 0.007647
Vertical Perfect Fourths 0.09917
Vertical Perfect Fifths 0.2033
Vertical Sixths 0.1423
Vertical Sevenths 0.02035
Vertical Octaves 0.1814
Perfect Vertical Intervals 0.5224
Vertical Dissonance Ratio 0.04738
Vertical Minor Third Prevalence 0.3797
Vertical Major Third Prevalence 0.4234
Chord Duration 2.759
Partial Chords 0.463
Standard Triads 0.4328
Diminished and Augmented Triads 0.01512
Dominant Seventh Chords 0.0007955
Seventh Chords 0.007955
Non-Standard Chords 0.09626
Complex Chords 0.0
Minor Major Triad Ratio 0.4167
Average Number of Simultaneous Pitch Classes 2.41
Variability of Number of Simultaneous Pitch Classes 0.7018
Average Number of Simultaneous Pitches 3.021
Variability of Number of Simultaneous Pitches 0.9354
Most Common Vertical Interval 0.0
Second Most Common Vertical Interval 7.0
Dynamic Range 20.0
Variation of Dynamics 7.026
Variation of Dynamics In Each Voice 0.0
Average Note to Note Change in Dynamics 0.0
Unpitched Percussion Instrument Prevalence 0.0
String Keyboard Prevalence 0.0
Acoustic Guitar Prevalence 0.0
Electric Guitar Prevalence 0.0
Violin Prevalence 0.0
Saxophone Prevalence 0.0
Brass Prevalence 0.0
Woodwinds Prevalence 1.0
Orchestral Strings Prevalence 0.0
String Ensemble Prevalence 0.0
Electric Instrument Prevalence 0.0
Variability of Note Prevalence of Pitched Instruments 38.0
Variability of Note Prevalence of Unpitched Instruments 0.0
Number of Pitched Instruments 4.0
Number of Unpitched Instruments 0.0
Chromatic Motion 0.1698
Stepwise Motion 0.5902
Melodic Thirds 0.1716
Melodic Perfect Fourths 0.07111
Melodic Tritones 0.0
Melodic Perfect Fifths 0.06133
Melodic Sixths 0.006222
Melodic Sevenths 0.0
Melodic Octaves 0.008
Melodic Large Intervals 0.0008889
Most Common Melodic Interval 2.0
Minor Major Melodic Third Ratio 1.443
Melodic Embellishments 0.02035
Direction of Melodic Motion 0.4624
Average Length of Melodic Arcs 1.755
Average Interval Spanned by Melodic Arcs 4.88
Melodic Pitch Variety 5.016
Mean Melodic Interval 2.542
Number of Common Melodic Intervals 4.0
Distance Between Most Prevalent Melodic Intervals 1.0
Prevalence of Most Common Melodic Interval 0.4204
Relative Prevalence of Most Common Melodic Intervals 0.4038
Amount of Arpeggiation 0.3324
Repeated Notes 0.09067
Importance of Middle Register 0.5372
Importance of High Register 0.0
Dominant Spread 7.0
Strong Tonal Centres 1.0
Mean Pitch 54.01
Mean Pitch Class 4.78
Most Common Pitch 48.0
Most Common Pitch Class 0.0
Prevalence of Most Common Pitch 0.1071
Prevalence of Most Common Pitch Class 0.2133
Relative Prevalence of Top Pitches 0.9835
Relative Prevalence of Top Pitch Classes 0.7427
Interval Between Most Prevalent Pitches 12.0
Interval Between Most Prevalent Pitch Classes 5.0
Pitch Variability 6.659
Pitch Class Variability 3.488
Pitch Class Variability After Folding 4.187
Pitch Skewness -0.1918
Pitch Class Skewness -0.1895
Pitch Class Skewness After Folding 1.539
Pitch Kurtosis 5.247
Pitch Class Kurtosis 4.742
Pitch Class Kurtosis After Folding 4.866
Major or Minor 0.0
First Pitch 48.0
First Pitch Class 0.0
Last Pitch 48.0
Last Pitch Class 0.0
Glissando Prevalence 0.0
Average Range of Glissandos 0.0
Number of Pitches 28.0
Vibrato Prevalence 0.0
Microtone Prevalence 0.0
Number of Pitch Classes 12.0
Number of Common Pitches 4.0
Number of Common Pitch Classes 1.0
Range 33.0
Importance of Bass Register 0.4628
Note Density per Quarter Note 0.8089
Note Density per Quarter Note per Voice 0.2022
Note Density per Quarter Note Variability 0.4245
Range of Rhythmic Values 7.0
Number of Different Rhythmic Values Present 7.0
Number of Common Rhythmic Values Present 2.0
Prevalence of Very Short Rhythmic Values 0.0
Prevalence of Short Rhythmic Values 0.0
Prevalence of Medium Rhythmic Values 0.4345
Simple Initial Meter 1.0
Prevalence of Long Rhythmic Values 0.8513
Prevalence of Very Long Rhythmic Values 0.2124
Prevalence of Dotted Notes 0.154
Shortest Rhythmic Value 1.0
Longest Rhythmic Value 12.0
Mean Rhythmic Value 3.839
Most Common Rhythmic Value 2.0
Prevalence of Most Common Rhythmic Value 0.2858
Relative Prevalence of Most Common Rhythmic Values 0.969
Difference Between Most Common Rhythmic Values 2.0
Compound Initial Meter 0.0
Rhythmic Value Variability 2.719
Rhythmic Value Skewness 0.9257
Rhythmic Value Kurtosis 7.259
Mean Rhythmic Value Run Length 1.503
Median Rhythmic Value Run Length 1.0
Variability in Rhythmic Value Run Lengths 0.9859
Mean Rhythmic Value Offset 0.08142
Median Rhythmic Value Offset 0.0
Complex Initial Meter 0.0
Variability of Rhythmic Value Offsets 0.6996
Complete Rests Fraction 0.0006396
Partial Rests Fraction 0.4972
Average Rest Fraction Across Voices 0.2136
Longest Complete Rest 0.8935
Longest Partial Rest 170.0
Mean Complete Rest Duration 0.8935
Mean Partial Rest Duration 20.94
Median Complete Rest Duration 0.8935
Median Partial Rest Duration 3.604
Duple Initial Meter 0.0
Variability of Complete Rest Durations 0.0
Variability of Partial Rest Durations 39.88
Variability Across Voices of Combined Rests 25.9
Number of Strong Rhythmic Pulses - Tempo Standardized 3.0
Number of Moderate Rhythmic Pulses - Tempo Standardized 3.0
Number of Relatively Strong Rhythmic Pulses - Tempo Standardized 3.0
Strongest Rhythmic Pulse - Tempo Standardized 60.0
Second Strongest Rhythmic Pulse - Tempo Standardized 40.0
Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized 1.5
Triple Initial Meter 1.0
Strength of Strongest Rhythmic Pulse - Tempo Standardized 0.5806
Strength of Second Strongest Rhythmic Pulse - Tempo Standardized 0.2369
Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized 2.451
Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized 0.8175
Rhythmic Variability - Tempo Standardized 0.05125
Rhythmic Looseness - Tempo Standardized 0.0
Polyrhythms - Tempo Standardized 0.6667
Quadruple Initial Meter 0.0
Metrical Diversity 2.0
Total Number of Notes 1130.0
Initial Tempo 232.0
Average Variability of Time Between Attacks for Each Voice 2.585
Minimum Note Duration 0.2083
Maximum Note Duration 5.0
Average Note Duration 0.902
Variability of Note Durations 0.6997
Amount of Staccato 0.0
Number of Strong Rhythmic Pulses 3.0
Number of Moderate Rhythmic Pulses 5.0
Number of Relatively Strong Rhythmic Pulses 3.0
Mean Tempo 262.5
Strongest Rhythmic Pulse 65.0
Second Strongest Rhythmic Pulse 44.0
Harmonicity of Two Strongest Rhythmic Pulses 1.477
Strength of Strongest Rhythmic Pulse 0.33
Strength of Second Strongest Rhythmic Pulse 0.2567
Strength Ratio of Two Strongest Rhythmic Pulses 1.285
Combined Strength of Two Strongest Rhythmic Pulses 0.5867
Rhythmic Variability 0.03878
Rhythmic Looseness 0.0
Polyrhythms 0.6667
Tempo Variability 27.89
Duration in Seconds 323.0
Note Density 3.498
Note Density Variability 1.341
Average Time Between Attacks 0.5271
Average Time Between Attacks for Each Voice 1.158
Variability of Time Between Attacks 0.3603
Maximum Number of Independent Voices 4.0
Relative Range of Loudest Voice 0.4848
Relative Range Isolation of Loudest Voice 0.246
Relative Range of Highest Line 0.4848
Relative Note Density of Highest Line 0.2159
Relative Note Durations of Lowest Line 1.006
Relative Size of Melodic Intervals in Lowest Line 0.8889
Voice Overlap 0.8398
Voice Separation 5.0
Variability of Voice Separation 1.0
Parallel Motion 0.05622
Average Number of Independent Voices 3.165
Similar Motion 0.1329
Contrary Motion 0.1516
Oblique Motion 0.6593
Parallel Fifths 0.005111
Parallel Octaves 0.0
Variability of Number of Independent Voices 0.9272
Voice Equality - Number of Notes 38.0
Voice Equality - Note Duration 5.989
Voice Equality - Dynamics 8.66
Voice Equality - Melodic Leaps 0.5
Voice Equality - Range 2.63
Importance of Loudest Voice 10.0