File

Last modified on: Oct. 17, 2023, 11:01 a.m.

F164_59_Anon_Adieu_mes_amours_TrIL.mid


Source
Florence, Italy, Biblioteca Nazionale Centrale, MS Magliabechi XIX.164-167
Musical Work
Adieu mes amours
File Type
Symbolic Music
File Format
midi
File Size
4.8 KB

Feature Value
Distance Between Two Most Common Vertical Intervals 7.0
Prevalence of Most Common Vertical Interval 0.2036
Prevalence of Second Most Common Vertical Interval 0.1922
Prevalence Ratio of Two Most Common Vertical Intervals 0.9442
Vertical Unisons 0.01668
Vertical Minor Seconds 0.002857
Vertical Thirds 0.2737
Vertical Tritones 0.002439
Vertical Perfect Fourths 0.1504
Vertical Perfect Fifths 0.1922
Vertical Sixths 0.1346
Vertical Sevenths 0.02212
Vertical Octaves 0.1869
Perfect Vertical Intervals 0.5462
Vertical Dissonance Ratio 0.04771
Vertical Minor Third Prevalence 0.3914
Vertical Major Third Prevalence 0.3094
Chord Duration 1.8
Partial Chords 0.4849
Standard Triads 0.445
Diminished and Augmented Triads 0.003233
Dominant Seventh Chords 0.0
Seventh Chords 0.0
Non-Standard Chords 0.07004
Complex Chords 0.0
Minor Major Triad Ratio 1.614
Average Number of Simultaneous Pitch Classes 2.452
Variability of Number of Simultaneous Pitch Classes 0.6071
Average Number of Simultaneous Pitches 3.14
Variability of Number of Simultaneous Pitches 0.9331
Most Common Vertical Interval 0.0
Second Most Common Vertical Interval 7.0
Dynamic Range 20.0
Variation of Dynamics 6.069
Variation of Dynamics In Each Voice 1.405
Average Note to Note Change in Dynamics 2.063
Unpitched Percussion Instrument Prevalence 0.0
String Keyboard Prevalence 0.0
Acoustic Guitar Prevalence 0.0
Electric Guitar Prevalence 0.0
Violin Prevalence 0.0
Saxophone Prevalence 0.0
Brass Prevalence 0.0
Woodwinds Prevalence 0.0
Orchestral Strings Prevalence 0.0
String Ensemble Prevalence 0.0
Electric Instrument Prevalence 0.0
Variability of Note Prevalence of Pitched Instruments 0.0
Variability of Note Prevalence of Unpitched Instruments 0.0
Number of Pitched Instruments 1.0
Number of Unpitched Instruments 0.0
Chromatic Motion 0.15
Stepwise Motion 0.666
Melodic Thirds 0.132
Melodic Perfect Fourths 0.068
Melodic Tritones 0.0
Melodic Perfect Fifths 0.058
Melodic Sixths 0.01
Melodic Sevenths 0.0
Melodic Octaves 0.018
Melodic Large Intervals 0.0
Most Common Melodic Interval 2.0
Minor Major Melodic Third Ratio 5.6
Melodic Embellishments 0.007937
Direction of Melodic Motion 0.4013
Average Length of Melodic Arcs 1.783
Average Interval Spanned by Melodic Arcs 4.906
Melodic Pitch Variety 5.465
Mean Melodic Interval 2.64
Number of Common Melodic Intervals 3.0
Distance Between Most Prevalent Melodic Intervals 1.0
Prevalence of Most Common Melodic Interval 0.516
Relative Prevalence of Most Common Melodic Intervals 0.2907
Amount of Arpeggiation 0.256
Repeated Notes 0.048
Importance of Middle Register 0.5456
Importance of High Register 0.0
Dominant Spread 6.0
Strong Tonal Centres 2.0
Mean Pitch 53.96
Mean Pitch Class 5.067
Most Common Pitch 50.0
Most Common Pitch Class 2.0
Prevalence of Most Common Pitch 0.1052
Prevalence of Most Common Pitch Class 0.2024
Relative Prevalence of Top Pitches 0.9245
Relative Prevalence of Top Pitch Classes 0.8235
Interval Between Most Prevalent Pitches 5.0
Interval Between Most Prevalent Pitch Classes 5.0
Pitch Variability 6.516
Pitch Class Variability 3.483
Pitch Class Variability After Folding 3.907
Pitch Skewness -0.2978
Pitch Class Skewness 0.05811
Pitch Class Skewness After Folding 1.459
Pitch Kurtosis 5.047
Pitch Class Kurtosis 4.66
Pitch Class Kurtosis After Folding 5.279
Major or Minor 0.0
First Pitch 55.0
First Pitch Class 7.0
Last Pitch 43.0
Last Pitch Class 7.0
Glissando Prevalence 0.0
Average Range of Glissandos 0.0
Number of Pitches 17.0
Vibrato Prevalence 0.0
Microtone Prevalence 0.0
Number of Pitch Classes 8.0
Number of Common Pitches 4.0
Number of Common Pitch Classes 1.0
Range 26.0
Importance of Bass Register 0.4544
Note Density per Quarter Note 1.033
Note Density per Quarter Note per Voice 0.2582
Note Density per Quarter Note Variability 0.441
Range of Rhythmic Values 9.0
Number of Different Rhythmic Values Present 8.0
Number of Common Rhythmic Values Present 3.0
Prevalence of Very Short Rhythmic Values 0.0
Prevalence of Short Rhythmic Values 0.01587
Prevalence of Medium Rhythmic Values 0.5734
Simple Initial Meter 1.0
Prevalence of Long Rhythmic Values 0.8214
Prevalence of Very Long Rhythmic Values 0.09127
Prevalence of Dotted Notes 0.08532
Shortest Rhythmic Value 0.5
Longest Rhythmic Value 12.0
Mean Rhythmic Value 3.004
Most Common Rhythmic Value 2.0
Prevalence of Most Common Rhythmic Value 0.3948
Relative Prevalence of Most Common Rhythmic Values 0.7588
Difference Between Most Common Rhythmic Values 2.0
Compound Initial Meter 0.0
Rhythmic Value Variability 2.056
Rhythmic Value Skewness 1.465
Rhythmic Value Kurtosis 11.5
Mean Rhythmic Value Run Length 1.86
Median Rhythmic Value Run Length 1.0
Variability in Rhythmic Value Run Lengths 1.345
Mean Rhythmic Value Offset 0.09921
Median Rhythmic Value Offset 0.0
Complex Initial Meter 0.0
Variability of Rhythmic Value Offsets 0.8726
Complete Rests Fraction 0.000002135
Partial Rests Fraction 0.4672
Average Rest Fraction Across Voices 0.1988
Longest Complete Rest 0.0
Longest Partial Rest 32.0
Mean Complete Rest Duration 0.0
Mean Partial Rest Duration 13.86
Median Complete Rest Duration 0.0
Median Partial Rest Duration 16.0
Duple Initial Meter 0.0
Variability of Complete Rest Durations 0.0
Variability of Partial Rest Durations 10.61
Variability Across Voices of Combined Rests 83.47
Number of Strong Rhythmic Pulses - Tempo Standardized 3.0
Number of Moderate Rhythmic Pulses - Tempo Standardized 3.0
Number of Relatively Strong Rhythmic Pulses - Tempo Standardized 1.0
Strongest Rhythmic Pulse - Tempo Standardized 60.0
Second Strongest Rhythmic Pulse - Tempo Standardized 120.0
Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized 2.0
Triple Initial Meter 0.0
Strength of Strongest Rhythmic Pulse - Tempo Standardized 0.6907
Strength of Second Strongest Rhythmic Pulse - Tempo Standardized 0.1491
Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized 4.633
Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized 0.8397
Rhythmic Variability - Tempo Standardized 0.05668
Rhythmic Looseness - Tempo Standardized 0.0
Polyrhythms - Tempo Standardized 1.0
Quadruple Initial Meter 1.0
Metrical Diversity 2.0
Total Number of Notes 504.0
Initial Tempo 320.0
Average Variability of Time Between Attacks for Each Voice 1.047
Minimum Note Duration 0.09375
Maximum Note Duration 4.5
Average Note Duration 0.5818
Variability of Note Durations 0.4881
Amount of Staccato 0.01587
Number of Strong Rhythmic Pulses 4.0
Number of Moderate Rhythmic Pulses 7.0
Number of Relatively Strong Rhythmic Pulses 4.0
Mean Tempo 320.0
Strongest Rhythmic Pulse 160.0
Second Strongest Rhythmic Pulse 40.0
Harmonicity of Two Strongest Rhythmic Pulses 4.0
Strength of Strongest Rhythmic Pulse 0.2135
Strength of Second Strongest Rhythmic Pulse 0.2121
Strength Ratio of Two Strongest Rhythmic Pulses 1.007
Combined Strength of Two Strongest Rhythmic Pulses 0.4256
Rhythmic Variability 0.03347
Rhythmic Looseness 0.0
Polyrhythms 0.75
Tempo Variability 0.0
Duration in Seconds 91.5
Note Density 5.508
Note Density Variability 1.264
Average Time Between Attacks 0.317
Average Time Between Attacks for Each Voice 0.9014
Variability of Time Between Attacks 0.1299
Maximum Number of Independent Voices 4.0
Relative Range of Loudest Voice 0.5769
Relative Range Isolation of Loudest Voice 0.2245
Relative Range of Highest Line 0.5769
Relative Note Density of Highest Line 0.4762
Relative Note Durations of Lowest Line 0.8179
Relative Size of Melodic Intervals in Lowest Line 0.8889
Voice Overlap 0.7421
Voice Separation 4.333
Variability of Voice Separation 1.155
Parallel Motion 0.04211
Average Number of Independent Voices 3.205
Similar Motion 0.1368
Contrary Motion 0.1158
Oblique Motion 0.7053
Parallel Fifths 0.0
Parallel Octaves 0.0
Variability of Number of Independent Voices 0.9138
Voice Equality - Number of Notes 71.89
Voice Equality - Note Duration 15.65
Voice Equality - Dynamics 8.098
Voice Equality - Melodic Leaps 0.5
Voice Equality - Range 4.123
Importance of Loudest Voice 8.333