| Distance Between Two Most Common Vertical Intervals |
3.0 |
| Prevalence of Most Common Vertical Interval |
0.1999 |
| Prevalence of Second Most Common Vertical Interval |
0.1897 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.9489 |
| Vertical Unisons |
0.01919 |
| Vertical Minor Seconds |
0.002627 |
| Vertical Thirds |
0.3079 |
| Vertical Tritones |
0.01051 |
| Vertical Perfect Fourths |
0.1292 |
| Vertical Perfect Fifths |
0.1696 |
| Vertical Sixths |
0.1474 |
| Vertical Sevenths |
0.022 |
| Vertical Octaves |
0.1807 |
| Perfect Vertical Intervals |
0.4987 |
| Vertical Dissonance Ratio |
0.04815 |
| Vertical Minor Third Prevalence |
0.4829 |
| Vertical Major Third Prevalence |
0.3242 |
| Chord Duration |
2.621 |
| Partial Chords |
0.4043 |
| Standard Triads |
0.472 |
| Diminished and Augmented Triads |
0.03259 |
| Dominant Seventh Chords |
0.002336 |
| Seventh Chords |
0.009346 |
| Non-Standard Chords |
0.1144 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
1.463 |
| Average Number of Simultaneous Pitch Classes |
2.47 |
| Variability of Number of Simultaneous Pitch Classes |
0.6944 |
| Average Number of Simultaneous Pitches |
3.114 |
| Variability of Number of Simultaneous Pitches |
1.008 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
3.0 |
| Dynamic Range |
4.0 |
| Variation of Dynamics |
1.941 |
| Variation of Dynamics In Each Voice |
1.948 |
| Average Note to Note Change in Dynamics |
2.089 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
0.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
0.0 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
1.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.1835 |
| Stepwise Motion |
0.6447 |
| Melodic Thirds |
0.1012 |
| Melodic Perfect Fourths |
0.03529 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.03529 |
| Melodic Sixths |
0.002353 |
| Melodic Sevenths |
0.004706 |
| Melodic Octaves |
0.002353 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.688 |
| Melodic Embellishments |
0.009324 |
| Direction of Melodic Motion |
0.4387 |
| Average Length of Melodic Arcs |
2.102 |
| Average Interval Spanned by Melodic Arcs |
4.916 |
| Melodic Pitch Variety |
4.055 |
| Mean Melodic Interval |
1.967 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4612 |
| Relative Prevalence of Most Common Melodic Intervals |
0.398 |
| Amount of Arpeggiation |
0.3176 |
| Repeated Notes |
0.1741 |
| Importance of Middle Register |
0.8415 |
| Importance of High Register |
0.1142 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
65.02 |
| Mean Pitch Class |
5.079 |
| Most Common Pitch |
69.0 |
| Most Common Pitch Class |
9.0 |
| Prevalence of Most Common Pitch |
0.1375 |
| Prevalence of Most Common Pitch Class |
0.2121 |
| Relative Prevalence of Top Pitches |
0.7627 |
| Relative Prevalence of Top Pitch Classes |
0.8462 |
| Interval Between Most Prevalent Pitches |
3.0 |
| Interval Between Most Prevalent Pitch Classes |
7.0 |
| Pitch Variability |
6.411 |
| Pitch Class Variability |
3.613 |
| Pitch Class Variability After Folding |
3.069 |
| Pitch Skewness |
0.1549 |
| Pitch Class Skewness |
0.06581 |
| Pitch Class Skewness After Folding |
0.2962 |
| Pitch Kurtosis |
5.355 |
| Pitch Class Kurtosis |
4.749 |
| Pitch Class Kurtosis After Folding |
7.584 |
| Major or Minor |
0.0 |
| First Pitch |
57.0 |
| First Pitch Class |
9.0 |
| Last Pitch |
50.0 |
| Last Pitch Class |
2.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
19.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
8.0 |
| Number of Common Pitches |
4.0 |
| Number of Common Pitch Classes |
1.0 |
| Range |
27.0 |
| Importance of Bass Register |
0.04429 |
| Note Density per Quarter Note |
0.9089 |
| Note Density per Quarter Note per Voice |
0.2272 |
| Note Density per Quarter Note Variability |
0.4498 |
| Range of Rhythmic Values |
7.0 |
| Number of Different Rhythmic Values Present |
7.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0 |
| Prevalence of Medium Rhythmic Values |
0.3939 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.8135 |
| Prevalence of Very Long Rhythmic Values |
0.1259 |
| Prevalence of Dotted Notes |
0.08858 |
| Shortest Rhythmic Value |
1.0 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
3.464 |
| Most Common Rhythmic Value |
4.0 |
| Prevalence of Most Common Rhythmic Value |
0.4382 |
| Relative Prevalence of Most Common Rhythmic Values |
0.4734 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.104 |
| Rhythmic Value Skewness |
-0.7644 |
| Rhythmic Value Kurtosis |
8.454 |
| Mean Rhythmic Value Run Length |
1.656 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.028 |
| Mean Rhythmic Value Offset |
0.04674 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.4298 |
| Complete Rests Fraction |
0.000002207 |
| Partial Rests Fraction |
0.4492 |
| Average Rest Fraction Across Voices |
0.2024 |
| Longest Complete Rest |
0.0 |
| Longest Partial Rest |
96.0 |
| Mean Complete Rest Duration |
0.0 |
| Mean Partial Rest Duration |
11.24 |
| Median Complete Rest Duration |
0.0 |
| Median Partial Rest Duration |
4.0 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
22.0 |
| Variability Across Voices of Combined Rests |
55.11 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
120.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.0 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5752 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2471 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.328 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8223 |
| Rhythmic Variability - Tempo Standardized |
0.05107 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
429.0 |
| Initial Tempo |
320.0 |
| Average Variability of Time Between Attacks for Each Voice |
0.5699 |
| Minimum Note Duration |
0.1779 |
| Maximum Note Duration |
3.0 |
| Average Note Duration |
0.6582 |
| Variability of Note Durations |
0.4361 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
4.0 |
| Number of Moderate Rhythmic Pulses |
7.0 |
| Number of Relatively Strong Rhythmic Pulses |
4.0 |
| Mean Tempo |
320.0 |
| Strongest Rhythmic Pulse |
40.0 |
| Second Strongest Rhythmic Pulse |
80.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
2.0 |
| Strength of Strongest Rhythmic Pulse |
0.2637 |
| Strength of Second Strongest Rhythmic Pulse |
0.2391 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.103 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.5028 |
| Rhythmic Variability |
0.03415 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.75 |
| Tempo Variability |
0.0 |
| Duration in Seconds |
88.5 |
| Note Density |
4.847 |
| Note Density Variability |
1.633 |
| Average Time Between Attacks |
0.4451 |
| Average Time Between Attacks for Each Voice |
0.7354 |
| Variability of Time Between Attacks |
0.3006 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.7407 |
| Relative Range Isolation of Loudest Voice |
0.0 |
| Relative Range of Highest Line |
0.7407 |
| Relative Note Density of Highest Line |
0.6434 |
| Relative Note Durations of Lowest Line |
0.9561 |
| Relative Size of Melodic Intervals in Lowest Line |
0.8 |
| Voice Overlap |
0.9254 |
| Voice Separation |
3.667 |
| Variability of Voice Separation |
4.619 |
| Parallel Motion |
0.09946 |
| Average Number of Independent Voices |
3.191 |
| Similar Motion |
0.1801 |
| Contrary Motion |
0.2177 |
| Oblique Motion |
0.5027 |
| Parallel Fifths |
0.008065 |
| Parallel Octaves |
0.002688 |
| Variability of Number of Independent Voices |
1.009 |
| Voice Equality - Number of Notes |
28.15 |
| Voice Equality - Note Duration |
10.33 |
| Voice Equality - Dynamics |
0.0 |
| Voice Equality - Melodic Leaps |
0.5 |
| Voice Equality - Range |
2.754 |
| Importance of Loudest Voice |
0.0 |