File

Last modified on: April 19, 2024, 5:34 p.m.

F164_63_Anon_Gentil_galant_OMRcorrJS.xml


Source
Florence, Italy, Biblioteca Nazionale Centrale, MS Magliabechi XIX.164-167
Musical Work
Gentil galans de fransa
File Type
Symbolic Music
File Format
xml
File Size
208.0 KB

Feature Value
Distance Between Two Most Common Vertical Intervals 7.0
Prevalence of Most Common Vertical Interval 0.2135
Prevalence of Second Most Common Vertical Interval 0.1829
Prevalence Ratio of Two Most Common Vertical Intervals 0.8565
Vertical Unisons 0.01746
Vertical Minor Seconds 0.0009885
Vertical Thirds 0.2768
Vertical Tritones 0.01252
Vertical Perfect Fourths 0.1298
Vertical Perfect Fifths 0.1829
Vertical Sixths 0.1417
Vertical Sevenths 0.03262
Vertical Octaves 0.196
Perfect Vertical Intervals 0.5262
Vertical Dissonance Ratio 0.0586
Vertical Minor Third Prevalence 0.4372
Vertical Major Third Prevalence 0.4103
Chord Duration 1.901
Partial Chords 0.4458
Standard Triads 0.4069
Diminished and Augmented Triads 0.02222
Dominant Seventh Chords 0.009722
Seventh Chords 0.02222
Non-Standard Chords 0.125
Complex Chords 0.0
Minor Major Triad Ratio 1.307
Average Number of Simultaneous Pitch Classes 2.464
Variability of Number of Simultaneous Pitch Classes 0.6794
Average Number of Simultaneous Pitches 3.155
Variability of Number of Simultaneous Pitches 0.864
Most Common Vertical Interval 0.0
Second Most Common Vertical Interval 7.0
Dynamic Range 0.0
Variation of Dynamics 0.0
Variation of Dynamics In Each Voice 0.0
Average Note to Note Change in Dynamics 0.0
Unpitched Percussion Instrument Prevalence 0.0
String Keyboard Prevalence 1.0
Acoustic Guitar Prevalence 0.0
Electric Guitar Prevalence 0.0
Violin Prevalence 0.0
Saxophone Prevalence 0.0
Brass Prevalence 0.0
Woodwinds Prevalence 0.0
Orchestral Strings Prevalence 0.0
String Ensemble Prevalence 0.0
Electric Instrument Prevalence 0.0
Variability of Note Prevalence of Pitched Instruments 0.0
Variability of Note Prevalence of Unpitched Instruments 0.0
Number of Pitched Instruments 1.0
Number of Unpitched Instruments 0.0
Chromatic Motion 0.161
Stepwise Motion 0.6157
Melodic Thirds 0.05634
Melodic Perfect Fourths 0.04628
Melodic Tritones 0.0
Melodic Perfect Fifths 0.04628
Melodic Sixths 0.004024
Melodic Sevenths 0.0
Melodic Octaves 0.004024
Melodic Large Intervals 0.0
Most Common Melodic Interval 2.0
Minor Major Melodic Third Ratio 1.8
Melodic Embellishments 0.02994
Direction of Melodic Motion 0.4427
Average Length of Melodic Arcs 2.098
Average Interval Spanned by Melodic Arcs 5.044
Melodic Pitch Variety 4.701
Mean Melodic Interval 1.897
Number of Common Melodic Intervals 3.0
Distance Between Most Prevalent Melodic Intervals 2.0
Prevalence of Most Common Melodic Interval 0.4547
Relative Prevalence of Most Common Melodic Intervals 0.5
Amount of Arpeggiation 0.334
Repeated Notes 0.2274
Importance of Middle Register 0.8144
Importance of High Register 0.001996
Dominant Spread 6.0
Strong Tonal Centres 2.0
Mean Pitch 59.0
Mean Pitch Class 5.479
Most Common Pitch 62.0
Most Common Pitch Class 7.0
Prevalence of Most Common Pitch 0.1437
Prevalence of Most Common Pitch Class 0.2076
Relative Prevalence of Top Pitches 0.8056
Relative Prevalence of Top Pitch Classes 0.9231
Interval Between Most Prevalent Pitches 7.0
Interval Between Most Prevalent Pitch Classes 5.0
Pitch Variability 6.351
Pitch Class Variability 3.439
Pitch Class Variability After Folding 4.036
Pitch Skewness -0.2291
Pitch Class Skewness -1.327
Pitch Class Skewness After Folding 1.634
Pitch Kurtosis 5.463
Pitch Class Kurtosis 4.706
Pitch Class Kurtosis After Folding 4.881
Major or Minor 0.0
First Pitch 55.0
First Pitch Class 7.0
Last Pitch 43.0
Last Pitch Class 7.0
Glissando Prevalence 0.007984
Average Range of Glissandos 0.0
Number of Pitches 19.0
Vibrato Prevalence 0.0
Microtone Prevalence 0.007984
Number of Pitch Classes 8.0
Number of Common Pitches 3.0
Number of Common Pitch Classes 1.0
Range 31.0
Importance of Bass Register 0.1836
Note Density per Quarter Note 1.275
Note Density per Quarter Note per Voice 1.275
Note Density per Quarter Note Variability 0.6306
Range of Rhythmic Values 9.0
Number of Different Rhythmic Values Present 8.0
Number of Common Rhythmic Values Present 2.0
Prevalence of Very Short Rhythmic Values 0.0
Prevalence of Short Rhythmic Values 0.0519
Prevalence of Medium Rhythmic Values 0.6826
Simple Initial Meter 1.0
Prevalence of Long Rhythmic Values 0.8164
Prevalence of Very Long Rhythmic Values 0.03593
Prevalence of Dotted Notes 0.1178
Shortest Rhythmic Value 0.5
Longest Rhythmic Value 12.0
Mean Rhythmic Value 2.481
Most Common Rhythmic Value 2.0
Prevalence of Most Common Rhythmic Value 0.499
Relative Prevalence of Most Common Rhythmic Values 0.364
Difference Between Most Common Rhythmic Values 2.0
Compound Initial Meter 0.0
Rhythmic Value Variability 1.566
Rhythmic Value Skewness 0.9214
Rhythmic Value Kurtosis 17.54
Mean Rhythmic Value Run Length 1.876
Median Rhythmic Value Run Length 1.0
Variability in Rhythmic Value Run Lengths 1.559
Mean Rhythmic Value Offset 0.03194
Median Rhythmic Value Offset 0.0
Complex Initial Meter 0.0
Variability of Rhythmic Value Offsets 0.3563
Complete Rests Fraction 0.007634
Partial Rests Fraction 0.007634
Average Rest Fraction Across Voices 0.007634
Longest Complete Rest 2.0
Longest Partial Rest 2.0
Mean Complete Rest Duration 1.5
Mean Partial Rest Duration 1.5
Median Complete Rest Duration 2.0
Median Partial Rest Duration 2.0
Duple Initial Meter 1.0
Variability of Complete Rest Durations 0.7071
Variability of Partial Rest Durations 0.7071
Variability Across Voices of Combined Rests 0.0
Number of Strong Rhythmic Pulses - Tempo Standardized 3.0
Number of Moderate Rhythmic Pulses - Tempo Standardized 5.0
Number of Relatively Strong Rhythmic Pulses - Tempo Standardized 2.0
Strongest Rhythmic Pulse - Tempo Standardized 60.0
Second Strongest Rhythmic Pulse - Tempo Standardized 40.0
Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized 1.5
Triple Initial Meter 0.0
Strength of Strongest Rhythmic Pulse - Tempo Standardized 0.6123
Strength of Second Strongest Rhythmic Pulse - Tempo Standardized 0.1923
Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized 3.184
Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized 0.8046
Rhythmic Variability - Tempo Standardized 0.05206
Rhythmic Looseness - Tempo Standardized 0.0
Polyrhythms - Tempo Standardized 0.5
Quadruple Initial Meter 0.0
Metrical Diversity 1.0
Total Number of Notes 501.0
Initial Tempo 320.0
Average Variability of Time Between Attacks for Each Voice 0.1486
Minimum Note Duration 0.09375
Maximum Note Duration 3.0
Average Note Duration 0.4712
Variability of Note Durations 0.3349
Amount of Staccato 0.0519
Number of Strong Rhythmic Pulses 4.0
Number of Moderate Rhythmic Pulses 8.0
Number of Relatively Strong Rhythmic Pulses 5.0
Mean Tempo 320.0
Strongest Rhythmic Pulse 80.0
Second Strongest Rhythmic Pulse 40.0
Harmonicity of Two Strongest Rhythmic Pulses 2.0
Strength of Strongest Rhythmic Pulse 0.2118
Strength of Second Strongest Rhythmic Pulse 0.1892
Strength Ratio of Two Strongest Rhythmic Pulses 1.119
Combined Strength of Two Strongest Rhythmic Pulses 0.401
Rhythmic Variability 0.03124
Rhythmic Looseness 0.0
Polyrhythms 0.6
Tempo Variability 0.0
Duration in Seconds 73.69
Note Density 6.799
Note Density Variability 2.69
Average Time Between Attacks 0.306
Average Time Between Attacks for Each Voice 0.306
Variability of Time Between Attacks 0.1486
Maximum Number of Independent Voices 1.0
Relative Range of Loudest Voice 1.0
Relative Range Isolation of Loudest Voice 0.0
Relative Range of Highest Line 1.0
Relative Note Density of Highest Line 0.1178
Relative Note Durations of Lowest Line 1.0
Relative Size of Melodic Intervals in Lowest Line 1.0
Voice Overlap 0.0
Voice Separation 0.0
Variability of Voice Separation 0.0
Parallel Motion 0.06388
Average Number of Independent Voices 1.0
Similar Motion 0.1425
Contrary Motion 0.2015
Oblique Motion 0.5921
Parallel Fifths 0.0
Parallel Octaves 0.007371
Variability of Number of Independent Voices 0.0
Voice Equality - Number of Notes 0.0
Voice Equality - Note Duration 0.0
Voice Equality - Dynamics 0.0
Voice Equality - Melodic Leaps 0.0
Voice Equality - Range 0.0
Importance of Loudest Voice 0.0