File

Last modified on: April 19, 2024, 4:17 p.m.

F164_07_Pisano_Donna_benche_OMRcorrIL_Pby3Ke2.mid


Source
Florence, Italy, Biblioteca Nazionale Centrale, MS Magliabechi XIX.164-167
Musical Work
Donna benché di rado et con riguardo
File Type
Symbolic Music
File Format
midi
File Size
10.3 KB

Feature Value
Distance Between Two Most Common Vertical Intervals 4.0
Prevalence of Most Common Vertical Interval 0.2027
Prevalence of Second Most Common Vertical Interval 0.1878
Prevalence Ratio of Two Most Common Vertical Intervals 0.9266
Vertical Unisons 0.02032
Vertical Minor Seconds 0.004938
Vertical Thirds 0.3077
Vertical Tritones 0.01032
Vertical Perfect Fourths 0.129
Vertical Perfect Fifths 0.2027
Vertical Sixths 0.1091
Vertical Sevenths 0.0244
Vertical Octaves 0.1622
Perfect Vertical Intervals 0.5142
Vertical Dissonance Ratio 0.07411
Vertical Minor Third Prevalence 0.5981
Vertical Major Third Prevalence 0.4556
Chord Duration 1.668
Partial Chords 0.2113
Standard Triads 0.5539
Diminished and Augmented Triads 0.02455
Dominant Seventh Chords 0.007471
Seventh Chords 0.02775
Non-Standard Chords 0.207
Complex Chords 0.0
Minor Major Triad Ratio 2.089
Average Number of Simultaneous Pitch Classes 2.794
Variability of Number of Simultaneous Pitch Classes 0.5945
Average Number of Simultaneous Pitches 3.551
Variability of Number of Simultaneous Pitches 0.6905
Most Common Vertical Interval 7.0
Second Most Common Vertical Interval 3.0
Dynamic Range 15.0
Variation of Dynamics 3.24
Variation of Dynamics In Each Voice 2.597
Average Note to Note Change in Dynamics 1.981
Unpitched Percussion Instrument Prevalence 0.0
String Keyboard Prevalence 0.0
Acoustic Guitar Prevalence 0.0
Electric Guitar Prevalence 0.0
Violin Prevalence 0.0
Saxophone Prevalence 0.0
Brass Prevalence 0.0
Woodwinds Prevalence 0.0
Orchestral Strings Prevalence 0.0
String Ensemble Prevalence 0.0
Electric Instrument Prevalence 0.0
Variability of Note Prevalence of Pitched Instruments 0.0
Variability of Note Prevalence of Unpitched Instruments 0.0
Number of Pitched Instruments 1.0
Number of Unpitched Instruments 0.0
Chromatic Motion 0.1609
Stepwise Motion 0.5576
Melodic Thirds 0.07767
Melodic Perfect Fourths 0.06657
Melodic Tritones 0.0
Melodic Perfect Fifths 0.0527
Melodic Sixths 0.005548
Melodic Sevenths 0.0
Melodic Octaves 0.008322
Melodic Large Intervals 0.0
Most Common Melodic Interval 2.0
Minor Major Melodic Third Ratio 3.0
Melodic Embellishments 0.02069
Direction of Melodic Motion 0.4422
Average Length of Melodic Arcs 1.847
Average Interval Spanned by Melodic Arcs 4.893
Melodic Pitch Variety 4.26
Mean Melodic Interval 2.053
Number of Common Melodic Intervals 3.0
Distance Between Most Prevalent Melodic Intervals 2.0
Prevalence of Most Common Melodic Interval 0.3967
Relative Prevalence of Most Common Melodic Intervals 0.5839
Amount of Arpeggiation 0.3703
Repeated Notes 0.2316
Importance of Middle Register 0.8469
Importance of High Register 0.07724
Dominant Spread 6.0
Strong Tonal Centres 1.0
Mean Pitch 63.73
Mean Pitch Class 5.073
Most Common Pitch 62.0
Most Common Pitch Class 2.0
Prevalence of Most Common Pitch 0.12
Prevalence of Most Common Pitch Class 0.2207
Relative Prevalence of Top Pitches 0.931
Relative Prevalence of Top Pitch Classes 0.7625
Interval Between Most Prevalent Pitches 7.0
Interval Between Most Prevalent Pitch Classes 5.0
Pitch Variability 6.421
Pitch Class Variability 3.338
Pitch Class Variability After Folding 3.861
Pitch Skewness -0.4299
Pitch Class Skewness 0.06571
Pitch Class Skewness After Folding 1.5
Pitch Kurtosis 5.417
Pitch Class Kurtosis 4.704
Pitch Class Kurtosis After Folding 5.367
Major or Minor 0.0
First Pitch 67.0
First Pitch Class 7.0
Last Pitch 55.0
Last Pitch Class 7.0
Glissando Prevalence 0.0
Average Range of Glissandos 0.0
Number of Pitches 18.0
Vibrato Prevalence 0.0
Microtone Prevalence 0.0
Number of Pitch Classes 7.0
Number of Common Pitches 4.0
Number of Common Pitch Classes 1.0
Range 29.0
Importance of Bass Register 0.07586
Note Density per Quarter Note 1.486
Note Density per Quarter Note per Voice 0.3714
Note Density per Quarter Note Variability 0.5055
Range of Rhythmic Values 9.0
Number of Different Rhythmic Values Present 8.0
Number of Common Rhythmic Values Present 2.0
Prevalence of Very Short Rhythmic Values 0.0
Prevalence of Short Rhythmic Values 0.0469
Prevalence of Medium Rhythmic Values 0.7021
Simple Initial Meter 1.0
Prevalence of Long Rhythmic Values 0.8124
Prevalence of Very Long Rhythmic Values 0.02345
Prevalence of Dotted Notes 0.08552
Shortest Rhythmic Value 0.5
Longest Rhythmic Value 12.0
Mean Rhythmic Value 2.417
Most Common Rhythmic Value 2.0
Prevalence of Most Common Rhythmic Value 0.5145
Relative Prevalence of Most Common Rhythmic Values 0.3861
Difference Between Most Common Rhythmic Values 2.0
Compound Initial Meter 0.0
Rhythmic Value Variability 1.435
Rhythmic Value Skewness 0.8706
Rhythmic Value Kurtosis 18.02
Mean Rhythmic Value Run Length 2.158
Median Rhythmic Value Run Length 1.0
Variability in Rhythmic Value Run Lengths 2.185
Mean Rhythmic Value Offset 0.02207
Median Rhythmic Value Offset 0.0
Complex Initial Meter 0.0
Variability of Rhythmic Value Offsets 0.2965
Complete Rests Fraction 0.008199
Partial Rests Fraction 0.2705
Average Rest Fraction Across Voices 0.09426
Longest Complete Rest 2.0
Longest Partial Rest 26.0
Mean Complete Rest Duration 2.0
Mean Partial Rest Duration 3.119
Median Complete Rest Duration 2.0
Median Partial Rest Duration 2.0
Duple Initial Meter 1.0
Variability of Complete Rest Durations 0.0
Variability of Partial Rest Durations 4.239
Variability Across Voices of Combined Rests 26.78
Number of Strong Rhythmic Pulses - Tempo Standardized 3.0
Number of Moderate Rhythmic Pulses - Tempo Standardized 5.0
Number of Relatively Strong Rhythmic Pulses - Tempo Standardized 1.0
Strongest Rhythmic Pulse - Tempo Standardized 60.0
Second Strongest Rhythmic Pulse - Tempo Standardized 40.0
Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized 1.5
Triple Initial Meter 0.0
Strength of Strongest Rhythmic Pulse - Tempo Standardized 0.6346
Strength of Second Strongest Rhythmic Pulse - Tempo Standardized 0.173
Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized 3.668
Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized 0.8076
Rhythmic Variability - Tempo Standardized 0.05324
Rhythmic Looseness - Tempo Standardized 0.0
Polyrhythms - Tempo Standardized 1.0
Quadruple Initial Meter 0.0
Metrical Diversity 1.0
Total Number of Notes 725.0
Initial Tempo 320.0
Average Variability of Time Between Attacks for Each Voice 0.3871
Minimum Note Duration 0.09375
Maximum Note Duration 3.0
Average Note Duration 0.4572
Variability of Note Durations 0.3007
Amount of Staccato 0.0469
Number of Strong Rhythmic Pulses 4.0
Number of Moderate Rhythmic Pulses 7.0
Number of Relatively Strong Rhythmic Pulses 4.0
Mean Tempo 320.0
Strongest Rhythmic Pulse 80.0
Second Strongest Rhythmic Pulse 54.0
Harmonicity of Two Strongest Rhythmic Pulses 1.481
Strength of Strongest Rhythmic Pulse 0.209
Strength of Second Strongest Rhythmic Pulse 0.2022
Strength Ratio of Two Strongest Rhythmic Pulses 1.034
Combined Strength of Two Strongest Rhythmic Pulses 0.4112
Rhythmic Variability 0.03219
Rhythmic Looseness 0.0
Polyrhythms 0.75
Tempo Variability 0.0
Duration in Seconds 91.5
Note Density 7.923
Note Density Variability 1.778
Average Time Between Attacks 0.2835
Average Time Between Attacks for Each Voice 0.4919
Variability of Time Between Attacks 0.145
Maximum Number of Independent Voices 4.0
Relative Range of Loudest Voice 0.3448
Relative Range Isolation of Loudest Voice 0.01923
Relative Range of Highest Line 0.3448
Relative Note Density of Highest Line 0.3917
Relative Note Durations of Lowest Line 1.108
Relative Size of Melodic Intervals in Lowest Line 0.8
Voice Overlap 0.92
Voice Separation 5.333
Variability of Voice Separation 2.517
Parallel Motion 0.0527
Average Number of Independent Voices 3.653
Similar Motion 0.1276
Contrary Motion 0.1637
Oblique Motion 0.656
Parallel Fifths 0.005548
Parallel Octaves 0.002774
Variability of Number of Independent Voices 0.6519
Voice Equality - Number of Notes 23.74
Voice Equality - Note Duration 5.022
Voice Equality - Dynamics 1.414
Voice Equality - Melodic Leaps 0.5
Voice Equality - Range 3.403
Importance of Loudest Voice 1.333