| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.2181 |
| Prevalence of Second Most Common Vertical Interval |
0.1709 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.7836 |
| Vertical Unisons |
0.02128 |
| Vertical Minor Seconds |
0.004463 |
| Vertical Thirds |
0.298 |
| Vertical Tritones |
0.009652 |
| Vertical Perfect Fourths |
0.08958 |
| Vertical Perfect Fifths |
0.1709 |
| Vertical Sixths |
0.1536 |
| Vertical Sevenths |
0.03427 |
| Vertical Octaves |
0.1968 |
| Perfect Vertical Intervals |
0.4786 |
| Vertical Dissonance Ratio |
0.07506 |
| Vertical Minor Third Prevalence |
0.3636 |
| Vertical Major Third Prevalence |
0.3979 |
| Chord Duration |
1.924 |
| Partial Chords |
0.5267 |
| Standard Triads |
0.3217 |
| Diminished and Augmented Triads |
0.01407 |
| Dominant Seventh Chords |
0.001279 |
| Seventh Chords |
0.02558 |
| Non-Standard Chords |
0.126 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
0.4496 |
| Average Number of Simultaneous Pitch Classes |
2.411 |
| Variability of Number of Simultaneous Pitch Classes |
0.7054 |
| Average Number of Simultaneous Pitches |
3.033 |
| Variability of Number of Simultaneous Pitches |
0.9155 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
4.0 |
| Variation of Dynamics |
1.712 |
| Variation of Dynamics In Each Voice |
1.714 |
| Average Note to Note Change in Dynamics |
1.755 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
0.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
0.0 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
1.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2051 |
| Stepwise Motion |
0.6411 |
| Melodic Thirds |
0.118 |
| Melodic Perfect Fourths |
0.05194 |
| Melodic Tritones |
0.0005247 |
| Melodic Perfect Fifths |
0.02571 |
| Melodic Sixths |
0.002623 |
| Melodic Sevenths |
0.0005247 |
| Melodic Octaves |
0.004722 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
2.309 |
| Melodic Embellishments |
0.03351 |
| Direction of Melodic Motion |
0.4538 |
| Average Length of Melodic Arcs |
1.806 |
| Average Interval Spanned by Melodic Arcs |
4.244 |
| Melodic Pitch Variety |
4.54 |
| Mean Melodic Interval |
1.995 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.436 |
| Relative Prevalence of Most Common Melodic Intervals |
0.4705 |
| Amount of Arpeggiation |
0.3038 |
| Repeated Notes |
0.1548 |
| Importance of Middle Register |
0.7634 |
| Importance of High Register |
0.09424 |
| Dominant Spread |
7.0 |
| Strong Tonal Centres |
3.0 |
| Mean Pitch |
62.63 |
| Mean Pitch Class |
4.605 |
| Most Common Pitch |
60.0 |
| Most Common Pitch Class |
0.0 |
| Prevalence of Most Common Pitch |
0.1063 |
| Prevalence of Most Common Pitch Class |
0.2105 |
| Relative Prevalence of Top Pitches |
0.8325 |
| Relative Prevalence of Top Pitch Classes |
0.7438 |
| Interval Between Most Prevalent Pitches |
7.0 |
| Interval Between Most Prevalent Pitch Classes |
2.0 |
| Pitch Variability |
7.377 |
| Pitch Class Variability |
3.521 |
| Pitch Class Variability After Folding |
3.412 |
| Pitch Skewness |
-0.4079 |
| Pitch Class Skewness |
0.5157 |
| Pitch Class Skewness After Folding |
1.18 |
| Pitch Kurtosis |
5.205 |
| Pitch Class Kurtosis |
5.017 |
| Pitch Class Kurtosis After Folding |
6.649 |
| Major or Minor |
0.0 |
| First Pitch |
67.0 |
| First Pitch Class |
7.0 |
| Last Pitch |
48.0 |
| Last Pitch Class |
0.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
20.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
8.0 |
| Number of Common Pitches |
1.0 |
| Number of Common Pitch Classes |
1.0 |
| Range |
30.0 |
| Importance of Bass Register |
0.1424 |
| Note Density per Quarter Note |
1.126 |
| Note Density per Quarter Note per Voice |
0.2815 |
| Note Density per Quarter Note Variability |
0.5291 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.001047 |
| Prevalence of Medium Rhythmic Values |
0.634 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.7492 |
| Prevalence of Very Long Rhythmic Values |
0.08534 |
| Prevalence of Dotted Notes |
0.1251 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
2.73 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.3832 |
| Relative Prevalence of Most Common Rhythmic Values |
0.6516 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.976 |
| Rhythmic Value Skewness |
1.108 |
| Rhythmic Value Kurtosis |
11.37 |
| Mean Rhythmic Value Run Length |
1.695 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.266 |
| Mean Rhythmic Value Offset |
0.02932 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.365 |
| Complete Rests Fraction |
0.00118 |
| Partial Rests Fraction |
0.5259 |
| Average Rest Fraction Across Voices |
0.2232 |
| Longest Complete Rest |
2.0 |
| Longest Partial Rest |
46.0 |
| Mean Complete Rest Duration |
2.0 |
| Mean Partial Rest Duration |
8.602 |
| Median Complete Rest Duration |
2.0 |
| Median Partial Rest Duration |
4.0 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
9.024 |
| Variability Across Voices of Combined Rests |
41.48 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5321 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2387 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.229 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7708 |
| Rhythmic Variability - Tempo Standardized |
0.04912 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
2.0 |
| Total Number of Notes |
1910.0 |
| Initial Tempo |
320.0 |
| Average Variability of Time Between Attacks for Each Voice |
0.9245 |
| Minimum Note Duration |
0.09375 |
| Maximum Note Duration |
3.75 |
| Average Note Duration |
0.5173 |
| Variability of Note Durations |
0.4013 |
| Amount of Staccato |
0.001047 |
| Number of Strong Rhythmic Pulses |
4.0 |
| Number of Moderate Rhythmic Pulses |
7.0 |
| Number of Relatively Strong Rhythmic Pulses |
7.0 |
| Mean Tempo |
320.0 |
| Strongest Rhythmic Pulse |
80.0 |
| Second Strongest Rhythmic Pulse |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
2.0 |
| Strength of Strongest Rhythmic Pulse |
0.1987 |
| Strength of Second Strongest Rhythmic Pulse |
0.1912 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.039 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.3899 |
| Rhythmic Variability |
0.03129 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.4286 |
| Tempo Variability |
0.0 |
| Duration in Seconds |
318.0 |
| Note Density |
6.006 |
| Note Density Variability |
2.223 |
| Average Time Between Attacks |
0.3269 |
| Average Time Between Attacks for Each Voice |
0.6583 |
| Variability of Time Between Attacks |
0.1996 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.4333 |
| Relative Range Isolation of Loudest Voice |
0.4086 |
| Relative Range of Highest Line |
0.4333 |
| Relative Note Density of Highest Line |
0.1508 |
| Relative Note Durations of Lowest Line |
1.045 |
| Relative Size of Melodic Intervals in Lowest Line |
0.8 |
| Voice Overlap |
0.7356 |
| Voice Separation |
6.333 |
| Variability of Voice Separation |
2.082 |
| Parallel Motion |
0.03488 |
| Average Number of Independent Voices |
3.111 |
| Similar Motion |
0.1308 |
| Contrary Motion |
0.232 |
| Oblique Motion |
0.6023 |
| Parallel Fifths |
0.001744 |
| Parallel Octaves |
0.0 |
| Variability of Number of Independent Voices |
0.923 |
| Voice Equality - Number of Notes |
38.49 |
| Voice Equality - Note Duration |
7.778 |
| Voice Equality - Dynamics |
0.5 |
| Voice Equality - Melodic Leaps |
0.5 |
| Voice Equality - Range |
1.414 |
| Importance of Loudest Voice |
1.0 |