File

Last modified on: April 13, 2020, 6:03 p.m.

F164_75_Mouton_Bona_vita_TrIL.mid


Source
Florence, Italy, Biblioteca Nazionale Centrale, MS Magliabechi XIX.164-167
Musical Work
Bona vita bona refectio
File Type
Symbolic Music
File Format
midi
File Size
17.3 KB

Feature Value
Distance Between Two Most Common Vertical Intervals 7.0
Prevalence of Most Common Vertical Interval 0.2181
Prevalence of Second Most Common Vertical Interval 0.1709
Prevalence Ratio of Two Most Common Vertical Intervals 0.7836
Vertical Unisons 0.02128
Vertical Minor Seconds 0.004463
Vertical Thirds 0.298
Vertical Tritones 0.009652
Vertical Perfect Fourths 0.08958
Vertical Perfect Fifths 0.1709
Vertical Sixths 0.1536
Vertical Sevenths 0.03427
Vertical Octaves 0.1968
Perfect Vertical Intervals 0.4786
Vertical Dissonance Ratio 0.07506
Vertical Minor Third Prevalence 0.3636
Vertical Major Third Prevalence 0.3979
Chord Duration 1.924
Partial Chords 0.5267
Standard Triads 0.3217
Diminished and Augmented Triads 0.01407
Dominant Seventh Chords 0.001279
Seventh Chords 0.02558
Non-Standard Chords 0.126
Complex Chords 0.0
Minor Major Triad Ratio 0.4496
Average Number of Simultaneous Pitch Classes 2.411
Variability of Number of Simultaneous Pitch Classes 0.7054
Average Number of Simultaneous Pitches 3.033
Variability of Number of Simultaneous Pitches 0.9155
Most Common Vertical Interval 0.0
Second Most Common Vertical Interval 7.0
Dynamic Range 4.0
Variation of Dynamics 1.712
Variation of Dynamics In Each Voice 1.714
Average Note to Note Change in Dynamics 1.755
Unpitched Percussion Instrument Prevalence 0.0
String Keyboard Prevalence 0.0
Acoustic Guitar Prevalence 0.0
Electric Guitar Prevalence 0.0
Violin Prevalence 0.0
Saxophone Prevalence 0.0
Brass Prevalence 0.0
Woodwinds Prevalence 0.0
Orchestral Strings Prevalence 0.0
String Ensemble Prevalence 0.0
Electric Instrument Prevalence 0.0
Variability of Note Prevalence of Pitched Instruments 0.0
Variability of Note Prevalence of Unpitched Instruments 0.0
Number of Pitched Instruments 1.0
Number of Unpitched Instruments 0.0
Chromatic Motion 0.2051
Stepwise Motion 0.6411
Melodic Thirds 0.118
Melodic Perfect Fourths 0.05194
Melodic Tritones 0.0005247
Melodic Perfect Fifths 0.02571
Melodic Sixths 0.002623
Melodic Sevenths 0.0005247
Melodic Octaves 0.004722
Melodic Large Intervals 0.0
Most Common Melodic Interval 2.0
Minor Major Melodic Third Ratio 2.309
Melodic Embellishments 0.03351
Direction of Melodic Motion 0.4538
Average Length of Melodic Arcs 1.806
Average Interval Spanned by Melodic Arcs 4.244
Melodic Pitch Variety 4.54
Mean Melodic Interval 1.995
Number of Common Melodic Intervals 3.0
Distance Between Most Prevalent Melodic Intervals 1.0
Prevalence of Most Common Melodic Interval 0.436
Relative Prevalence of Most Common Melodic Intervals 0.4705
Amount of Arpeggiation 0.3038
Repeated Notes 0.1548
Importance of Middle Register 0.7634
Importance of High Register 0.09424
Dominant Spread 7.0
Strong Tonal Centres 3.0
Mean Pitch 62.63
Mean Pitch Class 4.605
Most Common Pitch 60.0
Most Common Pitch Class 0.0
Prevalence of Most Common Pitch 0.1063
Prevalence of Most Common Pitch Class 0.2105
Relative Prevalence of Top Pitches 0.8325
Relative Prevalence of Top Pitch Classes 0.7438
Interval Between Most Prevalent Pitches 7.0
Interval Between Most Prevalent Pitch Classes 2.0
Pitch Variability 7.377
Pitch Class Variability 3.521
Pitch Class Variability After Folding 3.412
Pitch Skewness -0.4079
Pitch Class Skewness 0.5157
Pitch Class Skewness After Folding 1.18
Pitch Kurtosis 5.205
Pitch Class Kurtosis 5.017
Pitch Class Kurtosis After Folding 6.649
Major or Minor 0.0
First Pitch 67.0
First Pitch Class 7.0
Last Pitch 48.0
Last Pitch Class 0.0
Glissando Prevalence 0.0
Average Range of Glissandos 0.0
Number of Pitches 20.0
Vibrato Prevalence 0.0
Microtone Prevalence 0.0
Number of Pitch Classes 8.0
Number of Common Pitches 1.0
Number of Common Pitch Classes 1.0
Range 30.0
Importance of Bass Register 0.1424
Note Density per Quarter Note 1.126
Note Density per Quarter Note per Voice 0.2815
Note Density per Quarter Note Variability 0.5291
Range of Rhythmic Values 9.0
Number of Different Rhythmic Values Present 8.0
Number of Common Rhythmic Values Present 3.0
Prevalence of Very Short Rhythmic Values 0.0
Prevalence of Short Rhythmic Values 0.001047
Prevalence of Medium Rhythmic Values 0.634
Simple Initial Meter 1.0
Prevalence of Long Rhythmic Values 0.7492
Prevalence of Very Long Rhythmic Values 0.08534
Prevalence of Dotted Notes 0.1251
Shortest Rhythmic Value 0.5
Longest Rhythmic Value 12.0
Mean Rhythmic Value 2.73
Most Common Rhythmic Value 2.0
Prevalence of Most Common Rhythmic Value 0.3832
Relative Prevalence of Most Common Rhythmic Values 0.6516
Difference Between Most Common Rhythmic Values 2.0
Compound Initial Meter 0.0
Rhythmic Value Variability 1.976
Rhythmic Value Skewness 1.108
Rhythmic Value Kurtosis 11.37
Mean Rhythmic Value Run Length 1.695
Median Rhythmic Value Run Length 1.0
Variability in Rhythmic Value Run Lengths 1.266
Mean Rhythmic Value Offset 0.02932
Median Rhythmic Value Offset 0.0
Complex Initial Meter 0.0
Variability of Rhythmic Value Offsets 0.365
Complete Rests Fraction 0.00118
Partial Rests Fraction 0.5259
Average Rest Fraction Across Voices 0.2232
Longest Complete Rest 2.0
Longest Partial Rest 46.0
Mean Complete Rest Duration 2.0
Mean Partial Rest Duration 8.602
Median Complete Rest Duration 2.0
Median Partial Rest Duration 4.0
Duple Initial Meter 1.0
Variability of Complete Rest Durations 0.0
Variability of Partial Rest Durations 9.024
Variability Across Voices of Combined Rests 41.48
Number of Strong Rhythmic Pulses - Tempo Standardized 3.0
Number of Moderate Rhythmic Pulses - Tempo Standardized 3.0
Number of Relatively Strong Rhythmic Pulses - Tempo Standardized 3.0
Strongest Rhythmic Pulse - Tempo Standardized 60.0
Second Strongest Rhythmic Pulse - Tempo Standardized 40.0
Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized 1.5
Triple Initial Meter 0.0
Strength of Strongest Rhythmic Pulse - Tempo Standardized 0.5321
Strength of Second Strongest Rhythmic Pulse - Tempo Standardized 0.2387
Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized 2.229
Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized 0.7708
Rhythmic Variability - Tempo Standardized 0.04912
Rhythmic Looseness - Tempo Standardized 0.0
Polyrhythms - Tempo Standardized 0.6667
Quadruple Initial Meter 0.0
Metrical Diversity 2.0
Total Number of Notes 1910.0
Initial Tempo 320.0
Average Variability of Time Between Attacks for Each Voice 0.9245
Minimum Note Duration 0.09375
Maximum Note Duration 3.75
Average Note Duration 0.5173
Variability of Note Durations 0.4013
Amount of Staccato 0.001047
Number of Strong Rhythmic Pulses 4.0
Number of Moderate Rhythmic Pulses 7.0
Number of Relatively Strong Rhythmic Pulses 7.0
Mean Tempo 320.0
Strongest Rhythmic Pulse 80.0
Second Strongest Rhythmic Pulse 40.0
Harmonicity of Two Strongest Rhythmic Pulses 2.0
Strength of Strongest Rhythmic Pulse 0.1987
Strength of Second Strongest Rhythmic Pulse 0.1912
Strength Ratio of Two Strongest Rhythmic Pulses 1.039
Combined Strength of Two Strongest Rhythmic Pulses 0.3899
Rhythmic Variability 0.03129
Rhythmic Looseness 0.0
Polyrhythms 0.4286
Tempo Variability 0.0
Duration in Seconds 318.0
Note Density 6.006
Note Density Variability 2.223
Average Time Between Attacks 0.3269
Average Time Between Attacks for Each Voice 0.6583
Variability of Time Between Attacks 0.1996
Maximum Number of Independent Voices 4.0
Relative Range of Loudest Voice 0.4333
Relative Range Isolation of Loudest Voice 0.4086
Relative Range of Highest Line 0.4333
Relative Note Density of Highest Line 0.1508
Relative Note Durations of Lowest Line 1.045
Relative Size of Melodic Intervals in Lowest Line 0.8
Voice Overlap 0.7356
Voice Separation 6.333
Variability of Voice Separation 2.082
Parallel Motion 0.03488
Average Number of Independent Voices 3.111
Similar Motion 0.1308
Contrary Motion 0.232
Oblique Motion 0.6023
Parallel Fifths 0.001744
Parallel Octaves 0.0
Variability of Number of Independent Voices 0.923
Voice Equality - Number of Notes 38.49
Voice Equality - Note Duration 7.778
Voice Equality - Dynamics 0.5
Voice Equality - Melodic Leaps 0.5
Voice Equality - Range 1.414
Importance of Loudest Voice 1.0