File

Last modified on: April 13, 2020, 6:06 p.m.

F164_77_Josquin_Ave_Maria_corrIL.xml


Source
Florence, Italy, Biblioteca Nazionale Centrale, MS Magliabechi XIX.164-167
Musical Work
Ave Maria gratia plena … virgo serena
File Type
Symbolic Music
File Format
xml
File Size
517.6 KB

Feature Value
Distance Between Two Most Common Vertical Intervals 7.0
Prevalence of Most Common Vertical Interval 0.2452
Prevalence of Second Most Common Vertical Interval 0.2019
Prevalence Ratio of Two Most Common Vertical Intervals 0.8235
Vertical Unisons 0.05373
Vertical Minor Seconds 0.007909
Vertical Thirds 0.2901
Vertical Tritones 0.007676
Vertical Perfect Fourths 0.07258
Vertical Perfect Fifths 0.2019
Vertical Sixths 0.1382
Vertical Sevenths 0.01803
Vertical Octaves 0.1914
Perfect Vertical Intervals 0.5197
Vertical Dissonance Ratio 0.05497
Vertical Minor Third Prevalence 0.2868
Vertical Major Third Prevalence 0.4122
Chord Duration 2.657
Partial Chords 0.5347
Standard Triads 0.3706
Diminished and Augmented Triads 0.01533
Dominant Seventh Chords 0.0
Seventh Chords 0.009919
Non-Standard Chords 0.08476
Complex Chords 0.0
Minor Major Triad Ratio 0.5336
Average Number of Simultaneous Pitch Classes 2.3
Variability of Number of Simultaneous Pitch Classes 0.7246
Average Number of Simultaneous Pitches 2.856
Variability of Number of Simultaneous Pitches 0.893
Most Common Vertical Interval 0.0
Second Most Common Vertical Interval 7.0
Dynamic Range 0.0
Variation of Dynamics 0.0
Variation of Dynamics In Each Voice 0.0
Average Note to Note Change in Dynamics 0.0
Unpitched Percussion Instrument Prevalence 0.0
String Keyboard Prevalence 1.0
Acoustic Guitar Prevalence 0.0
Electric Guitar Prevalence 0.0
Violin Prevalence 0.0
Saxophone Prevalence 0.0
Brass Prevalence 0.0
Woodwinds Prevalence 0.0
Orchestral Strings Prevalence 0.0
String Ensemble Prevalence 0.0
Electric Instrument Prevalence 0.0
Variability of Note Prevalence of Pitched Instruments 0.0
Variability of Note Prevalence of Unpitched Instruments 0.0
Number of Pitched Instruments 1.0
Number of Unpitched Instruments 0.0
Chromatic Motion 0.19
Stepwise Motion 0.6148
Melodic Thirds 0.1057
Melodic Perfect Fourths 0.0376
Melodic Tritones 0.0
Melodic Perfect Fifths 0.04065
Melodic Sixths 0.004065
Melodic Sevenths 0.0
Melodic Octaves 0.01626
Melodic Large Intervals 0.0
Most Common Melodic Interval 2.0
Minor Major Melodic Third Ratio 1.213
Melodic Embellishments 0.04251
Direction of Melodic Motion 0.4591
Average Length of Melodic Arcs 1.919
Average Interval Spanned by Melodic Arcs 4.9
Melodic Pitch Variety 5.222
Mean Melodic Interval 2.107
Number of Common Melodic Intervals 3.0
Distance Between Most Prevalent Melodic Intervals 1.0
Prevalence of Most Common Melodic Interval 0.4248
Relative Prevalence of Most Common Melodic Intervals 0.4474
Amount of Arpeggiation 0.3435
Repeated Notes 0.1809
Importance of Middle Register 0.7874
Importance of High Register 0.0749
Dominant Spread 7.0
Strong Tonal Centres 2.0
Mean Pitch 62.0
Mean Pitch Class 4.628
Most Common Pitch 60.0
Most Common Pitch Class 0.0
Prevalence of Most Common Pitch 0.1366
Prevalence of Most Common Pitch Class 0.2439
Relative Prevalence of Top Pitches 0.7037
Relative Prevalence of Top Pitch Classes 0.751
Interval Between Most Prevalent Pitches 7.0
Interval Between Most Prevalent Pitch Classes 7.0
Pitch Variability 7.357
Pitch Class Variability 3.678
Pitch Class Variability After Folding 3.11
Pitch Skewness 0.04127
Pitch Class Skewness 0.5118
Pitch Class Skewness After Folding 0.8474
Pitch Kurtosis 5.445
Pitch Class Kurtosis 4.879
Pitch Class Kurtosis After Folding 7.65
Major or Minor 0.0
First Pitch 67.0
First Pitch Class 7.0
Last Pitch 48.0
Last Pitch Class 0.0
Glissando Prevalence 0.004049
Average Range of Glissandos 0.0
Number of Pitches 22.0
Vibrato Prevalence 0.0
Microtone Prevalence 0.004049
Number of Pitch Classes 8.0
Number of Common Pitches 2.0
Number of Common Pitch Classes 1.0
Range 34.0
Importance of Bass Register 0.1377
Note Density per Quarter Note 0.7641
Note Density per Quarter Note per Voice 0.7641
Note Density per Quarter Note Variability 0.4186
Range of Rhythmic Values 7.0
Number of Different Rhythmic Values Present 7.0
Number of Common Rhythmic Values Present 2.0
Prevalence of Very Short Rhythmic Values 0.0
Prevalence of Short Rhythmic Values 0.0
Prevalence of Medium Rhythmic Values 0.3229
Simple Initial Meter 1.0
Prevalence of Long Rhythmic Values 0.8543
Prevalence of Very Long Rhythmic Values 0.1933
Prevalence of Dotted Notes 0.1235
Shortest Rhythmic Value 1.0
Longest Rhythmic Value 12.0
Mean Rhythmic Value 3.87
Most Common Rhythmic Value 4.0
Prevalence of Most Common Rhythmic Value 0.4332
Relative Prevalence of Most Common Rhythmic Values 0.4089
Difference Between Most Common Rhythmic Values 2.0
Compound Initial Meter 0.0
Rhythmic Value Variability 2.265
Rhythmic Value Skewness -0.1716
Rhythmic Value Kurtosis 7.23
Mean Rhythmic Value Run Length 1.511
Median Rhythmic Value Run Length 1.0
Variability in Rhythmic Value Run Lengths 1.131
Mean Rhythmic Value Offset 0.05263
Median Rhythmic Value Offset 0.0
Complex Initial Meter 0.0
Variability of Rhythmic Value Offsets 0.456
Complete Rests Fraction 0.01315
Partial Rests Fraction 0.01315
Average Rest Fraction Across Voices 0.01315
Longest Complete Rest 8.0
Longest Partial Rest 8.0
Mean Complete Rest Duration 4.25
Mean Partial Rest Duration 4.25
Median Complete Rest Duration 4.0
Median Partial Rest Duration 4.0
Duple Initial Meter 1.0
Variability of Complete Rest Durations 2.872
Variability of Partial Rest Durations 2.872
Variability Across Voices of Combined Rests 0.0
Number of Strong Rhythmic Pulses - Tempo Standardized 3.0
Number of Moderate Rhythmic Pulses - Tempo Standardized 3.0
Number of Relatively Strong Rhythmic Pulses - Tempo Standardized 3.0
Strongest Rhythmic Pulse - Tempo Standardized 60.0
Second Strongest Rhythmic Pulse - Tempo Standardized 120.0
Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized 2.0
Triple Initial Meter 0.0
Strength of Strongest Rhythmic Pulse - Tempo Standardized 0.5722
Strength of Second Strongest Rhythmic Pulse - Tempo Standardized 0.2206
Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized 2.594
Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized 0.7928
Rhythmic Variability - Tempo Standardized 0.05079
Rhythmic Looseness - Tempo Standardized 0.0
Polyrhythms - Tempo Standardized 0.6667
Quadruple Initial Meter 0.0
Metrical Diversity 2.0
Total Number of Notes 988.0
Initial Tempo 320.0
Average Variability of Time Between Attacks for Each Voice 0.3113
Minimum Note Duration 0.1875
Maximum Note Duration 3.0
Average Note Duration 0.7356
Variability of Note Durations 0.4666
Amount of Staccato 0.0
Number of Strong Rhythmic Pulses 4.0
Number of Moderate Rhythmic Pulses 7.0
Number of Relatively Strong Rhythmic Pulses 4.0
Mean Tempo 320.0
Strongest Rhythmic Pulse 80.0
Second Strongest Rhythmic Pulse 40.0
Harmonicity of Two Strongest Rhythmic Pulses 2.0
Strength of Strongest Rhythmic Pulse 0.2752
Strength of Second Strongest Rhythmic Pulse 0.2569
Strength Ratio of Two Strongest Rhythmic Pulses 1.071
Combined Strength of Two Strongest Rhythmic Pulses 0.5321
Rhythmic Variability 0.03463
Rhythmic Looseness 0.0
Polyrhythms 0.75
Tempo Variability 0.0
Duration in Seconds 242.4
Note Density 4.075
Note Density Variability 1.433
Average Time Between Attacks 0.4462
Average Time Between Attacks for Each Voice 0.4462
Variability of Time Between Attacks 0.3113
Maximum Number of Independent Voices 1.0
Relative Range of Loudest Voice 1.0
Relative Range Isolation of Loudest Voice 0.0
Relative Range of Highest Line 1.0
Relative Note Density of Highest Line 0.06275
Relative Note Durations of Lowest Line 1.0
Relative Size of Melodic Intervals in Lowest Line 1.0
Voice Overlap 0.0
Voice Separation 0.0
Variability of Voice Separation 0.0
Parallel Motion 0.04192
Average Number of Independent Voices 1.0
Similar Motion 0.115
Contrary Motion 0.1964
Oblique Motion 0.6467
Parallel Fifths 0.0
Parallel Octaves 0.001198
Variability of Number of Independent Voices 0.0
Voice Equality - Number of Notes 0.0
Voice Equality - Note Duration 0.0
Voice Equality - Dynamics 0.0
Voice Equality - Melodic Leaps 0.0
Voice Equality - Range 0.0
Importance of Loudest Voice 0.0