File

Last modified on: April 13, 2020, 6:08 p.m.

F164_77_Josquin_Ave_Maria_corrIL.mid


Source
Florence, Italy, Biblioteca Nazionale Centrale, MS Magliabechi XIX.164-167
Musical Work
Ave Maria gratia plena … virgo serena
File Type
Symbolic Music
File Format
midi
File Size
12.9 KB

Feature Value
Distance Between Two Most Common Vertical Intervals 7.0
Prevalence of Most Common Vertical Interval 0.2471
Prevalence of Second Most Common Vertical Interval 0.2022
Prevalence Ratio of Two Most Common Vertical Intervals 0.8182
Vertical Unisons 0.05355
Vertical Minor Seconds 0.0078
Vertical Thirds 0.29
Vertical Tritones 0.00759
Vertical Perfect Fourths 0.07227
Vertical Perfect Fifths 0.2022
Vertical Sixths 0.1372
Vertical Sevenths 0.01776
Vertical Octaves 0.1935
Perfect Vertical Intervals 0.5216
Vertical Dissonance Ratio 0.05403
Vertical Minor Third Prevalence 0.2868
Vertical Major Third Prevalence 0.4122
Chord Duration 2.657
Partial Chords 0.5347
Standard Triads 0.3706
Diminished and Augmented Triads 0.01533
Dominant Seventh Chords 0.0
Seventh Chords 0.009919
Non-Standard Chords 0.08476
Complex Chords 0.0
Minor Major Triad Ratio 0.5336
Average Number of Simultaneous Pitch Classes 2.3
Variability of Number of Simultaneous Pitch Classes 0.7246
Average Number of Simultaneous Pitches 2.856
Variability of Number of Simultaneous Pitches 0.893
Most Common Vertical Interval 0.0
Second Most Common Vertical Interval 7.0
Dynamic Range 4.0
Variation of Dynamics 1.924
Variation of Dynamics In Each Voice 1.926
Average Note to Note Change in Dynamics 2.453
Unpitched Percussion Instrument Prevalence 0.0
String Keyboard Prevalence 0.0
Acoustic Guitar Prevalence 0.0
Electric Guitar Prevalence 0.0
Violin Prevalence 0.0
Saxophone Prevalence 0.0
Brass Prevalence 0.0
Woodwinds Prevalence 0.0
Orchestral Strings Prevalence 0.0
String Ensemble Prevalence 0.0
Electric Instrument Prevalence 0.0
Variability of Note Prevalence of Pitched Instruments 0.0
Variability of Note Prevalence of Unpitched Instruments 0.0
Number of Pitched Instruments 1.0
Number of Unpitched Instruments 0.0
Chromatic Motion 0.19
Stepwise Motion 0.6148
Melodic Thirds 0.1057
Melodic Perfect Fourths 0.0376
Melodic Tritones 0.0
Melodic Perfect Fifths 0.04065
Melodic Sixths 0.004065
Melodic Sevenths 0.0
Melodic Octaves 0.01626
Melodic Large Intervals 0.0
Most Common Melodic Interval 2.0
Minor Major Melodic Third Ratio 1.213
Melodic Embellishments 0.02834
Direction of Melodic Motion 0.4591
Average Length of Melodic Arcs 1.919
Average Interval Spanned by Melodic Arcs 4.9
Melodic Pitch Variety 4.817
Mean Melodic Interval 2.107
Number of Common Melodic Intervals 3.0
Distance Between Most Prevalent Melodic Intervals 1.0
Prevalence of Most Common Melodic Interval 0.4248
Relative Prevalence of Most Common Melodic Intervals 0.4474
Amount of Arpeggiation 0.3435
Repeated Notes 0.1809
Importance of Middle Register 0.7874
Importance of High Register 0.0749
Dominant Spread 7.0
Strong Tonal Centres 2.0
Mean Pitch 61.71
Mean Pitch Class 4.628
Most Common Pitch 60.0
Most Common Pitch Class 0.0
Prevalence of Most Common Pitch 0.1366
Prevalence of Most Common Pitch Class 0.2439
Relative Prevalence of Top Pitches 0.7037
Relative Prevalence of Top Pitch Classes 0.751
Interval Between Most Prevalent Pitches 7.0
Interval Between Most Prevalent Pitch Classes 7.0
Pitch Variability 7.357
Pitch Class Variability 3.678
Pitch Class Variability After Folding 3.11
Pitch Skewness 0.04127
Pitch Class Skewness 0.5118
Pitch Class Skewness After Folding 0.8474
Pitch Kurtosis 5.445
Pitch Class Kurtosis 4.879
Pitch Class Kurtosis After Folding 7.65
Major or Minor 0.0
First Pitch 67.0
First Pitch Class 7.0
Last Pitch 48.0
Last Pitch Class 0.0
Glissando Prevalence 0.0
Average Range of Glissandos 0.0
Number of Pitches 22.0
Vibrato Prevalence 0.0
Microtone Prevalence 0.0
Number of Pitch Classes 8.0
Number of Common Pitches 2.0
Number of Common Pitch Classes 1.0
Range 34.0
Importance of Bass Register 0.1377
Note Density per Quarter Note 0.7647
Note Density per Quarter Note per Voice 0.1912
Note Density per Quarter Note Variability 0.4186
Range of Rhythmic Values 7.0
Number of Different Rhythmic Values Present 7.0
Number of Common Rhythmic Values Present 2.0
Prevalence of Very Short Rhythmic Values 0.0
Prevalence of Short Rhythmic Values 0.0
Prevalence of Medium Rhythmic Values 0.3229
Simple Initial Meter 1.0
Prevalence of Long Rhythmic Values 0.8543
Prevalence of Very Long Rhythmic Values 0.1933
Prevalence of Dotted Notes 0.1235
Shortest Rhythmic Value 1.0
Longest Rhythmic Value 12.0
Mean Rhythmic Value 3.87
Most Common Rhythmic Value 4.0
Prevalence of Most Common Rhythmic Value 0.4332
Relative Prevalence of Most Common Rhythmic Values 0.4089
Difference Between Most Common Rhythmic Values 2.0
Compound Initial Meter 0.0
Rhythmic Value Variability 2.265
Rhythmic Value Skewness -0.1716
Rhythmic Value Kurtosis 7.23
Mean Rhythmic Value Run Length 1.511
Median Rhythmic Value Run Length 1.0
Variability in Rhythmic Value Run Lengths 1.131
Mean Rhythmic Value Offset 0.05263
Median Rhythmic Value Offset 0.0
Complex Initial Meter 0.0
Variability of Rhythmic Value Offsets 0.456
Complete Rests Fraction 0.01238
Partial Rests Fraction 0.5898
Average Rest Fraction Across Voices 0.25
Longest Complete Rest 8.0
Longest Partial Rest 48.0
Mean Complete Rest Duration 5.333
Mean Partial Rest Duration 16.15
Median Complete Rest Duration 4.0
Median Partial Rest Duration 16.0
Duple Initial Meter 1.0
Variability of Complete Rest Durations 2.309
Variability of Partial Rest Durations 12.64
Variability Across Voices of Combined Rests 45.03
Number of Strong Rhythmic Pulses - Tempo Standardized 3.0
Number of Moderate Rhythmic Pulses - Tempo Standardized 3.0
Number of Relatively Strong Rhythmic Pulses - Tempo Standardized 3.0
Strongest Rhythmic Pulse - Tempo Standardized 60.0
Second Strongest Rhythmic Pulse - Tempo Standardized 120.0
Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized 2.0
Triple Initial Meter 0.0
Strength of Strongest Rhythmic Pulse - Tempo Standardized 0.5754
Strength of Second Strongest Rhythmic Pulse - Tempo Standardized 0.2182
Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized 2.637
Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized 0.7936
Rhythmic Variability - Tempo Standardized 0.05094
Rhythmic Looseness - Tempo Standardized 0.0
Polyrhythms - Tempo Standardized 0.6667
Quadruple Initial Meter 0.0
Metrical Diversity 2.0
Total Number of Notes 988.0
Initial Tempo 320.0
Average Variability of Time Between Attacks for Each Voice 1.266
Minimum Note Duration 0.1875
Maximum Note Duration 3.0
Average Note Duration 0.7356
Variability of Note Durations 0.4666
Amount of Staccato 0.0
Number of Strong Rhythmic Pulses 4.0
Number of Moderate Rhythmic Pulses 7.0
Number of Relatively Strong Rhythmic Pulses 4.0
Mean Tempo 320.0
Strongest Rhythmic Pulse 80.0
Second Strongest Rhythmic Pulse 40.0
Harmonicity of Two Strongest Rhythmic Pulses 2.0
Strength of Strongest Rhythmic Pulse 0.2768
Strength of Second Strongest Rhythmic Pulse 0.2617
Strength Ratio of Two Strongest Rhythmic Pulses 1.057
Combined Strength of Two Strongest Rhythmic Pulses 0.5385
Rhythmic Variability 0.03482
Rhythmic Looseness 0.0
Polyrhythms 0.75
Tempo Variability 0.0
Duration in Seconds 242.3
Note Density 4.078
Note Density Variability 1.427
Average Time Between Attacks 0.4462
Average Time Between Attacks for Each Voice 0.9654
Variability of Time Between Attacks 0.3113
Maximum Number of Independent Voices 4.0
Relative Range of Loudest Voice 0.5
Relative Range Isolation of Loudest Voice 0.5649
Relative Range of Highest Line 0.5
Relative Note Density of Highest Line 0.2874
Relative Note Durations of Lowest Line 1.054
Relative Size of Melodic Intervals in Lowest Line 0.6667
Voice Overlap 0.7642
Voice Separation 6.333
Variability of Voice Separation 4.619
Parallel Motion 0.04192
Average Number of Independent Voices 3.038
Similar Motion 0.115
Contrary Motion 0.1964
Oblique Motion 0.6467
Parallel Fifths 0.0
Parallel Octaves 0.001198
Variability of Number of Independent Voices 0.9209
Voice Equality - Number of Notes 33.5
Voice Equality - Note Duration 8.444
Voice Equality - Dynamics 0.0
Voice Equality - Melodic Leaps 0.5774
Voice Equality - Range 2.16
Importance of Loudest Voice 0.0