File

Last modified on: April 13, 2020, 4:46 p.m.

F164_09_Pisano_Amor_se_OMRcorrIL.xml


Source
Florence, Italy, Biblioteca Nazionale Centrale, MS Magliabechi XIX.164-167
Musical Work
Amor se vuoi ch’i torni al giogho anticho
File Type
Symbolic Music
File Format
xml
File Size
433.9 KB

Feature Value
Distance Between Two Most Common Vertical Intervals 3.0
Prevalence of Most Common Vertical Interval 0.1628
Prevalence of Second Most Common Vertical Interval 0.1594
Prevalence Ratio of Two Most Common Vertical Intervals 0.9796
Vertical Unisons 0.102
Vertical Minor Seconds 0.08754
Vertical Thirds 0.3024
Vertical Tritones 0.05861
Vertical Perfect Fourths 0.08349
Vertical Perfect Fifths 0.1134
Vertical Sixths 0.0956
Vertical Sevenths 0.0501
Vertical Octaves 0.05743
Perfect Vertical Intervals 0.3564
Vertical Dissonance Ratio 0.3257
Vertical Minor Third Prevalence 0.8397
Vertical Major Third Prevalence 0.6715
Chord Duration 1.762
Partial Chords 0.09524
Standard Triads 0.1396
Diminished and Augmented Triads 0.003284
Dominant Seventh Chords 0.02135
Seventh Chords 0.06076
Non-Standard Chords 0.7044
Complex Chords 0.4154
Minor Major Triad Ratio 1.125
Average Number of Simultaneous Pitch Classes 4.078
Variability of Number of Simultaneous Pitch Classes 1.287
Average Number of Simultaneous Pitches 4.923
Variability of Number of Simultaneous Pitches 1.367
Most Common Vertical Interval 3.0
Second Most Common Vertical Interval 0.0
Dynamic Range 0.0
Variation of Dynamics 0.0
Variation of Dynamics In Each Voice 0.0
Average Note to Note Change in Dynamics 0.0
Unpitched Percussion Instrument Prevalence 0.0
String Keyboard Prevalence 1.0
Acoustic Guitar Prevalence 0.0
Electric Guitar Prevalence 0.0
Violin Prevalence 0.0
Saxophone Prevalence 0.0
Brass Prevalence 0.0
Woodwinds Prevalence 0.0
Orchestral Strings Prevalence 0.0
String Ensemble Prevalence 0.0
Electric Instrument Prevalence 0.0
Variability of Note Prevalence of Pitched Instruments 0.0
Variability of Note Prevalence of Unpitched Instruments 0.0
Number of Pitched Instruments 1.0
Number of Unpitched Instruments 0.0
Chromatic Motion 0.1349
Stepwise Motion 0.5658
Melodic Thirds 0.1197
Melodic Perfect Fourths 0.07073
Melodic Tritones 0.0
Melodic Perfect Fifths 0.03047
Melodic Sixths 0.006529
Melodic Sevenths 0.0
Melodic Octaves 0.02176
Melodic Large Intervals 0.004353
Most Common Melodic Interval 2.0
Minor Major Melodic Third Ratio 1.683
Melodic Embellishments 0.03416
Direction of Melodic Motion 0.4329
Average Length of Melodic Arcs 1.711
Average Interval Spanned by Melodic Arcs 4.893
Melodic Pitch Variety 4.418
Mean Melodic Interval 2.355
Number of Common Melodic Intervals 3.0
Distance Between Most Prevalent Melodic Intervals 2.0
Prevalence of Most Common Melodic Interval 0.4309
Relative Prevalence of Most Common Melodic Intervals 0.4192
Amount of Arpeggiation 0.3536
Repeated Notes 0.1806
Importance of Middle Register 0.6718
Importance of High Register 0.0
Dominant Spread 7.0
Strong Tonal Centres 2.0
Mean Pitch 56.0
Mean Pitch Class 5.174
Most Common Pitch 57.0
Most Common Pitch Class 2.0
Prevalence of Most Common Pitch 0.1366
Prevalence of Most Common Pitch Class 0.2174
Relative Prevalence of Top Pitches 0.8409
Relative Prevalence of Top Pitch Classes 0.8524
Interval Between Most Prevalent Pitches 5.0
Interval Between Most Prevalent Pitch Classes 7.0
Pitch Variability 5.965
Pitch Class Variability 3.466
Pitch Class Variability After Folding 3.205
Pitch Skewness 0.00316
Pitch Class Skewness 0.1504
Pitch Class Skewness After Folding 0.5117
Pitch Kurtosis 5.327
Pitch Class Kurtosis 4.815
Pitch Class Kurtosis After Folding 6.995
Major or Minor 0.0
First Pitch 45.0
First Pitch Class 9.0
Last Pitch 50.0
Last Pitch Class 2.0
Glissando Prevalence 0.004141
Average Range of Glissandos 0.0
Number of Pitches 18.0
Vibrato Prevalence 0.0
Microtone Prevalence 0.004141
Number of Pitch Classes 9.0
Number of Common Pitches 3.0
Number of Common Pitch Classes 1.0
Range 26.0
Importance of Bass Register 0.3282
Note Density per Quarter Note 1.546
Note Density per Quarter Note per Voice 1.546
Note Density per Quarter Note Variability 0.9148
Range of Rhythmic Values 9.0
Number of Different Rhythmic Values Present 8.0
Number of Common Rhythmic Values Present 3.0
Prevalence of Very Short Rhythmic Values 0.0
Prevalence of Short Rhythmic Values 0.008282
Prevalence of Medium Rhythmic Values 0.7019
Simple Initial Meter 1.0
Prevalence of Long Rhythmic Values 0.794
Prevalence of Very Long Rhythmic Values 0.06004
Prevalence of Dotted Notes 0.1056
Shortest Rhythmic Value 0.5
Longest Rhythmic Value 12.0
Mean Rhythmic Value 2.734
Most Common Rhythmic Value 2.0
Prevalence of Most Common Rhythmic Value 0.4959
Relative Prevalence of Most Common Rhythmic Values 0.3987
Difference Between Most Common Rhythmic Values 2.0
Compound Initial Meter 0.0
Rhythmic Value Variability 2.307
Rhythmic Value Skewness 0.9544
Rhythmic Value Kurtosis 14.85
Mean Rhythmic Value Run Length 2.452
Median Rhythmic Value Run Length 1.0
Variability in Rhythmic Value Run Lengths 2.367
Mean Rhythmic Value Offset 4.928
Median Rhythmic Value Offset 0.0
Complex Initial Meter 0.0
Variability of Rhythmic Value Offsets 38.72
Complete Rests Fraction 0.0016
Partial Rests Fraction 0.0
Average Rest Fraction Across Voices 0.0
Longest Complete Rest 1.0
Longest Partial Rest 0.0
Mean Complete Rest Duration 1.0
Mean Partial Rest Duration 0.0
Median Complete Rest Duration 1.0
Median Partial Rest Duration 0.0
Duple Initial Meter 1.0
Variability of Complete Rest Durations 0.0
Variability of Partial Rest Durations 0.0
Variability Across Voices of Combined Rests 0.0
Number of Strong Rhythmic Pulses - Tempo Standardized 3.0
Number of Moderate Rhythmic Pulses - Tempo Standardized 3.0
Number of Relatively Strong Rhythmic Pulses - Tempo Standardized 1.0
Strongest Rhythmic Pulse - Tempo Standardized 60.0
Second Strongest Rhythmic Pulse - Tempo Standardized 40.0
Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized 1.5
Triple Initial Meter 0.0
Strength of Strongest Rhythmic Pulse - Tempo Standardized 0.6293
Strength of Second Strongest Rhythmic Pulse - Tempo Standardized 0.1856
Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized 3.391
Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized 0.8149
Rhythmic Variability - Tempo Standardized 0.05343
Rhythmic Looseness - Tempo Standardized 0.0
Polyrhythms - Tempo Standardized 1.0
Quadruple Initial Meter 0.0
Metrical Diversity 1.0
Total Number of Notes 966.0
Initial Tempo 320.0
Average Variability of Time Between Attacks for Each Voice 0.1417
Minimum Note Duration 0.09375
Maximum Note Duration 109.7
Average Note Duration 1.437
Variability of Note Durations 7.49
Amount of Staccato 0.008282
Number of Strong Rhythmic Pulses 4.0
Number of Moderate Rhythmic Pulses 7.0
Number of Relatively Strong Rhythmic Pulses 4.0
Mean Tempo 320.0
Strongest Rhythmic Pulse 160.0
Second Strongest Rhythmic Pulse 80.0
Harmonicity of Two Strongest Rhythmic Pulses 2.0
Strength of Strongest Rhythmic Pulse 0.2068
Strength of Second Strongest Rhythmic Pulse 0.2059
Strength Ratio of Two Strongest Rhythmic Pulses 1.004
Combined Strength of Two Strongest Rhythmic Pulses 0.4127
Rhythmic Variability 0.03269
Rhythmic Looseness 0.0
Polyrhythms 0.75
Tempo Variability 0.0
Duration in Seconds 117.2
Note Density 8.243
Note Density Variability 2.708
Average Time Between Attacks 0.2929
Average Time Between Attacks for Each Voice 0.2929
Variability of Time Between Attacks 0.1417
Maximum Number of Independent Voices 1.0
Relative Range of Loudest Voice 1.0
Relative Range Isolation of Loudest Voice 0.0
Relative Range of Highest Line 1.0
Relative Note Density of Highest Line 0.05797
Relative Note Durations of Lowest Line 1.0
Relative Size of Melodic Intervals in Lowest Line 1.0
Voice Overlap 0.0
Voice Separation 0.0
Variability of Voice Separation 0.0
Parallel Motion 0.05364
Average Number of Independent Voices 1.0
Similar Motion 0.1369
Contrary Motion 0.1089
Oblique Motion 0.7006
Parallel Fifths 0.002402
Parallel Octaves 0.001601
Variability of Number of Independent Voices 0.0
Voice Equality - Number of Notes 0.0
Voice Equality - Note Duration 0.0
Voice Equality - Dynamics 0.0
Voice Equality - Melodic Leaps 0.0
Voice Equality - Range 0.0
Importance of Loudest Voice 0.0