File

Last modified on: April 13, 2020, 4:47 p.m.

F164_09_Pisano_Amor_se_OMRcorrIL.mid


Source
Florence, Italy, Biblioteca Nazionale Centrale, MS Magliabechi XIX.164-167
Musical Work
Amor se vuoi ch’i torni al giogho anticho
File Type
Symbolic Music
File Format
midi
File Size
13.4 KB

Feature Value
Distance Between Two Most Common Vertical Intervals 3.0
Prevalence of Most Common Vertical Interval 0.1991
Prevalence of Second Most Common Vertical Interval 0.1883
Prevalence Ratio of Two Most Common Vertical Intervals 0.9455
Vertical Unisons 0.02851
Vertical Minor Seconds 0.004646
Vertical Thirds 0.3083
Vertical Tritones 0.01196
Vertical Perfect Fourths 0.1374
Vertical Perfect Fifths 0.1879
Vertical Sixths 0.1066
Vertical Sevenths 0.02909
Vertical Octaves 0.1598
Perfect Vertical Intervals 0.5135
Vertical Dissonance Ratio 0.07712
Vertical Minor Third Prevalence 0.6193
Vertical Major Third Prevalence 0.3937
Chord Duration 1.691
Partial Chords 0.2823
Standard Triads 0.4827
Diminished and Augmented Triads 0.03381
Dominant Seventh Chords 0.003381
Seventh Chords 0.03212
Non-Standard Chords 0.2029
Complex Chords 0.0
Minor Major Triad Ratio 1.928
Average Number of Simultaneous Pitch Classes 2.713
Variability of Number of Simultaneous Pitch Classes 0.641
Average Number of Simultaneous Pitches 3.385
Variability of Number of Simultaneous Pitches 0.7621
Most Common Vertical Interval 3.0
Second Most Common Vertical Interval 0.0
Dynamic Range 4.0
Variation of Dynamics 1.687
Variation of Dynamics In Each Voice 1.694
Average Note to Note Change in Dynamics 1.776
Unpitched Percussion Instrument Prevalence 0.0
String Keyboard Prevalence 0.0
Acoustic Guitar Prevalence 0.0
Electric Guitar Prevalence 0.0
Violin Prevalence 0.0
Saxophone Prevalence 0.0
Brass Prevalence 0.0
Woodwinds Prevalence 0.0
Orchestral Strings Prevalence 0.0
String Ensemble Prevalence 0.0
Electric Instrument Prevalence 0.0
Variability of Note Prevalence of Pitched Instruments 0.0
Variability of Note Prevalence of Unpitched Instruments 0.0
Number of Pitched Instruments 1.0
Number of Unpitched Instruments 0.0
Chromatic Motion 0.1363
Stepwise Motion 0.5714
Melodic Thirds 0.121
Melodic Perfect Fourths 0.06979
Melodic Tritones 0.0
Melodic Perfect Fifths 0.03053
Melodic Sixths 0.003272
Melodic Sevenths 0.0
Melodic Octaves 0.01963
Melodic Large Intervals 0.001091
Most Common Melodic Interval 2.0
Minor Major Melodic Third Ratio 1.707
Melodic Embellishments 0.01194
Direction of Melodic Motion 0.4379
Average Length of Melodic Arcs 1.702
Average Interval Spanned by Melodic Arcs 4.677
Melodic Pitch Variety 4.601
Mean Melodic Interval 2.256
Number of Common Melodic Intervals 3.0
Distance Between Most Prevalent Melodic Intervals 2.0
Prevalence of Most Common Melodic Interval 0.4351
Relative Prevalence of Most Common Melodic Intervals 0.4211
Amount of Arpeggiation 0.3544
Repeated Notes 0.1832
Importance of Middle Register 0.6754
Importance of High Register 0.0
Dominant Spread 6.0
Strong Tonal Centres 2.0
Mean Pitch 56.36
Mean Pitch Class 5.087
Most Common Pitch 57.0
Most Common Pitch Class 2.0
Prevalence of Most Common Pitch 0.1433
Prevalence of Most Common Pitch Class 0.228
Relative Prevalence of Top Pitches 0.8409
Relative Prevalence of Top Pitch Classes 0.8476
Interval Between Most Prevalent Pitches 5.0
Interval Between Most Prevalent Pitch Classes 7.0
Pitch Variability 6.039
Pitch Class Variability 3.451
Pitch Class Variability After Folding 3.228
Pitch Skewness 0.0302
Pitch Class Skewness 0.0755
Pitch Class Skewness After Folding 0.444
Pitch Kurtosis 5.296
Pitch Class Kurtosis 4.816
Pitch Class Kurtosis After Folding 7.108
Major or Minor 0.0
First Pitch 45.0
First Pitch Class 9.0
Last Pitch 50.0
Last Pitch Class 2.0
Glissando Prevalence 0.0
Average Range of Glissandos 0.0
Number of Pitches 16.0
Vibrato Prevalence 0.0
Microtone Prevalence 0.0
Number of Pitch Classes 7.0
Number of Common Pitches 3.0
Number of Common Pitch Classes 1.0
Range 26.0
Importance of Bass Register 0.3246
Note Density per Quarter Note 1.476
Note Density per Quarter Note per Voice 0.369
Note Density per Quarter Note Variability 0.6461
Range of Rhythmic Values 9.0
Number of Different Rhythmic Values Present 8.0
Number of Common Rhythmic Values Present 3.0
Prevalence of Very Short Rhythmic Values 0.0
Prevalence of Short Rhythmic Values 0.008686
Prevalence of Medium Rhythmic Values 0.7351
Simple Initial Meter 1.0
Prevalence of Long Rhythmic Values 0.785
Prevalence of Very Long Rhythmic Values 0.01846
Prevalence of Dotted Notes 0.0684
Shortest Rhythmic Value 0.5
Longest Rhythmic Value 12.0
Mean Rhythmic Value 2.334
Most Common Rhythmic Value 2.0
Prevalence of Most Common Rhythmic Value 0.5201
Relative Prevalence of Most Common Rhythmic Values 0.3967
Difference Between Most Common Rhythmic Values 2.0
Compound Initial Meter 0.0
Rhythmic Value Variability 1.34
Rhythmic Value Skewness 0.7485
Rhythmic Value Kurtosis 19.2
Mean Rhythmic Value Run Length 2.489
Median Rhythmic Value Run Length 1.0
Variability in Rhythmic Value Run Lengths 2.459
Mean Rhythmic Value Offset 0.01737
Median Rhythmic Value Offset 0.0
Complex Initial Meter 0.0
Variability of Rhythmic Value Offsets 0.2632
Complete Rests Fraction 0.01282
Partial Rests Fraction 0.3814
Average Rest Fraction Across Voices 0.1322
Longest Complete Rest 2.0
Longest Partial Rest 86.0
Mean Complete Rest Duration 2.0
Mean Partial Rest Duration 6.0
Median Complete Rest Duration 2.0
Median Partial Rest Duration 2.0
Duple Initial Meter 1.0
Variability of Complete Rest Durations 0.0
Variability of Partial Rest Durations 13.97
Variability Across Voices of Combined Rests 47.03
Number of Strong Rhythmic Pulses - Tempo Standardized 3.0
Number of Moderate Rhythmic Pulses - Tempo Standardized 3.0
Number of Relatively Strong Rhythmic Pulses - Tempo Standardized 3.0
Strongest Rhythmic Pulse - Tempo Standardized 60.0
Second Strongest Rhythmic Pulse - Tempo Standardized 40.0
Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized 1.5
Triple Initial Meter 0.0
Strength of Strongest Rhythmic Pulse - Tempo Standardized 0.6173
Strength of Second Strongest Rhythmic Pulse - Tempo Standardized 0.1917
Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized 3.22
Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized 0.8091
Rhythmic Variability - Tempo Standardized 0.05281
Rhythmic Looseness - Tempo Standardized 0.0
Polyrhythms - Tempo Standardized 0.6667
Quadruple Initial Meter 0.0
Metrical Diversity 1.0
Total Number of Notes 921.0
Initial Tempo 320.0
Average Variability of Time Between Attacks for Each Voice 0.6328
Minimum Note Duration 0.09375
Maximum Note Duration 3.0
Average Note Duration 0.441
Variability of Note Durations 0.2782
Amount of Staccato 0.008686
Number of Strong Rhythmic Pulses 4.0
Number of Moderate Rhythmic Pulses 7.0
Number of Relatively Strong Rhythmic Pulses 6.0
Mean Tempo 320.0
Strongest Rhythmic Pulse 80.0
Second Strongest Rhythmic Pulse 160.0
Harmonicity of Two Strongest Rhythmic Pulses 2.0
Strength of Strongest Rhythmic Pulse 0.2058
Strength of Second Strongest Rhythmic Pulse 0.2036
Strength Ratio of Two Strongest Rhythmic Pulses 1.011
Combined Strength of Two Strongest Rhythmic Pulses 0.4095
Rhythmic Variability 0.03246
Rhythmic Looseness 0.0
Polyrhythms 0.5
Tempo Variability 0.0
Duration in Seconds 117.0
Note Density 7.872
Note Density Variability 2.69
Average Time Between Attacks 0.2936
Average Time Between Attacks for Each Voice 0.4953
Variability of Time Between Attacks 0.1462
Maximum Number of Independent Voices 4.0
Relative Range of Loudest Voice 0.5385
Relative Range Isolation of Loudest Voice 0.25
Relative Range of Highest Line 0.4615
Relative Note Density of Highest Line 0.2736
Relative Note Durations of Lowest Line 1.151
Relative Size of Melodic Intervals in Lowest Line 1.143
Voice Overlap 0.8925
Voice Separation 4.667
Variability of Voice Separation 3.215
Parallel Motion 0.05363
Average Number of Independent Voices 3.516
Similar Motion 0.1546
Contrary Motion 0.1924
Oblique Motion 0.5994
Parallel Fifths 0.004206
Parallel Octaves 0.0
Variability of Number of Independent Voices 0.7046
Voice Equality - Number of Notes 39.53
Voice Equality - Note Duration 8.818
Voice Equality - Dynamics 0.5
Voice Equality - Melodic Leaps 0.5
Voice Equality - Range 2.449
Importance of Loudest Voice 1.0