| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.1967 |
| Prevalence of Second Most Common Vertical Interval |
0.1588 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.8076 |
| Vertical Unisons |
0.08577 |
| Vertical Minor Seconds |
0.01392 |
| Vertical Thirds |
0.2853 |
| Vertical Tritones |
0.02054 |
| Vertical Perfect Fourths |
0.04838 |
| Vertical Perfect Fifths |
0.1588 |
| Vertical Sixths |
0.1935 |
| Vertical Sevenths |
0.04861 |
| Vertical Octaves |
0.1109 |
| Perfect Vertical Intervals |
0.4039 |
| Vertical Dissonance Ratio |
0.1329 |
| Vertical Minor Third Prevalence |
0.125 |
| Vertical Major Third Prevalence |
0.1313 |
| Chord Duration |
1.859 |
| Partial Chords |
1.0 |
| Standard Triads |
0.0 |
| Diminished and Augmented Triads |
0.0 |
| Dominant Seventh Chords |
0.0 |
| Seventh Chords |
0.0 |
| Non-Standard Chords |
0.0 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
0.0 |
| Average Number of Simultaneous Pitch Classes |
1.725 |
| Variability of Number of Simultaneous Pitch Classes |
0.4465 |
| Average Number of Simultaneous Pitches |
1.825 |
| Variability of Number of Simultaneous Pitches |
0.38 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
4.0 |
| Variation of Dynamics |
1.497 |
| Variation of Dynamics In Each Voice |
1.498 |
| Average Note to Note Change in Dynamics |
1.238 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
0.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
0.0 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
1.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2903 |
| Stepwise Motion |
0.7661 |
| Melodic Thirds |
0.09677 |
| Melodic Perfect Fourths |
0.04032 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.04032 |
| Melodic Sixths |
0.0 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.0 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.4 |
| Melodic Embellishments |
0.007937 |
| Direction of Melodic Motion |
0.4188 |
| Average Length of Melodic Arcs |
2.489 |
| Average Interval Spanned by Melodic Arcs |
5.255 |
| Melodic Pitch Variety |
4.68 |
| Mean Melodic Interval |
2.056 |
| Number of Common Melodic Intervals |
2.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4758 |
| Relative Prevalence of Most Common Melodic Intervals |
0.6102 |
| Amount of Arpeggiation |
0.1935 |
| Repeated Notes |
0.05645 |
| Importance of Middle Register |
0.7063 |
| Importance of High Register |
0.0 |
| Dominant Spread |
3.0 |
| Strong Tonal Centres |
1.0 |
| Mean Pitch |
57.14 |
| Mean Pitch Class |
5.127 |
| Most Common Pitch |
53.0 |
| Most Common Pitch Class |
5.0 |
| Prevalence of Most Common Pitch |
0.1984 |
| Prevalence of Most Common Pitch Class |
0.246 |
| Relative Prevalence of Top Pitches |
0.8 |
| Relative Prevalence of Top Pitch Classes |
0.7097 |
| Interval Between Most Prevalent Pitches |
7.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
4.199 |
| Pitch Class Variability |
3.375 |
| Pitch Class Variability After Folding |
4.154 |
| Pitch Skewness |
0.1588 |
| Pitch Class Skewness |
0.1129 |
| Pitch Class Skewness After Folding |
1.055 |
| Pitch Kurtosis |
5.398 |
| Pitch Class Kurtosis |
5.279 |
| Pitch Class Kurtosis After Folding |
5.06 |
| Major or Minor |
0.0 |
| First Pitch |
60.0 |
| First Pitch Class |
0.0 |
| Last Pitch |
53.0 |
| Last Pitch Class |
5.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
13.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
8.0 |
| Number of Common Pitches |
4.0 |
| Number of Common Pitch Classes |
1.0 |
| Range |
19.0 |
| Importance of Bass Register |
0.2937 |
| Note Density per Quarter Note |
0.7875 |
| Note Density per Quarter Note per Voice |
0.3937 |
| Note Density per Quarter Note Variability |
0.3743 |
| Range of Rhythmic Values |
6.0 |
| Number of Different Rhythmic Values Present |
6.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0 |
| Prevalence of Medium Rhythmic Values |
0.6984 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.7381 |
| Prevalence of Very Long Rhythmic Values |
0.03968 |
| Prevalence of Dotted Notes |
0.07937 |
| Shortest Rhythmic Value |
1.0 |
| Longest Rhythmic Value |
8.0 |
| Mean Rhythmic Value |
2.413 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.4365 |
| Relative Prevalence of Most Common Rhythmic Values |
0.6 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.487 |
| Rhythmic Value Skewness |
0.8324 |
| Rhythmic Value Kurtosis |
10.53 |
| Mean Rhythmic Value Run Length |
1.703 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.179 |
| Mean Rhythmic Value Offset |
0.0 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.0 |
| Complete Rests Fraction |
0.00000651 |
| Partial Rests Fraction |
0.1 |
| Average Rest Fraction Across Voices |
0.05001 |
| Longest Complete Rest |
0.0 |
| Longest Partial Rest |
4.0 |
| Mean Complete Rest Duration |
0.0 |
| Mean Partial Rest Duration |
2.667 |
| Median Complete Rest Duration |
0.0 |
| Median Partial Rest Duration |
2.0 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
1.033 |
| Variability Across Voices of Combined Rests |
2.828 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5489 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2344 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.342 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7833 |
| Rhythmic Variability - Tempo Standardized |
0.04981 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
126.0 |
| Initial Tempo |
320.0 |
| Average Variability of Time Between Attacks for Each Voice |
0.2768 |
| Minimum Note Duration |
0.1875 |
| Maximum Note Duration |
1.5 |
| Average Note Duration |
0.4524 |
| Variability of Note Durations |
0.2789 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
4.0 |
| Number of Moderate Rhythmic Pulses |
7.0 |
| Number of Relatively Strong Rhythmic Pulses |
7.0 |
| Mean Tempo |
320.0 |
| Strongest Rhythmic Pulse |
160.0 |
| Second Strongest Rhythmic Pulse |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
4.0 |
| Strength of Strongest Rhythmic Pulse |
0.1932 |
| Strength of Second Strongest Rhythmic Pulse |
0.1896 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.019 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.3828 |
| Rhythmic Variability |
0.03134 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.4286 |
| Tempo Variability |
0.0 |
| Duration in Seconds |
30.0 |
| Note Density |
4.2 |
| Note Density Variability |
0.7004 |
| Average Time Between Attacks |
0.3391 |
| Average Time Between Attacks for Each Voice |
0.4542 |
| Variability of Time Between Attacks |
0.138 |
| Maximum Number of Independent Voices |
2.0 |
| Relative Range of Loudest Voice |
0.7368 |
| Relative Range Isolation of Loudest Voice |
0.3485 |
| Relative Range of Highest Line |
0.7368 |
| Relative Note Density of Highest Line |
0.9524 |
| Relative Note Durations of Lowest Line |
1.05 |
| Relative Size of Melodic Intervals in Lowest Line |
1.0 |
| Voice Overlap |
0.7222 |
| Voice Separation |
6.0 |
| Variability of Voice Separation |
0.0 |
| Parallel Motion |
0.07463 |
| Average Number of Independent Voices |
1.9 |
| Similar Motion |
0.08955 |
| Contrary Motion |
0.2537 |
| Oblique Motion |
0.5821 |
| Parallel Fifths |
0.0 |
| Parallel Octaves |
0.0 |
| Variability of Number of Independent Voices |
0.3 |
| Voice Equality - Number of Notes |
4.243 |
| Voice Equality - Note Duration |
0.5303 |
| Voice Equality - Dynamics |
0.0 |
| Voice Equality - Melodic Leaps |
0.0 |
| Voice Equality - Range |
1.414 |
| Importance of Loudest Voice |
0.0 |