File

Last modified on: April 13, 2020, 4:48 p.m.

F164_10_Pisano_Perche_donna_OMRcorrIL.mid


Source
Florence, Italy, Biblioteca Nazionale Centrale, MS Magliabechi XIX.164-167
Musical Work
Perché donna non vuoi
File Type
Symbolic Music
File Format
midi
File Size
12.9 KB

Feature Value
Distance Between Two Most Common Vertical Intervals 7.0
Prevalence of Most Common Vertical Interval 0.1969
Prevalence of Second Most Common Vertical Interval 0.1912
Prevalence Ratio of Two Most Common Vertical Intervals 0.971
Vertical Unisons 0.02511
Vertical Minor Seconds 0.004025
Vertical Thirds 0.299
Vertical Tritones 0.007106
Vertical Perfect Fourths 0.1384
Vertical Perfect Fifths 0.1969
Vertical Sixths 0.1135
Vertical Sevenths 0.01714
Vertical Octaves 0.166
Perfect Vertical Intervals 0.5264
Vertical Dissonance Ratio 0.06515
Vertical Minor Third Prevalence 0.5742
Vertical Major Third Prevalence 0.512
Chord Duration 1.828
Partial Chords 0.2456
Standard Triads 0.5596
Diminished and Augmented Triads 0.02035
Dominant Seventh Chords 0.002907
Seventh Chords 0.02471
Non-Standard Chords 0.1701
Complex Chords 0.0
Minor Major Triad Ratio 0.7073
Average Number of Simultaneous Pitch Classes 2.766
Variability of Number of Simultaneous Pitch Classes 0.5979
Average Number of Simultaneous Pitches 3.505
Variability of Number of Simultaneous Pitches 0.6744
Most Common Vertical Interval 7.0
Second Most Common Vertical Interval 0.0
Dynamic Range 4.0
Variation of Dynamics 1.739
Variation of Dynamics In Each Voice 1.737
Average Note to Note Change in Dynamics 1.915
Unpitched Percussion Instrument Prevalence 0.0
String Keyboard Prevalence 0.0
Acoustic Guitar Prevalence 0.0
Electric Guitar Prevalence 0.0
Violin Prevalence 0.0
Saxophone Prevalence 0.0
Brass Prevalence 0.0
Woodwinds Prevalence 0.0
Orchestral Strings Prevalence 0.0
String Ensemble Prevalence 0.0
Electric Instrument Prevalence 0.0
Variability of Note Prevalence of Pitched Instruments 0.0
Variability of Note Prevalence of Unpitched Instruments 0.0
Number of Pitched Instruments 1.0
Number of Unpitched Instruments 0.0
Chromatic Motion 0.1328
Stepwise Motion 0.5642
Melodic Thirds 0.1251
Melodic Perfect Fourths 0.05049
Melodic Tritones 0.0
Melodic Perfect Fifths 0.05159
Melodic Sixths 0.001098
Melodic Sevenths 0.0
Melodic Octaves 0.01098
Melodic Large Intervals 0.0
Most Common Melodic Interval 2.0
Minor Major Melodic Third Ratio 1.151
Melodic Embellishments 0.02077
Direction of Melodic Motion 0.4727
Average Length of Melodic Arcs 1.679
Average Interval Spanned by Melodic Arcs 4.525
Melodic Pitch Variety 4.263
Mean Melodic Interval 2.184
Number of Common Melodic Intervals 3.0
Distance Between Most Prevalent Melodic Intervals 2.0
Prevalence of Most Common Melodic Interval 0.4314
Relative Prevalence of Most Common Melodic Intervals 0.4555
Amount of Arpeggiation 0.3842
Repeated Notes 0.1965
Importance of Middle Register 0.9071
Importance of High Register 0.07104
Dominant Spread 6.0
Strong Tonal Centres 1.0
Mean Pitch 64.69
Mean Pitch Class 5.091
Most Common Pitch 67.0
Most Common Pitch Class 7.0
Prevalence of Most Common Pitch 0.1355
Prevalence of Most Common Pitch Class 0.1803
Relative Prevalence of Top Pitches 0.8629
Relative Prevalence of Top Pitch Classes 0.9515
Interval Between Most Prevalent Pitches 2.0
Interval Between Most Prevalent Pitch Classes 5.0
Pitch Variability 5.476
Pitch Class Variability 3.478
Pitch Class Variability After Folding 3.251
Pitch Skewness 0.1575
Pitch Class Skewness 0.07824
Pitch Class Skewness After Folding 1.134
Pitch Kurtosis 5.518
Pitch Class Kurtosis 4.838
Pitch Class Kurtosis After Folding 7.236
Major or Minor 0.0
First Pitch 60.0
First Pitch Class 0.0
Last Pitch 48.0
Last Pitch Class 0.0
Glissando Prevalence 0.0
Average Range of Glissandos 0.0
Number of Pitches 17.0
Vibrato Prevalence 0.0
Microtone Prevalence 0.0
Number of Pitch Classes 8.0
Number of Common Pitches 5.0
Number of Common Pitch Classes 0.0
Range 29.0
Importance of Bass Register 0.02186
Note Density per Quarter Note 1.271
Note Density per Quarter Note per Voice 0.3177
Note Density per Quarter Note Variability 0.5011
Range of Rhythmic Values 9.0
Number of Different Rhythmic Values Present 8.0
Number of Common Rhythmic Values Present 3.0
Prevalence of Very Short Rhythmic Values 0.0
Prevalence of Short Rhythmic Values 0.02186
Prevalence of Medium Rhythmic Values 0.5814
Simple Initial Meter 1.0
Prevalence of Long Rhythmic Values 0.8164
Prevalence of Very Long Rhythmic Values 0.04262
Prevalence of Dotted Notes 0.07978
Shortest Rhythmic Value 0.5
Longest Rhythmic Value 12.0
Mean Rhythmic Value 2.772
Most Common Rhythmic Value 2.0
Prevalence of Most Common Rhythmic Value 0.3978
Relative Prevalence of Most Common Rhythmic Values 0.7802
Difference Between Most Common Rhythmic Values 2.0
Compound Initial Meter 0.0
Rhythmic Value Variability 1.706
Rhythmic Value Skewness 1.357
Rhythmic Value Kurtosis 13.51
Mean Rhythmic Value Run Length 1.894
Median Rhythmic Value Run Length 1.0
Variability in Rhythmic Value Run Lengths 1.417
Mean Rhythmic Value Offset 0.03497
Median Rhythmic Value Offset 0.0
Complex Initial Meter 0.0
Variability of Rhythmic Value Offsets 0.3726
Complete Rests Fraction 0.01667
Partial Rests Fraction 0.3028
Average Rest Fraction Across Voices 0.1083
Longest Complete Rest 4.0
Longest Partial Rest 48.0
Mean Complete Rest Duration 3.0
Mean Partial Rest Duration 3.805
Median Complete Rest Duration 4.0
Median Partial Rest Duration 2.0
Duple Initial Meter 1.0
Variability of Complete Rest Durations 1.155
Variability of Partial Rest Durations 5.859
Variability Across Voices of Combined Rests 22.33
Number of Strong Rhythmic Pulses - Tempo Standardized 3.0
Number of Moderate Rhythmic Pulses - Tempo Standardized 4.0
Number of Relatively Strong Rhythmic Pulses - Tempo Standardized 2.0
Strongest Rhythmic Pulse - Tempo Standardized 60.0
Second Strongest Rhythmic Pulse - Tempo Standardized 120.0
Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized 2.0
Triple Initial Meter 0.0
Strength of Strongest Rhythmic Pulse - Tempo Standardized 0.6168
Strength of Second Strongest Rhythmic Pulse - Tempo Standardized 0.1871
Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized 3.297
Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized 0.804
Rhythmic Variability - Tempo Standardized 0.05248
Rhythmic Looseness - Tempo Standardized 0.0
Polyrhythms - Tempo Standardized 1.0
Quadruple Initial Meter 0.0
Metrical Diversity 1.0
Total Number of Notes 915.0
Initial Tempo 320.0
Average Variability of Time Between Attacks for Each Voice 0.5955
Minimum Note Duration 0.09375
Maximum Note Duration 3.0
Average Note Duration 0.5262
Variability of Note Durations 0.3604
Amount of Staccato 0.02186
Number of Strong Rhythmic Pulses 4.0
Number of Moderate Rhythmic Pulses 7.0
Number of Relatively Strong Rhythmic Pulses 4.0
Mean Tempo 320.0
Strongest Rhythmic Pulse 80.0
Second Strongest Rhythmic Pulse 40.0
Harmonicity of Two Strongest Rhythmic Pulses 2.0
Strength of Strongest Rhythmic Pulse 0.215
Strength of Second Strongest Rhythmic Pulse 0.2041
Strength Ratio of Two Strongest Rhythmic Pulses 1.053
Combined Strength of Two Strongest Rhythmic Pulses 0.4191
Rhythmic Variability 0.03252
Rhythmic Looseness 0.0
Polyrhythms 0.75
Tempo Variability 0.0
Duration in Seconds 135.0
Note Density 6.778
Note Density Variability 1.41
Average Time Between Attacks 0.3194
Average Time Between Attacks for Each Voice 0.5867
Variability of Time Between Attacks 0.2372
Maximum Number of Independent Voices 4.0
Relative Range of Loudest Voice 0.5517
Relative Range Isolation of Loudest Voice 0.0
Relative Range of Highest Line 0.5517
Relative Note Density of Highest Line 0.3016
Relative Note Durations of Lowest Line 1.11
Relative Size of Melodic Intervals in Lowest Line 1.0
Voice Overlap 0.8765
Voice Separation 4.0
Variability of Voice Separation 3.0
Parallel Motion 0.07372
Average Number of Independent Voices 3.627
Similar Motion 0.1344
Contrary Motion 0.1605
Oblique Motion 0.6314
Parallel Fifths 0.003567
Parallel Octaves 0.007134
Variability of Number of Independent Voices 0.6439
Voice Equality - Number of Notes 29.34
Voice Equality - Note Duration 4.187
Voice Equality - Dynamics 0.5774
Voice Equality - Melodic Leaps 0.0
Voice Equality - Range 1.732
Importance of Loudest Voice 0.6667