File

Last modified on: April 19, 2024, 6:08 p.m.

La_Rue_Missa_Sub_tuum_presidium_-_Benedictus.krn


Source
Josquin Research Project
Musical Work
Missa Sub tuum presidium
Section
Sanctus (Benedictus)
File Type
Symbolic Music
File Format
.krn
File Size
729 bytes

Feature Value
Distance Between Two Most Common Vertical Intervals 7.0
Prevalence of Most Common Vertical Interval 0.2734
Prevalence of Second Most Common Vertical Interval 0.1719
Prevalence Ratio of Two Most Common Vertical Intervals 0.6286
Vertical Unisons 0.02344
Vertical Minor Seconds 0.03125
Vertical Thirds 0.2031
Vertical Tritones 0.03125
Vertical Perfect Fourths 0.04688
Vertical Perfect Fifths 0.2734
Vertical Sixths 0.1797
Vertical Sevenths 0.03906
Vertical Octaves 0.1484
Perfect Vertical Intervals 0.4922
Vertical Dissonance Ratio 0.1429
Vertical Minor Third Prevalence 0.1119
Vertical Major Third Prevalence 0.08209
Chord Duration 1.81
Partial Chords 1.0
Standard Triads 0.0
Diminished and Augmented Triads 0.0
Dominant Seventh Chords 0.0
Seventh Chords 0.0
Non-Standard Chords 0.0
Complex Chords 0.0
Minor Major Triad Ratio 0.0
Average Number of Simultaneous Pitch Classes 1.791
Variability of Number of Simultaneous Pitch Classes 0.4066
Average Number of Simultaneous Pitches 1.933
Variability of Number of Simultaneous Pitches 0.2503
Most Common Vertical Interval 7.0
Second Most Common Vertical Interval 0.0
Dynamic Range 0.0
Variation of Dynamics 0.0
Variation of Dynamics In Each Voice 0.0
Average Note to Note Change in Dynamics 0.0
Unpitched Percussion Instrument Prevalence 0.0
String Keyboard Prevalence 1.0
Acoustic Guitar Prevalence 0.0
Electric Guitar Prevalence 0.0
Violin Prevalence 0.0
Saxophone Prevalence 0.0
Brass Prevalence 0.0
Woodwinds Prevalence 0.0
Orchestral Strings Prevalence 0.0
String Ensemble Prevalence 0.0
Electric Instrument Prevalence 0.0
Variability of Note Prevalence of Pitched Instruments 0.0
Variability of Note Prevalence of Unpitched Instruments 0.0
Number of Pitched Instruments 1.0
Number of Unpitched Instruments 0.0
Chromatic Motion 0.211
Stepwise Motion 0.578
Melodic Thirds 0.1376
Melodic Perfect Fourths 0.07339
Melodic Tritones 0.0
Melodic Perfect Fifths 0.02752
Melodic Sixths 0.0
Melodic Sevenths 0.0
Melodic Octaves 0.0
Melodic Large Intervals 0.0
Most Common Melodic Interval 2.0
Minor Major Melodic Third Ratio 6.5
Melodic Embellishments 0.009009
Direction of Melodic Motion 0.4494
Average Length of Melodic Arcs 2.023
Average Interval Spanned by Melodic Arcs 4.591
Melodic Pitch Variety 5.387
Mean Melodic Interval 1.936
Number of Common Melodic Intervals 4.0
Distance Between Most Prevalent Melodic Intervals 1.0
Prevalence of Most Common Melodic Interval 0.367
Relative Prevalence of Most Common Melodic Intervals 0.575
Amount of Arpeggiation 0.3486
Repeated Notes 0.1835
Importance of Middle Register 0.5766
Importance of High Register 0.0
Dominant Spread 6.0
Strong Tonal Centres 2.0
Mean Pitch 54.0
Mean Pitch Class 6.171
Most Common Pitch 59.0
Most Common Pitch Class 11.0
Prevalence of Most Common Pitch 0.1982
Prevalence of Most Common Pitch Class 0.2523
Relative Prevalence of Top Pitches 0.8636
Relative Prevalence of Top Pitch Classes 0.6786
Interval Between Most Prevalent Pitches 7.0
Interval Between Most Prevalent Pitch Classes 7.0
Pitch Variability 4.387
Pitch Class Variability 3.938
Pitch Class Variability After Folding 2.716
Pitch Skewness -0.04928
Pitch Class Skewness -0.6314
Pitch Class Skewness After Folding 0.5771
Pitch Kurtosis 5.374
Pitch Class Kurtosis 4.815
Pitch Class Kurtosis After Folding 8.041
Major or Minor 0.0
First Pitch 52.0
First Pitch Class 4.0
Last Pitch 45.0
Last Pitch Class 9.0
Glissando Prevalence 0.01802
Average Range of Glissandos 0.0
Number of Pitches 11.0
Vibrato Prevalence 0.0
Microtone Prevalence 0.01802
Number of Pitch Classes 7.0
Number of Common Pitches 5.0
Number of Common Pitch Classes 1.0
Range 17.0
Importance of Bass Register 0.4234
Note Density per Quarter Note 0.8102
Note Density per Quarter Note per Voice 0.8102
Note Density per Quarter Note Variability 0.4466
Range of Rhythmic Values 7.0
Number of Different Rhythmic Values Present 6.0
Number of Common Rhythmic Values Present 3.0
Prevalence of Very Short Rhythmic Values 0.0
Prevalence of Short Rhythmic Values 0.0
Prevalence of Medium Rhythmic Values 0.7027
Simple Initial Meter 1.0
Prevalence of Long Rhythmic Values 0.5586
Prevalence of Very Long Rhythmic Values 0.05405
Prevalence of Dotted Notes 0.09009
Shortest Rhythmic Value 1.0
Longest Rhythmic Value 12.0
Mean Rhythmic Value 2.324
Most Common Rhythmic Value 1.0
Prevalence of Most Common Rhythmic Value 0.4414
Relative Prevalence of Most Common Rhythmic Values 0.5918
Difference Between Most Common Rhythmic Values 2.0
Compound Initial Meter 0.0
Rhythmic Value Variability 1.903
Rhythmic Value Skewness 0.5113
Rhythmic Value Kurtosis 13.52
Mean Rhythmic Value Run Length 1.85
Median Rhythmic Value Run Length 1.0
Variability in Rhythmic Value Run Lengths 1.764
Mean Rhythmic Value Offset 0.03604
Median Rhythmic Value Offset 0.0
Complex Initial Meter 0.0
Variability of Rhythmic Value Offsets 0.3797
Complete Rests Fraction 0.0219
Partial Rests Fraction 0.0219
Average Rest Fraction Across Voices 0.0219
Longest Complete Rest 2.0
Longest Partial Rest 2.0
Mean Complete Rest Duration 1.5
Mean Partial Rest Duration 1.5
Median Complete Rest Duration 2.0
Median Partial Rest Duration 2.0
Duple Initial Meter 1.0
Variability of Complete Rest Durations 0.7071
Variability of Partial Rest Durations 0.7071
Variability Across Voices of Combined Rests 0.0
Number of Strong Rhythmic Pulses - Tempo Standardized 3.0
Number of Moderate Rhythmic Pulses - Tempo Standardized 3.0
Number of Relatively Strong Rhythmic Pulses - Tempo Standardized 3.0
Strongest Rhythmic Pulse - Tempo Standardized 60.0
Second Strongest Rhythmic Pulse - Tempo Standardized 120.0
Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized 2.0
Triple Initial Meter 0.0
Strength of Strongest Rhythmic Pulse - Tempo Standardized 0.4301
Strength of Second Strongest Rhythmic Pulse - Tempo Standardized 0.2867
Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized 1.5
Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized 0.7168
Rhythmic Variability - Tempo Standardized 0.04618
Rhythmic Looseness - Tempo Standardized 0.0
Polyrhythms - Tempo Standardized 0.6667
Quadruple Initial Meter 0.0
Metrical Diversity 1.0
Total Number of Notes 111.0
Initial Tempo 120.0
Average Variability of Time Between Attacks for Each Voice 0.4154
Minimum Note Duration 0.5
Maximum Note Duration 8.0
Average Note Duration 1.18
Variability of Note Durations 1.057
Amount of Staccato 0.0
Number of Strong Rhythmic Pulses 3.0
Number of Moderate Rhythmic Pulses 3.0
Number of Relatively Strong Rhythmic Pulses 3.0
Mean Tempo 120.0
Strongest Rhythmic Pulse 60.0
Second Strongest Rhythmic Pulse 120.0
Harmonicity of Two Strongest Rhythmic Pulses 2.0
Strength of Strongest Rhythmic Pulse 0.4301
Strength of Second Strongest Rhythmic Pulse 0.2867
Strength Ratio of Two Strongest Rhythmic Pulses 1.5
Combined Strength of Two Strongest Rhythmic Pulses 0.7168
Rhythmic Variability 0.04618
Rhythmic Looseness 0.0
Polyrhythms 0.6667
Tempo Variability 0.0
Duration in Seconds 68.5
Note Density 1.62
Note Density Variability 0.7227
Average Time Between Attacks 0.7706
Average Time Between Attacks for Each Voice 0.7706
Variability of Time Between Attacks 0.4154
Maximum Number of Independent Voices 1.0
Relative Range of Loudest Voice 1.0
Relative Range Isolation of Loudest Voice 0.0
Relative Range of Highest Line 1.0
Relative Note Density of Highest Line 0.4865
Relative Note Durations of Lowest Line 1.0
Relative Size of Melodic Intervals in Lowest Line 1.0
Voice Overlap 0.0
Voice Separation 0.0
Variability of Voice Separation 0.0
Parallel Motion 0.01562
Average Number of Independent Voices 1.0
Similar Motion 0.07812
Contrary Motion 0.1406
Oblique Motion 0.7656
Parallel Fifths 0.01562
Parallel Octaves 0.0
Variability of Number of Independent Voices 0.0
Voice Equality - Number of Notes 0.0
Voice Equality - Note Duration 0.0
Voice Equality - Dynamics 0.0
Voice Equality - Melodic Leaps 0.0
Voice Equality - Range 0.0
Importance of Loudest Voice 0.0