File

Last modified on: April 19, 2024, 4:26 p.m.

F164_13_Pisano_Gia_mai_OMRcorrIL_FytFeAd.mid


Source
Florence, Italy, Biblioteca Nazionale Centrale, MS Magliabechi XIX.164-167
Musical Work
Giamai non veder gli occhi
File Type
Symbolic Music
File Format
midi
File Size
9.1 KB

Feature Value
Distance Between Two Most Common Vertical Intervals 7.0
Prevalence of Most Common Vertical Interval 0.1964
Prevalence of Second Most Common Vertical Interval 0.1948
Prevalence Ratio of Two Most Common Vertical Intervals 0.9916
Vertical Unisons 0.01635
Vertical Minor Seconds 0.006453
Vertical Thirds 0.2851
Vertical Tritones 0.003432
Vertical Perfect Fourths 0.1321
Vertical Perfect Fifths 0.1948
Vertical Sixths 0.1268
Vertical Sevenths 0.03775
Vertical Octaves 0.1801
Perfect Vertical Intervals 0.5233
Vertical Dissonance Ratio 0.06932
Vertical Minor Third Prevalence 0.525
Vertical Major Third Prevalence 0.4604
Chord Duration 1.777
Partial Chords 0.2871
Standard Triads 0.4891
Diminished and Augmented Triads 0.002183
Dominant Seventh Chords 0.001092
Seventh Chords 0.0524
Non-Standard Chords 0.1714
Complex Chords 0.0
Minor Major Triad Ratio 0.8138
Average Number of Simultaneous Pitch Classes 2.714
Variability of Number of Simultaneous Pitch Classes 0.6741
Average Number of Simultaneous Pitches 3.489
Variability of Number of Simultaneous Pitches 0.7691
Most Common Vertical Interval 0.0
Second Most Common Vertical Interval 7.0
Dynamic Range 4.0
Variation of Dynamics 1.78
Variation of Dynamics In Each Voice 1.785
Average Note to Note Change in Dynamics 2.083
Unpitched Percussion Instrument Prevalence 0.0
String Keyboard Prevalence 0.0
Acoustic Guitar Prevalence 0.0
Electric Guitar Prevalence 0.0
Violin Prevalence 0.0
Saxophone Prevalence 0.0
Brass Prevalence 0.0
Woodwinds Prevalence 0.0
Orchestral Strings Prevalence 0.0
String Ensemble Prevalence 0.0
Electric Instrument Prevalence 0.0
Variability of Note Prevalence of Pitched Instruments 0.0
Variability of Note Prevalence of Unpitched Instruments 0.0
Number of Pitched Instruments 1.0
Number of Unpitched Instruments 0.0
Chromatic Motion 0.1438
Stepwise Motion 0.631
Melodic Thirds 0.1198
Melodic Perfect Fourths 0.07508
Melodic Tritones 0.0
Melodic Perfect Fifths 0.05272
Melodic Sixths 0.001597
Melodic Sevenths 0.0
Melodic Octaves 0.02236
Melodic Large Intervals 0.0
Most Common Melodic Interval 2.0
Minor Major Melodic Third Ratio 1.885
Melodic Embellishments 0.01746
Direction of Melodic Motion 0.4637
Average Length of Melodic Arcs 1.619
Average Interval Spanned by Melodic Arcs 4.53
Melodic Pitch Variety 5.165
Mean Melodic Interval 2.546
Number of Common Melodic Intervals 3.0
Distance Between Most Prevalent Melodic Intervals 1.0
Prevalence of Most Common Melodic Interval 0.4872
Relative Prevalence of Most Common Melodic Intervals 0.2951
Amount of Arpeggiation 0.2923
Repeated Notes 0.09744
Importance of Middle Register 0.8254
Importance of High Register 0.0619
Dominant Spread 7.0
Strong Tonal Centres 1.0
Mean Pitch 62.53
Mean Pitch Class 4.825
Most Common Pitch 67.0
Most Common Pitch Class 0.0
Prevalence of Most Common Pitch 0.1032
Prevalence of Most Common Pitch Class 0.2143
Relative Prevalence of Top Pitches 0.9692
Relative Prevalence of Top Pitch Classes 0.8444
Interval Between Most Prevalent Pitches 7.0
Interval Between Most Prevalent Pitch Classes 7.0
Pitch Variability 7.007
Pitch Class Variability 3.491
Pitch Class Variability After Folding 3.985
Pitch Skewness -0.5519
Pitch Class Skewness -0.1501
Pitch Class Skewness After Folding 1.295
Pitch Kurtosis 5.244
Pitch Class Kurtosis 4.678
Pitch Class Kurtosis After Folding 5.35
Major or Minor 0.0
First Pitch 60.0
First Pitch Class 0.0
Last Pitch 48.0
Last Pitch Class 0.0
Glissando Prevalence 0.0
Average Range of Glissandos 0.0
Number of Pitches 18.0
Vibrato Prevalence 0.0
Microtone Prevalence 0.0
Number of Pitch Classes 7.0
Number of Common Pitches 2.0
Number of Common Pitch Classes 1.0
Range 29.0
Importance of Bass Register 0.1127
Note Density per Quarter Note 1.312
Note Density per Quarter Note per Voice 0.3281
Note Density per Quarter Note Variability 0.5465
Range of Rhythmic Values 9.0
Number of Different Rhythmic Values Present 8.0
Number of Common Rhythmic Values Present 2.0
Prevalence of Very Short Rhythmic Values 0.0
Prevalence of Short Rhythmic Values 0.0254
Prevalence of Medium Rhythmic Values 0.6222
Simple Initial Meter 1.0
Prevalence of Long Rhythmic Values 0.8571
Prevalence of Very Long Rhythmic Values 0.03651
Prevalence of Dotted Notes 0.09365
Shortest Rhythmic Value 0.5
Longest Rhythmic Value 12.0
Mean Rhythmic Value 2.686
Most Common Rhythmic Value 2.0
Prevalence of Most Common Rhythmic Value 0.4794
Relative Prevalence of Most Common Rhythmic Values 0.5662
Difference Between Most Common Rhythmic Values 2.0
Compound Initial Meter 0.0
Rhythmic Value Variability 1.582
Rhythmic Value Skewness 1.301
Rhythmic Value Kurtosis 16.9
Mean Rhythmic Value Run Length 2.0
Median Rhythmic Value Run Length 1.0
Variability in Rhythmic Value Run Lengths 1.691
Mean Rhythmic Value Offset 0.03175
Median Rhythmic Value Offset 0.0
Complex Initial Meter 0.0
Variability of Rhythmic Value Offsets 0.3552
Complete Rests Fraction 0.00000217
Partial Rests Fraction 0.2958
Average Rest Fraction Across Voices 0.1083
Longest Complete Rest 0.0
Longest Partial Rest 40.0
Mean Complete Rest Duration 0.0
Mean Partial Rest Duration 5.943
Median Complete Rest Duration 0.0
Median Partial Rest Duration 4.0
Duple Initial Meter 1.0
Variability of Complete Rest Durations 0.0
Variability of Partial Rest Durations 7.412
Variability Across Voices of Combined Rests 20.72
Number of Strong Rhythmic Pulses - Tempo Standardized 3.0
Number of Moderate Rhythmic Pulses - Tempo Standardized 4.0
Number of Relatively Strong Rhythmic Pulses - Tempo Standardized 1.0
Strongest Rhythmic Pulse - Tempo Standardized 60.0
Second Strongest Rhythmic Pulse - Tempo Standardized 40.0
Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized 1.5
Triple Initial Meter 0.0
Strength of Strongest Rhythmic Pulse - Tempo Standardized 0.6605
Strength of Second Strongest Rhythmic Pulse - Tempo Standardized 0.1629
Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized 4.054
Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized 0.8234
Rhythmic Variability - Tempo Standardized 0.05488
Rhythmic Looseness - Tempo Standardized 0.0
Polyrhythms - Tempo Standardized 1.0
Quadruple Initial Meter 0.0
Metrical Diversity 1.0
Total Number of Notes 630.0
Initial Tempo 320.0
Average Variability of Time Between Attacks for Each Voice 0.3962
Minimum Note Duration 0.09375
Maximum Note Duration 3.0
Average Note Duration 0.5095
Variability of Note Durations 0.3365
Amount of Staccato 0.0254
Number of Strong Rhythmic Pulses 4.0
Number of Moderate Rhythmic Pulses 7.0
Number of Relatively Strong Rhythmic Pulses 4.0
Mean Tempo 320.0
Strongest Rhythmic Pulse 80.0
Second Strongest Rhythmic Pulse 40.0
Harmonicity of Two Strongest Rhythmic Pulses 2.0
Strength of Strongest Rhythmic Pulse 0.2188
Strength of Second Strongest Rhythmic Pulse 0.2121
Strength Ratio of Two Strongest Rhythmic Pulses 1.032
Combined Strength of Two Strongest Rhythmic Pulses 0.4308
Rhythmic Variability 0.03297
Rhythmic Looseness 0.0
Polyrhythms 0.75
Tempo Variability 0.0
Duration in Seconds 90.0
Note Density 7.0
Note Density Variability 1.863
Average Time Between Attacks 0.3029
Average Time Between Attacks for Each Voice 0.5354
Variability of Time Between Attacks 0.1292
Maximum Number of Independent Voices 4.0
Relative Range of Loudest Voice 0.4483
Relative Range Isolation of Loudest Voice 0.7407
Relative Range of Highest Line 0.4483
Relative Note Density of Highest Line 0.4508
Relative Note Durations of Lowest Line 1.05
Relative Size of Melodic Intervals in Lowest Line 0.8889
Voice Overlap 0.7397
Voice Separation 5.667
Variability of Voice Separation 3.215
Parallel Motion 0.04732
Average Number of Independent Voices 3.567
Similar Motion 0.1196
Contrary Motion 0.1968
Oblique Motion 0.6364
Parallel Fifths 0.003736
Parallel Octaves 0.0
Variability of Number of Independent Voices 0.7442
Voice Equality - Number of Notes 12.4
Voice Equality - Note Duration 3.885
Voice Equality - Dynamics 0.0
Voice Equality - Melodic Leaps 0.5
Voice Equality - Range 1.258
Importance of Loudest Voice 0.0